Ryan Knighton

“The edge of the world is always the next step when you're blind.”

“The stutter remains something memorable and good. I felt more at ease because of it. We were both somewhat vulnerable and, in our own ways, hesitant.”

“I dream in tunnel vision, I think. I remember in tunnel vision, I think. The question remains, when my tunnel vision goes, as it will very soon, what will I remember seeing? How will I remember?All I can do is write it down and keep writing. How else can I hold this picture, this life, or this face together? The view from here is of a boy with a softball, ready to let it go. His is an ironic gift from the past, as if the young me is aiming at the old, saying, "Here, buddy, let me help you with that." I wanted to let the ball fly at my lens, whatever was left of it.”

“She stood in our cramped little bathroom, a bag of cosmetics in hand. Putting on her makeup while asking if we should buy a couch meant she'd already made up her mind that we were going to IKEA today, and asking me if we ought to go was her way of saying "Get your shoes on." It's dizzying, all the versions of meanings available to the listener.”

“I always get muscle aches in my eyes after a few hours of reading," she said. "Doesn't matter what. The closeness does it. All these words in your face, one at a time and filling your periphery. I love reading, but there's a limit."There are times," she went on, "when I don't leave my apartment for days. I read for hours without a break and feel like all I want to do is stand in a field and look as far as I can in any direction. I want a view, but I don't want to see anything. I just want something like an eye stretch.""Why not just shut your eyes?" I asked. "What's the difference?""Closing my eyes is too much like nearness, like reading. It's black and it's in your face, sort of crowding you. Gazing down a prairie road stretches me and the muscles in my eyes. I don't necessarily want to see anything. Just look out.”

“Seeing is itself touched with elegy. Reality seems to press its light into us, it is happening, but that's not the way things are. The eye can process only so many images per second, taking in sights the way a camera takes a series of stills. The reality we see is the sketchpad comics we made as kids, me and my brothers and sister. Draw a stickman taking a step on one page, and on the next draw that same figure, only his foot is slightly further ahead, and again on the next page, draw this figure, but with his foot on the ground. Flip through them quickly, and he appears to walk. That's the mechanics of the eye, too. We think we are seeing life as it happens, but pictures are missing. Moments disappear between the stills and make up our unwitnessed lives. To see is to miss things. Loss is always with us.”

“Cash was running low, so I'd applied for a job as an administrative assistant for a nonprofit arts group. Without question, my organizational skills were as sharp as my vision, and I had no office experience to speak of. Luckily for me, none of this surfaced during the interview.'Ryan, pretend it's a rough morning for a sec. Handle this situation for me. When you arrive at work to open the arts resource centre, several people are already at the door. Two clients want immediate help with grant applications - you know those artists, they just can't wait! - and a third wants to use our library, which isn't open till noon. Entering the office, you hear the phone is ringing and see the message light is blinking. The fax machine looks jammed again, and we're expecting an important document. Among the people waiting is a courier with a package you need to sign for. Think about it, though. The lights haven't been turned on yet, and the sign put out front. The alarm needs the code within a minute, too. So, wow, rough morning. I'd like to know what you'd do first.''First I'd tell everybody how weird this is. I'm in the same test situation from my job interview. What are the chances?'I started the next day.”

“Although I was fine, that night didn't sit well with me for the rest of our trip. Something had, in the end, been taken from me, something very small. A strange kind of dignity, maybe. In its place remained an alien resentment. I know it seems daft, really, but how does one get justice for not having been mugged? It's a real question, although not a high priority. For what it's worth, I learned this much - even commonplace violence and social dangers can't give me a fair shake. Discrimination feels like discrimination, even when it's for the best. My generation has been so socialized into our rights and so schooled away from discriminations of any kind, I didn't know how to be thankful. Thank you for stereotyping me. Thanks for excluding me from your violence, although I'm a relatively affluent tourist. Gratitude for being spared is something of a double bind. I wanted to lose. I wanted to lose like everybody else in order to keep that bit of dignity.”

“Within a week or two the calm returned between us, but something was missing. Dad could feel it, too. The first casualty of distrust, I learned, is familiarity. My father saw me as a slightly different person now.”

“A tiredness crept over her that would shame narcoleptics. She could sleep anytime, anywhere, in any position. No hyperbole. I mean, we'd be at the dinner table, and I'd be in mid-sentence when I'd detect a fresh, eerie silence in the room, the kind that didn't sound to my blind man's ears like somebody listening. I'd just carry on with dinner, and hope that she'd made it to bed this time.”

“A monumental decision such as starting a family requires persuasive dissertations, licences, spreadsheets and field research. That's what I assumed until one night when we were lying in bed and, if I recall correctly, I asked Tracy if we were ready to have a family now, and she said sure. That was it.”