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Siegfried Sassoon

Siegfried Loraine Sassoon, CBE was born into a wealthy banking family, the middle of 3 brothers. His Anglican mother and Jewish father separated when he was five. He had little subsequent contact with ‘Pappy’, who died of TB 4 years later. He presented his mother with his first ‘volume’ at 11. Sassoon spent his youth hunting, cricketing, reading, and writing. He was home-schooled until the age of 14 because of ill health. At school he was academically mediocre and teased for being un-athletic, unusually old, and Jewish. He attended Clare College, Cambridge, but left without taking his degree. In 1911, Sassoon read ‘The Intermediate Sex’ by Edward Carpenter, a book about homosexuality which was a revelation for Sassoon. In 1913 he wrote ‘The Daffodil Murderer,’ a parody of a John Masefield poem and his only pre-war success. A patriotic man, he enlisted on 3rd August, the day before Britain entered the war, as a trooper in the Sussex Yeomanry. After a riding accident which put him out of action, in May 1915 he joined the Royal Welch Fusiliers as a second lieutenant. At the training depot he met David Thomas, with whom he fell in love.

In November Sassoon received word that his brother Hamo had died at Gallipoli. On 17th Nov he was shipped to France with David Thomas. He was assigned to C Company, First Battalion. It was here that he met Robert Graves, described in his diary as ‘a young poet in Third Battalion and very much disliked.’ He took part in working parties, but no combat. He later became transport officer and so managed to stay out of the front lines. After time on leave, on the 18th of May, 1916 he received word that David Thomas had died of a bullet to the throat. Both Graves and Sassoon were distraught, and in Siegfried’s case it inspired ‘the lust to kill.’ He abandoned transport duties and went out on patrols whenever possible, desperate to kill as many Germans as he could, earning him the nickname ‘Mad Jack.’ In April he was recommended for the Military Cross for his action in bringing in the dead and wounded after a raid. He received his medal on the day before the Somme. For the first days of the Somme, he was in reserve opposite Fricourt, watching the slaughter from a ridge. Fricourt was successfully taken, and on the 4th July the First Battalion moved up to the front line to attack Mametz Wood. It was here that he famously took a trench single handed. Unfortunately, Siegfried did nothing to consolidate the trench; he simply sat down and read a book, later returning to a berating from Graves. It was in 1917, convalescing in 'Blighty' from a wound, that he decided to make a stand against the war. Encouraged by pacifist friends, he ignored his orders to return to duty and issued a declaration against the war. The army refused to court martial him, sending him instead to Craiglockhart, an institution for soldiers driven mad by the war. Here he met and influenced Wilfred Owen. In 1918 he briefly returned to active service, in Palestine and then France again, but after being wounded by friendly fire he ended the war convalescing. He reached the rank of captain. After the war he made a predictably unhappy marriage and had a son, George. He continued to write, but will be remembered as a war poet.


