Since 1991, Suzanne Collins has been busy writing for children’s television. She has worked on the staffs of several Nickelodeon shows, including the Emmy-nominated hit Clarissa Explains it All and The Mystery Files of Shelby Woo. For preschool viewers, she penned multiple stories for the Emmy-nominated Little Bear and Oswald. She also co-wrote the critically acclaimed Rankin/Bass Christmas special, Santa, Baby! Most recently she was the Head Writer for Scholastic Entertainment’s Clifford’s Puppy Days.
While working on a Kids WB show called Generation O! she met children’s author James Proimos, who talked her into giving children’s books a try.
Thinking one day about Alice in Wonderland, she was struck by how pastoral the setting must seem to kids who, like her own, lived in urban surroundings. In New York City, you’re much more likely to fall down a manhole than a rabbit hole and, if you do, you’re not going to find a tea party. What you might find...? Well, that’s the story of Gregor the Overlander, the first book in her five-part series, The Underland Chronicles. Suzanne also has a rhyming picture book illustrated by Mike Lester entitled When Charlie McButton Lost Power.
She currently lives in Connecticut with her family and a pair of feral kittens they adopted from their backyard.
The books she is most successful for in teenage eyes are The Hunger Games, Catching Fire and Mockingjay. These books have won several awards, including the GA Peach Award.
“All the general fear I've been feeling condenses into an immediate fear of this girl, this predator who might kill me in seconds. Adrenaline shoots through me and I sling the pack over one shoulder and run full-speed for the woods. I can hear the blade whistling toward me and reflexively hike the pack up to protect my head. The blade lodges in the pack. Both straps on my shoulders now, I make for the trees. Somehow I knew the girl will not pursue me. That she'll be drawn back into the Cornucopia before all the good stuff is gone. A grin crosses my face. Thanks for the knife, I think.”
“It means we're on your side." That's what Bonnie said. I have people on my side? What side? Am I unwittingly the face of the hoped-for rebellion? Has the mockingjay on my pin become a symbol of resistance? If so, my side's not doing too well.”
“Entrails. No hissing. This is the closest we will ever come to love.”
“I squeeze my eyes shut and try to reach for him across the hundreds and hundreds of miles, to send my thoughts into his mind, to let him know he is not alone. But he is. And I can't help him.”
“The glue of mutual need that bonded us so tightly together for all those years is melting away. Dark patches, not light, show in the spaces between us.”
“I miss home badly sometimes. But then I remember there's nothing left to miss anymore. I feel safer here.”
“So you would think that at this moment, I would be in utter despair. Here's what's strange. The main thing I feel is a sense of relief. That I can give up this game. That the question of whether I can succeed in this venture has been answered, even if that answer is resounding no. That if desperate times call for desperate measures, then I am free to act as desperately as I wish.”
“Sometimes when things are particularly bad, my brain will give me a happy dream.”
“Fine. Somebody else can arrange to get the stupid goat knocked up.”
“But just the fact that he was sparkling leads me to doubt everything that happened.”
“Katniss," Gale says softly.I recognize that voice. It's the same one he uses to approach wounded animals before he delivers a deathblow. I Instinctively raise my hand to block his words but he catches it and holds on tightly.Don't," I whisper.But Gale is not one to keep secrets from me.Katniss, There is no District Twelve.”
“It’s time for the drawing. Effie Trinket says as she always does, “Ladies first!” and crosses to the glass ball with the girls’ names. She reaches in, digs her hand deep into the ball, and pulls out a slip of paper. The crowd draws in a collective breath and then you can hear a pin drop, and I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.”
“Oh, the fun we two have together.”
“I go to the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward and snap, "Hey, Haymitch, if you're not too drunk, we could use a little something for our skin."It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand. "About time" I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him.”
“Whose is it, do you think?" I say finally."No telling," says Finnick. "Why don't we let Peeta claim it, since he died today?”
“What about you?""Not a clue. I keep wishing I could bake a cake or something.”
“And so I'm stupid for thinking they might be useful. Because of something Johanna Mason said while she was oiling her breasts for wrestling.”
“I pull an arrow, whip the notch into place, and am about to let it fly when I'm stopped by the sight of Finnick kissing Peeta. And it's so bizarre, even for Finnick.”
“Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.”
“I have kept track of the boy with the bread.”
