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Suzanne Collins

Since 1991, Suzanne Collins has been busy writing for children’s television. She has worked on the staffs of several Nickelodeon shows, including the Emmy-nominated hit Clarissa Explains it All and The Mystery Files of Shelby Woo. For preschool viewers, she penned multiple stories for the Emmy-nominated Little Bear and Oswald. She also co-wrote the critically acclaimed Rankin/Bass Christmas special, Santa, Baby! Most recently she was the Head Writer for Scholastic Entertainment’s Clifford’s Puppy Days.

While working on a Kids WB show called Generation O! she met children’s author James Proimos, who talked her into giving children’s books a try.

Thinking one day about Alice in Wonderland, she was struck by how pastoral the setting must seem to kids who, like her own, lived in urban surroundings. In New York City, you’re much more likely to fall down a manhole than a rabbit hole and, if you do, you’re not going to find a tea party. What you might find...? Well, that’s the story of Gregor the Overlander, the first book in her five-part series, The Underland Chronicles. Suzanne also has a rhyming picture book illustrated by Mike Lester entitled When Charlie McButton Lost Power.

She currently lives in Connecticut with her family and a pair of feral kittens they adopted from their backyard.

The books she is most successful for in teenage eyes are The Hunger Games, Catching Fire and Mockingjay. These books have won several awards, including the GA Peach Award.