“For it is humanly certain that most of us remember very little of what we have read. To open almost any book a second time is to be reminded that we had forgotten well-nigh everything that the writer told us. Parting from the narrator and his narrative, we retain only a fading impression; and he, as it were, takes the book away from us and tucks it under his arm.”
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“Phantoms of thought and memory thinned and fled.”
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“Soldiers are dreamers.”
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“His wet white face and miserable eyesBrought nurses to him more than groans and sighs:But hoarse and low and rapid rose and fellHis troubled voice: he did the business well.(First verse of Died of Wounds)”
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“I died in hell. They called it Passchendaele.”
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“Alone he staggered on until he foundDawn's ghost that filtered down a shafted stairTo the dazed, muttering creatures undergroundWho hear the boom of shells in muffled sound.”
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“They march from safety, and the bird-sung joyOf grass-green thickets, to the land where allIs ruin, and nothing blossoms but the sky”
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“I didn't want to die - not before I'd finished reading The Return of the Native anyhow.”
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“But I've grown thoughtful now. And you have lost Your early-morning freshness of surprise At being so utterly mine: you've learned to fear The gloomy, stricken places in my soul, And the occasional ghosts that haunt my gaze.”
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“I am banished from the patient men who fight.They smote my heart to pity, built my pride.Shoulder to aching shoulder, side by side,They trudged away from life's broad wealds of light.Their wrongs were mine; and ever in my sightThey went arrayed in honour. But they died,--Not one by one: and mutinous I criedTo those who sent them out into the night.The darkness tells how vainly I have strivenTo free them from the pit where they must dwellIn outcast gloom convulsed and jagged and rivenBy grappling guns. Love drove me to rebel.Love drives me back to grope with them through hell;And in their tortured eyes I stand forgiven.”
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“Does it matter?--losing your legs?...For people will always be kind,And you need not show that you mindWhen the others come in after footballTo gobble their muffins and eggs.Does it matter?--losing your sight?...There's such splendid work for the blind;And people will always be kind,As you sit on the terrace rememberingAnd turning your face to the light.Do they matter?--those dreams from the pit?...You can drink and forget and be glad,And people won't say that you're mad;For they'll know that you've fought for your country,And no one will worry a bit.”
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“Dark clouds are smouldering into red While down the craters morning burns.The dying soldier shifts his head To watch the glory that returns:He lifts his fingers toward the skies Where holy brightness breaks in flame;Radiance reflected in his eyes, And on his lips a whispered name.”
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“Suicide in the trenches:I knew a simple soldier boyWho grinned at life in empty joy,Slept soundly through the lonesome dark,And whistled early with the lark.In winter trenches, cowed and glumWith crumps and lice and lack of rum,He put a bullet through his brain.No one spoke of him again. * * * * *You smug-faced crowds with kindling eyeWho cheer when soldier lads march by,Sneak home and pray you'll never knowThe hell where youth and laughter go.”
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“Dim, gradual thinning of the shapeless gloomShudders to drizzling daybreak that revealsDisconsolate men who stamp their sodden bootsAnd turn dulled, sunken faces to the skyHaggard and hopeless. They, who have beaten downThe stale despair of night, must now renewTheir desolation in the truce of dawn,Murdering the livid hours that grope for peace.Yet these, who cling to life with stubborn hands,Can grin through storms of death and find a gapIn the clawed, cruel tangles of his defence.They march from safety, and the bird-sung joyOf grass-green thickets, to the land where allIs ruin, and nothing blossoms but the skyThat hastens over them where they endureSad, smoking, flat horizons, reeking woods,And foundered trench-lines volleying doom for doom.O my brave brown companions, when your soulsFlock silently away, and the eyeless dead,Shame the wild beast of battle on the ridge,Death will stand grieving in that field of warSince your unvanquished hardihood is spent.And through some mooned Valhalla there will passBattalions and battalions, scarred from hell;The unreturning army that was youth;The legions who have suffered and are dust.”
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“Shaken from sleep, and numbed and scarce awake,Out in the trench with three hours' watch to take,I blunder through the splashing mirk; and thenHear the gruff muttering voices of the menCrouching in cabins candle-chinked with light.Hark! There's the big bombardment on our rightRumbling and bumping; and the dark's a glareOf flickering horror in the sectors whereWe raid the Boche; men waiting, stiff and chilled,Or crawling on their bellies through the wire."What? Stretcher-bearers wanted? Some one killed?"Five minutes ago I heard a sniper fire:Why did he do it?... Starlight overhead--Blank stars. I'm wide-awake; and some chap's dead.”
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“Why do you lie with your legs ungainly huddled,And one arm bent across your sullen coldExhausted face? It hurts my heart to watch you,Deep-shadow'd from the candle's guttering gold;And you wonder why I shake you by the shoulder;Drowsy, you mumble and sigh and turn your head....You are too young to fall asleep for ever;And when you sleep you remind me of the dead.”
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“Before the Battle:Music of whispering treesHushed by the broad-winged breezeWhere shaken water gleams;And evening radiance fallingWith reedy bird-notes calling.O bear me safe through dark, you low-voiced streams.I have no need to prayThat fear may pass away;I scorn the growl and rumble of the fightThat summons me from coolSilence of marsh and pool,And yellow lilies islanded in light.O river of stars and shadows, lead me through the night.”
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“December stillness, teach me through your treesThat loom along the west, one with the land,The veiled evangel of your mysteries.While nightfall, sad and spacious, on the downDeepens, and dusk embues me where I stand,With grave diminishings of green and brown,Speak, roofless Nature, your instinctive words;And let me learn your secret from the sky,Following a flock of steadfast-journeying birdsIn lone remote migration beating by.December stillness, crossed by twilight roads,Teach me to travel far and bear my loads.”
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“You smug-faced crowds with kindling eye Who cheer when soldier lads march by, Sneak home and pray you'll never know The hell where youth and laughter go." "The War Poems”
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“Have you forgotten yet?...For the world's events have rumbled on since those gagged days,Like traffic checked while at the crossing of city-ways:And the haunted gap in your mind has filled with thoughts that flowLike clouds in the lit heaven of life; and you're a man reprieved to go,Taking your peaceful share of Time, with joy to spare.But the past is just the same--and War's a bloody game...Have you forgotten yet?...Look down, and swear by the slain of the War that you'll never forget.Do you remember the dark months you held the sector at MametzThe nights you watched and wired and dug and piled sandbags on parapets?Do you remember the rats; and the stenchOf corpses rotting in front of the front-line trench--And dawn coming, dirty-white, and chill with a hopeless rain?Do you ever stop and ask, 'Is it all going to happen again?'Do you remember that hour of din before the attack--And the anger, the blind compassion that seized and shook you thenAs you peered at the doomed and haggard faces of your men?Do you remember the stretcher-cases lurching backWith dying eyes and lolling heads--those ashen-greyMasks of the lads who once were keen and kind and gay?Have you forgotten yet?...Look up, and swear by the green of the spring that you'll never forget.”
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“Mute in that golden silence hung with green,Come down from heaven and bring me in your eyesRemembrance of all beauty that has been,And stillness from the pools of Paradise.”
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“I believe that this war, upon which I entered as a war of defense and liberation, has now become a war of aggression and conquest.”
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“I keep such music in my brain No din this side of death can quell; Glory exulting over pain, And beauty, garlanded in hell.”
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“The fact is that five years ago I was, as near as possible, a different person to what I am tonight. I, as I am now, didn't exist at all. Will the same thing happen in the next five years? I hope so.”
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“Oh yes, I know the way to heaven was easy. We found the little kingdom of our passion that all can share who walk the road of lovers. In wild and secret happiness we stumbled; and gods and demons clamoured in our senses.”
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“O, but EveryoneWas a bird; and the song was wordless; the singing will never be done.”
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“EVERYONE suddenly burst out singing; And I was filled with such delightAs prisoned birds must find in freedom,Winging wildly across the white Orchards and dark-green fields; on—on—and out of sight. Everyone’s voice was suddenly lifted; And beauty came like the setting sun: My heart was shaken with tears; and horror Drifted away ... O, but EveryoneWas a bird; and the song was wordless; the singing will never be done.”
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“Who's this—alone with stone and sky?It's only my old dog and I—It's only him; it's only me;Alone with stone and grass and tree. What share we most—we two together?Smells, and awareness of the weather.What is it makes us more than dust?My trust in him; in me his trust.”
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