Stephen King

“Talent renders the whole idea of rehearsal meaningless; when you find something at which you are talented, you do it (whatever it is) until your fingers bleed or your eyes are ready to fall out of your head. Even when no one is listening (or reading or watching), every outing is a bravura performance, because you as the creator are happy. Perhaps even ecstatic.”

“Writing is seduction. Good talk is part of seduction. If not so, why do so many couples who start the evening at dinner wind up in bed?”

“Just remember that Dumbo didn't need the feather; the magic was in him. ”

“Words create sentences; sentences create paragraphs; sometimes paragraphs quicken and begin to breathe.”

“What is writing? Writing is telepathy.”

“The terror, which would not end for another 28 years-if it ever did end-began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.”

“Aku lebih memedulikan apa yang kausukai dan kauinginkan daripada apa yang kauterima dan lakukan”

“Anything with the power to make you laugh over thirty years later isn’t a waste of time. I think something like that is very close to immortality.”

“Adulthood is accretive by nature, a thing which arrives in ragged stages and uneven overlaps.”

“I’m so afraid that all I can reach will lead me to all I dare not see.”

“I love you too much to lie to you, Lisey. I love you with all that passes for my heart. I suspect that kind of all-out love becomes a burden to a woman in time, but it's the only kind I have to give. I think we're going to be quite a wealthy couple in terms of money, but I'll almost certainly be an emotional pauper all my life. I've got the money coming, but as for the rest I've got just enough for you, and I won't ever dirty or dilute it with lies. Not with the words I say, not with the ones I hold back.”

“Then, instead of telling her that where there was life there was hope, or to let a smile be her umbrella, or that it was always darkest just before the dawn, or anything else that had just lately fallen out of the dog's ass, she simply held her. Because sometimes only holding was best. That was one of the things she had taught that man whose last name she had taken for her own--that sometimes it was best to be quiet; sometimes it was best to just shut your everlasting mouth and hang on, hang on, hang on.”

“Sometimes she'd go a whole day without thinking of him or missing him. Why not? She had quite a full life, and really, he'd often been hard to deal with and hard to live with. A project, the Yankee oldtimers like her very own Dad might have said. And then sometimes a day would come, a gray one (or a sunny one) when she missed him so fiercely she felt empty, not a woman at all anymore but just a dead tree filled with cold November blow. She felt like that now, felt like hollering his name and hollering him home, and her heart turned sick with the thought of the years ahead and she wondered what good love was if it came to this, to even ten seconds of feeling like this.”

“When it was done and I went to sleep, I lay awake and listened to the clock on your nightstand and the wind outside and understood that I was really home, that in bed with you was home, and something that had been getting close in the dark was suddenly gone. It could not stay. It had been banished. It knew how to come back, I was sure of that, but it could not stay and I could really go to sleep. My heart cracked with gratitude. I think it was the first gratitude I’ve ever really known. I lay there beside you and the tears rolled down the sides of my face and onto the pillow. I loved you then and I love you now and I have loved you every second in between. I don’t care if you understand me. Understanding is vastly overrated, but nobody ever gets enough safety. I’ve never forgotten how safe I felt with that thing gone out of the darkness.”

“Those are the only to verbalizations usually that we make in movies—either to scream or to laugh—because those two reactions are rather close. Most things we laugh at are things that are really horrible, when you think about them. It’s funny and you don’t scream, as long as it’s not you. If it’s somebody else you can laugh.”

“You know, small children take it as a matter of course that things will change every day and grown-ups understand that things change sooner or later and their job is to keep them from changing as long as possible. It’s only kids in high school who are convinced they’re never going to change. There’s always going to be a pep rally and there’s always going to be a spectator bus, somewhere out there in their future.”

