Salman Rushdie photo

Salman Rushdie

The Satanic Verses

(1988), novel of Indian-born British writer Salman Rushdie led Ruholla Khomeini, the ayatollah of Iran, to demand his execution and then forced him into hiding; his other works include

Midnight's Children

(1981), which won the Booker prize, and

The Moor's Last Sigh

(1995).

Sir Ahmed Salman Rushdie, a novelist and essayist, set much of his early fiction at least partly on the Indian subcontinent. His style is often classified as magical realism, while a dominant theme of his work is the story of the many connections, disruptions and migrations between the Eastern and Western world.

His fourth novel led to some violent protests from Muslims in several countries. Faced with death threats and a fatwa (religious edict) issued by Ayatollah Ruhollah Khomeini, then Supreme Leader of Iran, which called for him to be killed, he spent nearly a decade largely underground, appearing in public only sporadically. In June 2007, he was appointed a Knight Bachelor for "services to literature", which "thrilled and humbled" him. In 2007, he began a five-year term as Distinguished Writer in Residence at Emory University.


“Children get food shelter pocket money longholidays and love, all of it apparently free gratis, and most of the little fools think it's a sort of compensation for having been born. 'There are no strings on me!' They sang; but I, pinnoccio, saw the strings. Parents are impelled by the profit motive - nothing more, nothing less. For their attentions, they expected, from me, the immense dividend of greatness.”
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“I allowed myself the supernatural, the transcendent, because, I told myself, our love of metaphor is pre-religious, born of our need to express what is inexpressible, our dreams of otherness, of more.”
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“The enemy for the fanatic is pleasure, which makes it extremely important to continue to indulge in pleasure. Dance madly. That is how you get rid of terrorism.”
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“If you take a look at history, you will find that the understanding of what is good and evil has always existed before the individual religions. The religions were only invented by people afterwards, in order to express this idea.”
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“The Pakistani film International Gorillay (International guerillas), produced by Sajjad Gul, told the story of a group of local heroes - of the type that would, in the language of a later age, come to be known as jihadis, or terrorists - who vowed to find and kill an author called "Salman Rushdie" . The quest for "Rushdie" formed the main action of the film and "his" death was the film's version of happy ending. "Rushdie" himself was depicted as a drunk, constantly swigging from a bottle, and a sadist. He lived in what looked very like a palace on what looked very like an island in the Philippines (clearly all novelists had second homes of this kind), being protected by what looked very like the Israeli Army (this presumably being a service offered by Israel to all novelists), and he was plotting the overthrow of Pakistan by the fiendish means of opening chains of discotheques and gambling dens across that pure and virtuous land, a perfidious notion for which, as the British Muslim "leader" Iqbal Sacranie might have said, death was too light a punishment. "Rushdie" was dressed exclusively in a series of hideously coloured safari suits - vermilion safari suits, aubergine safari suits, cerise safari suits - and the camera, whenever it fell upon the figure of this vile personage, invariably started at his feet and then panned [sic] with slow menace up to his face. So the safari suits got a lot of screen time, and when he saw a videotape of the film the fashion insult wounded him deeply. It was, however, oddly satisfying to read that one result of the film's popularity in Pakistan was that the actor playing "Rushdie" became so hated by the film-going public that he had to go into hiding.At a certain point in the film one of the international gorillay was captured by the Israeli Army and tied to a tree in the garden of the palace in the Philippines so that "Rushdie" could have his evil way with him. Once "Rushdie" had finished drinking form his bottle and lashing the poor terrorist with a whip, once he had slaked his filthy lust for violence upon the young man's body, he handed the innocent would-be murderer over to the Israeli soldiers and uttered the only genuinely funny line in the film. "Take him away," he cried, "and read to him from The Satanic Verses all night!" Well, of course, the poor fellow cracked completely. Not that, anything but that, he blubbered as the Israelis led him away. At the end of the film "Rushdie" was indeed killed - not by the international gorillay, but by the Word itself, by thunderbolts unleashed by three large Qurans hanging in the sky over his head, which reduced the monster to ash. Personally fried by the Book of the Almighty: there was dignity in that.”
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“to admit we do not understand a phenomenon is not to admit the presence of the miraculous but merely, reasonably, to accept the limitations of human knowledge. God was invented to explain what our ancestors couldn't comprehend: the radiant mystery of being. The existence of the incomprehensible, however, is not a proof of god.”
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“Literature is disputed territory.”
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“The book has gone out into the world and the world has remade it.”
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“The self was both its origins and its journey.”
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“Knowledge was never simply born in the human mind; it was always reborn. The relaying of wisdom from one age to the next, this cycle of rebirths: this was wisdom.”
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“... free speech isn't absolute. We have the freedoms we fight for and we lose those we don't defend.”
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“Running along the bank was a white rabbit wearing a waistcoat and looking worriedly at a clock. Appearing and disappearing at various points on both banks was a dark blue British police telephone booth, out of which a perplexed-looking man holding a screwdriver would periodically emerge. A group of dwarf bandits could be seen disappearing into a hole in the sky. "Time travelers," said Nobodaddy in a voice of gentle disgust. "They're everywhere these days.”
