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Thomas Pynchon

Novels, such as

Gravity's Rainbow

(1973), of American writer Thomas Ruggles Pynchon, often depict individuals, struggling against shadowy technocratic forces.

People note dense and complex works of fiction of Thomas Ruggles Pynchon, Junior, based in city of New York. Hailing from Long Island, Pynchon spent two years in the Navy of the United States and earned an English degree from Cornell University. After publishing several short stories in the late 1950s and early 1960s, he began composing the novels for which he is best known today: V. (1963), The Crying of Lot 49 (1966), Gravity's Rainbow (1973), Vineland (1990), Mason & Dixon (1997), and Against the Day (2006).

Many readers and critics regard Pynchon as one of the finest contemporary authors. He is a MacArthur Fellow and a recipient of the National Book Award, and is regularly cited as a contender for the Nobel Prize in Literature. Both his fiction and non-fiction writings encompass a vast array of subject matter, styles, and themes, including (but not limited to) the fields of history, science and mathematics. Pynchon is also known for his avoidance of personal publicity: people published ever very few photographs and since the 1960s circulated rumors about his location and identity.


“Well, and keep in mind where those Masonic Mysteries came from in the first place. (Check out Ishmael Reed. He knows more about it than you’ll ever find here.)”
Thomas Pynchon
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“The magic in these Masonic rituals is very, very old. And way back in those days, it worked. As time went on, and it started being used for spectacle, to consolidate what were only secular appearances of power, it began to lose its zip. But the words, moves, and machinery have been more or less faithfully carried down over the millennia, through the grim rationalizing of the World, and so the magic is still there, though latent, needing only to touch the right sensitive head to reassert itself.”
Thomas Pynchon
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“There is a theory going around that the U.S.A. was and still is a gigantic Masonic plot under the ultimate control of the group known as the Illuminati. It is difficult to look for long at the strange single eye crowning the pyramid which is found on every dollar bill and not begin to believe the story, a little. Too many anarchists in 19th-century Europe—Bakunin, Proudhon, Salverio Friscia—were Masons for it to be pure chance. Lovers of global conspiracy, not all of them Catholic, can count on the Masons for a few good shivers and voids when all else fails.”
Thomas Pynchon
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“What Jessica said—hair much shorter, wearing a darker mouth of different outline, harder lipstick, her typewriter banking in a phalanx of letters between them—was: "We're going to be married. We're trying very hard to have a baby." All at once there is nothing but his asshole between Gravity and Roger. "I don't care. Have his baby. I'll love you both—just come with me Jess, please... I need you...." She flips a red lever on her intercom. Far away a buzzer goes off. "Security." Her voice is perfectly hard, the word still clap-echoing in the air as in through the screen door of the Quonset office wth a smell of tide flats come the coppers, looking grim. Security. Her magic word, her spell against demons.”
Thomas Pynchon
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“Everyone watching over his shoulder, Free French plotting revenge on Vichy traitors, Lublin Communists drawing beads on Varsovian shadow-ministers, ELAS Greeks stalking royalists, unrepatriable dreamers of all languages hoping through will, fist, prayer to bring back kings, republics, pretenders, summer anarchisms that perished before the first crops were in . . . some dying wretchedly, nameless, under ice-and-snow surfaces of bomb craters out in the East End not to be found till spring, some chronically drunk or opiated for getting through the day's reverses, most somehow losing, losing what souls they had, less and less able to trust, seized in the game's unending chatter, its daily self-criticism, its demand for total attention . . .”
Thomas Pynchon
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“If the tower is everywhere and the knight of deliverance no proof against its magic,what else?”
Thomas Pynchon
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“For a moment she'd wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry.”
Thomas Pynchon
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“As if the dead really do persist, even in a bottle of wine.”
Thomas Pynchon
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“Like so many named places in California it was less an identifiable city than a grouping of concepts--census tracts, special purpose bond-issue districts, shopping nuclei, all overlaid with access roads to its own freeway.”
Thomas Pynchon
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“That, indeed, the Home Front is something of a fiction and lie, designed, not too subtly, to draw them apart, to subvert love in favor of work, abstraction, required pain, bitter death.”
Thomas Pynchon
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“It all comes down, as it must, to the desires of individual men. Oh, and women too of course, bless their empty little heads.”
Thomas Pynchon
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“Danger's over, Banana Breakfast is saved.”
Thomas Pynchon
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“What more do they want? She asks this seriously, as if there's a real conversion factor between information and lives. Well, strange to say, there is. Written down in the Manual, on file at the War Department. Don't forget the real business of the War is buying and selling. The murdering and violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as a spectacle, as a diversion from the real movements of the War. It provides raw material to be recorded into History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world. Best of all, mass death's a stimulus to just ordinary folks, little fellows, to try 'n' grab a piece of that Pie while they're still here to gobble it up. The true war is a celebration of markets. Organic markets, carefully styled "black" by the professionals, spring up everywhere. Scrip, Sterling, Reichsmarks, continue to move, severe as classical ballet, inside their antiseptic marble chambers. But out here, down here among the people, the truer currencies come into being. So, Jews are negotiable. Every bit as negotiable as cigarettes, cunt, or Hersey bars.”
Thomas Pynchon
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“Fickt nicht mit dem Raketemensch!”
Thomas Pynchon
