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Sylvia Brownrigg

Sylvia Brownrigg is the author of six books of fiction, including the novels Pages for You and The Delivery Room. Her most recent novel, Pages for Her, was published in July 2017 by Counterpoint in the US and Picador in the UK.

Sylvia's work has been included on the NY Times Notable list and the LA Times Best Books of the Year. Her reviews have appeared in the NY Times, The Guardian, and the TLS, and she has taught at the American University in Paris. Her novel for children, Kepler’s Dream (published under the name Juliet Bell), has been turned into an independent feature film.

She lives in Berkeley, CA, with her family, and continues to spend time in London.


“This was another item about growing up: you encountered all the cliches of love and loss and heartbreak.”
Sylvia Brownrigg
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“It could not always be love in the afternoon and passion in the night, gifts given, notes written, meals fed to each other. It can't all be like that.”
Sylvia Brownrigg
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“I was busy falling in love at first sight. So I had to stare. That's what you do when you're falling in love at first sight. You go into soft focus, and romantic music starts playing in the background.”
Sylvia Brownrigg
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“No wonder you want to be a writer. How can you not, with all that behind you? You practically are a novel already.”
Sylvia Brownrigg
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“Don;t blush, for God's sake. You and your blushing - you're like some Victorian maiden.”
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“Flannery craved a cigarette. Her nerves were so tense that only nicotine could soothe them, and for the first time, she genuinely understood how the drug worked. It wasn't just a prop or an affectation. It was a tool for mental health.”
Sylvia Brownrigg
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“He did not know what it was like to be two women in love.”
Sylvia Brownrigg
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“He wants me back." The closing punctuation of "obviously" hung in the air. The confidence in her! Anne would always have it: the certainty that there would be a trail of people following her, wanting her love and her beauty. Flannery saw that confidence, and through the polluted air now between them it no longer charmed her. Not tonight it didn't. Flannery was not inclined to be one of that number.”
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“Such nights are possible, and we survive them. It is a matter of sleeping next to the adored body you no longer have the right or inclination to love. Whether you are the one who casts off, or are the cast of yourself; whether your arms are the recoilers, or the ones that reach wantingly, then pull back, remembering they are no longer wanted. Two bodies that are used to each other's rhythms and sleep sounds, that know the turnings and breathings, know not to worry about that cough or that brief garbled grunt, that wildly flung arm or that stone-cold foot. Bodies that soon will not know each other's night selves: will touch each other through jackets and jeans and the cooled-down air of reestablished acquaintance, if such a thing is possible between a given pair of ex-lovers.”
Sylvia Brownrigg
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“She'd have to start smoking. There would be no other way through this.”
Sylvia Brownrigg
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“And how easy it was to leave this life, after all - this life that could feel so present and permanent that departing from it must seem to require a tear into a different dimension. There the bunch of them were, young hopefuls, decorating their annually purged dorm rooms with postcards and prints and favorite photographs of friends, filling them with hot pots and dried flowers, throw rugs and stereos. Houseplants, a lamp, maybe some furniture brought up by encouraging parents. They nested there like miniature grownups. As if this provisional student life - with its brushfire friendships and drink-addled intimacies, its gorging on knowledge and blind sexual indulgences - could possibly last. As if it were a home, of any kind at all: someplace to gather one's sense of self. Flannery had never felt for a minute that these months of shared living took place on anything other than quicksand, and it had given this whole year (these scant seven or eight months, into which an aging decade or so had been condensed) a sliding, wavery feel. She came from earthquake country and knew the dangers of building on landfill. That was, it seemed to Flannery, the best description of this willed group project of freshman year: construction on landfill. A collective confusion of impressions and tendencies, mostly castoffs with a few keepers. What was there to count on in any of it? What structure would remain, founded on that?”
Sylvia Brownrigg
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“I plan to learn enough to read you like a book.”
Sylvia Brownrigg
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“:fondle a plump plastic-wrapped volume, crack it's often-cracked back and spread open the pages. Swallow what's in there, whatever it is. Devour the words.”
Sylvia Brownrigg
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“I've been called promiscuous. Not a pretty word, is it? Makes you think of the gloop that comes out of your nose or what comes up your throat when you're gagging, if you're trying to swallow down something you didn't necessarily mean to swallow. Promiscuous: your face has to pucker when you say it.I prefer to think of myself as an adventurer. Charting the souls of so many of god's creatures, and of the floaty beings that populate the land of notions. It's a job. It's a calling. It takes strong thigh muscles, intelligence, cunning, a good pair of boots. It takes heart, in fact. The heart to stay on. To not be defeated.”
Sylvia Brownrigg
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