“Last reason for reading horror: it’s a rehearsal for death. It’s a way to get ready. People say there’s nothing sure but death and taxes. But that’s not really true. There’s really only death, you know. Death is the biggie. Two hundred years from now, none of us are going to be here. We’re all going to be someplace else. Maybe a better place, maybe a worse place; it may be sort of like New Jersey, but someplace else. The same thing can be said of rabbits and mice and dogs, but we’re in a very uncomfortable position: we’re the only creatures—at least as far as we know, though it may be true of dolphins and whales and a few other mammals that have very big brains—who are able to contemplate our own end. We know it’s going to happen. The electric train goes around and around and it goes under and around the tunnels and over the scenic mountains, but in the end it always goes off the end of the table. Crash.”

“So in that sense, I and my fellow horror writers are absorbing and defusing all your fears and anxieties and insecurities and taking them upon ourselves. We’re sitting in the darkness beyond the flickering warmth of your fire, cackling into our caldrons and spitting out spider webs of words, all the time sucking the sickness from your minds and spewing it out into the night.”

“He held her and rocked her, believing, rightly or wrongly, that Ellie wept for the very intractability of death, its imperviousness to argument or to a little girl’s tears; that she wept over its cruel unpredictability; and that she wept because of the human being’s wonderful, deadly ability to translate symbols into conclusions that were either fine and noble or blackly terrifying. If all those animals had died and been buried, then Church could die (any time!) and be buried; and if that could happen to Church, it could happen to her mother, her father, her baby brother. To herself. Death was a vague idea; the Pet Sematary was real. In the texture of those rude markers were truths which even a child’s hands could feel.”

“Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye. But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower. And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.”

“Jake stood on the corner of Second and Forty-sixth, looking at a board fence about five feet high. Tears were streaming down his cheeks. From the darkness beyond the fence cam a strong harmonic humming. The sound of many voices, all singing together. Singing one vast open note. 'Here is yes,' the voices said. 'Here is you may. Here is the good turn, the fortunate meeting, the fever that broke just before dawn and left your blood calm. Here is the wish that came true and the understanding eye. Here is the kindness you were given and thus learned to pass on. Here is the sanity and clarity you thought were lost. Here, everything is all right.”

“True love, like any other strong and addicting drug, is boring — once the tale of encounter and discovery is told, kisses quickly grow stale and caresses tiresome… except, of course, to those who share the kisses, who give and take the caresses while every sound and color of the world seems to deepen and brighten around them. As with any other strong drug, true first love is really only interesting to those who have become its prisoners. And, as is true of any other strong and addicting drug, true first love is dangerous.”

“Allie sighed. It was an old, yellow sound, like turning pages.”

“Where you think I’m goan?’ ‘Well,’ Eddie said, ‘what was behind Door Number One wasn’t so hot, and what was behind Door Number Two was even worse, so now, instead of quitting like sane people, we’re going to go right on ahead and check out Door Number Three. The way things have been going, I think it’s likely to be something like Godzilla or Ghidra the Three-Headed Monster, but I’m an optimist. I’m still hoping for the stainless steel cookware.”

“For every mother who ever cursed God for her child dead in the road, for every father who ever cursed the man who sent him away from the factory with no job, for every child who was ever born to pain and asked why, this is the answer. Our lives are like these things I build. Sometimes they fall down for a reason, sometimes they fall down for no reason at all.”

“At 1:37 P.M. mountain time, Tierney climbed into the shotgun seat of the cruiser and said, ‘How fast does this go?’ ‘Sir! This vehicle will go one hundred and thirty miles an hour and I am a Mormon sir and I am not afraid to drive it at that speed sir because I am confident that I will avoid hell. Sir!”

“A man who loves money is a bastard, someone to be hated. A man who can't take care of it is a fool. You don't hate him, but you got to pity him.”

“For me, that emotional payoff is what it’s all about. I want you to laugh or cry when you read a story...or do both at the same time. I want your heart, in other words. If you want to learn something, go to school.”

“Art should be a place of hope, not doubt. And your doubts rise from inexperience, which is not a dishonorable thing.”