“So Haymitch, what do you think of the games have one hundred percent more competitors than usual?” asks Caesar.Haymitch shrugs. “I don’t see that it makes that much difference. They’ll still be one hundred percent as stupid as usual, so I figure my odds will be roughly the same.”
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“Because it doesn't matter anymore, and because I'm so desperately lonely I can't stand it.”
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“You'll never be able to let him go. You'll always feel wrong about being with me.”
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“There's something else there as well, something entirely her own. An ability to look into the confusing mess of life and see things for what they are.”
Suzanne Collins
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“What will break me into a million pieces so that I am beyond repair, beyond usefulness?”
Suzanne Collins
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“Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches bleeding wounds and knows our mother can hear only so much.”
Suzanne Collins
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“Shame isn't a strong enough word for what I feel. "You could live a hundred lifetimes and not deserve him, you know," Haymitch says.”
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“I thought he wanted it, anyway," I say. "Not like this," Haymitch says. "He wanted it to be real.”
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“It made me realize how I needed to stop punishing her for something she couldn't help [...] because sometimes things happen to people and they're not equipped to deal with them.”
Suzanne Collins
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“For there to be betrayal, there would have to have been trust first.”
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“I just...I just miss him. And I hate being so alone.”
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“Don't. Don't let's pretend when there's no one around.”
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“And some small gnarled place inside me hated her for her weakness, for her neglect, for the months she had put us through. I had taken a step back from my mother, put up a wall to protect myself from needing her, and nothing was ever the same between us again.”
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“You should wear flames more often. They suit you.”
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“Do you really know what's going on And if you don't... find out”
Suzanne Collins
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“Haymitch in my head full-time. Horrifying”
Suzanne Collins
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“People don't need wings to survive" "Mockingjays do.”
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“That should have been my strategy! By the time I’ve worked through the emotions of surprise, admiration, anger, jealousy, and frustration, I’m watching that reddish mane of hair disappear into the trees well out of shooting range.”
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“I Am The Mockingjay”
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“I merely feel emptyness. A hollow of dead brush where flowers use to bloom.”
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“At once, it’s clear I cannot gush. We try me playing cocky, but I just don’t have the arrogance. Apparently, I’m too “vulnerable” for ferocity. I’m not witty. Funny. Sexy. Or mysterious By the end of the session, I am no one at all.”
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“Peeta: You be nice to her, Finnick. Or I might try and take her away from you.Finnick: Oh, Peeta. Don't make me sorry I restarted your heart.”
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“I don't think it's going to work out. Winning...won't help in any case. Because...she came here with me. - Peeta Mellark”
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“Behind a rack of framed photos of Snow, we encounter a wounded Peacekeeper propped up against a strip of brick wall. He asks us for help. Gale knees him in the side of the head and takes his gun.”
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“Actually, Katniss isn’t complaining because she has no intention of staying with the “Star Squad,” but she recognizes the necessity of getting to the Capitol before carrying out any plan.”
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“Being older, I began to understand the lyrics. At the beginning, it sounds like a guy is trying to get his girlfriend to secretly meet up with him at midnight. But it’s an odd place for a tryst, a hanging tree, where a man was hung for murder. The murderer’s lover must have had something to do with the killing, or maybe they were just going to punish her anyway, because his corpse called out for her to flee. That’s weird obviously, the talking-corpse bit, but it’s not until the third verse that “The Hanging Tree” begins to get unnerving. You realize the singer of the song is the dead murderer. He’s still in the hanging tree. And even though he told his lover to flee, he keeps asking if she’s coming to meet him. The phrase Where I told you to run, so we’d both be free is the most troubling because at first you think he’s talking about when he told her to flee, presumably to safety. But then you wonder if he meant for her to run to him. To death. In the final stanza, it’s clear that that’s what he was waiting for. His lover, with her rope necklace, hanging dead next to him in the tree.I used to think the murderer was the creepiest guy imaginable. Now, with a couple of trips to the Hunger Games under my belt, I decide not to judge him without knowing more details. Maybe his lover was already sentenced to death and he was trying to make it easier. To let her know he’d be waiting. Or maybe he thought the place he was leaving her was really worse than death. Didn’t I want to kill Peeta with that syringe to save him from the Capitol? Was that really my only option? Probably not, but I couldn’t think of another at the time.”
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“Cleaning me up is just a preliminary step to determining my new look. With my acid-damaged hair, sunburned skin, and ugly scars, the prep team has to make me pretty and then damage, burn, and scare me in a more attractive way.”
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“It costs your life,” says Caesar.“Oh, no. It costs a lot more than your life. To murder innocent people?” says Peeta. “It costs everything you are.”
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“and when he kissed me i didn't know what to do.”
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“I don't have a talent, unless you count hunting illegally, which they don't. Or maybe singing, which I wouldn't do for the Capitol in a million years. My mother tried to interest me in a variety of suitable alternatives from a list Effie Trinket sent her. Cooking, flower arranging, playing the flute. None of them took, although Prim had a knack forall three. Finally Cinna stepped in and offered to help me develop my passion for designing clothes, which really required development since it was non-existent.”
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“That seems to be crossing some kind of line," I say. :So anything goes?" They both stare at me- Beetee with doubt, Gale with hostility. "I guess there isn't a rule book for what might be unacceptable to do to another human being.”
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“Never underestimate the power of a brillian stylist.”
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“Want a sugar cube? [...] They're supposed to be for the horses, but who cares? They've got years to eat sugar, whereas you and I . . . well, if we see something sweet we better grab it quick. [...] You're absolutely terrifying me in that get-up. What happened to the pretty little-girl dresses?”
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“The audience must be sick to death of the star-crossed lovers from District 12. I know I am.”
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“Embrace the probability of your imminent death....and know there is nothing i can do to save you.”
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“سبق لي علي كل حال أن اتفقت مع غايل انه في حال خيرنا ما بين الموت جوعا أو الموت برصاصة في الرأس فان رصاصة في الراس ستكون خيارنا الاسهل والأسرع!!!!!”
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“I'm on a frosting sailboat, tossed around by blue-green waves, the deck shifting beneath my feet.”
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“Yeah, we wouldn't want to lose our little Mockingjay when she's finally begun to sing.”
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“Suddenly I am furious, that with my life on the line, they don’t even have the decency to pay attention to me. That I’m being upstaged by a dead pig.”
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“The sensation inside me grows warmer and spreads out from my chest down through my body out along my arms and legs to the tips of my being. Instead of satisfying me the kisses have the opposite effect of making my need greater.”
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“There's no going back. So we might as well get on with things.”
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“If you won't talk about yourself, at least compliment the audience. Just keep turning it back around, all right. Gush.”
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“so people really do tear out their hair and beat the ground with their fists”
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“The awful thing is that if i can forget they're people, it will be no different at all”
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“Okay, listen to me, you're stronger than they are. You are. They just want a good show, that's all they want. You know how to hunt. Show them how good you are.”
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“I don't like self-righteous people," I say."What's to like?" says Haymitch, who begins sucking the dregs out of the empty bottles.”
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“I don't know what I expected from my first meeting with Peeta after the announcement. A few hugs and kisses. A little comfort maybe. Not this. I turn to Haymitch. "Don't worry, I'll get you more liquor.”
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“In stark contrast to two nights ago, when I felt Peeta was a million miles away, I'm struck by his immediacy now. As we settle in, he pulls my head down to use his arm as a pillow; the other rests protectively over me even when he goes to sleep. No one has held me like this in such a long time. Since my father died and I stopped trusting my mother, no one else's arms have made me feel this safe.”
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“I hear Peeta's voice in my head. She has no idea. The effect she can have.Obviously meant to demean me. Right? But a tiny part of me wonders if this was a compliment. That he meant I was appealing in some way. It's weird, how much he's noticed me. Like the attention he's paid to my hunting. And apparently, I have not been as oblivious to him as I imagined, either. The flour. The wrestling. I have kept track of the boy with the bread.”
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“Tuck in your tail, little duck.”
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