SUE MONK KIDD was raised in the small town of Sylvester, Georgia. She graduated from Texas Christian University in 1970 and later took creative writing courses at Emory University, as well as studying at Sewanee, Bread Loaf, and other writers’ conferences. In her forties, Kidd turned her attention to writing fiction, winning the South Carolina Fellowship in Literature and the 1996 Poets & Writers Exchange Program in Fiction.
When her first novel, The Secret Life of Bees, was published by Viking in 2002, it became a genuine literary phenomenon, spending more than 2½ years on the New York Times bestseller list. It has been translated into 36 languages and sold more than 6 million copies in the U.S. and 8 million copies worldwide. Bees was named the Book Sense Paperback Book of the Year in 2004, long-listed for the 2002 Orange Prize in England, and won numerous awards. The novel was adapted into a award-winning movie and an Off-Broadway musical.
The Mermaid Chair spent 24 weeks on the New York Times hardcover bestseller list, reaching the #1 position, and spent 22 weeks on the New York Times trade paperback list. The novel won the Nation Quill Award and was made into the television movie.
The Invention of Wings, her third novel, was published in 2014 to wide critical acclaim and debuted at #1 on the New York Times bestseller list where it remained for 9 months. It was selected for Oprah Winfrey's Bookclub 2.0 and other awards. Wings has been translated to 20+ languages.
She is also the author of several acclaimed memoirs, including The Dance of the Dissident Daughter and New York Times bestseller Traveling with Pomegranates, written with her daughter, Ann Kidd Taylor.
Her latest novel, The Book of Longings, is to be published on April 21, 2020.
Kidd lives in North Carolina with her husband.
Please visit www.suemonkkidd.com for more information. Follow Sue on Twitter & Instagram @SueMonkKidd and Facebook https://www.facebook.com/suemonkkidd
“The truth is, in order to heal we need to tell our stories and have them witnessed...The story itself becomes a vessel that holds us up, that sustains, that allows us to order our jumbled experiences into meaning.As I told my stories of fear, awakening, struggle, and transformation and had them received, heard, and validated by other women, I found healing.I also needed to hear other women's stories in order to see and embrace my own. Sometimes another woman's story becomes a mirror that shows me a self I haven't seen before. When I listen to her tell it, her experience quickens and clarifies my own. Her questions rouse mine. Her conflicts illumine my conflicts. Her resolutions call forth my hope. Her strengths summon my strengths. All of this can happen even when our stories and our lives are very different.”
“Elizabeth A. Johnson explains that including divine female symbols and images not only challenges the dominance of male images but also calls into question the structure of patriarchy itself.”
“The core symbols we use for God represent what we take to be the highest good....These symbols or images shape our worldview, our ethical system, and our social practice--how we relate to one another.For instance, [Elizabeth A.] Johnson suggests that if a religion speaks about God as warrior, using militaristic language such as how "he crushes his enemies" and summoning people to become soldiers in God's army, then the people tend to become militaristic and aggressive.Likewise, if the key symbol of God is that of a male king (without any balancing feminine imagery), we become a culture that values and enthrones men and masculinity.”
“The second thing I wrote down that day was that exclusive male imagery of the Divine not only instilled an imbalance within human consciousness, it legitimized patriarchal power in the culture at large. Here alone is enough reason to recover the Divine Feminine, for there is a real and undeniable connection between the repression of the feminine in our deity and the repression of women.”
“The question occurred to me: Well, if that's so, if the Divine is ultimately formless and genderless, what's the big deal? Why all this bother?The bother is because we have no other way of speaking about the Absolute. We need forms and images. Without them we have no way of relating to the Divine. Symbol and image create a universal spiritual language. It's the language the soul understands.”
“When a woman starts to disentangle herself from patriarchy, ultimately she is abandoned to her own self.”
“some things don't matter much. Like the color of a house. How big is that in the overall scheme of life? But lifting a person's heart--now, that matters. The whole problem with people is...they know what matters, but they don't choose it...The hardest thing on earth is choosing what matters.”
“It is the peculiar nature of the world to go on spinning no matter what sort of heartbreak is happening.”
“At forty-two, I had never done anything that took my own breath away, and I suppose now that was part of the problem--my chronic inability to astonish myself. I promise you, no one judges me more harshly than I do myself; I caused a brilliant wreckage. Some say I fell from grace; they're being kind. I didn't fall. I dove.”
