Stephen Minkin

“All characters and events in this book are made up. If some of them seem familiar, it’s because so many of us grew up playing the same games.”

“(Regarding a twenty-questions game:)Did you know that the Russian composer Aram Katchaturian described his ‘Sabre Dance’ as no more than a button on the shirt on the body of his work? No? You’re not alone. Suppose my twenty-questions answer was that metaphorical button — would that be fair?”

“On to the library. And all through his time at the card catalog, combing the shelves, filling out the request cards, he danced a silent, flirtatious minuet of the eyes with a rosy-cheeked redhead in the biology section, pages of notes spread before her. All his life, he had had a yen for women in libraries. In a cerebral setting, the physical becomes irresistible. Also, he figured he was really more likely to meet a better or at least more compatible woman in a library than in a saloon. Ought to have singles libraries, with soups and salads, Bach and Mozart, Montaignes bound in morocco; place to sip, smoke, and seduce in a classical setting, noon to midnight. Chaucer's Salons, call them, franchise chain.”