Salman Rushdie

“Any story worth its salt can handle a little shaking up.”

“He returned to Cambridge feeling, at the ripe old age of twenty, that life was passing him by.”

“A comfortable prison was still a prison.”

“Methwold's hair, parted in the middle has a lot to do with my beginnings. It was one of those hairlines along which history and sexuality moved.”

“Rage made you the creature of those who enraged you, it gave them to much power. Rage killed the mind...”

“OK, publishing a book and releasing a movie is all very well, but Tottenham beating Man. U. 3-2... priceless.”

“Easily found, easily gathered, lives were the small change of this world, and if you lost a few, it didn't matter; there were always more.”

“You can get anywhere in Pakistan if you know people, even into jail.”

“Only the foolish, blinded by language's conventions, think of fire as red or gold. Fire is blue at its melancholy rim, green in its envious heart. It may burn white, or even, in its greatest rages, black.”

“As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper.”

“Be so good as to cease to cast yourself in fictions. Pinch yourself, or slap yourself across the face if that's what it takes, but understand, please, that you are nonfictional, and this is real life.”

“Nobody can judge an internal injury by the size of the superficial wound.”

“She watched him recede into the past as he stood...each successive moment of him passing before her eyes and being lost forever.”

“The great are eternally at the mercy of tiny men. And also, tiny madwomen.”

“The Hindustani storyteller always knows when he loses his audience," he said. "Because the audience simply gets up and leave, or else it throws vegetables, or, if the audience is the king, it occasionally throws the storyteller headfirst off the city ramparts. And in this case, my dear Mogor-Uncle, the audience is indeed the king.”

“But human beings do not perceive things whole; we are not gods but wounded creatures, cracked lenses, capable only of fractured perceptions. Partial beings, in all the senses of that phrase. Meaning is a shaky edifice we build out of scraps, dogmas, childhood injuries, newspaper articles, chance remarks, old films, small victories, people hated, people loved; perhaps it is because our sense of what is the case is constructed from such inadequate materials that we defend it so fiercely, even to the death.”

“Por última vez en la vida se preguntó si había malgastado su amor en una mujer que solo daba su amor hasta que llegaba el momento de retirarlo. Apartó el pensamiento de su cabeza. Había entregado su corazón esta única vez en la vida y se consideraba afortunado de haber tenido ocasión de hacerlo. La cuestión de si ella era digna de su amor carecía de sentido. Su corazón había contestado a esa pregunta hacía mucho tiempo”

“Su vida había sido una sucesión de actos de voluntad, pero a veces flaqueaba y se hundía”

“La necesidad de una mujer que cure la soledad del asesinato —dijo el emperador, rememorando—. Que borre la culpabilidad de la victoria o la vanagloria de la derrota, aquiete el temblor de los huesos, enjugue las lágrimas calientes del alivio y la vergüenza. Que nos abrace mientras sentimos la marea menguante de nuestro odio y esa forma de bochorno aún mayor a la que da paso. Que nos rocíe con lavanda para ocultar el olor de la sangre en las yemas de los dedos y el hedor de la matanza en la barba. La necesidad de una mujer que nos diga que somos suyos y que aleje la muerte de nuestros pensamientos. Que sofoque nuestra curiosidad sobre cómo será hallarse ante el Trono del Juicio, que elimine nuestra envidia de quienes han ido antes que nosotros a ver al Todopoderoso tal como es, y aplaque las dudas que se retuercen en nuestro estómago, sobre la existencia de la vida después de la muerte e incluso del propio Dios, porque los caídos están absolutamente muertos, y ya no parece existir ningún cometido superior”

“Also, on account of the odd relationship between time and space, the people who do manage to time-jump sometimes space-jump at the same time and end up in places where they simply don't belong. Over there, for example," he said as a raucous DeLorean sports car rared into view from nowhere, "is that crazy American professorwho can't seem to stay put in one time, and, I must say, there is an absolute plague of of killer robots from the future being sent to change the past. Sleeping there under that banyan tree is a certain Hank Morgan of Hartford, Connecticut, who was accidentally transported one day back to King Arthur's Court, and stayed there until Merlin put him to sleep for 1300 thirteen hundred years. He was suppsoed to wake up back in his own time, but look at this lazy fellow! He's still snoring away, and has missed his slot.”

“Unwilling wholly to abandon the project for which his wife had died, unable to maintain any longer the absolute belief which the enterprise required, Muhammad Din entered the station wagon of scepticism.”

“Rashid did not give in. "Look how his hands move on the contols," he told her. "In those worlds left-handedness does not impede him. Amazingly, he is almost ambidextrous." Soraya snorted with annoyance. "Have you seen his handwriting?" she said. "Will his hedgehogs and plumbers help with that? Will his 'pisps' and 'wees' get him through school? Such names! They sound like going to the bathroom or what." Rashid began to smile placatingly. "The term is consoles," he began but Soraya turned on her heel and walked away, waving one hand high above her head. "Do not speak to me of such things," she said over her shoulder, speaking in her grandest voice. "I am in-console-able.”

“She'd never shaken off the feeling of being damaged by her ignorance of Love, of what it might be like to be wholly possessed by the archetypal, capitalized djinn, the yearning towards, the blurring of the boundaries of the self, the unbuttoning, until you were open from your adam's-apple to your crotch: just words, because she didn't know the thing.”

