Truman Capote photo

Truman Capote

Truman Capote was an American writer whose non-fiction, stories, novels and plays are recognised literary classics, including the novella Breakfast at Tiffany's (1958) and In Cold Blood (1965), which he labeled a "non-fiction novel." At least 20 films and TV dramas have been produced from Capote novels, stories and screenplays.

He was born as Truman Streckfus Persons to a salesman Archulus Persons and young Lillie Mae. His parents divorced when he was four and he went to live with his mother's relatives in Monroeville, Alabama. He was a lonely child who learned to read and write by himself before entering school. In 1933, he moved to New York City to live with his mother and her new husband, Joseph Capote, a Cuban-born businessman. Mr. Capote adopted Truman, legally changing his last name to Capote and enrolling him in private school. After graduating from high school in 1942, Truman Capote began his regular job as a copy boy at The New Yorker. During this time, he also began his career as a writer, publishing many short stories which introduced him into a circle of literary critics. His first novel, Other Voices, Other Rooms, published in 1948, stayed on The New York Times bestseller list for nine weeks and became controversial because of the photograph of Capote used to promote the novel, posing seductively and gazing into the camera.

In the 1950s and 1960s, Capote remained prolific producing both fiction and non-fiction. His masterpiece, In Cold Blood, a story about the murder of the Clutter family in Holcomb, Kansas, was published in 1966 in book form by Random House, became a worldwide success and brought Capote much praise from the literary community. After this success he published rarely and suffered from alcohol addiction. He died in 1984 at age 59.


