Simon Pegg is an English actor, comedian, writer, film producer and director. He is best known for his starring roles in Shaun of the Dead, Hot Fuzz, the comedy series Spaced and his portrayal of Montgomery "Scotty" Scott in the 2009 Star Trek film.
“[The USA in the '70s] The country's cinematic output was appropriately bleak, reflecting the moroseness and self-hatred that riddled the national psyche. Anti-heroes such as Bonnie and Clyde, Travis Bickle, Popeye Doyle and the Corleones dominated the box office and the public wallowed in a morass of guilty introspection. There was never a country in more desperate need of a blow job than the United States of America: enter George Lucas.”
“We are never more creative than when we are at odds with the world and there is nothing so artistically destructive as comfort. Princess Leia taught me that.”
“In the most basic terms it was about how when we experience art without critical awareness we consent to the ideas being promoted, either intentionally or unintentionally, by the filmmaker. For instance, if you watch a racist comedian and laugh at his jokes, you are consenting to the prejudices inherent within them. Similarly, if you watch a movie which perpetuates conventional ideas about race, gender, etc., you are consenting to them and not affecting change in any way.”
“It wasn't until a year later, when a young woman with Danish pastries on either side of her head knelt down in front of a walking dustbin to record an important message, that love truly came to town." - p 16 [re: Princess Leia]”
“Being a geek is all about being honest about what you enjoy and not being afraid to demonstrate that affection. It means never having to play it cool about how much you like something. It’s basically a license to proudly emote on a somewhat childish level rather than behave like a supposed adult. Being a geek is extremely liberating.”
“Remember when only a few people had mobile phones. Generally regarded as an object of derision, you would occasionally see business types clutching those ridiculous grey bricks to their faces and mutter to yourself 'what a prick.' Nowadays, an eyebrow hardly even flutters when we see a ten-year-old child happily texting away. You probably wouldn't notice anyway; you'd be too busy downloading an app that could definitively pinpoint who it was that had just farted in your tube carriage.”
“We might not know we are seeking people who best enrich our lives, but somehow on a deep subconscious level we absolutely are. Whether the bond is temporary or permanent, whether it succeeds or fails, fate is simply a configuration of choices that combine with others to shape the relationships that surround us. We cannot choose our family, but we can choose our friends, and we sometimes, before we even meet them.”
“Ultimately, we are all products of the experiences we have and the decisions we make as children, and it remains a peculiar detail of human condition that something as precious as the future is entrusted to us when we possess so little foresight. Perhaps that's what makes hindsight so intriguing. When you're young the future is a blank canvas, but looking back you are always able to see the big picture.”
“Plainly it isn't an exact science, despite it being a complex interaction of micro-decisions and corresponding thought; perhaps it doesn't always work and we pass by some potential soulmates like the proverbial ships in the night, never quite connecting. Then again, perhaps the system is tenacious and continues to run like a computer program on infinite loop, so that if at first you don't meet, you are drawn back together for another try.”
“If there is no fate and our interactions depend on such a complex system of chance encounters, what potentially important connections do we fail to make? What life changing relationships or passionate and lasting love affairs are lost to chance?”
“It's why I get miffed at all the dashing around in recent zombie films. It completely misses the point; transforms the threat to a straightforward physical danger from the zombies themselves, rather than our own inability to avoid them and these films are about us, not them. There's far more meat on the bones of the latter, far more juicy interpretation to get our teeth into. The first zombie is by comparison thin and one dimensional and ironically, it is down to all the exercise.”
“Zombies don't run.”