Suzanne Collins

“It's to the Capitol's advantage to have us divided among ourselves.Another tool to cause misery in our district. A way to plant hatred between the starving workers [of the Seam] and those who can generally count on supper and thereby ensure we will never trust one another.”

“I think about going to the lake, but I'm so weak that I barely make it to mymeeting place with Gale. I sit on the rock where Cressida filmed us, but it's too wide without his body beside me.Several times I close my eyes and count to ten, thinking that when I open them, he will have materialized without a sound as he so often did. I have to remind myself that Gale's in 2 with a fancy job, probably kissing another pairof lips.”

“I search his eyes for the slightest sign of anything, fear, remorse, anger. But there's only the same look of amusement that ended our last conversation. It's as if he's speaking the words again. "Oh, my dear Miss Everdeen. I thought we had agreed not to lie to each other."He's right. We did.The point of my arrow shifts upward. I release the string. And President Coin collapses over the side of the balcony and plunges to the ground. Dead.”

“I am Cinna's bird, ignited, flying frantically to escape something inescapable. The feathers of flame that grow from my body. Beating my wings only fans the blaze. I consume myself, but to no end.Finally, my wings begin to falter, I lose height, and gravity pulls me into a foamy sea the color of Finnick's eyes. I float on my back, which continues to burn beneath the water, but the agony quiets to pain. When I am adrift and unable to navigate, that's when they come. The dead.The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface.The small white bird tinged in pink dives down, buries her claws in my chest, and tries to keep me afloat."No, Katniss! No! You can't go!"But the ones I hated are winning, and if she clings to me, she'll be lost as well. "Prim, let go!" And finally she does.”

“Slowly, with many lost days, I come back to life.”

“Charred bits of black silk swirl into the air, and pearls clatter to the stage… I’m in a dress of the exact design of my wedding dress, only it’s the color of coal and made of tiny feathers. Wonderingly, I lift my long, flowing sleeves into the air, and that’s when I see myself on the television screen. Clothed in black except for the white patches on my sleeves. Or should I say my wings. Because Cinna had turned me into a mockingjay.”

“The air's warm with hopeful hints of spring in it. Spring would be a good time for an uprising, I think. Everyone feels less vulnerable once winter passes.”

“Povero Finnick. E' la prima volta che ti capita di non sembrare carino?" lo stuzzico."Mi sa di sì. E' una sensazione del tutto nuova. Come hai fatto tu, in tutti questi anni?”

“Bukan sifatku untukk kalah tanpa bertarung, bahkan saat kemungkinan untuk menang tampak begitu tipis. -Katniss”

“it is a perfect weapon”

“The pounding music, the cheers, the admiration work their way into my blood, and I can’t suppress my excitement. Cinna has given me a great advantage. No one will forget me. Not my look, not my name. Katniss. The girl who was on fire.”

“And it takes so much energy to stay angry with someone who cries so much.”

“To set a precedent, I guess. So that if in the future she ever fell from grace, it would be understood that presidents - even the most despicable - get special treatment.”

“Look into the confusing mess of life and see things for what they really are.”

“Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.“Your father? Why?” I ask.“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.“What? You’re making that up!” I exclaim.“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.“Oh, please,” I say, laughing.“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”“Without success,” I add.“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”“I am now,” I say.“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.”

“I look down from the branch I'm perched on. The Careers look murderous. Now I smile.'How have things been with you?' I ask sweetly.”

“And here I am, strapped into a tree, a stone's throw from the biggest idiot in the games.”

“He was safe for the moment, here in the playground, but people all over the world were suffering, starving, fleeing, killing one another as they waged their wars. How much energy they put into harming one another. How little into saving. Would it ever change? What would it take to make it change? He thought of Luxa's hand pressed into Ripred's paw. That's what it would take. People rejecting war. Not one or two, but all of them. Saying it was an unacceptable way to solve their differences. By the look of things, the human race had a lot of evolving to do before that happened. Maybe it was impossible. But maybe it wasn't. Like Vikus said, nothing would happen unless you hoped it could. If you had hope, maybe you could find the way to make things change. Because if you thought about it, there were so many reasons to try.”

“If you hit bottom, there's a whole lot of people here to help you up”

“You're really going to do it, aren't you? You're really going to go back to war?" Gregor said. He could feel something boiling up inside of him. "So, we'll just forget about what happened. The jungle, the Firelands, the Bane." His voice was rising and he could feel the rager side of him taking over. "Forget about everybody who's dead! Tick and Twitchtip and Hamnet and Thalia and Ares! And your parents, Luxa! And your pups, Ripred! Let's just forget about everybody who gave their lives so that you could have this moment where you could — could make things right again! So you could stop the killing! We were fighting for the same thing, remember? You two owe each other your lives! You owe me your lives! And now you stand there and ask me to choose between you? To help you kill each other?" Gregor yanked Sandwich's sword from his belt and swung it so violently that even Luxa and Ripred stepped back. "Well, guess what? The warrior's not fighting for either of you!”

