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Truman Capote

Truman Capote was an American writer whose non-fiction, stories, novels and plays are recognised literary classics, including the novella Breakfast at Tiffany's (1958) and In Cold Blood (1965), which he labeled a "non-fiction novel." At least 20 films and TV dramas have been produced from Capote novels, stories and screenplays.

He was born as Truman Streckfus Persons to a salesman Archulus Persons and young Lillie Mae. His parents divorced when he was four and he went to live with his mother's relatives in Monroeville, Alabama. He was a lonely child who learned to read and write by himself before entering school. In 1933, he moved to New York City to live with his mother and her new husband, Joseph Capote, a Cuban-born businessman. Mr. Capote adopted Truman, legally changing his last name to Capote and enrolling him in private school. After graduating from high school in 1942, Truman Capote began his regular job as a copy boy at The New Yorker. During this time, he also began his career as a writer, publishing many short stories which introduced him into a circle of literary critics. His first novel, Other Voices, Other Rooms, published in 1948, stayed on The New York Times bestseller list for nine weeks and became controversial because of the photograph of Capote used to promote the novel, posing seductively and gazing into the camera.

In the 1950s and 1960s, Capote remained prolific producing both fiction and non-fiction. His masterpiece, In Cold Blood, a story about the murder of the Clutter family in Holcomb, Kansas, was published in 1966 in book form by Random House, became a worldwide success and brought Capote much praise from the literary community. After this success he published rarely and suffered from alcohol addiction. He died in 1984 at age 59.


“That's very much on my schedule, and someday I'll try to get around to it; but if it happens, I'd like to have my ego tagging along. I want to still be me when I wake up one fine morning and have breakfast at Tiffany's.”
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“I was jut vamping for time to make a few self-improvements: I knew damn well I'd never be a movie star, it's too hard; and if you're intelligent, it's too embarrassing. My complexes aren't inferior enough: being a movie star and having a big fat ego are supposed to go hand-in-hand; actually, it's essential not to have any ego at all.”
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“Of course people couldn't help but think I must be a bit of a dyke myself. And of course I am. Everyone is: a bit. So what? That never discouraged a man yet, in fact it seems to goad them on.”
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“No. Because I'm not a cold plate of m-m-macaroni. I'm a warm-hearted person. It's the basis of my character.”
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“The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’ . . .The land is flat, the views are awesomely extensive; horses, herds of cattle, a white cluster of grain elevators rising as gracefully as Greek temples are visible long before a traveler reaches them.”
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“It may be that there is no place for any of us. Except we know there is somewhere; and if we found it, but lived there only a moment, we could count ourselves blessed.”
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“They've had the old clap-yo'-hands so many times it amounts to applause.”
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“Of course, a good meal might have helped; but I had already abolished my hunger by eating chocolate cake with fungus icing. Or I could have gone to a movie and smoked some grass. But when you're in that kind of sweat, the only lasting remedy is to ride with it: accept the anxiety, be depressed, relax, and let the current carry you where it will.”
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“Imagination, of course, can open any door - turn the key and let terror walk right in.”
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“And when that happens, I know it. A message saying so merely confirms a piece of news some secret vein had already received, severing from me an irreplaceable part of myself, letting it loose like a kite on a broken string. That is why, walking across a school campus on this particular December morning, I keep searching the sky. As if I expected to see, rather like hearts, a lost pair of kites hurrying towards heaven.”
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“The mill owner's wife persist. 'A dollar, my foot! Fifty cents. That's my last offer. Goodness, woman, you can get another one.' In answer, my friend gently reflects: 'I doubt it. There's never two of anything.”
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“The stars were his pleasure, but tonight they did not comfort him; they did not make him remember that what happens to us on earth is lost in the endless shine of eternity. Gazing at them-the stars-he thought of the jewelled guitar and its worldly glitter.”
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“How do you feel if you're in love? she asked. Ah, said Rosita with swooning eyes, you feel as though pepper has been sprinkled on your heart, as though tiny fish are swimming in your veins.”
