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Roger Zelazny

Roger Zelazny made his name with a group of novellas which demonstrated just how intense an emotional charge could be generated by the stock imagery of sf; the most famous of these is A Rose for Ecclesiastes in which a poet struggles to convince dying and sterile Martians that life is worth continuing. Zelazny continued to write excellent short stories throughout his career. Most of his novels deal, one way or another, with tricksters and mythology, often with rogues who become gods, like Sam in Lord of Light, who reinvents Buddhism as a vehicle for political subversion on a colony planet.

The fantasy sequence The Amber Chronicles, which started with Nine Princes in Amber, deals with the ruling family of a Platonic realm at the metaphysical heart of things, who can slide, trickster-like through realities, and their wars with each other and the related ruling house of Chaos. Zelazny never entirely fulfilled his early promise—who could?—but he and his work were much loved, and a potent influence on such younger writers as George R. R. Martin and Neil Gaiman.

He won the Nebula award three times (out of 14 nominations) and the Hugo award six times (out of 14 nominations). His papers are housed at the Albin O. Khun Library of the University of Maryland, Baltimore County (UMBC).

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“The death of an illusion tends to disconcert.”
Roger Zelazny
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“Love is a negative form of hatred.”
Roger Zelazny
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“...And call me Conrad!”
Roger Zelazny
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“Добре. Още един ден и ние продължаваме да сме живи. Може дори мъничко бяхме помъдрели. Достатъчно, за да осъзнаем, че все още съществуват много неща, които трябва да научим. Да не губим надежда. Това е то.”
Roger Zelazny
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“In the State of Denmark there was the odor of decay...”
Roger Zelazny
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“It was almost a mystical experience. I do not know how else to put it. My mind outran time as he neared, and it was as though I had an eternity to ponder the approach of this man who was my brother. His garments were filthy, his face blackened, the stump of his right arm raised, gesturing anywhere. The great beast that he rode was striped, black and red, with a wild red mane and tail. But it really was a horse, and its eyes rolled and there was foam at its mouth and its breathing was painful to hear. I saw then that he wore his blade slung across his back, for its haft protruded high above his right shoulder. Still slowing, eyes fixed upon me, he departed the road, bearing slightly toward my left, jerked the reins once and released them, keeping control of the horse with his knees. His left hand went up in a salute-like movement that passed above his head and seized the hilt of his weapon. It came free without a sound, describing a beautiful arc above him and coming to rest in a lethal position out from his left shoulder and slanting back, like a single wing of dull steel with a minuscule line of edge that gleamed like a filament of mirror. The picture he presented was burned into my mind with a kind of magnificence, a certain splendor that was strangely moving. The blade was a long, scythe like affair that I had seen him use before. Only then we had stood as allies against a mutual foe I had begun to believe unbeatable. Benedict had proved otherwise that night. Now that I saw it raised against me I was overwhelmed with a sense of my own mortality, which I had never experienced before in this fashion. It was as though a layer had been stripped from the world and I had a sudden, full understanding of death itself.”
Roger Zelazny
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“Then the one called Raltariki is really a demon?" asked Tak."Yes—and no," said Yama, "If by 'demon' you mean a malefic, supernatural creature, possessed of great powers, life span and the ability to temporarily assume virtually any shape—then the answer is no. This is the generally accepted definition, but it is untrue in one respect.""Oh? And what may that be?""It is not a supernatural creature.""But it is all those other things?""Yes.""Then I fail to see what difference it makes whether it be supernatural or not—so long as it is malefic, possesses great powers and life span and has the ability to change its shape at will.""Ah, but it makes a great deal of difference, you see. It is the difference between the unknown and the unknowable, between science and fantasy—it is a matter of essence. The four points of the compass be logic, knowledge, wisdom and the unknown. Some do bow in that final direction. Others advance upon it. To bow before the one is to lose sight of the three. I may submit to the unknown, but never to the unknowable.”
Roger Zelazny
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“I know, too, that death is the only god who comes when you call.”
Roger Zelazny
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“I would never rest until I held vengeance and the throne within my hand, and good night sweet prince to anybody who stood between me and these things.”
Roger Zelazny
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“Do you work for the government, any government?”"I pay taxes, which means I work for the government, part of the time. Yes.”
Roger Zelazny
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“There are none of you, good doctors, could cope with my family anyway.”
Roger Zelazny
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“Good-bye and hello, as always.”
Roger Zelazny
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“Sleep is perhaps the only among life's great pleasures which need not be of short duration.”
Roger Zelazny
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“Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place.Trust your demon.”
Roger Zelazny
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“Nobody steals books but your friends.”
Roger Zelazny
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“I like libraries. It makes me feel comfortable and secure to have walls of words, beautiful and wise, all around me. I always feel better when I can see that there is something to hold back the shadows.”
Roger Zelazny
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“Don't wake me for the end of the world unless it has very good special effects.”
Roger Zelazny
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“No word matters. But man forgets reality and remembers words.”
Roger Zelazny
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“I'm a lost soul. We do wail.”
Roger Zelazny
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“The day of battle dawned pink as the fresh-bitten thigh of a maiden.”
Roger Zelazny
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“The columns of mounted men moved forward, passed out through the gates of the Palace of Karma, turned off the roadway and headed up the slope that lay to the southeast of the city of Mahartha, comrades blazing like the dawn at their back.”
Roger Zelazny
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“Once a Buddha, always a Buddha, Sam. Dust off some of your old parables. You have about fifteen minutes.' Sam held out his hand. "Give me some tobacco and a paper.”
Roger Zelazny
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“Why could you not have left me as I was, in the sea of being?""Because the world has need of your humility, your piety, your great teaching and your Machiavellian scheming.”
Roger Zelazny
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“A totally nondenominational prayer: Insofar as I may be heard by anything, which may or may not care what I say, I ask, if it matters, that I be forgiven for anything I may have done or failed to do which requires forgiveness.  Conversely, if not forgiveness but something else may be required to insure any possible benefit for which I may be eligible after the destruction of my body, I ask that this, whatever it may be, be granted or withheld, as the case may be, in such a manner as to insure said benefit. I ask this in my capacity as your elected intermediary between yourself and that which may not be yourself, but which may have an interest in the matter of your receiving as much as it is possible for you to receive of this thing, and which may in some way be influenced by this ceremony. Amen.”
Roger Zelazny
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“...the headwaters of Shit Creek are a cruel and treacherous expanse.”
Roger Zelazny
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“Time passed slowly, like and old man climbing a hill.”
Roger Zelazny
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“There's no such thing as civilization. The word just means the art of living in cities.”
Roger Zelazny
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