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Suzanne Collins

Since 1991, Suzanne Collins has been busy writing for children’s television. She has worked on the staffs of several Nickelodeon shows, including the Emmy-nominated hit Clarissa Explains it All and The Mystery Files of Shelby Woo. For preschool viewers, she penned multiple stories for the Emmy-nominated Little Bear and Oswald. She also co-wrote the critically acclaimed Rankin/Bass Christmas special, Santa, Baby! Most recently she was the Head Writer for Scholastic Entertainment’s Clifford’s Puppy Days.

While working on a Kids WB show called Generation O! she met children’s author James Proimos, who talked her into giving children’s books a try.

Thinking one day about Alice in Wonderland, she was struck by how pastoral the setting must seem to kids who, like her own, lived in urban surroundings. In New York City, you’re much more likely to fall down a manhole than a rabbit hole and, if you do, you’re not going to find a tea party. What you might find...? Well, that’s the story of Gregor the Overlander, the first book in her five-part series, The Underland Chronicles. Suzanne also has a rhyming picture book illustrated by Mike Lester entitled When Charlie McButton Lost Power.

She currently lives in Connecticut with her family and a pair of feral kittens they adopted from their backyard.

The books she is most successful for in teenage eyes are The Hunger Games, Catching Fire and Mockingjay. These books have won several awards, including the GA Peach Award.