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“Empecé a escribir cuando tenia ocho años,entonces no sabia que me había encadenado de por vida a un noble pero implacable amo... Cuando Dios le entrega a uno un don, también le da a uno un látigo. Y el látigo es únicamente para autoflagelarse”.”
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“But there were moments when she played songs that made you wonder where she learned them, where indeed she came from. Harsh-tender wandering tunes with words that smacked of pinewoods or prairie. One went: Don’t wanna sleep, Don’t wanna die, Just wanna go a-travelin’ through the pastures of the sky; and this one seemed to gratify her the most, for often she continued it long after her hair hard dried, after the sun had gone and there were lighted windows in the dusk.”
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“You’re wrong. She is a phony. But on the other hand you’re right. She isn’t a phony because she’s a real phony. She believes all this crap she believes. You can’t talk her out of it.”
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“You know those days when you've got the means reds?’ ‘Same as the blues?’‘No,’ she said slowly. ‘No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re sad that’s all. But the mean reds are horrible. You’re afraid, and you sweat like hell, but you don’t know what you’re afraid of. Except something bad is going to happen, only you don’t know what it is. You’ve had that feeling?’‘Quite often. Some people call it angst.’‘All right. Angst. But what do you do about it?’‘Well, a drink helps.’ ‘I’ve tried that. I’ve tried aspirin, too. Rusty thinks I should smoke marijuana, and I did for a while, but it only makes me giggle. What I’ve found does the most good is to just get into a taxi and go to Tiffany’s. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany’s, then I’d buy some furniture and give the cat a name.”
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“Those final weeks, spanning end of summer and the beginning of another autumn, are blurred in memory, perhaps because our understanding of each other had reached that sweet depth where two people communicate more often in silence than in words: an affectionate quietness replaces the tensions, the unrelaxed chatter and chasing about that produce a friendship’s more showy, more, in the surface sense, dramatic moments.”
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“What do you think? This ought to be the right kind of place for tough guy like you. Garbage cans. Rats galore. Plenty of cat-bums to gang around with. So scram,’ she said, dropping him… '...I told you. We just met by the river one day: that’s all. Independents, both of us. We never made each other any promises. We never -’ she said, and her voice collapsed, a tic, an invalid whiteness seized her face. The car had paused for a traffic light. Then she had the door open, she was running down the street; and I ran after her. ...she shuddered, she had to grip my arm to stand up: ‘Oh, Jesus God. We did belong to each other. He was mine.’ Then I made her a promise, I said I’d come back and find her cat. ‘I’ll take care of him, too. I promise.’ She smiled: that cheerless new pinch of a smile. ‘But what about me?’ she said, whispered, and shivered again. ‘I’m very scared, Buster. Yes, at last. Because it could go on forever. Not knowing what’s yours until you’re thrown it away. The mean reds, they’re nothing...”
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“If some wizard would like to give me a present, let him give me a bottle filled with the voices of that kitchen, the ha ha ha and the fire whispering, a bottle brimming with its buttery sugary smells . . .”
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“Quando mudamos de marca de cigarro, nos mudamos para um novo bairro, assinamos um novo jornal, nos apaixonamos e desapaixonamos, estamos a protestar, de modos ao mesmo tempo frívolos e profundos, contra a maçada que nunca se dissolve da vida de todos os dias. Infelizmente, um espelho é tão traiçoeiro quanto outro, e a dado momento reflecte em cada aventura o mesmo rosto insatisfeito, então ela pergunta que raio fiz eu?, na verdade quer dizer o que é que é que eu estou a fazer?, que é o que habitualmente se diz.”
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“Once a thing is set to happen, all you can do is hope it won't. Or will-depending. As long as you live, there’s always something waiting, and even if it’s bad, and you know it's bad, what can you do? You can’t stop living.”
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“One lost an IQ point for every year spent on the West Coast”
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“Pankaa mieleenne, hän sanoi, -minä pidän tuosta lapsukaisesta. Kaikki pitävät, mutta on sellaisiakin, jotka eivät pidä. Minä pidän. Pidän tuosta lapsukaisesta vilpittömästi. Olen herkkätunteinen ihminen, siitä se johtuu. Täytyy olla herkkätunteinen osatakseen antaa hänelle arvoa: vähän niin kuin runoilija. Mutta sanonpa teille totuuden. Voitte miettiä päänne puhki päästäksenne hänestä perille ja hän antaa teille hevonpaskaa lautasella.”
