Vikram Chandra photo

Vikram Chandra

Vikram Chandra was born in New Delhi.

He completed most of his secondary education at Mayo College, a boarding school in Ajmer, Rajasthan. After a short stay at St. Xavier's College in Mumbai, Vikram came to the United States as an undergraduate student.

In 1984, he graduated from Pomona College (in Claremont, near Los Angeles) with a magna cum laude BA in English, with a concentration in creative writing.

He then attended the Film School at Columbia University in New York. In the Columbia library, by chance, he happened upon the autobiography of Colonel James "Sikander" Skinner, a legendary nineteenth century soldier, born of an Indian mother and a British father. This book was to become the inspiration for Vikram's novel, Red Earth and Pouring Rain. He left film school halfway to begin work on the novel.

Red Earth and Pouring Rain was written over several years at the writing programs at Johns Hopkins University and the University of Houston. Vikram worked with John Barth at Johns Hopkins and with Donald Barthelme at the University of Houston; he obtained an MA at Johns Hopkins and an MFA at the University of Houston.

While writing Red Earth and Pouring Rain, Vikram taught literature and writing, and also worked independently as a computer programmer and software and hardware consultant. His clients included oil companies, non-profit organizations, and the Houston Zoo.

Red Earth and Pouring Rain was published in 1995 by Penguin/India in India; by Faber and Faber in the UK; and by Little, Brown in the United States. The book was received with outstanding critical acclaim. It won the Commonwealth Writers Prize for Best First Book and the David Higham Prize for Fiction.

A collection of short stories, Love and Longing in Bombay, was published in 1997 by Penguin/India in India; by Faber and Faber in the UK; and by Little, Brown in the United States. Love and Longing in Bombay won the Commonwealth Writers Prize for Best Book (Eurasia region); was short-listed for the Guardian Fiction Prize; and was included in "Notable Books of 1997" by the New York Times Book Review, in "Best Books of the Year" by the Independent (London), in "Best Books of the Year" by the Guardian (London), and in "The Ten Best Books of 1997" by Outlook magazine (New Delhi). Two of these stories have been formerly published in the Paris Review and The New Yorker. The story "Dharma" was awarded the Discovery Prize by the Paris Review, and was included in Year's Best Fantasy and Horror (St. Martin's Press, 1998).

A novel, Sacred Games, was published in 2006 by Penguin/India in India; and by Faber and Faber in the UK. It will be published in January 2007 in the United States by HarperCollins.

In June 1997, Vikram was featured in the New Yorker photograph of "India's leading novelists." His work has been translated into eleven languages.

He has co-written Mission Kashmir, an Indian feature film starring Sanjay Dutt, Hrithik Roshan, Preity Zinta, and Jackie Shroff, that was released internationally in late October, 2000.

Vikram's mother, Kamna Chandra, is the writer of several Hindi films including Prem Rog and 1942: A Love Story; she has also written plays for All India Radio and Doordarshan. His sister, Tanuja Chandra, is a director and screenwriter, who has directed several films including Sur and Sangharsh. His other sister Anupama Chopra is a film critic and senior correspondent for India Today; she has written Dilwale Dulhania Le Jayenge, a BFI book about the hugely popular 1995 hit. Her first book, Sholay: The Making of a Classic, won the Swarn Kamal, a national award for the best Indian book on cinema in 1995. Vikram's father, Navin Chandra, is a retired executive.

Vikram Chandra currently divides his time between Mumbai and Berkeley, California, where he teaches creative writing at the University of California. He lives with his wife Melanie Abrams, who is also a novelist.


“Ask him why there are hypocrites in the world.''Because it is hard to bear the happiness of others.''When are we happy?''When we desire nothing and realize that possession is only momentary, and so are forever playing.''What is regret?''To realize that one has spent one's life worrying about the future.''What is sorrow?''To long for the past.''What is the highest pleasure?''To hear a good story.”
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“What could my mother beto yours? What kin is my fatherto yours anyway? And howdid you and I meet ever?But in loveour hearts have mingledlike red earth and pouring rain.”
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“Then what in your opinion is a good story?''What it's always been, monkey,' Ganesha said. 'One dhansu conflict. Some chaka-chak song and dance. Grief. Love. Love for the lover, love for the mother. Love for the land. Comedy. Terror. One tremendous villain whom we must love also. All the elements properly balanced and mixed together, item after item, like a perfect meal with a dance of tastes. There you have it.”
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“So now that began to develop into a full-fledged shouting match of its own, and all in all it was soon a full-scale old-style Bombay tamasha, with people watching from every balcony and window in every building, up and down the road, laughing and giving advice and yelling at each other.”
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“And so I began to read,' Sorkar said. 'And at first the complete works were like a jungle, the language was quicksand. Metaphors turned beneath my feet and became biting snakes, similes fled from my grasp like frightened deer, taking all meaning with them. All was alien, and amidst the hanging, entangling creepers of this foreign grammar, all sound became a cacophany. I feared for myself, for my health and sanity, but then I thought of my purpose, of where I was and who I was, of pain and I pressed on.”
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