Saul Bellow

“La gente non fa le cose per cui ha un vero talento, ma quelle a cui la spinge la preoccupazione. Se sono bravi a riparare le automobili, devono cantare il "Don Giovanni"; se sanno cantare, devono fare l'architetto; e se hanno il bernoccolo dell'architettura, vogliono diventare ispettori scolastici o pittori astrattisti o qualunque altra cosa. QUALUNQUE COSA!”

“��"Che m'importa di quello che è successo con Oliver? Non sono affari miei" dissi. "Io voglio sposarmi."Clem aveva insistito per un fidanzamento di sei mesi, conoscendo la mia natura e la mia personalità. Ma questo consiglio andava bene per i bottegai della vita, non per chi aveva passato tutta la propria esistenza con un solo grande obiettivo."Certo" disse lei, "anch'io voglio sposarmi, se tu mi ami."Glielo giurai con tutto il cuore."Se dopo pranzo mi ami ancora" disse lei, "chiedimelo di nuovo.”

“There’s the big advantage of backwardness. By the time the latest ideas reach Chicago, they’re worn thin and easy to see through. You don’t have to bother with them and it saves lots of trouble.”

“Emancipation resulting in madness. Unlimited freedom to choose and play a tremendous variety of roles with a lot of coarse energy.”

“The good die young, but I have been spared to build myself up so that I may end my life as good as gold. The senior dead will be proud of me.... I will join the Y.M.C.A. of the immortals. Only, in this very hour, I may be missing eternity.”

“Cunado uno se vuelve contra sí mismo, tampoco los demás significan ya nada para él”

“Here in the city she had gilded her nails. They shone. And she had put on a velvet dress, this soft red one, which was heavy. The buttons were in the form of seashells.”

“As for Thea, sometimes she looked more barbarous than they did in spite of the civilized lipstick and conventional shape of the jodhpurs she wore.”

“She was cuckoo about dime stores, where she bought cosmetics and pins and combs. After we locked the expensive purchases in the station wagon we went into McCory's or Kresge's and were there by the hour, up and down the aisles with the multitude, mostly of women, and in the loud-played love music. Some things Thea liked to buy cheaply, they maybe gave her the best sense of the innermost relations of pennies and nickels and explained the real depth of money. I don't know. But I didn't think myself too good to be wandering in the dime store with her. I went where and as she said and did whatever she wanted because I was threaded to her as if through the skin. So that any trifling object she took pleasure in could become important to me at once; anything at all, a comb or hairpin or piece of line, a compass inside a tin ring that she bought with great satisfaction, or a green billed baseball cap for the road, or the kitten she kept in the apartment - she would never be anywhere without an animal.”

“Well, don't build me up so, and you won't have to tear me down.”

“To him, perpetual thought of death was a sin. Drive your cart and your plow over the bones of the dead.”

“O Lord! he concluded, forgive all these trespasses. Lead me not into Penn Station.”

“This development is possibly related to the fact that so much of "value" has been absorbed by technology itself. It is "good" to electrify a primitive area. Civilization and even morality are implicit in technological transformation...New techniques are in themselves bien pensant and represent not only rationality but benevolence...Romantic individuals (a mass of them by now) accuse this mass civilization of obstructing their attainment of beauty, nobility, integrity, intensity. I do not want to sneer at the term Romantic. Romanticism guarded the "inspired condition," preserved the poetic, philosophical, and religious teachings...during the greatest and most rapid of transformations, the most accelerated phase of modern scientific and technical transformation.”

“Human consciousness at present is a sort of battlefield. And you know what Tolstoy tells us about battles in War and Peace. Nobody really knows what is going on during a battle...”

“Sentiment and brutality, never one without the other, like fossils and oil.”

“If love is love, it's free.”