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“All that belonged to him, Dick, but he would never have it.Why should that sonofabitch have everything, while he had nothing?”
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“As a child he had often thought of killing himself, but those were sentimental reveries born a wish to punish his father and mother and other enemies.”
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“All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It’s like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.”
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“New York is a diamond iceberg floating in river water.”
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“I will say only that all a writer has to work with is the material he has gathered as the result of his own endeavor and observations, and he cannot be denied the right to use it. Condemn, but not deny.”
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“June, July, all through the warm months she hibernated like a winter animal who did not know spring had come and gone.”
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“She was a triumph over ugliness, so often more beguiling than real beauty, if only because it contains paradox. In this case, as opposed to the scrupulous method of good taste and scientific grooming, the trick had been worked by exaggerating defects; she'd made them ornamental by admitting them boldly.”
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“A disquieting loneliness came into my life, but it induced no hunger for friends of longer acquaintance: they seemed now like a salt-free, sugarless diet.”
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“I don´t want to own anything until I know I have found the place where me and things belong together. I´m not quite sure where that is just yet. But I know what it´s like.”
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“I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.”
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“I’ve always thought a body would have to be sick and dying before they saw the Lord. And I imagined that when he came it would be like looking at the Baptist window: pretty as colored glass with the sun pouring through, such a shine you don’t know it’s getting dark. And it’s been a comfort: to think of that shine taking away all the spooky feeling. But I’ll wager it never happens. I’ll wager at the very end a body realizes the Lord has already shown Himself. That things as they are… …just what they’ve always seen, was seeing Him”
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“What we want most is only to be held…and told…that everything (everything is a funny thing, is baby milk and Papa’s eyes, is roaring logs on a cold morning, is hoot-owls and the boy who makes you cry after school, is Mama’s long hair, is being afraid, and twisted faces on the bedroom wall)…everything is going to be all right.”
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“If there is no mystery, for the artist, to solve inside of his art, then there's no point in it. . . . for me, every act of art is the act of solving a mystery.”
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“Oh Jesus God we did belong to each other. He was mine.”
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“Home is where you feel at home. I'm still looking.”
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“But you can't give your heart to a wild thing: the more you do the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky.”
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“The mean reds are horrible. You're afraid and you sweat like hell but you don't know what you're afraid of. Except something bad is going to happen only you don't know what it is.”
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“She's such a goddamn liar maybe she don't know herself anymore.”
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“I'll never get used to anything. Anybody that does they might as well be dead.”
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“To wake up one morning and feel that I was a last a grown-up person, emptied of resentment, vengeful thoughts and other wasteful childish emotions. To find myself, in other words, an adult.Truman Capote”
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“Freedom may be the most important thing in life, but there's such a thing as too much freedom.”
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“Even for those who dislike champagne, myself among them, there are two champagnes one can't refuse: Dom Perignon and the even superior Cristal, which is bottled in a natural-colored glass that displays its pale blaze, a chilled fire of such prickly dryness that, swallowed, seems not to have been swallowed at all, but instead to have turned to vapors on the tongue and burned there to one damp sweet ash.”
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“Nancy clutter is always in a hurry, but she always has time. And that is the definition of a lady.”
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“Snow-quiet, sleep-silent, only the fun-fire faraway songsinging of children; and the room was blue with cold, colder than the cold of fairytales: lie down my heart among the igloo flowers of snow.”
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“I well understand why analysts demand high payment, for what can be more tedious than listening to another person recount his dreams?”
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“Then, there on the screen I saw Montgomery Clift and Elizabeth Taylor. An American Tragedy, a film I'd seen at least twice, not that it was all that great, but still it was very good, especially the final scene, which was unreeling at this particular moment: Clift and Taylor standing together, separated by the bars of a prison cell, a death cell, for Clift is only hours away from execution. Clift, already a poetic ghost inside his grey death-clothes, and Taylor, nineteen and ravishing, sublimely fresh as lilac after rain.”
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