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Utah Phillips

Bruce "Utah" Duncan Phillips was a labor organizer, folk singer, storyteller, poet and the "Golden Voice of the Great Southwest". He described the struggles of labor unions and the power of direct action. He often promoted the Industrial Workers of the World in his music, actions, and words.

A fan of T. Texas Tyler, Phillips adopted the stage name U. Utah Phillips.


“But they lived those extraordinary lives that can never be lived again. And in the living of them, they gave me a history that is more profound, more beautiful, more powerful, more passionate, and ultimately more useful, than the best damn history book I ever read.”
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“The big system can be pretty overwhelming. We know that we can’t beat them by competing with them. What we can do is build small systems where we live and work that serve our needs as we define us and not as they ‘re defined for us. The big boys in their shining armor are up there on castle walls hurling their thunderbolts. We’re the ants patiently carrying sand a grain at a time from under the castle wall. We work from the bottom up. The knights up there don’t see the ants and don’t know what we’re doing. They’ll figure it out only when the wall begins to fall. It takes time and quiet persistence. Always remember this: They fight with money and we resist with time, and they’re going to run out of money before we run out of time”
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“Time is an enormous, long river, and I’m standing in it, just as you’re standing in it. My elders are the tributaries, and everything they thought and every struggle they went through and everything they gave their lives to, and every song they created, and every poem that they laid down flows down to me – and if I take the time to ask, and if I take the time to see, and if I take the time to reach out, I can build that bridge between my world and theirs. I can reach down into that river and take out what I need to get through this world”
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“I have a good friend in the East, who comes to my shows and says, you sing a lot about the past, you can't live in the past, you know. I say to him, I can go outside and pick up a rock that's older than the oldest song you know,and bring it back in here and drop it on your foot. Now the past didn't go anywhere, did it? It's right here, right now.I always thought that anybody who told me I couldn't live in the past was trying to get me to forget something that if I remembered it it would get them serious trouble. No, that 50s, 60s, 70s, 90s stuff, that whole idea of decade packaging, things don't happen that way. The Vietnam War heated up in 1965 and ended in 1975-- what's that got to do with decades? No, that packaging of time is a journalist convenience that they use to trivialize and to dismiss important events and important ideas. I defy that.”
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“Frying-Pan Jack and I were in that camp, that's where he said to me, he'd been tramping since 1927, 'I told myself in '27, if I cannot dictate the conditions of my labor, I will henceforth cease to work.' You don't have to go to college to figure these things out, no sir. He said, 'I learned when I was young that the only true life I had was the life of my brain. But if it's true that the only real life I had was the life of my brain, what sense does it make to hand that brain to someone for eight hours a day, for their particular use, on the presumption that at the end of the day they will give it back in an unmutilated condition? Fat chance!”
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“Sing your songDance your danceTell your storyI will Listen and remember”
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“The state can't give you free speech, and the state can't take it away. You're born with it, like your eyes, like your ears. Freedom is something you assume, then you wait for someone to try to take it away. The degree to which you resist is the degree to which you are free...”
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