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“Love, my child, is a thing that every mother learns; it is not born with a baby, but made; and for eleven years, I have learned to love you as my son.”
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“The world is full of love stories, and all lovers are in a sense the avatars of their predecessors.”
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“What grows best in the heat: fantasy; unreason; lust.”
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“Nobody has the right to not be offended. That right doesn't exist in any declaration I have ever read. If you are offended it is your problem, and frankly lots of things offend lots of people.I can walk into a bookshop and point out a number of books that I find very unattractive in what they say. But it doesn't occur to me to burn the bookshop down. If you don't like a book, read another book. If you start reading a book and you decide you don't like it, nobody is telling you to finish it. To read a 600-page novel and then say that it has deeply offended you: well, you have done a lot of work to be offended.”
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“Things, even people have a way of leaking into each other like flavours when you cook.”
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“Later, when his desires had been satisfied, he slept in an odorous whorehouse, snoring lustily next to an insomniac tart, and dreamed. He could dream in seven languages: Italian, Spanic, Arabic, Persian, Russian, English and Portughese. He had picked up languages the way most sailors picked up diseases; languages were his gonorrhea, his syphilis, his scurvy, his ague,his plague. As soon as he fell asleep half the world started babbling in his brain, telling wondrous travelers' tales. In this half-discovered world every day brought news of fresh enchantments. The visionary, revelatory dream-poetry of the quotidian had not yet been crushed by blinkered, prosy fact. Himself a teller of tales, he had been driven out of his door by stories of wonder, and by one in particular, a story which could make his fortune or else cost him his life.”
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“When you pray for what you most want in the world, its opposite comes along with it. I was given a woman whom I truly loved and who truly loved me. The opposite side of such a love is the pain of its loss. I can only feel such pain today because until yesterday I knew that love.”
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“Sardar Harbans Singh passed away peacefully in a wicker rocking-chair in a Srinigar garden of spring flowers and honeybees with his favourite tartan rug across his knees and his beloved son, Yuvraj the exporter of handicrafts, by his side, and when he stopped breathing the bees stopped buzzing and the air silenced its whispers and Yuvraj understood that the story of the world he had known all his life was coming to an end, and that what followed would follow as it had to, but it would unquestionably be less graceful, less courteous and less civilized than what had gone.”
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“Get thee behind me, Satan. Seek not come between a lover and his love.”
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“When we stop believing in the gods we can start believing in their stories.”
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“One either loves, or waits for love, or banishes love for good. That is the full range of possible choices.”
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“...the old are destroying the young by them to die in distant fields, and in response the young are destroying themselves.”
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“When you know what you're against you have taken the first step to discovering what you're for.”
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“When you're whirling free of the mother ship, when you cut your ropes, slip your chain, step off the map, go absent without leave, scram, vamoose, whatever; suppose that it's then, and only then, that you're actually free to act! To lead the life nobody tells you how to live, or when, or why. In which nobody orders you to go forth and die for them, or for god, or comes to get you because you broke one of the rules, or because you're one of the people who are, for reasons which unfortunately you can't be given, simply not allowed. Suppose you've got to go through the feeling of being lost, into the chaos and beyond; you've got to accept the loneliness, the wild panic of losing your moorings, the vertiginous terror of the horizon spinning round and round like the edge of a coin tossed in the air.”
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“Life's bruises demythologise us all. The earth gapes.”
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“...for those who value stability, who fear transience, uncertainty, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers' seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celbrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or movie theatre, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveller, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.”
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“This is how people behave when their dailiness is destroyed, when for a few moments they see, plain and unadorned, one of the great shaping forces of life. Calamity fixes them with her mesmeric eye, and they begin to scoop and paw at the rubble of their days, trying to pluck the memory of the quotidian - a toy, a book, a garment, even a photograph - from the garbage heaps of the irretrievable, of their overwhelming loss.”
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“Don't you know girls have to fool people every day of their lives if they want to get anywhere?”
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“If by some bizarre chance there turns out to be a god [...], I'm willing to bet he's an atheist too.”
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“Tüm resmi görebilenler, çerçevenin dışına adım atanlardır.”
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“Bir yere ait olmayan insanlar ne olacak?""Nereye? Nereye ait olmayan?""Herhangi bir yere. Herhangi bir şeye, herhangi bir kimseye. Fiziksel olarak bir bağı olmayanlar. Uzay boşluğundaki kuyrukluyıldızlar gibi hiçbir çekim gücüne tabi olmayanlar.”
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“What shuts you up is, I think, the sight you've had of perfection: why speak if you can't manage perfect thoughts, perfect sentences? It feels like a betrayal of what you've been through. But it fades; you accept that certain compromises, closures, are required if you're to continue.”