“It's just me and the Bane. And I'm fighting him because he killed all of those innocent mice and people, and I have to stop him. Not because Sandwich says so but because I say so.”

“And don't you let your guard down for a second because you think anything's inevitable.”

“Even in war there should be lines you didn't cross.”

“She needs to wake up," said Boots. "Hazard is crying. When does she wake up?" Gregor could not find it within him to give his standard reply. To pretend that in a short time Thalia would be back with them, laughing and happy. And somehow it seemed wrong to try. Boots was getting older. Very soon, she would begin to realize the truth on her own, anyway. "She's not going wake up," he told her. "She's dead.""She doesn't wake up?" said Boots."No, not this time," said Gregor. "This time, she had to go away."Boots looked around at all their faces, at Hazard crying. "Where did she go?" No one had an answer. "Where is Thalia when she doesn't wake up?"The question hung in the air for an eternity. Finally, it was Howard who spoke up. "Why, she's in your heart, Boots.""My heart?" said Boots, putting both hands on her chest."Yes. That's where she lives now," said Howard."She can fly away?" asked Boots, pressing her palms tightly against her heart as if to keep Thalia from escaping."Oh, no, she will stay there forever," said Howard.”

“The only thing worse than fighting a giant scorpion was fighting a giant scorpion who was trying to protect her young.”

“There's no district 12 to escape from now, no Peacekeepers to trick, no hungry mouths to feed. The Capitol took away all of that, and I'm on the verge of losing Gale as well. The glue of mutual needs that bonded us so tightly together for all those years is melting away.”

“I get to the bottom of why I'm so upset. When I do, it's almost too Mortifying to admit. All this months of taking it for granted that Peeta thought I was wonderful are over. Finally, he can see me for who I really am. Violent. Distrustful. Manipulative. Deadly.”

“I have zero interest in these Capitol people. They are only distractions from the food.”

“A need for revenge can burn long and hot. Especially if every glance in a mirror reinforces it.”

“It’s the final word in camouflage. Forget chucking weights around. Peeta should have gone into his private session with the Gamemakers and painted himself into a tree. Or a boulder. Or a muddy bank full of weeds.”

“At least, you two have decent manners," says Effie as we're finishing the main course. "The pair last year ate everything with their hands like a couple of savages. It completely upset my digestion."... My mother taught Prim and me to eat properly, so yes, I can handle a fork and knife. But I hate Effie Trinket's comment so much I make a point of eating the rest of my meal with my fingers. Then I wipe my hands on the tablecloth. This makes her purse her lips tightly together.”

“I can’t fight the sun. I can only watch helplessly as it drags me into a day that I’ve been dreading for months. Katniss Everdeen”

“Something inside me twists as I remember another voice. Rue. In the arena. When I gave her the leg of groosling. “Oh, I've never had a whole leg to myself before.” The disbelief of the chronically hungry.”

“Either you came in here a swimmer or you'd better be a really fast learner”

“The rules of the Hunger Games are simple. In punishment for the uprising, each of the twelve districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins.”

“But some secrets are too delicious not to share.”

“You don't destroy what you want toacquire in the future.”

“Each time I wake,I think, At last, this is over, but it isn't.”

“Knowing it and seeing it are two different things.”

“Now I see what the audience saw, how he misled the Careers about me, stayed awake the entire night under the traker jacker tree, fought Cato to let me escape and even while he lay in that mud bank, whispered my name in his sleep. I seem heartless in comparison- dodging fireballs, dropping nests, and blowing up supplies- until I go hunting for Rue. They play her death in full, the spearing, my failed rescue attempt, my arrow through the boy from District 1's throat, Rue drawing her last breath in my arms. And the song. I get to sing every note of the song. Something inside me shuts down and I'm too numb to feel anything. It's like watching complete strangers in another Hunger Games. But I do notice they omit the part where I covered her in flowers.Right. Because even that smacks of rebellion.”

“We just saw Finnick Odair in his underwear.”

“Everything is about them, not the dying boys and girls in the arena.”

“Yes, they have to have a victor. Without a victor, the whole thing would blow up in the Gamemakers' faces. They'd have failed the Capitol. Might possibly even be executed, slowly and painfully, while the cameras broadcast it to every screen in the country.”

“if he goes and dies on me now, I know I'll go completely insane.”

“I know I'll never marry, never risk bringing a child into the world. Because if there's one thing being a victor doesn't guarantee, it's our children's safety. My kids' names would go right into the reaping balls with everyone else's. And I swear I'll never let that happen.”

“No more fear of hunger. A new kind of freedom. But what then ... what? What would my life be like on a daily basis? Most of it has been consumed with the acquisition of food. Take that away and I'm not really sure who I am, what my identity is. The idea scares me some.”

“He hates me more," says Peeta. "I don't think people in general are his sort of thing.”

“But in my head I can hear Haymitch's smug, if slightly exasperated, words: "Yes, that's what I'm looking for, sweetheart.”

“And I said, 'A coal miner? Why did she want a coal miner if she could've had you?' And he said, 'Because when he sings ... even the birds stop to listen.”

“And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread.”