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“You may never get to touch the Master, but you can tickle his creatures.”
Thomas Pynchon
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“For that moment at least they seemed to give up external plans, theories, and codes, even the inescapable romantic curiosity about one another, to indulge in being simply and purely young, to share that sense of the world's affliction, that outgoing sorrow at the spectacle of Our Human Condition which anyone this age regards as reward or gratuity for having survived adolescence.”
Thomas Pynchon
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“The nights are filled with explosion and motor transport, and wind that brings them up over the downs a last smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There's never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly - most times they're too paranoid to risk a fire - but it's something they want to keep, so much that to keep it they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.”
Thomas Pynchon
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“Though she knew even less about radios than about Southern Californians, there were to both outward patterns a hieroglyphic sense of concealed meaning, of an intent to communicate.”
Thomas Pynchon
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“Because everybody on the school board, and the railroad, and the PTA and paper mill had to be somebody’s mother or father, whether really or as a member of a category; and there was a point at which the reflex to their covering warmth, protection, effectiveness against bad dreams, bruised heads and simple loneliness took over and made worthwhile anger with them impossible.”
Thomas Pynchon
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“In their brief time together Slothrop forms the impression that this octopus is not in good mental health, though where's his basis for comparing?”
Thomas Pynchon
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“Damned Beaver/Jeremy is the War, he is every assertion the fucking War has ever made--that we are meant for work and government, for austerity: and these shall take priority over love, dreams, the spirit, the senses and the other second-class trivia that are found among the idle and mindless hours of the day....Damn them, they are wrong. They are insane.”
Thomas Pynchon
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“MARG: You are so close.STEN: To whom? Margravine, not even to himself. This place, this island: all his life he's done nothing but hop from island to island. Is that a reason? Does there have to be a reason? Shall he tell you: he works for no Whitehall, non conceivable unless, ha, ha, the network of white halls in his own brain: these featureless corridors he keeps swept and correct for occasional visiting agents.”
Thomas Pynchon
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“Perhaps the Ci-ty dreamed of an-other, en-emy city, float-ing across the sea to invade the es-tuary . . . or of waves of darkness . . . waves of fire . . . Perhaps of being swallowed again, by the immense, the si-lent Mother Con-tinent? It's none of my business, city dreams. . . . But what if the Ci-ty were a growing neo-plasm, across the centuries, always chang-ing to meet exactly the chang-ing shape of its very worst, se-cret fears?”
Thomas Pynchon
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“Does Britannia, when she sleeps, dream? Is America her dream?-- in which all that cannot pass in the metropolitan Wakefulness is allow'd Expression away in the restless Slumber of these Provinces, and on West-ward, wherever 'tis not yet mapp'd, nor written down, nor ever, by the majority of Mankind, seen,-- serving as a very Rubbish-Tip for subjunctive Hopes, for all that may yet be true,-- Earthly Paradise, Fountain of Youth, Realms of Prester John, Christ's Kingdom, ever behind the sunset, safe til the next Territory to the West be seen and recorded, measur'd and tied in, back into the Net-Work of Points already known, that slowly triangulates its Way into the Continent, changing all from subjunctive to declarative, reducing Possibilities to Simplicities that serve the ends of Governments,-- winning away from the realm of the Sacred, its Borderlands one by one, and assuming them unto the bare mortal World that is our home, and our Despair.”
Thomas Pynchon
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“Who claims Truth, Truth abandons. History is hir'd, or coerc'd, only in Interests that must ever prove base. She is too innocent, to be left within the reach of anyone in Power,- who need but touch her, and all her Credit is in the instant vanish'd, as if it had never been. She needs rather to be tended lovingly and honorably by fabulists and counterfeiters, Ballad-Mongers and Cranks of ev'ry Radius, Masters of Disguise to provide her the Costume, Toilette, and Bearing, and Speech nimble enough to keep her beyond the Desires, or even the Curiosity, of Government.”
Thomas Pynchon
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“He is suddenly, dodderer and ass, taken by an ache in his skin, a simple love for them both that asks nothing but their safety, and he'll always manage to describe as something else--'concern,' you know, 'fondness...”
Thomas Pynchon
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“Was that how he'd died, she wondered, among dreams, crushed by the only ikon in the house?”
Thomas Pynchon
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“Keep cool but care”
Thomas Pynchon
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“Tito snored away on the other bed. Out there, all around them to the last fringes of occupancy, were Toobfreex at play in the video universe, the tropic isle, the Long Branch Saloon, the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and here was Doc, on the natch, caught in a low-level bummer he couldn’t find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness… ”
Thomas Pynchon
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“There are stories, like maps that agree... too consistent among too many languages and histories to be only wishful thinking.... It is always a hidden place, the way into it is not obvious, the geography is as much spiritual as physical. If you should happen upon it, your strongest certainty is not that you have discovered it but returned to it. In a single great episode of light, you remember everything.”
Thomas Pynchon
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“It went on for a month. Those who had taken it for a cosmic sign cringed beneath the sky each nightfall, imagining ever more extravagant disasters. Others, for whom orange did not seem an appropriately apocalyptic shade, sat outdoors on public benches, reading calmly, growing used to the curious pallor. As nights went on and nothing happened and the phenomenon slowly faded to the accustomed deeper violets again, most had difficulty remembering the earlier rise of heart, the sense of overture and possibility, and went back once again to seeking only orgasm, hallucination, stupor, sleep, to fetch them through the night and prepare them against the day.”
