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Valerie Martin

Valerie Martin is the author of nine novels, including Trespass, Mary Reilly, Italian Fever, and Property, three collections of short fiction, and a biography of St. Francis of Assisi, titled Salvation. She has been awarded a grant from the National Endowment for the Arts and a John Simon Guggenheim Fellowship, as well as the Kafka Prize (for Mary Reilly) and Britain’s Orange Prize (for Property). Martin’s last novel, The Confessions of Edward Day was a New York Times notable book for 2009.

A new novel The Ghost of the Mary Celeste is due from Nan Talese/Random House in January 2014, and a middle-grade book Anton and Cecil, Cats at Sea, co-written with Valerie’s niece Lisa Martin, will be out from Algonquin in October of 2013.

Valerie Martin has taught in writing programs at Mt. Holyoke College, Univ. of Massachusetts, and Sarah Lawrence College, among others. She resides in Dutchess County, New York and is currently Professor of English at Mt. Holyoke College.


“I see I have this patience to wait it out, and the truth is no matter how dark I feel I would never take my own life, because when the darkness is over, then what a blessing is the feeblest ray of light!”
Valerie Martin
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“Everyone else felt the need to assure me that Mother's death was part of God's plan. Exactly, I wanted to shout after reading this sentiment half a dozen times--- his plan is to kill us all, and if an innocent child dies in agony and a wicked man breathes his last at an advanced age in his sleep, who are we to call it injustice?”
Valerie Martin
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“The natural beauty of the earth made hard for me to consider the pathetic struggle of humans on the face of it. The great release of death, I thought, was not from the bondage to our lovely planet- who could ever wish to leave this extraordinary place?- but from one another.”
Valerie Martin
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“The air was still. It was that hour before evening when the sun sheds great horizontal beams just above the horizon and the air itself reveals levels of dust and insect life previously unthought of.”
Valerie Martin
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“I've caused you pain, and I'm sorry for it,' she said. 'But perhaps that pain will keep you from forgetting me.”
Valerie Martin
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“...because it requires the total surrender of my will and finally, ultimately, the wholesale destruction of my ego. That is hard. It I'm going to another world, I cry out, I want to be ME in it.”
Valerie Martin
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“...most people never experience such a passion, that I had been incredibly, divinely fortunate to have found, in a world where most souls dig there own graves with the sharp edge of their bitter loneliness...”
Valerie Martin
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“To fear an inner life, she thought, was the greatest foolishness. It was like fearing a breath of air. Why did people find it harder to admit to a universe within than without? Why trust, for a moment, one's own absurd measurement of either?”
Valerie Martin
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“That's my problem. I'm constantly wary. I can't trust anyone.”
Valerie Martin
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“What was the good at having an ideal if everyone is trying to beat everyone else at admitting how impossible it is to achieve it.”
Valerie Martin
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“We long for a life we never had but of which we seem to have a clear memory; a life in wich there is no longing.”
Valerie Martin
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“And it seemed to me that longing was everything, longing is all we are.”
Valerie Martin
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“Self-inflicted pain has a calming effect; it clears the head, diminishes one's fascination with the ego, and most important, gives one the sense of having taken some real action against the everyday foolishness of the body and of the vagrant, willful, heedless imagination.”
Valerie Martin
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“He put a dark place in me and I can't forgive him for that. But it's a part of me now and how can I regret what I am - though it often makes me sad.”
Valerie Martin
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“(A) trip to the attic is an excursion into history, and...all over the world the present unravels beneath the stored detritus of the past; that's what attics are for.”
Valerie Martin
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“One feels relieved these days when a play is not like television.”
Valerie Martin
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“Actors are superstitious about beggars, perhaps because we're largely in the same line.”
Valerie Martin
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“(M)uch as we might imagine we can leave the past behind, it has a nasty way of pressing its hoary old face against the window just as we were sitting down to the feast.”
Valerie Martin
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“Sex can be estranging; it can drive two otherwise compatible people apart.”
Valerie Martin
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