“Anyhow, I had found something out about an unknown privation, and I realized how a general love or craving, before it is explicit or before it sees its object, manifests itself as boredom or some other kind of suffering. And what did I think of myself in relation to the great occasions, the more sizable being of these books? Why, I saw them, first of all. So suppose I wasn't created to read a great declaration, or to boss a palatinate, or send off a message to Avignon, and so on, I could see, so there nevertheless was a share for me in all that had happened. How much of a share? Why, I knew there were things that would never, because they could never, come of my reading. But this knowledge was not so different from the remote but ever-present death that sits in the corner of the loving bedroom; though it doesn't budge from the corner, you wouldn't stop your loving. Then neither would I stop my reading. I sat and read. I had no eye, ear, or interest for anything else--that is, for usual, second-order, oatmeal, mere-phenomenal, snarled-shoelace-carfare-laundry-ticket plainness, unspecified dismalness, unknown captivities; the life of despair-harness or the life of organization-habits which is meant to supplant accidents with calm abiding. Well, now, who can really expect the daily facts to go, toil or prisons to go, oatmeal and laundry tickets and the rest, and insist that all moments be raised to the greatest importance, demand that everyone breathe the pointy, star-furnished air at its highest difficulty, abolish all brick, vaultlike rooms, all dreariness, and live like prophets or gods? Why, everybody knows this triumphant life can only be periodic. So there's a schism about it, some saying only this triumphant life is real and others that only the daily facts are. For me there was no debate, and I made speed into the former.”

“When I didn't argue he was satisfied he had persuaded me, and was not the first to make that mistake.”

“I had yet to find out how little people want you to succeed in an extraordinary project, and what comfort some have that the negligible is upheld and all other greater efforts falls on its face.”

“You do all you can to humanize and familiarize the world, and suddenly it becomes more strange than ever.”

“But I had this idea also that you don't take so wide a stance that it makes a human llife impossible, nor try to bring together irreconcilables that destroy you, but try out what of human you can live with first. And if the highest should come in that empty overheated tavern with its flies and the hot radio buzzing between the plays and plugged beer from Sox Park, what are you supposed to do but take the mixture and say imperfection is always the condidtion as found; all great beauty too, my scratched eyeballs will always see scratched.”

“The sun of that chilishness goes on shining even when the larger bodies of hotter stars have risen to smelt you and cover you with their influence. The recenter stars may be more critical, more in the eye, but that earlier sun still remains a long time.”

“You can know a man by his devils and the way he gives hurts.”

“He knew what retributions your devils are liable to bring for the way you treat your wife and women or behave while your father is on his deathbed, what you ought to think of your pleasure, of acting like a cockroach; he had the intelligence for the comparison. He had the intelligence to be sublime. But sublimity can't exist only as a special gift of the few, due to an accident of origin, like being born an albino. If it were, what interest would we have in it?”

“Herzog abandoned this theme with characteristic abruptness”

“To tell the truth I never had it so good. But I lacked the strength of character to bear such joy.”

“Well, I need a job. Something that'll leave me the free time I want.""I like the way you arrange your life. What do you intend to do with this free time?""I intend to use it." I didn't like the implication of this. Why should he need his time free and I be questioned?”

“What makes me say these things is that I see how much you care about the way people look at you. It matters too much to you. And there are people who take advantage of that. They haven't got anything of their own and they'll leave you nothing for yourself. They want to put themselves in your thoughts and in your mind, and that you should care for them. It's a sickness. But they don't want you to care for them as they really are. No, that's the whole stunt. You have to be conscious of them, but not as they are, only as they love to be seen. They live through observation by the ones around them, and they want you to live like that too. Augie darling, don't do it. They will make you suffer from what they are. And you don't really matter to them.”

“Still women- women. They do themselves more credit, there's more reality in women. They live closer to their nature. They have to. It's more with them. They have the breasts. They see their blood, and it does them good, while men are led to be vainer.”

“But Mimi- her tenderness didn't have an easy visibility. You wondered what it would be, and after what terrible manifestations it would appear.”

“You never know what forms self-respect will take, especially with people whose rules of life are few.”

“He had come into a view of mutability, and I too could see that one is only ostensibly born to remain in specified limits.”

“To rip off a piece of lover's temper was a pleasure in her deepest vein of enjoyment.”

“Mimi didn't care about secrecy. She led a proclaimed life, and once she got talking she held back nothing.”

“it greatly bothered him that I had such a flunky job, washing cages and sweeping up dogs' hair; and also that I was no longer a college man but trying to keep up on Helmholtz who was a dead number to him; in other words, that I should be of the unformed darkened-out mass. It was often that way with me, that people would feel the world owed me distinctness.”

“I don't know how it all at once came to me to talk a lot, tell jokes, kick up, and suddenly have views. When it was time to have them, there was no telling how I picked them from the air.”

“At times I feel like a socket that remembers its tooth.”

“...between human beings there are only two alternatives, either brotherhood or crime.”