“Yes, here I am returning, the woman who bore herself to the bottom and back. Who wanted to swim like dolphins, leaping waves and diving. Who wanted only to belong to herself.”
“Nobody around here had ever seen a lady beekeeper till her. She liked to tell everybody that women made the best beekeepers, 'cause they have a special ability built into them to love creatures that sting. It comes from years of loving children and husbands.”
“You have to know when to prod and when to be quiet, when to let things take their course.”
“When he spoke, the roughness was gone from his voice. "I could tell you I did it. That's what you wanna hear. I could tell you she did it to herself, but both ways I'd be lying. It was you who did it, Lily. You didn't mean it, but it was you.”
“I'd heard August say more than once, "If you need something from somebody, always give that person a way to hand it to you." T. Ray needed a face-saving way to hand me over, and August was giving it to him.”
“Still everyone, including the abbot, had said that he was running away from his grief. They'd had no idea what they were talking about. He'd cradled his grief, almost to the point of loving it. For so long he refused to give it up, because leaving it behind was like leaving her.”
“You can tell which girls lack mothers by the look of their hair...”
“Every human being on the face of the earth has a steel plate in his head, but if you lie down now and then and get still as you can, it will slide open like elevator doors, letting in all the secret thoughts that have been standing around so patiently, pushing the button for a ride to the top. The real troubles in life happen when those hidden doors stay closed for too long.”
“The world will give you that once in awhile, a brief timeout; the boxing bell rings and you go to your corner, where somebody dabs mercy on your beat-up life.”
“all that paddling around in the alphabet soup of one's childhood, scooping up letters, hoping to arrange them into enlightening sentences that would explain why things had turned out the way they had. It evoked a certain mutiny in me.”
“Shitbucket, hellfire, damnation, and son of a mother bitch," said Rosaleen, laying into each word like it was sweet potatoes on her tongue.”
“Someone who thinks death is the scariest thing doesn't know a thing about life.”
“My mother's life was way too heavy for me.”
“With winter the feeling had deepened. I would see a neighbor running along the sidewalk in front of the house, training, I imagined, for a climb up Kilimanjaro. Or a friend at my book club giving a blow-by-blow of her bungee jump from a bridge in Australia. Or - and this was the worst of all - a TV show about some intrepid woman traveling alone in the blueness of Greece, and I'd be overcome by the little sparks that seemed to run beneath all that, the blood/sap/wine, aliveness, whatever it was. It had made me feel bereft over the immensity of the world, the extraordinary things people did with their lives - though, really, I didn't want to do any of those particular things. I didn't know then what I wanted, but the ache for it was palpable.”
“After you get stung, you can't get unstungno matter how much you whine about it.”
“Sunset is the saddest light there is.”
“It was the first time I'd ever said the words to another person, and the sound of them broke open my heart.”
“We are so limited, you have to use the same word for loving Rosaleen as you do for loving Coke with peanuts. Isn't that a shame we don't have many more ways to say it?”
“I wanted to know what happened when two people felt it. Would it divide the hurt in two, make it lighter to bear, the way feeling someone's joy seemed to double it?”
“And when you get down to it, Lily, that is the only purpose grand enough for a human life. Not just to love but to persist in love.”
“I hadn't been out to the hives before, so to start off she gave me a lesson in what she called 'bee yard etiquette'. She reminded me that the world was really one bee yard, and the same rules work fine in both places. Don't be afraid, as no life-loving bee wants to sting you. Still, don't be an idiot; wear long sleeves and pants. Don't swat. Don't even think about swatting. If you feel angry, whistle. Anger agitates while whistling melts a bee's temper. Act like you know what you're doing, even if you don't. Above all, send the bees love. Every little thing wants to be loved.”
“I marvel at how good I was before I met him, how I lived molded to the smallest space possible, my days the size of little beads that passed without passion through my fingers. So few people know what they're capable of. At forty-two I'd never done anything that took my own breath away, and I suppose now that was part of the problem - my chronic inability to astonish myself.”
“I wondered what it was like to be inside her, just a curl of flesh swimming in the darkness, the quiet things that had passed between us.”
“Knowing can be a curse on a person's life. I'd traded in a pack of lies for a pack of truth, and I didn't know which one was heavier. Which one took the most strength to carry around? It was a ridiculous question, though, because once you know the truth, you can't ever go back and pick up your suitcase of lies. Heavier or not, the truth is yours now.”