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Victor LaValle

Victor LaValle is the author of the short story collection Slapboxing with Jesus, four novels, The Ecstatic, Big Machine, The Devil in Silver, and The Changeling and two novellas, Lucretia and the Kroons and The Ballad of Black Tom. He is also the creator and writer of a comic book Victor LaValle's DESTROYER.

He has been the recipient of numerous awards including a Whiting Writers' Award, a United States Artists Ford Fellowship, a Guggenheim Fellowship, a Shirley Jackson Award, an American Book Award, and the key to Southeast Queens.

He was raised in Queens, New York. He now lives in Washington Heights with his wife and kids. He teaches at Columbia University.

He can be kind of hard to reach, but he still loves you.


“Pepper woke up thinking of butts.And nothing else.Ladies' butts.Skinny butts, big butts, saddlebag butts, flabby and firm butts, the kind that sit so high they seem like part of the woman's back, the kind that ride low and form a UU just above the thighs like in the old television commercials for Hanes Underalls, butts that wiggle and butts that jiggle, sagging butts and robust butts, butts that hardly make an impression under a pair of jeans; sidewinder butts and trumpet butts -- the ones so meaty they actually spread out until they appear to be a woman's thighs (ass so fat you can see it from the front), butts as knotty as acorns, butts as smooth as a slice of Gouda, butts with pimples and butts with cellulite, the kind that have pockmarks or red splotches, butts with tattoos and butts with bullet scars. Butts you can cup in your warm hands. Butts and butts and butts.In other words, Pepper woke up horny.”
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“His life had been disrupted, but not his billing cycles.”
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“Nearly everyone could be undone by an old woman's displeasure.”
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“... that most natural human appetite, the hunger for somewhere else.”
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“Queens, New York. The most ethnically diverse region not just in the United States, but on the entire planet... In Queens, you will find Korean kids who sound like black kids. Italians who sound like Puerto Ricans. Puerto Ricans who sound like Italians. Third-generation Irish who sound like old Jews. That's Queens. Not a melting pot, not even a tossed salad, but an all-you-can-eat, mix-and-match buffet.”
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“That’s the funny thing,” she said. “Men always want to die for something. For someone. I can see the appeal. You do it once and it’s done. No more worrying, not knowing, about tomorrow and tomorrow and tomorrow. I know you all think it sounds brave, but I’ll tell you something even braver. To struggle and fight for the ones you love today. And then do it all over again the next day. Every day. For your whole life. It’s not as romantic, I admit. But it takes a lot of courage to live for someone, too.”
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“Her professionalism aside, Nabisase's victory was rigged by an endomorph and a goblin standing in crabgrass, and she would never know it. There are so many lives decided this way.”
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“The person you are (in total, at that moment in time) is what creates the story you're writing. It's infused in every piece of punctuation, in the plot, in the most minor character who crosses the page. It's all your voice.”
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“The poor aren't defeated. We're domesticated.”
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“No matter where you go, poor people have the capacity to endure. Some people even compliment us on it, as if endurance is all we can achieve.”
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