“Friendship is a pretty full-time occupation if you really are friendly with somebody. You can't have too many friends because then you're just not really friends.”
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“Venice is like eating an entire box of chocolate liqueurs in one go.”
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“...of all things this was the saddest, that life goes on: if one leaves one's lover, life should stop for him, and if one disappears from the world, then the world should stop, too: and it never did. And that was the real reason for most people getting up in the morning: not because it would matter but because it wouldn't.”
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“How silly, my dear; don't you know that if I came here as a child, then most of me never left?”
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“Randolph," he said, "do you know something? I'm very happy." To which his friend made no reply. The reason for this happiness seemed to be simply that he did not feel unhappy; rather, he knew all through him a kind of balance. There was little for him to cope with.”
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“Randolph," he said, "were you ever as young as me?" And Randolph said: "I was never so old.”
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“Are the dead as lonesome as the living?”
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“I thought Lord of the Flies was one of the great rip-offs of our time. Complete steal from A High Wind In Jamaica. He just literally lifted the entire theme, plot, and virtually characterization from A High Wind In Jamaica, turned them into a bunch of small boys and placed it on an island. Otherwise it's precisely the same novel.”
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“I knew Faulkner very well. He was a great friend of mine. Well, as much as you could be a friend of his, unless you were a fourteen-year-old nymphet. Then you could be a great friend!”
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“Thackeray's a good writer and Flaubert is a great artist. Trollope is a good writer and Dickens is a great artist. Colette is a very good writer and Proust is a great artist. Katherine Anne Porter was an extremely good writer and Willa Cather was a great artist.”
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“There's something really the matter with most people who wear tattoos. There's at least some terrible story. I know from experience that there's always something terribly flawed about people who are tattooed, above some little something that Johnny had done in the Navy, even though that's a bad sign...It's terrible. Psychologically it's crazy. Most people who are tattooed, it's the sign of some feeling of inferiority, they're trying to establish some macho identification for themselves.”
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“Hack, hack, hack. I wouldn't pay twenty-five cents to spit on a Georgia O'Keeffe painting. And I think she's a horrible person, too. I know her...So arrogant, so sure of herself. I'm sure she's carrying a dildo in her purse.”
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“It's a very excruciating life facing that blank piece of paper every day and having to reach up somewhere into the clouds and bring something down out of them.”
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“Flannery O'Connor had a certain genius. I don't think John Updike has, or Norman Mailer or William Styron, all of whom are talented, but they don't exceed themselves in any way. Norman Mailer thinks William Burroughs is a genius, which I think is ludicrous beyond words. I don't think William Burroughs has an ounce of talent.”
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“With an exceedingly contemptuous expression, Idabel drew up to her full height. "Son," she said, and spit between her fingers, "what you've got in your britches is no news to me, and no concern of mine: hell, I've fooled around with nobody but boys since first grade. I never think like I'm a girl; you've got to remember that, or we can't never be friends." For all its bravado, she made this declaration with a special and compelling innocence; and when she knocked one fist against the other, as, frowning, she did now, and said: "I want so much to be a boy: I would be a sailor, I would..." the quality of her futility was touching.”
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“But, my dear, so few things are fulfilled: what are most lives but a series of incompleted episodes? 'We work in the dark, we do what we can, we give what we have. Our doubt is our passion and our passion is our task...' It is wanting to know the end that makes us believe in God, or witchcraft, believe, at least, in something.”
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“Aside from all else, there is some truth in that; clocks indeed must have their sacrifice: what is death but an offering to time and eternity?”
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“Before birth; yes, what time was it then? A time like now, and when they were dead, it would be still like now: these trees, that sky, this earth, those acorn seeds, sun and wind, all the same, while they, with dust-turned hearts, change only.”
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“The feeble-minded, the neurotic, the criminal, perhaps, also, the artist, have unpredictability and perverted innocence in common.”
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“How unnecessary," said Amy. "The child's morbid enough.""All children are morbid: it's their one saving grace," said Randolph, and went right ahead.”
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“Sometimes on flat boring afternoons, he'd squatted on the curb of St. Deval Street and daydreamed silent pearly snowclouds into sifting coldly through the boughs of the dry, dirty trees. Snow falling in August and silvering the glassy pavement, the ghostly flakes icing his hair, coating rooftops, changing the grimy old neighborhood into a hushed frozen white wasteland uninhabited except for himself and a menagerie of wonder-beasts: albino antelopes, and ivory-breasted snowbirds; and occasionally there were humans, such fantastic folk as Mr Mystery, the vaudeville hypnotist, and Lucky Rogers, the movie star, and Madame Veronica, who read fortunes in a Vieux Carré tearoom.”
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“My, how foolish I am! You know what I've always thought? I've always thought a body would have to be sick and dying before they saw the Lord. And I imagined that when He came it would be like looking at the Baptist window: pretty as colored glass with the sun pouring through, such a shine you don't know it's getting dark. And it's been a comfort: to think of that shine taking away all the spooky feeling. But I'll wager it never happens. I'll wager at the very end a body realizes the Lord has already shown Himself. That things as they are, just what they've always seen, was seeing Him. As for me, I could leave the world with today in my eyes.”
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“Anyone who ever gave you confidence, you owe them a lot". ~Truman Capote, Breakfast at Tiffany's, 1958, spoken by the character Holly Golightly”
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“You can’t give your heart to a wild thing.”
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“Imagination can open any door - turn the key and let terror walk right in.”
