Sharon Olds
Born in San Francisco on November 19, 1942, Sharon Olds earned a B.A. at Stanford University and a Ph.D. at Columbia University.
Her first collection of poems, Satan Says (1980), received the inaugural San Francisco Poetry Center Award. Olds's following collection, The Dead & the Living (1983), received the Lamont Poetry Selection in 1983 and the National Book Critics Circle Award.
Her other collections include Strike Sparks: Selected Poems (2004, Knopf), The Unswept Room (2002), Blood, Tin, Straw (1999), The Gold Cell (1997), The Wellspring (1995), and The Father (1992), which was shortlisted for the T. S. Eliot Prize and was a finalist for the National Book Critics Circle Award.
About Olds's poetry, one reviewer for the New York Times said, "Her work has a robust sensuality, a delight in the physical that is almost Whitmanesque. She has made the minutiae of a woman's everyday life as valid a subject for poetry as the grand abstract themes that have preoccupied other poets."
Olds's numerous honors include a National Endowment for the Arts grant and a Guggenheim Foundation Fellowship. Her poetry has appeared in The New Yorker, The Paris Review, and Ploughshares, and has been anthologized in more than a hundred collections.
Olds held the position of New York State Poet from 1998 to 2000. She currently teaches poetry workshops at New York University's Graduate Creative Writing Program as well as a workshop at Goldwater Hospital on Roosevelt Island in New York. She was elected an Academy Chancellor in 2006. She lives in New York City.
“it isforbidden to love where we are not loved”
“Once you lose someone it is never exactly the same person who comes back.”
“I have never thought I could take it, not evenfor the children. It is all I have wanted to do,to stand between them and and pain. But I come from along lineof womenwho put themselvesfirst.”
“Where have Ibeen while this person is leading my lifewith her patience, will and order? In the garden;on the bee and under the bee; in thecrown gathering cumulus andflensing it from the boughs”
“I want to live. I take them up like the male and female paper dolls and bang them together at the hips like chips of flint as if to strike sparks from them, I sayDo what you are going to do, and I will tell about it.”
“The next day, I am almost afraid. Love? It was more like dragonflies in the sun, 100 degrees at noon, the ends of their abdomens stuck together.I close my eyes when I remember. I hardly knew myself, like something twisting and twisting out of a chrysalis, enormous, without language, all head, all shut eyes, and the humming like madness, the way they writhe away, and do not leave, back, back, away, back. Did I know you? No kiss, no tenderness—more like killing, death-grip holding to life, genitals like violent hands clasped tight barely moving, more like being closed in a great jaw and eaten, and the screaming.I groan to remember it, and when we started to die, then I refuse to remember, the way a drunkard forgets. After, you held my hands extremely hard as my body moved in shudders like the ferry when its axle is loosed past engagement, you kept me sealed exactly against you, our hairlines wet as the arc of a gateway after a cloudburst, you secured me in your arms till I slept - clasped, fragrant, buoyant, that was the morning after love.”
“Maybe in order to understand sex fully/one has to risk being destroyed by it.”
“A family is a mystery.”
“...the liquor like fire in his hand”
“I see them standing at the formal gates of their colleges,I see my father strolling outunder the ochre sandstone arch, thered tiles glinting like bentplates of blood behind his head, Isee my mother with a few light books at her hipstanding at the pillar made of tiny bricks with thewrought-iron gate still open behind her, itssword-tips black in the May air,they are about to graduate, they are about to get married,they are kids, they are dumb, all they know is they areinnocent, they would never hurt anybody.I want to go up to them and say Stop,don't do it--she's the wrong woman,he's the wrong man, you are going to do thingsyou cannot imagine you would ever do,you are going to do bad things to children,you are going to suffer in ways you never heard of,you are going to want to die. I want to goup to them there in the late May sunlight and say it,her hungry pretty blank face turning to me,her pitiful beautiful untouched body,his arrogant handsome blind face turning to me,his pitiful beautiful untouched body,but I don't do it. I want to live. Itake them up like the male and femalepaper dolls and bang them togetherat the hips like chips of flint as if tostrike sparks from them, I sayDo what you are going to do, and I will tell about it”
“I was a late bloomer. But anyone who blooms at all, ever, is very lucky. ”