“It sends out a very clear message: "Mess with us and we'll do something worse than kill you. We'll kill your children.”
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“Pity does not get you aid. Admiration at your refusal to give in does.”
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“To this day, I can never shake the connection between this boy, Peeta Mellark, and the bread that gave me hope, and the dandelion that reminded me that I was not doomed. And more than once, I have turned in the school hallway and caught his eyes trained on me, only to quickly flit away. I feel like I owe him something, and I hate owing people. Maybe if I had thanked him at some point, I'd be feeling less conflicted now. I thought about it a couple of times, but the opportunity never seemed to present itself. And now it never will. Because we're going to be thrown into an arena to fight to the death. Exactly how am I supposed to work in a thank-you in there? Somehow it just won't seem sincere if I'm trying to slit his throat.”
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“While you live, the revolution lives”
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“Life in District 12 isn’t really so different from life in the arena. At some point, you have to stop running and turn around and face whoever wants you dead. The hard thing is finding the courage to do it.”
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“See that little girl? I wanted to marry her mother, but she ran off with a coal miner," "A coal miner? Why did she want a coal miner if she could've had you?" "Because when he sings...even the birds stop to listen.”
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“Panic begins to set in. I can’t stay here. Flight is essential… But I can’t let my fear show.”
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“Caesar: “Handsome lad like you. There must be some special girl. Come on, what’s her name?”Peeta: “Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping.”Caesar: “She have another fellow?”Peeta: “I don’t know, but a lot of boys like her.”Caesar: “So, here’s what you do. You win, you go home. She can’t turn you down then, eh?”Peeta: “I don’t think it’s going to work out. Winning…won’t help in my case”Caesar: “Why ever not?”Peeta: “Because…because…she came here with me.”
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“Every day when I wake I tell myself that it will be my last. If you are not trying to hold on to time, you are not so afraid of losing it... And then, if you make it to bedtime, you feel the joy of cheating death out of one more day.”
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“I can feel Peeta press his forehead into my temple and he asks, 'So now that you've got me, what are you going to do with me?' I turn into him. 'Put you somewhere you can't get hurt.”
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“i can win but you cant lose, this makes us all even in our ways.”
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“I do think you're mad and I'll still go with you.”
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“In really bad times, the hungriest would gather at his door at nightfall, vying for the chance to earn a few coins to feed their families by selling their bodies. Had I been older when my father died, I might have been among them. Instead I learned to hunt.”
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“And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen when we get home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread.”
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“Well, I don't have much competition here.""You don't have much competition anywhere.”
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“District 12: Where you can starve to death in safety.”
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“I just want to spend every possible minute of the rest of my life with you.”
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“My nightmares are usually about losing you. I'm okay once I realize you're here.”
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“Stupid people are dangerous.”
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“We could do it, you know.""What?""Leave the district. Run off. Live in the woods. You and I, we could make it.”
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“If I get home, I'll be so stinking rich, I'll be able to pay someone to do my hearing.”
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“His dad said even the cavemen had geniuses among them. Somebody had thought up the wheel.”
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“I start to crack at four hundred to one.”
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“The main thing I feel is a sense of relief. That I can give up this game. That the question of whether I can succeed in this venture has been answered, even if that answer is a resounding no. That if desperate times call for desperate measures, I am free to act as desperately as I want.”
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“Somehow it always comes back to coal at school.”
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“I'll never know what it was he wanted me to remember.”
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“Most of the Peacekeepers turn a blind eye to the few of us who hunt because they're as hungry as we are for fresh meat as anyone. In fact, they're among our best customers.”
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“As I descend the stairs, I can’t help brushing my fingers along the unblemished white marble walls. So cold and beautiful. Even in the Capitol, there’s nothing to match the magnificence of this old building. But there is no give to the surface - only my flesh yields, my warmth taken. Stone conquers people every time.”
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“Not daring to flee since my general location has just been broadcast to any killer who cares. I mean, I know it's cold out here and not everybody has a sleeping bag.”
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“I'm relieved Peeta's alive. I tell myself again that if I get killed, his winnings will benefit my mother and Prim the most. This is what I tell myself to explain the conflicting emotions that arise when I think of Peeta. The gratitude that he game an edge by professing his love for me in the interview. The anger at his superiority on the roof. The dread that we may come face-to-face at any moment in this arena.”
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“I carefully lay out the provisions. One thin black sleeping bag that reflects body heat. A pack of crackers. A pack of dried beef strips. A bottle of iodine. A box of wooden matches. A small coil of wire. A pair of sunglasses. And a half-gallon plastic bottle with a cap for carrying water that's bone dry. No water. How hard would it have been for them to fill up the bottle?”
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“Just the perfect touch of rebellion," says Haymitch "Very nice." Rebellion?”
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“I wonder if Effie will still be wearing that silly pink wig, or is she'll be sporting some other unnatural color especially for the Victor Tour.”
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“I'm almost there, almost to the barricade, when I thinks she hears me. Because for just a moment, she catches sight of me, her lips form my name.And that's when the rest of the parachutes go off.”
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“There were two Avoxes with me in prison. Darius and Lavinia, but the guards mostly called them the redheads. They'd been our servants in the Training Center, so they arrested them, too. I watched them being tortured to death. She was lucky. They used too much voltage and her heart stopped right off. It took days to finish him off. Beating, cutting off parts. They kept asking him questions, but he couldn't speak, he just made these horrible animals sounds. They didn't want information, you know? They wanted me to see it.”
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“Always.In the twilight of the morphling, Peeta whispers the word and I go searching for him. It's a gauzy, violet-tinted world, with no hard edges, and many places to hide. I push through cloud banks, follow faint tracks, catch the scent of cinnamon, of dill. Once I feel his hand on my cheek and try to trap it, but it dissolves like mist through my fingers. When I finally begin to surface into the sterile hospital room in 13, I remember. I was under the influence of sleep syrup. My heel had been injured after I'd climbed out on a branch over the electric fence and dropped back into 12. Peeta had put me to bed and I had asked him to stay with me as I was drifting off. He had whispered something I couldn't quite catch. But some part of my brain had trapped his single word of reply and let it swim up through my dreams to taunt me now. "Always.”
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“I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. "I should've drowned you when I had the chance." His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt.”
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“But between the images, we are privy to the real-life action being played out on the set. Peeta's attempt to continue speaking. The camera knocked down to record the white tiled floor. The scuffle of boots. The impact of the blow that's inseparable from Peeta's cry of pain. And his blood as it splatters the tiles.”
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“Anything else?"Haymitch rises to go. "While I was waiting... I ate your lunch.”
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“Oh, no. It costs a lot more than your life. To murder innocent people?" says Peeta. "It costs everything you are.”
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“Before anyone can ask anything, I empty my game bag and it becomes 18:00 - Cat Adoration. Prim just sits on the floor weeping and rocking that awful Buttercup, who interrupts his purring only for an occasional hiss at me. He gives me a particularly smug look when she ties the blue ribbon around his neck.”
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“Despite serious reservations, I had to forgive Finnick for his role in the conspiracy that landed me here. He, at least has some idea of what I'm going through. And it takes too much energy to stay angry with someone who cries so much.”
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“Please feel free to take this personally.”
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“It's your own fault for being so camera-ready," I tell Gale. If looks could kill.”
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“Although who knows? Maybe this will be it, Katniss.""What?" I ask."The time it sticks. Maybe we are witnessing the evolution of the human race. Think about that." And then he asks me if I'd like to perform on a new singing program he's launching in a few weeks. Something upbeat would be good. He'll send the crew to my house.”
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“My name is Katniss Everdeen. I am seventeen years old. My home is District 12. There is no District 12. I am the Mockingjay. I brought down the Capitol. President Snow hates me. He killed my sister. Now I will kill him. And then the Hunger Games will be over....”
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“I sit on the rock where Cressida filmed us, but it's too wide without his body beside me. Several times I close my eyes and count to ten, thinking that when I open them, he will have materialized without a sound as he so often did. I have to remind myself that Gale's in 2 with a fancy job, probably kissing another pair of lips.”
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“He's come on foot then, all the way from 13. Maybe they kicked him out or maybe he just couldn't stand it there without her, so he came looking. "It was the waste of a trip. She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead." I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. "She's dead, you stupid cat. She's dead.”
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“I’m in a shallow hole, not filled with the humming orange bubbles of my hallucination but with old, dead leaves.”
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“Caesar Flickerman asks if the president has a date in mind. "Oh, before we set a date, we better clear it with Katniss's mother," says the president. The audience gives a big laugh and the president puts his arm around me. "Maybe if the whole country puts its mind to it, we can get you married before you're thirty." "You'll probably have to pass a new law," I say with a giggle. "If that's what it takes," says the president with conspiratorial good humor. Oh, the fun we two have together.”
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