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Samuel Beckett

Samuel Barclay Beckett was an Irish avant-garde novelist, playwright, theatre director, and poet, who lived in France for most of his adult life. He wrote in both English and French. His work offers a bleak, tragicomic outlook on human nature, often coupled with black comedy and gallows humour.

Beckett is widely regarded as among the most influential writers of the 20th century. Strongly influenced by James Joyce, he is considered one of the last modernists. As an inspiration to many later writers, he is also sometimes considered one of the first postmodernists. He is one of the key writers in what Martin Esslin called the "Theatre of the Absurd". His work became increasingly minimalist in his later career.

Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". In 1984 he was elected Saoi of Aosdána.


“Terrible mania, when something happens, to enquire what.”
Samuel Beckett
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“I hope I am not too old to take it up seriously, nor too stupid about machines to qualify as a commercial pilot. I do not feel like spending the rest of my life writing books that no one will read. It is not as though I wanted to write them. *1937”
Samuel Beckett
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“Another happy day.”
Samuel Beckett
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“Have you not done tormenting me with your accursed time! It's abominable! When! When! One day, is that not enough for you, one day he went dumb, one day I went blind, one day we'll go deaf, one day we were born, one day we shall die, the same day, the same second, is that not enough for you? They give birth astride of a grave, the light gleams an instant, then it's night once more.”
Samuel Beckett
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“Unfortunately I am afraid, as always, of going on. For to go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I’ll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were the first time.”
Samuel Beckett
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“My dear Tom,Delighted to get your letter. Do write again. This life is terrible and I don't understand how it can be endured.”
Samuel Beckett
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“Habit is a great deadener.”
Samuel Beckett
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“No choice but stand. Somehow up and stand. Somehow stand. That or groan. The groan so long on its way. No. No groan. Simply pain. Simply up. A time when try how. Try see. Try say. How first it lay. Then somehow knelt. Bit by bit. Then on from there. Bit by bit. Till up at last.”
Samuel Beckett
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“Go on failing. Go on. Only next time, try to fail better.”
Samuel Beckett
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“POZZO:I am blind.(Silence.)ESTRAGON:Perhaps he can see into the future.”
Samuel Beckett
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“Try again. Fail again. Fail better.”
Samuel Beckett
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“The earth makes a sound as of sighs and the last drops fall from the emptied cloudless sky. A small boy, stretching out his hands and looking up at the blue sky, asked his mother how such a thing was possible. Fuck off, she said.”
Samuel Beckett
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“All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead.”
Samuel Beckett
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“The Tuesday scowls, the Wednesday growls, the Thursday curses, the Friday howls, the Saturday snores, the Sunday yawns, the Monday morns, the Monday morns. The whacks, the moans, the cracks, the groans, the welts, the squeaks, the belts, the shrieks, the pricks, the prayers, the kicks, the tears, the skelps, and the yelps.”
Samuel Beckett
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“Words are all we have.”
Samuel Beckett
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“From things about to disappear I turn away in time. To watch them out of sight, no, I can't do it.”
Samuel Beckett
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“Already all confusion. Things and imaginings. As of always. Confusion amounting to nothing. Despite precautions. If only she could be pure figment. Unalloyed. This old so dying woman. So dead. In the madhouse of the skull and nowhere else. Where no more precautions to be taken. No precautions possible. Cooped up there with the rest. Hovel and stones. The lot. And the eye. How simple all then. If only all could be pure figment. Neither be nor been nor by any shift to be. Gently gently. On. Careful.”
Samuel Beckett
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“As for my needs, they had dwindled as it were to my dimensions and become, if I may say so, of so exquisite a quality as to exclude all thought of succour.”
Samuel Beckett
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“How long have I been here, what a question, I've often wondered. And often I could answer, An hour, a month, a year, a century, depending on what I meant by here, and me, and being, and there I never went looking for extravagant meanings, there I never much varied, only the here would sometimes seem to vary. ”
Samuel Beckett
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“How can one better magnify the Almighty than by sniggering with him at his little jokes, particularly the poorer ones?”
Samuel Beckett
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“Dance first. Think later. It's the natural order.”
Samuel Beckett
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“I have changed refuge so often, in the course of my rout, that now I can't tell between dens and ruins. But there was never any city but the one. It is true you often move along in a dream, houses and factories darken the air, trams go by and under your feet wet from the grass there are suddenly cobbles. I only know the city of my childhood, I must have seen the other, but unbelieving. All I say cancels out, I'll have said nothing. ”
