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Suzanne Collins

Since 1991, Suzanne Collins has been busy writing for children’s television. She has worked on the staffs of several Nickelodeon shows, including the Emmy-nominated hit Clarissa Explains it All and The Mystery Files of Shelby Woo. For preschool viewers, she penned multiple stories for the Emmy-nominated Little Bear and Oswald. She also co-wrote the critically acclaimed Rankin/Bass Christmas special, Santa, Baby! Most recently she was the Head Writer for Scholastic Entertainment’s Clifford’s Puppy Days.

While working on a Kids WB show called Generation O! she met children’s author James Proimos, who talked her into giving children’s books a try.

Thinking one day about Alice in Wonderland, she was struck by how pastoral the setting must seem to kids who, like her own, lived in urban surroundings. In New York City, you’re much more likely to fall down a manhole than a rabbit hole and, if you do, you’re not going to find a tea party. What you might find...? Well, that’s the story of Gregor the Overlander, the first book in her five-part series, The Underland Chronicles. Suzanne also has a rhyming picture book illustrated by Mike Lester entitled When Charlie McButton Lost Power.

She currently lives in Connecticut with her family and a pair of feral kittens they adopted from their backyard.

The books she is most successful for in teenage eyes are The Hunger Games, Catching Fire and Mockingjay. These books have won several awards, including the GA Peach Award.


