Sylvia Plath was an American poet, novelist, and short story writer. Known primarily for her poetry, Plath also wrote a semi-autobiographical novel, The Bell Jar, under the pseudonym Victoria Lucas. The book's protagonist, Esther Greenwood, is a bright, ambitious student at Smith College who begins to experience a mental breakdown while interning for a fashion magazine in New York. The plot parallels Plath's experience interning at Mademoiselle magazine and subsequent mental breakdown and suicide attempt.
“It is awful to want to go away and to want to go nowhere.”
“I am disabused of all faith, and see too clearly.”
“I feel occasionally my skull will crack, fatigue is continuous - I only go from less exhausted to more exhausted & back again.”
“I have been holding a dialogue with myself and girding myself to stand fast without running.”
“My life is a discipline, a prison: I live for my own work, without which I am nothing.”
“What is it that teaching kills? The juice, the sap - the substance of revelation: by making even the insoluble questions & multiple possible answers take on the granite assured stance of dogma. It does not kill this quick of life in students who come, each year, fresh, quick, to be awakened & pass on - but it kills the quick in me by forcing to formula the great visions, the great collocations and cadences of words and meanings. The good teacher, the proper teacher, must be everliving in faith and ever-renewed in creative energy to keep the sap packed in herself, himself, as well as the work. I do not have the energy, or will to use the energy I have, and it would take all, to keep this flame alive.”
“Let me not be sentimental, let the distance in time give me humor and irony and a shrewd, if loving, eye.”
“Shut up in public those bloody private wounds.”
“Virginia Woolf helps. Her novels make mine possible.”
“I cannot life for life itself: but for the words which stay the flux. My life, I feel, will not be lived until there are books and stories which relive it perpetually in time. I forget too easily how it was, and shrink to the horror of the here and now, with no past and no future. Writing breaks open the vaults of the dead and the skies behind which the prophesying angels hide. The mind makes and makes, spinning its web.”
“I self-paralyze myself & wonder what I've got in my head.”
“I get into a rut, unable to yank my mind out of it.”
“I suppose I'll always be over-vulnerable, slightly paranoid.”
“I had hoped to make her strong and healthy, and now she may be too weak herself after this slow death, like my father's slow long death, to come to me. and I am here, futile, cut off from the ritual of family love and neighborhood and from giving strength and love to my dear brave grandmother's dying whom I loved above thought. and my mother will go, and there is the terror of having no parents, no older seasoned beings, to advise and love me in this world.”
“Let me not be weak and tell others how bleeding I am internally; how day by day it drips, and gathers, and congeals.”
“For I must get back my soul from you; I am killing my flesh without it.”
“If you compare yourself with others, you may become vain or bitter - - - for always there will be greater and lesser persons than yourself.... Beyond a wholesome discipline, be gentle with yourself. You are a child of the universe no less than the trees and the stars; you have a right to be here.”
“I suppose if I gave myself the chance I could be an alcoholic.”
“With girls house bristles with suspicion and frigidity; how much is paranoia transference? The damnable thing is that they can sense insecurity and meaness like animals smell blood.”
“And I identify too closely with my reading, with my writing.”
“But everybody has exactly the same smiling frightened face, with the look that says: "I'm important. If you only get to know me, you will see how important I am. Look into my eyes. Kiss me, and you will see how important I am.”
“They missed every time, and with that wary judgment that comes with experience, I watched the dirty snowballs coming at me, behind and in front, and, sick with wonder, kept walking slowly, determinedly, ready to parry a good hit before it struck. But none struck, and with a tolerant smile that was a superior lie, I walked on.”
“Tomorrow is another day toward death.”
“I want to love somebody because I want to be loved. In a rabbit-fear I may hurl myself under the wheels of the car because the lights terrify me, and under the dark blind death of the wheels I will be safe. I am very tired, very banal, very confused. I do not know who I am tonight. I wanted to walk until I dropped and not complete the inevitable circle of coming home. I have lived in boxes above, below, and down the hall from girls who think hard, feel similarly, and long companionably, and I have not bothered to cultivate them because I did not want to, could not, sacrifice the time. People know who I am, and the harder I try to know who they are, the more I forget their names - I want to be alone, and yet there are times when the liquid eye and the cognizant grin of a small monkey would send me into a crying fit of brotherly love. I work and think alone. I live with people, and act. I love and cherish both. If I knew now what I wanted I would know when I saw it, who he was.”
“Why do my beheld beauties vanish and deform themselves as soon as I look twice.”
“If only I knew what I wanted I could try to see about getting it.”
“I am in danger of wanting my personal absolute to be a demigod of a man, and as there aren't many around, I often unconsciously manufacture my own. and then, I retreat and revel in poetry and literature where the reward value is tangible and accepted. I really do not think deeply. really deeply. I want a romantic nonexistant hero.”
