Ursula K. Le Guin

“Jungians such as Joseph Campbell have generalised such journeys into a set of archetypal events and images. Though they can be useful in criticism, I mistrust them as fatally reductive. “Ah, the Night Sea Voyage!” we cry, feeling that we have understood something important — but we’ve merely recognised it. Until we are actually on that voyage, we have understood nothing.”

“Homer lets us each make our own Helen; and so she is immortal.”

“In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.”

“Why is it that if you say you don’t enjoy using an e-reader, or that you aren’t going to get one till the technology is mature, you get reported as “loathing” it?The little Time article itself is fairly accurate about what I’ve said about e-reading, but the title of the series, “Famous Writers Who Loathe E-Books,” reflects or caters to a silly idea: that not being interested in using a particular technology is the same as hating and despising it.”

“Having one king, one god, one belief, they can act single-mindedly.”

“Art is action. The way I live my life to its highest degree is by writing, the practice of art.”

“I think we all have archipelagoes in our minds.”

“I suppose the Valley of the Na, in Always Coming Home, is where I think I'd most like to live; but that's partly because I did live there, all the summers of my childhood.”

“If you want to see what my Earthsea looks like, you could sail past the Scilly Isles (handy for you Brits); or you could go to a little bay called Trinidad on the far north coast of California on a foggy morning (not so handy for you Brits). But these are both places I saw long after I had mapped and travelled in the Archipelago. It was pleasant to be able to say - ah! yes! that looks just like the West Reach!”

“Não existe princípio nem fim, pois todas as coisas estão no Centro do Tempo. Assim como todas as estrelas podem se refletir numa gota de chuva caindo na noite, também todas as estrelas refletem a gota de chuva. Não existe escuridão nem morte, pois todas as coisas existem na luz do Instante, e seu fim e seu início são um. Um centro, uma visão, uma lei, uma luz. Olhe agora no Olho de Meshe!”

“Try to choose carefully, Arren, when the great choices must be made. When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.”

“Go to bed; tired is stupid.”

“The habit of silence is lead on the tongue.”

“Fulfillment, Shevek thought, is a function of time. The search for pleasure is circular, repetitive, atemporal, The variety seeking of the spectator, the thrill hunter, the sexually promiscuous, always ends in the same place. It has an end. It comes to the end and has to start over. It is not a journey and return, but a closed cycle, a locked room, a cell. Outside the locked room is the landscape of time, in which the spirit may, with luck and courage, construct the fragile, makeshift, improbable roads and cities of fidelity: a landscape inhabitable by human beings. It is not until an act occurs within the landscape of the past and the future that it is a human act. Loyalty, which asserts the continuity of past and future, binding time into a whole, is the root of human strength; there is no good to be done without it.”

“If you can see a thing whole, it seems that it's always beautiful. Planet,lives...But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you lose the pattern. You need distance, interval. The way to see how beautiful the earth is, is to see it as the moon. The way to see how beautiful life is, is from the vantage point of death.”

“...[T]he only means I have to stop ignorant snobs from behaving towards genre fiction with snobbish ignorance is to not reinforce their ignorance and snobbery by lying and saying that when I write SF it isn't SF, but to tell them more or less patiently for forty or fifty years that they are wrong to exclude SF and fantasy from literature, and proving my arguments by writing well.”

“There are men right now who have never learned how to talk to women. How will we talk to somebody really different – aliens?”

“Night falls; the traveler must pass down village streets, between the houses with yellow- lit windows, and on out into the darkness of the fields. Each alone, they go west or north, towards the mountains. They go on. They leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness. I cannot describe it at all. It is possible that it does not exist. But they seem to know where they are going, the ones who walk away from Omelas.”

“I think the mystery of art lies in this, that artists’ relationship is essentially with their work — not with power, not with profit, not with themselves, not even with their audience.”

“When he found that the administrators were upset, he laughed. “Do they expect students not to be anarchists?” he said. “What else can the young be? When you are on the bottom, you must organize from the bottom up”

“They knew that their anarchism was the product of a very high civilization, of a complex diversified culture, of a stable economy and a highly industrialized technology that could maintain high production and rapid transportation of goods. However vast the distances separating settlements, they held to the ideal of complex organicism.”

“Would you really like to live in a society where you have no responsibility and no freedom, no choice, only the false option of obedience to the law, or disobedience followed by punishment? Would you really want to go live in a prison?”

“It's your nature to be Tirin, and my nature to be Shevek, and our common nature to be Odonians, responsible to one another. And that responsibility is our freedom. To avoid it, would be to lose our freedom. Would you really like to live in a society where you have no responsibility and no freedom, no choice, only the false option of obedience to the law, or disobedience followed by punishment? Would you really want to go live in a prison?”

“Atro had once explained to him how this was managed, how the sergeants could give the privates orders, how the lieutenants could give the privates and the sergeants orders, how the captains... and so on and so on up to the generals, who could give everyone else orders and need take them from none, except the commander in chief. Shevek had listened with incredulous disgust. "You call that organization?" he had inquired. "You even call it discipline? But it is neither. It is a coercive mechanism of extraordinary inefficiency--a kind of seventh-millennium steam engine! With such a rigid and fragile structure what could be done that was worth doing?" This had given Atro a chance to argue the worth of warfare as the breeder of courage and manliness and weeder-out of the unfit, but the very line of his argument had forced him to concede the effectiveness of guerrillas, organized from below, self-disciplined. "But that only works when the people think they're fighting for something of their own--you know, their homes, or some notion or other," the old man had said. Shevek had dropped the argument. He now continued it, in the darkening basement among the stacked crates of unlabeled chemicals. He explained to Atro that he now understood why the Army was organized as it was. It was indeed quite necessary. No rational form of organization would serve the purpose. He simply had not understood that the purpose was to enable men with machine guns to kill unarmed men and women easily and in great quantities when told to do so.”