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“What we want most is to be held...and told..that everything (everything is a funny thing, is baby milk and papa's eyes, is roaring logs on a cold morning, is hoot owls and the boy who makes you cry after school, is mama's long hair, is being afraid and twisted faces on the bedroom wall)...is going to be alright.”
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“She sounds the way bananas taste.”
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“That's not writing, that's typing.”
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“That isn't writing at all, it's typing.”
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“I'd rather have cancer than a dishonest heart. Which isn't being pious. Just practical. Cancer may cool you, but the other's sure to.”
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“Aprils have never meant much to me, autumns seem that season of beginning, spring.”
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“Good luck and believe me, dearest Doc - it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.”
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“Perhaps, like most of us in a foreign country, he was incapable of placing people, selecting a frame for their picture, as he would at home; therefore all Americans had to be judged in a pretty equal light, and on this basis his companions appeared to be tolerable examples of local color and national character.”
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“The average personality reshapes frequently, every few years even our bodies undergo a complete overhaul - desirable or not, it is a natural thing that we should change. All right, here were two people who never would change. That is what Mildred Grossman had in common with Holly Golightly. They would never change because they'd been given their character too soon; which, like sudden riches, leads to a lack of proportion: the one had splurged herself into a top-heavy realist, the other a lopsided romantic.”
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“Maybe the older you grow and the less easy it is to put thought into action, maybe that’s why it gets all locked up in your head and becomes a burden.”
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“In the courtyard there was an angel of black stone, and its angel head rose above giant elephant leaves; the stark glass angel eyes, bright as the bleached blue of sailor eyes, stared upward. One observed the angel from an intricate green balcony — mine, this balcony, for I lived beyond in three old white rooms, rooms with elaborate wedding-cake ceilings, wide sliding doors, tall French windows. On warm evenings, with these windows open, conversation was pleasant there, tuneful, for wind rustled the interior like fan-breeze made by ancient ladies. And on such warm evenings this town is quiet. Only voices: family talk weaving on an ivy-curtained porch; a barefoot woman humming as she rocks a sidewalk chair, lulling to sleep a baby she nurses quite publicly; the complaining foreign tongue of an irritated lady who, sitting on her balcony, plucks a fryer, the loosened feathers floating from her hands, slipping into air, sliding lazily downward.”
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“The average personality re-shapes frequently, every few years even our bodies undergo a complete overhaul-desirable or not, it is a natural thing that we should change.”
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“My, how foolish I am!” my friend cries, suddenly alert, like a woman remembering too late she has biscuits in the over. “You know what I’ve always thought?” She asks in a tone of discovery, and not smiling at me but at a point beyond. “I’ve always thought a body would have to be sick and dying before they saw the Lord. And I imagined that when He came it would be like looking at the Baptist window; pretty as colored glass with the sun pouring through, such a shrine you don’t know it’s getting dark. And it’s been a comfort: to think of that shine taking away all the spooky feeling. But I’ll wager it never happens. I’ll wager at the very end a body realizes that the Lord has already shown Himself. That things as they are” – her hand circles in a gesture that gathers clouds and kites and grass and Queenie pawing earth over bone – “just what they’ve always seen, was seeing Him. As for me, I could leave the world with today in my eyes.”
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“You can't blame a writer for what the characters say.”
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“Here is a hall without exit, a tunnel without end.”
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“In the country, spring is a time of small happenings happening quietly, hyacinth shoots thrusting in a garden, willows burning with a sudden frosty fire of green, lengthening afternoons of long flowing dusk, and midnight rain opening lilac; but in the city there is the fanfare of organ-grinders, and odors, undiluted by winter wind, clog the air; windows long closed go up, and conversation, drifting beyond a room, collides with the jangle of a peddler's bell.”
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“But it's Sunday, Mr. Bell. Clocks are slow on Sundays.”
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“It's bad enough in life to do without something YOU want; but confound it, what gets my goat is not being able to give somebody something you want THEM to have.”
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“Royal summoned mourners. They came from the village, from the neighboring hills and, wailing like dogs at midnight, laid siege to the house. Old women beat their heads against the walls, moaning men prostrated themselves: it was the art of sorrow, and those who best mimicked grief were much admired. After the funeral everyone went away, satisfied that they'd done a good job.”
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“The instant of petrified violence that sometimes foreruns a summer storm saturated the hushed yard, and in the unearthly tinseled light rusty buckets of trailing fern which were strung round the porch like party lanterns appeared illuminated by a faint green inward flame.”
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“To me, the greatest pleasure of writing is not what it’s about, but the inner music that words make.”
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“Oh, I adore to cook. It makes me feel so mindless in a worthwhile way.”
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“Don't wanna sleep, don't wanna die, just wanna go a-travellin' through the pastures of the sky”
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“Annabel played and sang it; she was the oldest of the sisters and the loveliest, though it was a chore to pick among them, for they were like quadruplets of unequal height. One thought of apples, compact and flavorful, sweet but cider-tart; their hair, loosely plaited, had the blue luster of a well-groomed ebony racehorse, and certain features, eyebrows, noses, lips when smiling, tilted in an original style that added humor to their charms. The nicest thing was that they were a bit plump: "pleasingly plump" describes it precisely.”
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“Now listen to me, Buddy: there is only one unpardonable sin - deliberate cruelty. All else can be forgiven. That, never.”
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