Samuel Beckett
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“Je suis comme ça. Ou j'oublie tout de suite ou je n'oublie jamais."Samuel BECKETT, En attendant GodotI'm like that. Either I forget right away or I never forget. ”
Samuel Beckett
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“What can it matter to me, that I succeed or fail ? The undertaking is none of mine, if they want me to succeed I'll fail, and vice versa, so as not to be rid of my tormentors.”
Samuel Beckett
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“Nothing is funnier than unhappiness.”
Samuel Beckett
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“But what matter whether I was born or not, have lived or not, am dead or merely dying. I shall go on doing as I have always done, not knowing what it is I do, nor who I am, nor where I am, nor if I am.”
Samuel Beckett
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“The sun shone, having no alternative, on the nothing new.”
Samuel Beckett
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“It's a rare thing not to have been bonny-- once.”
Samuel Beckett
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“This tired abstract anger; inarticulate passive opposition; always the same thing in dublin”
Samuel Beckett
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“Habit is a compromise effected between the individual and his environment, or between the individual and his own organic eccentricities, the guarantee of a dull inviolability, the lightning-conductor of his existence.”
Samuel Beckett
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“The creation of the world did not take place once and for all time, but takes place every day.”
Samuel Beckett
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“Life is habit. Or rather life is a succession of habits.”
Samuel Beckett
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“The tears stream down my cheeks from my unblinking eyes. What makes me weep so? There is nothing saddening here. Perhaps it is liquefied brain.”
Samuel Beckett
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“You must go on. I can't go on. I'll go on.”
Samuel Beckett
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“Art has nothing to do with clarity, does not dabble in the clear and does not make clear”
Samuel Beckett
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“Spend the years of learning squanderingCourage for the years of wanderingThrough a world politely turningFrom the loutishness of learning.”
Samuel Beckett
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“the churn of stale words in the heart againlove love love thud of the old plungerpestling the unalterablewhey of words”
Samuel Beckett
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“saying againif you do not teach me I shall not learnsaying again there is a lasteven of last timeslast times of begginglast times of lovingof knowing not knowing pretendinga last even of last times of sayingif you do not love me I shall not be lovedif I do not love you I shall not love”
Samuel Beckett
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“The confusion is not my invention. We cannot listen to a conversation for five minutes without being aware of the confusion. It is all around us and our only chance now is to let it in. The only chance of renovation is to open our eyes and see the mess. It is not a mess you can make sense of.”
Samuel Beckett
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“It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.”
Samuel Beckett
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“Let me tell you this, when social workers offer you, free, gratis and for nothing, something to hinder you from swooning, which with them is an obsession, it is useless to recoil, they will pursue you to the ends of the earth, the vomitory in their hands. The Salvation Army is no better. Against the charitable gesture there is no defence, that I know of. You sink your head, you put out your hands all trembling and twined together and you say, Thank you, thank you lady, thank you kind lady. To him who has nothing it is forbidden not to relish filth.”
Samuel Beckett
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“Silence, yes, but what silence! For it is all very fine to keep silence, but one has also to consider the kind of silence one keeps.”
Samuel Beckett
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“Yes, light, there is no other word for it.”
Samuel Beckett
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“The search for the means to put an end to things, an end to speech, is what enables the discourse to continue.”
Samuel Beckett
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“Hamm: And the horizon? Nothing on the horizon?Clov: (Lowering the telescope, turning towards Hamm, exasperated): What in God's name would there be on the horizon? (Pause.)Hamm: The waves, how are the waves?Clov: The waves? (He turns the telescope on the waves.) Lead.Hamm: And the sun?Clove: (Looking) Zero.Hamm: But it should be sinking. Look again.Clov: (Looking) Damn the sun.Hamm: Is it night already then?Clov: (Looking) No.Hamm: Then what is it?Clov: (Looking) Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause, still louder.) GRRAY!”
Samuel Beckett
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“My mistakes are my life.”
Samuel Beckett
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“Don't touch me! Don't question me! Don't speak to me! Stay with me!”
Samuel Beckett
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“Estragon: What about hanging ourselves?Vladimir: Hmm. It'd give us an erection.”
Samuel Beckett
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“Clov: If I don't kill the rat, he'll die.Hamm: That's right.”
Samuel Beckett
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“We are not merely more weary because of yesterday, we are other, no longer what we were before the calamity of yesterday.”
Samuel Beckett
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