“You ought to sue that son of a whore”

“Because things like this you can only ssay once. And you either get it wrong or right, it's the end either way, because it's too hard to ever try to say again.”

“All that profligate investment of energy to effect a splendid, momentary reversal of natural law. That such a reversal should demand so much and last such a short time was terrible; that people would go for it anyway was both terrible and wonderful....A game, or maybe even not that--maybe it was only practice for a game, the way that all the sweat and trembling exhaustion in the Wilshire loft that day had just been practice. Practice for a show that only a few people would probably care to attend and which would probably close quickly.”

“I believe most people are essentially good. I know that I am. It's you I'm not entirely sure of.”

“We fool ourselves so much we could do it for a living.”

“No hay necesidad de ser grosero, señor Noonan. Yo no estaba siendo grosero. Si hubiera querido ser grosero, le habría dado la bienvenida con una nube de matacucarachas en la cara.”

“PRECOGNITION, TELEPATHY, BULLSHIT! EAT MY DONG, YOU EXTRASENSORY TURKEY!”

“I started after him...and the clown looked back. I saw Its eyes, and all at once I understood who It was.""Who was it, Don?" Harold Gardner asked softly."It was Derry," Don Hagarty said. "It was this town.”

“I find I'm so excited I can barely sit still or hold a thought in my head. I think it is the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.”

“jeśli' to jedyne tysiącliterowe słowo”

“I responded (and with rather touching wholeheartedness) to the sweep of Tolkien's imagination-to the ambition of his story-but I wanted to write my own kind of story, and had I started then, I would have written his... Thanks to Mr. Tolkien, the twentieth century had all the elves and wizards it needed.”

“Description is what makes the reader a sensory participant in the story. Good description is a learned skill,one of the prime reasons you cannot succeed unless you read a lot and write a lot. It's not just a question of how-to, you see; it's a question of how much to. Reading will help you answer how much, and only reams of writing will help you with the how. You can learn only by doing.”

“Some things were better lost than found.”

“Amateurs sit and wait for inspiration, the rest of us just get up and go to work.”

“The mystery of the universe is not time but size.”

“Some guys-a lot of guys-don't believe what they are seeing, especially if it gets in the way of what they want to eat or drink or believe. Me, I don't believe in God. But if i saw him, I would. I wouldn't just go around saying, "Jesus, that was a great special effect." The definition of an asshole is a guy who doesn't believe what he's seeing.”

“What chance?’ she had asked, bewildered.‘Your chance. Your chance to live your own life. Right now you have the look of a woman who is seeing ghosts. Not everybody believes in ghosts, but I do. Do you know what they are, Trisha?’She had shaken her head slowly.‘Men and women who can’t get over the past,’ Aunt Evvie said. ‘That’s what ghosts are. Not them.’ She flapped her arm toward the coffin which stood on its bands beside the coincidentally fresh grave. ‘The dead are dead. We bury them, and buried they stay.”

“I'm a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don't read in order to study the craft; I read because I like to read”

“What comes in when daylight leaves is a kind of certainty: that beneath the skin there is a secret, some mystery both black and bright. You feel this mystery in every breath, you see it in every shadow, you expect to plunge into it at every turn of a step.”

“The sign painter had guts, maybe. Good taste, no. Anyone with a taste for chocolate Paydays had been spending too much time in the sun. We've stumbled on another find, I believe, Sergeant. Inspector, I stand amazed- your deductive acumen is exceeded only by your good looks and the extraordinary length of your reproductive organ.”

“At the end of her life she was aware of heat but not pain. She had time to consider his eyes, eyes of that blue which is the color of the sky at first light of the morning. She had time to think of him on the Drop, riding Rusher flat out with his black hair flying back from his temples and his neckerchief rippling; to see him laughing with an ease and freedom he would never find again in the long life which stretched out for him beyond hers, and it was his laughter she took with her as she went out, fleeing the light and heat in to the silkly, consoling dark, calling to him over and over as she went, calling bird and bear and hare and fish.”