“No ha sido esa larga enfermedad -mi vida- sino esa larga convalecencia, también mi vida. La revisión liberal-burguesa, la ilusión del perfeccionamiento, el veneno de la esperanza.”

“I labor, I spend, I strive, I design, I love, I cling, I uphold, I give way, I envy, I long, I scorn, I die, I hide, I want.”

“If you could have confidence in nature you would not have to fear. It would keep you up. Creative is nature. Rapid. Lavish. Inspirational. It shapes leaves. It rolls the waters of the earth. Man is the chief of this. All creations are his just inheritance. You don't know what you've got within you. A person either creates or he destroys. There is no neutrality.”

“What art thou?' Nothing. That's the answer. Nothing. In the heart of hearts- Nothing! So of course you can't stand that and want to be Something, and you try. But instead of being this Something, the man puts it over on everybody instead.”

“Look out! Oh, you chump and weak fool, you are one of a humanity that can't be numbered and not more than the dust of metals scattered in a magnetic field and clinging to the lines of force, determined by laws, eating, sleeping, employed, conveyed, obedient, and subject. So why hunt for still more ways to lose liberty? Why go toward, and not instead run from, the huge drag that threatens to wear out your ribs, rub away your face, splinter your teeth? No, stay away!Be the wiser person who crawls, rides, runs, walks to his solitary ends used to solitary effort, who procures for himself and heeds the fears that are the kings of this world. Ah, they don't give you much of a break, these kings! Many a dead or dying face lies or drifts under them.”

“And this is what mere humanity always does. It's made up of these inventors or artists, millions and millions of them, each in his own way trying to recruit other people to play a supporting role and sustain him in his make-believe. The great chiefs and leaders recruit the greatest number, and that's what their power is. There's one image that gets out in front to lead the rest and can impose its claim to being genuine with more force than others, or one voice enlarged to thunder is heard above the others. Then a huge invention, which is the invention maybe of the world itself, and of nature, becomes the actual world - with cities, factories, public buildings, railroads, armies, dams, prisons, and movies - becomes the actuality. That’s the struggle of humanity, to recruit others to your version of what’s real. Then even the flowers and the moss on the stones become the moss and the flowers of a version.”

“Life, said Samuel Butler, is like giving a concert on the violin while learning to play the instrument—that, friends, is real wisdom.”

“Search me," I said. "I'm a city boy myself. They must be crocuses.”

“Towards the end of your life you have something like a pain schedule to fill out—a long schedule like a federal document, only it's your pain schedule. Endless categories. First, physical causes—like arthritis, gallstones, menstrual cramps. New category, injured vanity, betrayal, swindle, injustice. But the hardest items of all have to do with love. The question then is: So why does everybody persist? If love cuts them up so much....”

“I thought to do something good by giving an interview to People, which was exceedingly foolish of me. I asked Aaron [Asher] to tell you that the Good Intentions Paving Company had fucked up again. The young interviewer turned my opinions inside out, cut out the praises and made it all sound like disavowal, denunciation and excommunication. Well, we're both used to this kind of thing, and beyond shock. In agreeing to take the call, and make a statement I was simply muddle-headed. But if I had been interviewed by an angel for the Seraphim and Cherubim Weekly I'd have said, as I actually did say to the crooked little slut, that you were one of our very best and most interesting writers. I would have added that I was greatly stimulated and entertained by your last novel, and that of course after three decades I understood perfectly well what you were saying about the writer's trade - how could I not understand, or miss suffering the same pains. Still our diagrams are different, and the briefest description of the differences would be that you seem to have accepted the Freudian explanation: A writer is motivated by his desire for fame, money and sexual opportunities. Whereas I have never taken this trinity of motives seriously. But this is an explanatory note and I don't intend to make a rabbinic occasion of it. Please accept my regrets and apologies, also my best wishes. I'm afraid there's nothing we can do about the journalists; we can only hope that they will die off as the deerflies do towards the end of August.”

“I am deeply moved when I write. I get turned on by it. I've never used any drugs for stimulation. I don't use words loosely. When I'm working and the right word comes, there is an answering resonance within me. There is also a hardness of intention that goes with it. There is no idleness in it.”

“In the greatest confusion there is still an open channel to the soul. It may be difficult to find because by midlife it is overgrown, and some of the wildest thickets that surround it grow out of what we describe as our education. But the channel is always there, and it is our business to keep it open, to have access to the deepest part of ourselves.”