Ryu Murakami

“They needed a reason why a little kid would commit murder, someone or something to point the finger at, and I think they were relieved when they hit upon horror movies as the culprit. But there's no reason a child commits murder, just as there's no reason a child gets lost. What would it be - because his parents weren't watching him? That's not a reason, it's just a step in the process.”

“When you're a kid, getting lost isn't just an event or a situation, it's like a career move. You get this thrill of anxiety and fear and a feeling that you've done something that can never be undone.”

“Lady #1, Maki, had never once given any thought to what was really right for her in her life, simply believing that if she surrounded herself with super-exclusive things, she'd become a super-exclusive person.”

“When you're in an extreme situation you tend to avoid facing it by getting caught up in little details. Like a guy who's decided to commit suicide and boards a train only to become obsessed with whether he remembered to lock the door when he left home.”

“He invited me to his apartment in the wee hours one morning and pulled out a set of children's building blocks. It seems he used to ride around and around on the Yamanote Line with them, building castles on the floor of the train.”

“The song was the late Ishihara Yujiro’s “Rusty Knife,” and Sakaguchi’s singing was so bad that itgave the lyric a strange new pathos and poignancy. Listening to his version, Suzuki Midori wasreminded that no one ever said it would be easy to go on living in this world; Takeuchi Midoripondered the noble truth that nobody’s life consists exclusively of happy times; Henmi Midorivowed to remember that it’s best to keep an open heart and forgive even those who’vetrespassed against us; and Tomiyama Midori had to keep telling herself that hitting rock bottomis in fact the first step to a hopeful new future.”

“It was a face that instantly robbed those who gazed upon it of a good thirty percentof the energy they needed to go on living.”

“It was the perfect time and place for an inherently timid person like him to express hisinner pervert by peeing in public.”

“In heated rooms, he often felt the outlines of his body, the border between him and the external world, grow disturbingly fuzzy.”

“I learned two important things about the sound I was searching for: that it had to be indirect, refracted or muffled in some way; and that the sound had to give the impression that it would continue forever- the sound of someone practicing piano heard faintly from an unknown direction, or the sound of gentle rain outside a window, punctuated by drops falling on the casement.”

“И вдруг поняла, что больше не любит этого человека. Поняла, что до сих пор волновалась не за себя, а за Хаси – чтобы он не стал убийцей. При этой мысли она испытала некоторое облегчение и одновременно подумала, что он уродлив. Что то глубоко застряло у нее в груди, потом выползло через горло и выплеснулось изо рта:– Твой ребенок не умрет! – прокричала она и увидела, что Хаси теряет сознание. – Даже если ты выдерешь его из меня, даже если это будет только крошечный зародыш и его отправят в сточную канаву, он все равно выживет. Это ребенок человека, который выжил в камере хранения. Поэтому он будет жить и расти, а потом будет разыскивать тебя. К тому времени ты превратишься в муху, но тебе не удастся скрыться, и я обещаю, что он тебя раздавит – этот ребенок, который будет жить!”

“It was the face of a human being who’d been constructed exclusively of wounds. Not time or history or ambition, nothing but wounds. The face of a person who could probably kill someone without feeling anything whatsoever.”

“The young peoplenowadays – men and women, amateurs and pros – generally fallinto one of two categories: either they don’t know what it isthat’s most important to them, or they know but don’t have thepower to go after it. But this girl’s different. She knows what’smost important to her and she knows how to get it, but shedoesn’t let on what it is. I’m pretty sure it’s not money, orsuccess, or a normal happy life, or a strong man, or some weirdreligion, but that’s about all I can tell you. She’s like smoke: youthink you’re seeing her clearly enough, but when you reach forher there’s nothing there. That’s a sort of strength, I suppose.But it makes her hard to figure out.”

“That’s what violence was: emotion leaking out from consciousness into the physical world, linking up with the muscles of the arms and shoulders and diaphragm and, inevitably, the face. Stifle emotion during an act of violence and the face becomes a blank, unreadable mask.”