“The word he used was not “wallowing,” there being no animals on Anarres to make wallows; it was a compound, meaning literally “coating continually and thickly with excrement.” The flexibility and precision of Pravic lent itself to the creation of vivid metaphors quite unforeseen by its inventors.”

“The fish in the creek said nothing. Fish never do. Few people know what fish think about injustice, or anything else.”

“The heavy work requiring muscle and the skilled work with crops and sheep was done by Ged, Shandy, and Tenar, while the two old men who had been there all their lives, his father's men took him about and told him how they managed it all, and truly believed they were managing it all, and shared their believe with him.”

“Why are men afraid of women?""If your strength is only the other's weakness, you live in fear," Ged said."Yes; but women seem to fear their own strength, to be afraid of themselves.""Are they ever taught to trust themselves?" Ged asked, and as he spoke Therru came in on her work again. His eyes and Tenar's met."No," she said. "Trust is not what we're taught." She watched the child stack the wood in the box. "If power were trust," she said. "I like that word. If it weren't all these arrangements - one above the other - kings and masters and mages and owners - It all seems so unnecessary. Real power, real freedom, would lie in trust, not force.""As children trust their parents," he said.”

“What is a woman's power then?" she asked."I don't think we know.""When has a woman power because she's a woman? With her children, I suppose. For a while...""In her house, maybe."She looked around the kitchen. "But the doors are shut," she said, "the doors are locked.""Because you're valuable.""Oh yes. We're precious. So long as we're powerless.”

“If women had power, what would men be but women who can't bear children? And what would women be but men who can?""Hah!" went Tenar; and presently, with some cunning, she said, "Haven't there been queens? Weren't they women of power?""A queen's only a she-king," said Ged.She snorted."I mean, men give her power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.”

“What are we so afraid of? Why don't we let 'em tell us we're afraid? What is it they're afraid of?" She picked up the stocking she had been darning, turned it in her hands, was silent awhile; finally she said, "What are they afraid of us for?”

“You are beautiful," Tenar said in a different tone. "Listen to me, Therru. Come here. You have scars, ugly scars, because an ugly, evil thing was done to you. People see the scars. But they see you, too, and you aren't the scars. You aren't ugly. You aren't evil. You are Therru, and beautiful. You are Therru who can work, and walk, and run, and dance, beautifully, in a red dress.”

“If we hide, Therru, we feed him. We will eat. And we will starve him. Come with me.”

“You're a respectable woman, dearie, and her reputation is a woman's wealth.""Her wealth," Tenar repeated in the same blank way; then she said it again: "Her wealth. Her treasure. Her hoard. Her value...”

“Ours is only a little power, seems like, next to theirs," Moss said. "But it goes down deep. It's all roots. It's like an old blackberry thicket. And a wizard's power's like a fir tree, maybe, great and tall and grand, but it'll blow right down in a storm. Nothing kills a blackberry bramble.”

“A man gives out, dearie. A woman takes in.”

“She thought about how it was to have been a woman in the prime of life, with children and a man, and then to lose all that, becoming old and a widow, powerless. But even so she did not feel she understood his shame, his agony of humiliation. Perhaps only a man could feel so. A woman got used to shame.”

“What's wrong with men?" Tenar inquired cautiously.As cautiously, lowering her voice, Moss replied, "I don't know, my dearie. I've thought on it. Often I've thought on it. The best I can say it is like this. A man's in his skin, see, like a nut in its shell." She held up her long, bent, wet fingers as if holding a walnut. "It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. It's all him and nothing else, inside.”

“He was appalled by the examination system, when it was explained to him, he could not imagine a greater detterent to the natural wish to learn than this pattern of cramming in information and disgorging it on demand.”

“I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house?”

“And he began to see the truth, that Ged had neither lost nor won but, naming the shadow of his death with his own name, had made himself whole: a man who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life therefore is lived for life's sake and never in the service of ruin, or pain, or hatred, or the dark.”

“You thought, as a boy, that a mage is one who can do anything. So I thought, once. So did we all. And the truth is that as a man's real power grows and his knowledge widens, ever the way he can follow grows narrower: until at last he chooses nothing, but does only and wholly what he must do. . . .”

“In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight.”

“I suppose the most important thing, the heaviest single factor in one's life, is whether one's born male or female. In most societies it determines one's expectations, activities, outlook, ethics, manners—almost everything. Vocabulary. Semiotic usages. Clothing. Even food. Women... women tend to eat less... It's extremely hard to separate the innate differences from the learned ones. Even where women participate equally with men in the society, they still after all do all the childbearing, and so most of the child-rearing....”

“...I wore his blood for clothing, on my legs and thighs and hands: a dry, stiff, brown garment with no warmth in it.”

“If civilization has an opposite, it is war.”

“but you're not a traitor, you've merely been the tool of one. I don't punish tools. They do harm only in the hands of a bad workman.”

“One voice speaking truth is a greater force than fleets and armies...”

“I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth. The only truth I can understand or express is, logically defined, a lie. Psychologically defined, a symbol. Aesthetically defined, a metaphor.”

“Sanity returns (in most cases) when the book is closed.”