Thomas Pynchon
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“Oh, this beer here is cold, cold and hop-bitter, no point coming up for air, gulp, till it's all--hahhhh.”
Thomas Pynchon
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“Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.... Another mode of meaning behind the obvious, or none. Either Oedipa in the orbiting of a true paranoia, or a real Tristero. For there either was some Tristero beyond the appearance of the legacy of America, or there was just America and if there was just America then it seemed the only wa[y] she could continue, and manage to be at all relevant to it, was as an alien, unfurrowed, assumed full circle into some paranoia.”
Thomas Pynchon
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“Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit.”
Thomas Pynchon
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“As spread thighs are to the libertine...so was the letter V to young Stencil.”
Thomas Pynchon
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“If he is going into management, he writes. If he is an engineer or architect why he paints or sculpts. He will straddle the line, aware up to the point of knowing he is getting the worst of both worlds, but never stopping to wonder why there should ever be a line, or even if there is a line at all.”
Thomas Pynchon
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“But there I was, surrendering to a most extraordinary call from the grave, the mass-grave-to-be of Europe, as if somewhere ahead lay an iron gateway, slightly ajar, leading to a low and sombre country, with an incalculable crowd on sides eager to pass into it, and bearing me along.”
Thomas Pynchon
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“All the animals, the plants, the minerals, even other kinds of men, are being broken and reassembled every day, to preserve an elite few, who are the loudest to theorize on freedom, but the least free of all.”
Thomas Pynchon
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“They plot, they plot, sleeping or afoot they never let up.”
Thomas Pynchon
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“he is every assertion the fucking War has ever made-that we are meant for work and government, for austerity: and these shall take priority over love, dreams, the spirit, the senses and the other second-class trivia that are found among the idle and mindless hours of the day...--Gravity's Rainbow”
Thomas Pynchon
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“No language meant no chance of co-opting them in to what their round and flaxen invaders were calling Salvation.”
Thomas Pynchon
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“We are here among you as seekers of refuge from our present-your future-a time of worldwide famine, exhausted fuel supplies, terminal poverty-the end of the capitalistic experiment. Once we came to understand the simpl...truth that earth's resources were limited, in fact soon to run out, the whole capitalistic illusion fell to pieces. Those of us who spoke this truth were denounced as heretics, as enemies of the prevailing economic faith. Like religious Dissenters of an earlier day...”
Thomas Pynchon
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“Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast: flowery, permeating, surprising, more than the colour of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which - though it is not often Death is told so clearly to fuck off - the living genetic chains prove even labyrinthine enough to preserve some human face down ten or twenty generations... so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects...”
Thomas Pynchon
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“Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier. Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night. Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .”
Thomas Pynchon
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“But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.”
Thomas Pynchon
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“He understood it to be another deep nudge from forces unseen, almost surely connected with the letter that had come along with his latest mental-disability check, reminding him that unless he did something publicly crazy before a date now less than a week away, he would no longer qualify for benefits.”
Thomas Pynchon
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“Whenever I put the headset on now," he'd continued, "I really do understand what I find there. When those kids sing about 'She loves you,' yeah well, you know, she does, she's any number of people, all over the world, back through time, different colors, sizes, ages, shapes, distances from death, but she loves. And the 'you' is everybody. And herself. Oedipa, the human voice, you know, it's a flipping miracle." His eyes brimming, reflecting the color of beer."Baby," she said, helpless, knowing of nothing she could do for this, and afraid for him.He put a little clear plastic bottle on the table between them. She stared at the pills in it, and then understood. "That's LSD?”
Thomas Pynchon
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“But it is a curve each of them feels, unmistakably. It is the parabola. They must have guessed, once or twice—guessed and refused to believe—that everything, always, collectively, had been moving toward that purified shape latent in the sky, that shape of no surprise, no second chance, no return. Yet they do move forever under it, reserved for its own black-and-white bad news certainly as if it were the rainbow, and they its children. . . .”
Thomas Pynchon
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“The Man has a branch office in each of our brains, his corporate emblem is a white albatross, each local rep has a cover known as the Ego, and their mission in this world is Bad Shit. We do know what's going on, and we let it go on. As long as we can see them, stare at them, those massively moneyed, once in a while. As long as they allow us a glimpse, however rarely. We need that. And they know it - how often, under what conditions...”
Thomas Pynchon
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“But with a sigh he had released her hand, while she was so lost in the fantasy that she hadn't felt it go away, as if he'd known the best moment to let go.”
Thomas Pynchon
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