“Flight is essential, but I can't let my fear show.”
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“Tick, tock.”
Suzanne Collins
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“Yes, frosting. The final defense of the dying.”
Suzanne Collins
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“If I feel ragged, my prep team seems in worse condition, knocking back coffee and sharing brightly colored little pills. As far as I can tell, they never get up before noon unless there's some sort of national emergency, like my leg hair.”
Suzanne Collins
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“So that's who Finnick loves, I think. Not his string of fancy lovers in the Capitol. But a poor, mad girl back home. ”
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“Beetee is still messing round the tree, doing I don't know what. At one point he snaps off a sliver of bark, joins us, and throws it against the force field. It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. "Well, that explains a lot," says Beetee. I look at Peeta and can't help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee. ”
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“The mayor finishes the dreary Treaty of Treason and motions for Peeta and me to shake hands. His are as solid and warm as those loaves of bread. Peeta looks me right in the eye and gives my hand what I think is meant to be a reassuring squeeze. Maybe it's just a nervous spasm. We turn back the crowd as the anthem of Panem plays.Oh well, I think. There will be twenty-four of us. Odds are someone else will kill him before I do.Of course, the odds have not been very dependable of late.”
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“I turn and put my lips close to Peeta's and drop my eyelids in imitation... "He offered me sugar and wanted to know all my secrets," I say in my best seductive voice.”
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“Really, the combination of the scabs and the ointment looks hideous. I can't help enjoying his distress."Poor Finnick. Is this the first time in your life you haven't looked pretty?" I say."It must be. The sensation's completely new. How have you managed it all these years?" he asks."Just avoid mirrors. You'll forget about it," I say."Not if I keep looking at you," he says.”
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“I really can't think about kissing when I've got a rebellion to incite. ”
Suzanne Collins
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“Let the Seventy-forth Hunger Games begin, Cato, I think. Let them begin for real.”
Suzanne Collins
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“When I break into the clearing, she's on the ground, hopelessly entangled in a net. She just has the time to reach her hand through the mesh and say my name before the spear enters her body.”
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“She reaches in, digs her hand deep into the ball, and pulls out a slip of paper. The crowd draws in a collective breath, and then you can hear a pin drop, and I'm feeling nauseous and so desperately hoping that it's not me, that it's not me, that it's not me.Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it's not me.It's Primrose Everdeen.”
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“I'm so sorry," I whisper. I lean forward and kiss him.His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip." "Hey, Gale," I say. "Thought you'd be gone by now," He says. My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble." "Me, too," Gale says. He just manages a smile before the drugs pull him back under.”
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“So it's you and a syringe against the Capitol? See, this is why no one lets you make the plans.”
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“Destroying things is much easier than making them.”
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“I realize, for the first time, how very lonely I've been in the arena. How comforting the presence of another human being can be.”
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“My mother says healers are born, not made.”
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“They're already taking my future! They can't have the things that mattered to me in the past!”
Suzanne Collins
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“If you appeal to the crowd, either by being humorous or brutal or eccentric, you gain favor.”
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“He became my confidante, someone with whom I could share thoughts I could never voice...In exchange, he trusted me with his.”
Suzanne Collins
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“Kind people have a way of working their way inside me and rooting there.”
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“In that one slight motion, I see the end of hope, beginning of destruction of everything I hold dear in the world. I can't guess what form my punishment will take, how wide the net will be cast, but when it is finished there most likely be nothing left. So you would think that at this moment, I would be in utter despair.”
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“Remember, girl on fire,” he says, “I'm still betting on you.”
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“But don't worry; as I've been saying - and this has been very clever of me, I'm sure you'll agree - if you put enough pressure on coal, it'll turn to pearls!”
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“What must it be like, I wonder, to live in a world where food appears at the press of a button? How would I spend the hours I now commit to combing the woods for sustenance if it were so easy to come by? What do they do all day, these people in the Capitol, besides decorating their bodies and waiting around for a new shipment of tributes to rill in and die for their entertainment?”
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“I swear if you cry, I'll kill you here and now.'Cinna just smiles. 'Had a damp morning?''You could wring me out.' I reply”
Suzanne Collins
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“No, it happened. And right when your song ended, I knew - just like your mother - I was a goner,' Peeta says.”
Suzanne Collins
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“Because I'm selfish. I'm a coward. I'm the kind of girl who, when she might actually be of use, would run to stay alive and leave those who couldn't follow to suffer and die.”
Suzanne Collins
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“Only I keep wishing I could think of a way...to show the Capitol they don't own me. That I'm more than just a piece in their Games.”
Suzanne Collins
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“Since I’ve been home I’ve been trying hard to mend my relationship with my mother. Asking her to do things for me instead of brushing aside any offer of help, as I did for years out of anger. Letting her handle all the money I won. Returning her hugs instead of tolerating them. My time in the arena made me realize how I needed to stop punishing her for something she couldn’t help, specifically the crushing depression she fell into after my father’s death. Because sometimes things happen to people and they’re not equipped to deal with them.”
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“There's a meeting in Command. Disregard your current schedule,' he says. 'Done,' I say.'Did you follow it at all today?' he asks in exasperation.'Who knows? I'm mentally disoriented.' I hold up my wrist to show my medical bracelet and realize it's gone. 'See? I can't even remember they took my bracelet.' (Katniss and Boggs)”
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“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent...and right when your song ended, I knew - just like your mother - I was a goner.”
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“You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea and you always double knot your shoelaces.' I fight back. Then I dive back into my tent before I do something stupid like cry.”
Suzanne Collins
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“The problem is, I can’t tell what’s real anymore, and what’s made up.”
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“You've got to go through it to get to the end of it.”
Suzanne Collins
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“Swathed in silk, I feel like a caterpillar in a cocoon awaiting metamorphosis. I always supposed that to be a peaceful condition. At first it is. But as I journey into the night, I feel more and more trapped, suffocated by the slippery bindings, unable to emerge until I have transformed into something of beauty. I squirm, trying to shed my ruined body and unlock the secret to growing flawless wings. Despite enormous effort, I remain a hideous creature, fired into my current form by the blast from the bombs.”
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“If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!”
Suzanne Collins
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“And when again it’s morning, they’ ll wash away. Here it’s safe, here it’s warm Here the daisies guard you from every harm”
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“Deep in the meadow, hidden far away A cloak of leaves, a moonbeam ray Forget your woes and let your troubles lay”
Suzanne Collins
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“Do you find this...distracting?”
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“But because two can play at this game, I stand on tiptoe and kiss his cheek. Right on his bruise.”
Suzanne Collins
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“It’s a saying from thousands of years ago, written in a language called Latin about a place called Rome,” he explains. “Panem et Circenses translates into ‘Bread and Circuses.’ The writer was saying that in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.”
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“Trapped for days, years, centuries maybe. Dead, but not allowed to die. Alive, but as good as dead.”
Suzanne Collins
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“You see, I tired of constant fear, so I made a decision. Every day when I wake I tell myself that it will be my last. If you are not trying to hold on to time, you are not so afraid of losing it.”
Suzanne Collins
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“Because something is significantly wrong with a creature that sacrifices its children’s lives to settle its differences.”
Suzanne Collins
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“I'm filled with awe, as I always am, as I watch her transform from a woman who calls me to kill a spider to a woman immune to fear.”
Suzanne Collins
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“Just last year i wanted to kill him, but now it is my duty to save him.”
Suzanne Collins
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“Exactly how am I supposed to work in a thank-you in there? Somehow it just won't seem sincere if I'm trying to slit his throat.”
Suzanne Collins
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“It's much easier, she realized, to be on the verge of something than to actually be it.”
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