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“I, too, have ropes around my neck. I have them to this day, pulling me this way and that, East and West, the nooses tightening, commanding, choose, choose. I buck, I snort, I whinny, I rear, Ikick. Ropes, I do not choose between you. Lassoes, lariats, I choose neither of you, and both. Doyou hear? I refuse to choose.”
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“... learning the knack of disconnecting her sense of smell, until she could switch it off like a radio and in the bland silence of its absence could drown in the sound of Nazarébaddoor’s hypnotic voice without having her reverie interrupted by the scent of sheep shit or Nazarébaddoor’s own frequent and extraordinary buffalo farts.”
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“The thief’s widow had turned him, before she married him, into a thief of a stupid and terrible kind, because she had made him rob himself.”
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“Good advice Is Rarer Than Rubies”
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“They feared her [the dream beloved], knowing that, being impossible, she was irresistable, and that was why the king loved her best.”
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“One of the things a writer is for is to say the unsayable, speak the unspeakable and ask difficult questions.”
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“Atata timp cat esti anesteziat si nu iti simti tragedia propriei vieti, poti supravietui. Cand iti revine limpezimea, cand iti este meticulos redata, te poate innebuni. memoria retrezita la viata te poate sminti, amintirea umilintei, a celor ce ti s-au intamplat fara stirea ta, a atator intruziuni, amintirea barbatilor. Nu un palat, ci un bordel al amintirilor, iar dincolo de aceste amintiri, constiinta faptului ca toti cei care te-au iubit sunt morti, ca nu exista nici o scapare. un asemenea gand te poate ridica in picioare, te poate face sa iti aduni fortele si sa o iei la goana. Daca fugi destul de tare poate vei scapa de trecut si de amintirea a tot ce ti s-a intamplat, si totodata de viitor, de intunericul inevitabil ce ti se intinde in fata.”
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“He was the child of a father who was not his father; but also the child of a time which damaged reality so badly that nobody ever managed to put it together again;”
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“And so I returned to that city in which, in those last hours before reunions, Shaheed and I saw many things which were not true, which were not possible, because our boys would not could not have behaved so badly; we saw men in spectacles with heads like eggs being shot in side-streets, we saw the intelligentsia of the city being massacred by the hundred, but it was not true because it could not have been true, the Tiger was a decent chap, after all, and our jawans were worth ten babus, we moved through the impossible hallucination of the night, hiding in doorways while fired blossomed like flowers, reminding me of the way the Brass Monkey used to set fire to shoes to attract a little attention, there were slit throats being buried in unmarked graves, and Shaheed began his, "No, buddha -- what a thing, Allah, you can't believe your eyes -- no, not true, how can it -- buddha, tell, what's got into my eyes?" And at last the buddha spoke, knowing Shaheed could not hear: "O, Shaheeda," he said, revealing the depths of his fastidiousness, "a person must sometimes choose what he will see and what he will not; look away, look away from there now." But Shaheed was staring at a maidan in which lady doctors were being bayoneted before they were raped, and raped again before they were shot. Above them and behind them, the cool while minaret of a mosque started blindly down upon the scene.”
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“Even if Shaheed had been able to hear me, I could not then have told him what I later became convinced was the truth: that the purpose of that entire war had been to reunite me with an old life, to bring me back together with my old friends. Sam Manekshaw was marching on Dacca, to meet his old friend the Tiger; and the modes of connection lingered on, because on the field of leaking bone-marrow I heard about the exploits of knees, and was greeted by a dying pyramid of heads; and in Dacca I was to meet Parvati-the-witch.”
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“A little bird whispers in my ear: "Be fair! Nobody, no country, has a monopoly of untruth.”
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“Rich kid," Shiva yelled, "you don't know one damn thing! What purpose, man? What thing in the whole sister-sleeping world got reason, yara? For what reason you're rich and I'm poor? Where's the reason in starving, man? God knows how many millions of damn fools living in this country, man, and you think there's a purpose! Man, I'll tell you -- you got to get what you can, do what you can with it, and then you got to die. That's reason, rich boy. Everything else is only mother-sleeping wind!”
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“And now, restored to the status of daughter in her own home, Amina began to feel the emotions of other people's food seeping into her - because Reverend Mother doled out the curries and meatballs of intransigence, dishes imbued with the personality of their creator; Amina ate the fish salans of stubbornness and the birianis of determination. And, although Mary's pickles had a partially counteractive effect - since she had stirred into them the guilt of her heart, and the fear of discovery, so that, good as they tasted, they had the power of making those who ate them subject to nameless uncertainties and dreams of accusing fingers - the diet provided by Reverend Mother filled Amina with a kind of rage, and even produced slight signs of improvements in her defeated husband.”
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“I learned: the first lesson of my life: nobody can face the world with his eyes open all the time.”
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“...no doubt much will be said elsewhere by the armies of bigotry and punditry. Let them volley and thunder. I'll speak of bookish things.”
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“Who is the madder,’ Osman the clown whispered into hisbullock's ear as he groomed it in its small byre, ‘the madwoman,or the fool who loves the madwoman?’ The bullock didn't reply.‘Maybe we should have stayed untouchable,’ Osman continued. ‘A compulsory ocean sounds worse than a forbidden well.’ And thebullock nodded, twice for yes, boom, boom.”
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