“One Kashmiri morning in the early spring of 1915, my grandfather Aadam Aziz hit his nose against a frost-hardened tussock of earth while attempting to pray. Three drops of blood plopped out of his left nostril, hardened instantly in the brittle air and lay before his eyes on the prayer-mat, transformed into rubies. Lurching back until he knelt with his head once more upright, he found that the tears which had sprung to his eyes had solidified, too; and at that moment, as he brushed diamonds contemptuously from his lashes, he resolved never again to kiss earth for any god or man. This decision, however, made a hole in him, a vacancy in a vital inner chamber, leaving him vulnerable to women and history. Unaware of this at first, despite his recently completed medical training, he stood up, rolled the prayer-mat into a thick cheroot, and holding it under his right arm surveyed the valley through clear, diamond-free eyes.”

“Literature is the one place in any society where, within the secrecy of our own heads, we can hear voices talking about everything in every possible way. The reason for ensuring that that privileged arena is preserved is not that writers want the absolute freedom to say and do whatever they please. It is that we, all of us, readers and writers and citizens and generals and goodmen, need that little, unimportant-looking room. We do not need to call it sacred, but we do need to remember that it is necessary”

“Then a strange moment came, a moment of the kind that determines the fate of nations, because when a crowd loses its fear of an army the world changes.”

“Who hopes for an hour hopes for eternity. The world in an hour. What follows is unseen.”

“Mahound comes to me for revelation, asking me to choose between monotheist and henotheist alternatives, and I'm just some idiot actor having a bhaenchud nightmare, what the fuck do I know, yaar, what to tell you, help. Help.”

“Until you know who you are you can’t write.”

“She saw him fracture into rainbow colors through the prism of her love.”

“Things aren't like this," he kept repeating. "It shouldn't be this way." As if he had access to some other plane of existence, some parallel, "right" universe, and had sensed that our time had somehow been put out of joint. Such was his vehemence that I found myself believing him, believing, for example, in the possibility of that other life in which Vina had never left and we were making our lives together, all three of us, ascending together to the stars. Then he shook his head, and the spell broke. He opened his eyes, grinning ruefully. As if he knew his thoughts had infected mine. As if he knew his power. "Better get on with it," he said. "Make do with what there is.”

“un alma humana solitaria más o menos a la deriva en la blancura. Eso era lo que quedaba de un individuo humano cuando se le apartaba de su casa, su familia, sus amigos, su ciudad, su patria, su mundo: un ser sin contexto, cuyo pasado se había difuminado, cuyo futuro era aciago, una entidad despojada de nombre, de sentido, de toda vida excepto un corazón que de momento, provisionalmente, aún latía.”

“At last,' Padma says with satisfaction, 'you've learned how to tell things really fast.”

“Can one drown in one's element... If fish can drown in water, can human beings suffocate in air?”

“This was what was left of a human individual when you took away his home,his family, his friends, his city, his country,his world: a being without context, whose past had faded, whose future was bleak, an entity stripped of name, of meaning,of the whole of life except a temporarily beating heart.”

“It is all for love. Which is a wonderful and dashing matter. But which can also be a very foolish thing.”

“There was once, in the country of Alifbay, a sad city, the saddest of cities, a city so ruinously sad that it had forgotten its name. It stood by a mournful sea full of glumfish, which were so miserable to eat that they made people belch with melancholy even though the skies were blue...And in the depths of the city, beyond an old zone of ruined buildings that look like broken hearts, there lived a happy young fellow by name of Haroun, the only child of the storyteller Rashid Khalifa, whose cheerfulness was famous throughout that unhappy metropolis, and whose never-ending stream of tall, and winding tales had earned him not one but two nicknames. To his admirers he was Rashid the Ocean of Notions, as stuffed with cheery stories as the sea was full of glumfish; but to his jealous rivals he was the Shah of Blah.”

“Naught but love makes magic real.”

“Khattam-Shud,' he Said slowly 'is the arch-enemy of all stories, even of language itself. He is the prince of silence and the foe of speech. And because everything ends, because dreams ens, stories end, life ends, at the finish of everything we use his name. 'It is finished,' we tell one another, 'it's over, Khattam-Shud; the end.”

“Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination and of the heart.”

“‎No people whose word for 'yesterday' is the same as their word for 'tomorrow' can be said to have a firm grip on the time.”

“Keep away from her," said Ameer Merchant, but once the inexorable dynamic of the mythic has been set in motion, you might as well try and keep bees from honey, crooks from money, politicians from babies, philosophers from maybes. Vina had her hooks in me, and the consequence was the story of my life.”

“We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love.”

“The fact of being alive compensated for what life did to one.”

“How far did they fly? Five and a half thousand as the crow. Or: from Indianness to Englishness, an immeasurable distance. Or, notvery far at all, because they rose from one great city, fell to another. The distance between cities is always small; a villager, travelling ahundred miles to town, traverses emptier, darker, more terrifying space.”

“They are the Eggheads. He is the Walrus.”

“We are the only animals that tell stories to understand the world we live in.”

“This may be the curse of human race . Not that we are different from one anther , but we are so alike .”

“And my grandfather... was forever knocked into that middle place, unable to worship a God in whose existence he could not wholly disbelieve. Permanent alteration: a hole.”

“The self may be royal, but it hungers like a pauper. [...] And it is a king imperilled, a sovereign forever at the mercy of many insurgents, of fear, for example, and anxiety, of isolation and bewilderment, of a strange unspeakable pride and a wild, silent shame. The self is beset by secrets, secrets eat at it constantly, secrets will tear down its kingdom and leave its sceptre broken in the dust.”