“I am gone quite mad with the knowledge of accepting the overwhelming number of things I can never know, places I can never go, and people I can never be.”
“I don't want to use higher education as an escape from responsibility, but I feel there is so much more awareness I should have before plunging onto the field of battle.”
“I want so obviously, so desperately to be loved, and to be capable of love.”
“One thing, I try to be honest. And what is revealed is often rather hideously unflattering.”
“Look at that ugly dead mask here and do not forget it. It is a chalk mask with dead dry poison behind it, like the death angel. It is what I was this fall, and what I never want to be again. The pouting disconsolate mouth, the flat, bored, numb, expressionless eyes: symptoms of the foul decay within.”
“How many different deaths I can die?”
“You are twenty. You are not dead, although you were dead. The girl who died. And was resurrected. Children. Witches. Magic. Symbols. Remember the illogic of the fantasy. The strange tableau in the closet behind the bathroom: the feast, the beast, and the jelly-bean. Recall, remember: please do not die again. Let there be continuity at least - a core of consistency - even if your philosophy must be always a moving dynamic dialectic. The thesis is the easy time, the happy time. The antithesis threatens annihilation. The synthesis is the consummate problem.”
“I had lost all perspective; I was wandering in a desperate purgatory (with a gray man in a gray boat in a gray river: an apathetic Charon dawdling upon a passionless phlegmatic River Styx ... and a petulant Christ child bawling on the train ... ).”
“And so I rehabilitate myself - staying up late this Friday night in spite of vowing to go to bed early, because it is more important to capture moments like this, keen shifts in mood, sudden veering of direction - than to lose it in slumber.”
“I lay and cried, and began to feel again, to admit I was human, vulnerable, sensitive. I began to remember how it had been before; how there was that germ of positive creativeness. Character is fate; and damn, I'd better work on my character. I had been withdrawing into a retreat of numbness: it is so much safer not to feel, not to let the world touch one. But my honest self revolted at this, hated me for doing this. Sick with conflict, destructive negative emotions, frozen into disintegration I was, refusing to articulate, to spew forth these emotions - they festered in me, growing big, distorted, like pus-bloated sores. Small problems, mentions of someone else's felicity, evidence of someone else's talents, frightened me, making me react hollowly, fighting jealousy, envy, hate. Feeling myself fall apart, decay, rot, and the laurels wither and fall away, and my past sins and omissions strike me with full punishment and import. All this, all this foul, gangrenous, sludge ate away at my insides. Silent, insidious.”
“God, it was good to let go, let the tight mask fall off, and the bewildered, chaotic fragments pour out. It was the purge, the catharsis.”
“I felt the mask crumple, the great poisonous store of corrosive ashes begin to spew out of my mouth.”
“Masks are the order of the day - and the least I can do is cultivate the illusion that I am gay, serene, not hollow and afraid.”
“And there is the fallacy of existence: the idea that one would be happy forever and aye with a given situation or series of accomplishments.”
“Reality is what I make it. That is what I have said I believed. Then I look at the hell I am wallowing in, nerves paralyzed, action nullified - fear, envy, hate: all the corrosive emotions of insecurity biting away at my sensitive guts. Time, experience: the colossal wave, sweeping tidal over me, drowning, drowning. How can I ever find that permanence, that continuity with past and future, that communication with other human beings that I crave? Can I ever honestly accept an artificial imposed solution? How can I justify, how can I rationalize the rest of my life away?”
“I am afraid. I am not solid, but hollow. I feel behind my eyes a numb, paralyzed cavern, a pit of hell, a mimicking nothingness. I never thought, I never wrote, I never suffered. I want to kill myself, to escape from responsibility, to crawl back abjectly into the womb. I do not know who I am, where I am going - and I am the one who has to decide the answers to these hideous questions.”
“My skin is broken out from subconscious anxiety and tension, self-induced. Nothing is more difficult than lashing a vagrant mind suddenly into long self-imposed stints of concentration.”
“Whore or courtesan, she put on a great little show.”
“Already she feels jaded. Weary, and gladly tired and old.”
“Lord, thy children are jaded, and their ears go flat with sound. Marveling in the thunder rumbling of thy voice no longer - they hear not, and the omens of the white gull and the flayed oak are as naught to their purblind sight. The prophecy in the thunder, the foreshadowings of the leaves quivering white, the dismay of the grass bent in the merciless wind are naught, lord.”
“A skeptic, I would ask for consistency first of all.”
“I wanted to be where nobody I knew could ever come.”
“My mother said the cure for thinking too much about yourself was helping somebody who was worse off than you.”