“You’re not leaving me here alone,” I say. Because if he dies, I’ll never go home, not really. I’ll spend the rest of my life in this arena, trying to think my way out.”
“Eyes on the forest, not on the trees.”
“You have a... remarkable memory.""I remember everything about you. You're the one who wasn't paying attention.”
“And there I am, blushing and confused, made beautiful by Cinna’s hands, desirable by Peeta’s confession, tragic by circumstance, and by all accounts, unforgettable.”
“I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.”
“Remembering from last year how Haymitch's gifts are often timed to send a message, I make a note to myself. Be friends with Finnick. You'll get food.”
“I'm going to wake Peeta," I say."No, wait," says Finnick. "Let's do it together. Put our faces right in front of his."Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice.His eyelids flutter open and then he jumps like we've stabbed him. "Aa!"Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.”
“Having an eye for beauty isn't the same thing as a weakness...except possibly when it comes to you.”
“Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.Entrails. No hissing. This is the closest we will ever come to love.”
“And we must fight back! President Snow says he's sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that? Fire is catching! And if we burn, you burn with us!”
“If you are not trying to hold on to time, you are not so afraid of losing it.”
“The cat that Prim got hates me, I think partly because I tried to drown it.”
“Peeta's awake already, sitting on the side of the bed, looking bewildered as the trio of doctors reassure him, flash lights in his eyes, checks his pules. I'm disappointed that mine was not the first face he saw when he woke up, but he sees it now. His features registrer disbelief and something more intense that I can't quite place. Desire? Desperation? Surely both, for he sweeps the doctors aside, leaps to his feets and moves towards me. I run to meet him, my arms extended to embrace him. His hands are reaching for mine too, to caress my face, I think.My lips are forming his name when his fingers lock around my throat.”
“Here's some advice. Stay alive.”
“I don't care if you got knocked up. I can still rip your throat out”
“I'll tell them how I survive it. I'll tell them that on bad mornings, it feels impossible to take pleasure in things because I'm afraid it could be taken away. That's when I make a list in my head of every act of goodness I've seen someone do. It's like a game. Repetitive. Even a little tedious after more than twenty years. But there are much worse games to play.”
“The bird, the pin, the song, the berries, the watch, the cracker, the dress that burst into flames. I am the mockingjay. The one that survived despite the Capitol's plans. The symbol of the rebellion.”
“Yes, and I’m sure the arena will be full of bags of flour for me to chuck at people.”
“Finnick and I sit for a long time in silence, watching the knots bloom and vanish, before I can ask, 'How do you bear it?'Finnick looks at me in disbelief. 'I don't, Katniss! Obviously, I don't. I drag myself out of nightmares each morning and find there's no relief in waking.'Something in my expression stops him.'Better not give in to it. It takes ten times as long to put yourself together as it does to fall apart.'Well, he must know. I take a deep breath, forcing myself back into one piece.”
“Peeta bakes. I hunt. Haymitch drinks until the liquor runs out.”
“Katniss, the girl who was on fire!”
“Maybe I'll be like that man in "The Hanging Tree'. Still waiting for an answer.”
“Thinking like your prey. . . that's where you find their vulnerabilities.”
“No. Now, shut up and eat your pears.”
“It's as if I'm Finnick, watching images of my life flash by. The mast of a boat, a silver parachute, Mags laughing, a pink sky, Beetee's trident, Annie in her wedding dress, waves breaking over rocks. Then its over.”
“Plutarch rushes to reassure me. "Oh, no, Katniss. Not your wedding. Finnick and Annie's. All you need to do is show up and pretend to be happy for them.""That's one of the few things I won't have to pretend, Plutarch," I tell him.”
“Why don't I just pretend I'm on camera, Plutarch?" I say."Yes! Perfect. One is always much braver with an audience," he says. "Look at the courage Peeta just displayed!"It's all I can do not to slap him.”
“Finally, he can see me for who I really am. Violent. Distrustful. Manipulative. Deadly. And I hate him for it.”
“I no longer feel any allegiance to these monsters called human beings, despise being one myself.”
“How do you bear it?” Finnick looks at me in disbelief. “I don’t, Katniss! Obviously, I don’t. I drag myself out of nightmares each morning and find there’s no relief in waking.” “The more you can distract yourself the better, ” he says. “First thing tomorrow, we’ll get you your own rope. Until then take mine.”