“Very few people of our generation or the next will reach adulthood without experiencing the sort of unhappiness you can't really deal with on your own. We're still in the minority, so the media lump us together as "The Oversensitive Young", or whatever the latest catchphrase is, but eventually that will change.”

“Words themselves aren't that important. Even if somebody says words that shock you, or make you want to kill them, or make you tremble with emotion, the words themselves you tend to forget in time. Words are just tools we use to express or communicate something.”

“It's always precisely the sort of smug old wanker you would never ever want to end up like. We don't live the way you tell us to because we're afraid that if we do we'll grow up to be like you, and the thought of that is unbearable. It's alright for you because you'll be dead soon anyway, but we've still got another fifty or sixty years to live in this stinking country.”

“He wakes! The steel giant wakes! Long, long ago he rose from the sea, with the blood of life streaming from his belly. And then they buried him with thunder...and...carrots...at Stonehenge. But now he wakes again. The Age of Rotten Fish is over; the Age of Steel and Bombs is upon us. And he had come to give us life and strength, to free us form these cells, to restore us once again to baseball and ping pong! Sent by God from the Great Beyond!!!”

“Malevolence is born of negative feelings like loneliness and sadness and anger. It comes from an emptiness inside you that feels as if it's been carved out with a knife, an emptiness you're left with when something very important has been taken away from you”

“After hanging up the phone Aoyama sank back back on the sofa feeling like a balloon in a warm blue sky.”

“Just before I fell asleep, I had a moment of panic ...”

“And just because I've written this book, don't think I've changed. I'm like I was back then, really.”

“Yeah, he'd said, maybe it's just my idea, but really it always hurts, the times it don't hurt is when we just forget, we just forget it hurts, you know, it's not just because my belly's all rotten, everybody always hurts. So when it really starts stabbing me, somehow I feel sort of peaceful, like I'm myself again.”

“But for all we’ve lost, hope is in fact one thing we Japanese have regained. The great earthquake and tsunami have robbed us of many lives and resources. But we who were so intoxicated with our own prosperity have once again planted the seed of hope. So I choose to believe.”

“The world's worst flavor combination was mango and menthol.”

“TV sounds are all the same; there's no difference between the sound of the wind in Northern Ireland and the wind on a Polynesian island.”

“Every one of a hundred thousand cities around the world had its own special sunset and it was worth going there, just once, if only to see the sun go down.”

“They don't realise that they've changed; they think it's the world that changed.”

“There in that pool stained with green blood, he had learned two things: one was that all the pain stopped when you stopped fighting death; and the other was that as long as you could still hear your heart beating, you had to keep fighting back.”

“Parents, teachers, government - they all teach you how to live the dreary, deadening life of a slave, but nobody teaches you how to live normally.”

“All Americans have something lonely about them. I don't know what the reason might be, except maybe that they're all descended from immigrants.”

“... The type of loneliness where you need to keep struggling to accept a situation is fundamentally different than the sort you know you'll get through if you just hang in there”

“She's like smoke:you think you're seeing her clearly enough,but when you reach for her there's nothing there”

“I don't need to eat the stuff now because now I'm here-right in the middle of it!The soup I ordered in Colorado had all these little slices of vegetables and things, which at the time just looked like kitchen scrapings to me. But now I'm in the miso soup myself,just like those bits of vegetable. I'm floating around in this giant bowl of it, and that's good enough for me.”

“Everybody wants to talk about themselves, and everybody wants to hear everybody else's story, so we take turns playing reporter and celebrity.”

“there's always something in miso soup”

“People who love horror films are people with boring lives... when a really scary movie is over, you're reassured to see that you're still alive and the world still exists as it did before. That's the real reason we have horror films - they act as shock absorbers - and if they disappeared altogether, I bet you'd see a big leap in the number of serial killers. After all, anyone stupid enough to get the idea of murdering people from a movie could get the same idea from watching the news.”