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Sylvia Plath

Sylvia Plath was an American poet, novelist, and short story writer. Known primarily for her poetry, Plath also wrote a semi-autobiographical novel, The Bell Jar, under the pseudonym Victoria Lucas. The book's protagonist, Esther Greenwood, is a bright, ambitious student at Smith College who begins to experience a mental breakdown while interning for a fashion magazine in New York. The plot parallels Plath's experience interning at Mademoiselle magazine and subsequent mental breakdown and suicide attempt.


“I felt myself melting into the shadows like the negative of a person I'd never seen before in my life.”
Sylvia Plath
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“I am learning peacefulness, lying by myself quietly, as the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions.”
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“I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
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“And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard's kitchen mat...I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.”
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“I would like to be everyone, a cripple, a dying man, a whore, and then come back to write about my thoughts, my emotions, as that person. But I am not omniscient. I have to live my life, and it is the only one I’ll ever have. And you cannot regard your own life with objective curiosity all the time.”
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“Sırça fanusun içinde ölü bir bebek gibi tıkanıp kalmış biri için dünyanın kendisi kötü bir düştür. Bir gün bir yerde -okulda, Avrupa'da, herhangi bir yerde- o boğucu çarpıtmalarıyla sırça fanusun yeniden üzerime inmeyeceğini nasıl bilebilirdim?”
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“It seemed silly to wash one day when I would only have to wash again the next.It made me tired just to think of it.”
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“..I fancied you'd return the way you said,But I grow old and I forget your name.(I think I made you up inside my head.)I should have loved a thunderbird instead;At least when spring comes they roar back again.I shut my eyes and all the world drops dead.(I think I made you up inside my head.)”
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“Winning or losing an argument, receiving an acceptance or rejection, is no proof of the validity or value of personal identity. One may be wrong, mistaken, or a poor craftsman, or just ignorant - but this is no indication of the true worth of one's total human identity: past, present and future!”
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“To annihilate the world by annihilation of oneself is the deluded height of desperate egoism.”
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“Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.”
Sylvia Plath
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“You are a dream; I hope I never meet you.”
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“I have room in me for love, and for ever so many little lives.”
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“At the essential landscape stare, stareTill your eyes foist a vision dazzling on the wind:Whatever lost ghosts flare,Damned, howling in their shrouds across the moorRave on the leash of the starving mindWhich peoples the bare room, the blank, untenanted air.”
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“I had imagined a kind, ugly, intuitive man looking up and say, 'Ah!' in an encouraging way, as if he could see something I couldn't, and then I would find words to tell him how I was so scared, as if I were being stuffed farther and farther into a black, airless sack with no way out.”
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“A man's world is different from a woman's world and a man's emotions are different from a woman's emotions and only marriage can bring the two different sets of emotions together properly.”
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“What a man wants is is an arrow into the future and what a woman is is the place the arrow shoots off from.”
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“I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night.”
Sylvia Plath
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“I love him to hell and back and heaven and back, and have and do and will.”
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“It was sometime in October; she had long ago lost track of all the days and it really didn’t matter because one was like another and there were no nights to separate them because she never slept any more.”
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“Your body Hurts me as the world hurts God”
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“I felt dreadfully inadequate. The trouble was, I had been inadequate all along, I simply hadn’t thought about it.”
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“The Eye-MoteBlameless as daylight I stood lookingAt a field of horses, necks bent, manes blown,Tails streaming against the greenBackdrop of sycamores. Sun was strikingWhite chapel pinnacles over the roofs,Holding the horses, the clouds, the leavesSteadily rooted though they were all flowingAway to the left like reeds in a seaWhen the splinter flew in and stuck my eye,Needling it dark. Then I was seeingA melding of shapes in a hot rain:Horses warped on the altering green,Outlandish as double-humped camels or unicorns,Grazing at the margins of a bad monochrome,Beasts of oasis, a better time.Abrading my lid, the small grain burns:Red cinder around which I myself,Horses, planets and spires revolve.Neither tears nor the easing flushOf eyebaths can unseat the speck:It sticks, and it has stuck a week.I wear the present itch for flesh,Blind to what will be and what was.I dream that I am Oedipus.What I want back is what I wasBefore the bed, before the knife,Before the brooch-pin and the salveFixed me in this parenthesis;Horses fluent in the wind,A place, a time gone out of mind.--written 1959”
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“My flesh winced, in cowardice, from such a death.”
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“Good to know that if I ever need attention all I have to do is die.”
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“To look at her, you might not guess that inside she is laughing and crying, at her own stupidities and luckiness, and at the strange enigmatic ways of the world which she will spend lifetime trying to learn and understand.”
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“I am I am I am.”
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“I smile, now, thinking: we all like to think we are important enough to need psychiatrists”
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“The big men are all deaf; they don't want to hear the little squeaking as they walk across the street on cleated boots.”
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“But I grow old and I forget your name. (I think I made you up inside my head.)”
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“I believe that there are people who think as I do, who have thought as I do, who will think as I do. There are those who will live, unconscious of me, but continuing my attitude, so to speak, as I continue, unknowingly, the similar attitude of those before me. I could write and write. All it takes is a motion of the hand in response to a brain impulse, trained from childhood to record in our own American brand of hieroglyphics the translations of external stimuli. How much of my brain is wilfully my own? How much is not a rubber stamp of what I have read and heard and lived? Sure, I make a sort of synthesis of what I come across, but that is all that differentiates me from another person? - - - That I have banged into and assimilated various things? That my environment and a chance combination of genes got me where I am?”
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“It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual…”
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“What obsession do men have for destruction and murder? Who do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled 'enemy?”
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“Antoine St. Exupery once mourned the loss of a man and the secret treasures that he held inside him. I loved Exupery; I will read him again, and he will talk to me, not being dead, or gone. Is that life after death — mind living on paper and flesh living in offspring? Maybe. I do not know.”
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“The human mind is so limited it can only build an arbitrary heaven — and usually the physical comforts they endow it with are naively the kind that can be perceived as we humans perceive — nothing more. No: perhaps I will awake to find myself burning in hell. I think not. I think I will be snuffed out. Black is sleep; black is a fainting spell; and black is death, with no light, no waking.”
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“But the life of a Willa Cather, a Lillian Helman, and Virginia Woolf - - - would it not be a series of rapid ascents and probing descents into shades and meanings — into more people, ideas and conceptions? Would it not be in color, rather than black-and-white, or more gray? I think it would. And thus, I not being them, could try to be more like them: to listen, observe, and feel, and try to live more fully.”
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“So you got rid of your astonishment that someone could write so much more dynamically than you. You stopped cherishing your aloneness and poetic differentness to your delicately flat little bosom. You said: she's to good to forget. How about making her a friend and competitor — you could learn alot from her. So you'll try. So maybe she'll laugh in your face. So maybe she'll beat you hollow in the end. So anyhow, you'll try, and maybe, possibly, she can stand you. Here's hoping!”
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“…* to know a lot of people I love pieces of, and to want to synthesize those pieces in me somehow, be it by painting or writing. * to know that millions of others are unhappy and that life is a gentleman's agreement to grin and paint your face gay so others will feel they are silly to be unhappy, and try to catch the contagion of joy, while inside so many are dying of bitterness and unfulfillment…”
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“…* to learn that money makes life smooth in some ways, and to feel how tight and threadbare life is if you have too little. * to despise money, which is a farce, mere paper, and to hate what you have to do for it, and yet to long to have it in order to be free from slaving for it. * to yearn toward art, music, ballet and good books, and get them only in tantalizing snatches.”
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“To feel the tender skin of sensitive child-fingers thicken; to feel the sex organs develop and call loudly to the flesh; to become aware of school, exams (the very words as unlovely as the sound of chalk shrilling on the blackboard,) bread and butter, marriage, sex, compatibility, war, economics, death and self. What a pathetic blighting of the beauty and reality of childhood.”
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“I am jealous of those who think more deeply, who write better, who draw better, who ski better, who look better, who live better, who love better than I.”
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“But I am I now; and so many other millions are so irretrievably their own special variety of 'I' that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratching on the paper…I…I…I…I…I…I.”
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“My mind is, to use a disgustingly obvious simile, like a wastebasket full of waste paper; bits of hair, and rotting apple cores. I am feeling depressed from being exposed to so many lives, so many of them exciting, new to my realm of experience. I pass by people, grazing them on the edges, and it bothers me. I've got to admire someone to really like them deeply - to value them as friends. It was that way with Ann: I admired her wit, her riding, her vivacious imagination - all the things that made her the way she was. I could lean on her as she leaned on me. Together the two of us could face anything - only not quite anything, or she would be back. And so she is gone, and I am bereft for awhile. But what do I know of sorrow?”
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“God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart. And so the snow slows and swirls, and melts along the edges. The first snow isn't good for much. It makes a few people write poetry, a few wonder if the Christmas shopping is done, a few make reservations at the skiing lodge. It's a sentimental prelude to the real thing. It's picturesque & quaint.”
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“Sure, I’m dramatic and sloppily semi-cynical and semi-sentimental. But, in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, my thoughts, writing much, trying to find the core, the meaning for myself.”
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“…historians will say 'We have a few documents to show how the common people lived at this time. Records lead us to believe that a majority were killed. But there were glorious men.”
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“Well, I know now. I know a little more how much a simple thing like a snowfall can mean to a person”
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“This is my first snow at Smith. It is like any other snow, but from a different window, and there lies the singular charm of it.”
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“A little thing, like children putting flowers in my hair, can fill up the widening cracks in my self-assurance like soothing lanolin. I was sitting out on the steps today, uneasy with fear and discontent. Peter, (the little boy-across-the-street) with the pointed pale face, the grave blue eyes and the slow fragile smile came bringing his adorable sister Libby of the flaxen braids and the firm, lyrically-formed child-body. They stood shyly for a little, and then Peter picked a white petunia and put it in my hair. Thus began an enchanting game, where I sat very still, while Libby ran to and fro gathering petunias, and Peter stood by my side, arranging the blossoms. I closed my eyes to feel more keenly the lovely delicate-child-hands, gently tucking flower after flower into my curls. "And now a white one," the lisp was soft and tender. Pink, crimson, scarlet, white ... the faint pungent odor of the petunias was hushed and sweet. And all my hurts were smoothed away. Something about the frank, guileless blue eyes, the beautiful young bodies, the brief scent of the dying flowers smote me like the clean quick cut of a knife. And the blood of love welled up in my heart with a slow pain.”
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“I had decided I would put off the novel until I had gone to Europe and had a lover.”
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