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Virginia Woolf

(Adeline) Virginia Woolf was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century.

During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels Mrs. Dalloway (1925), To the Lighthouse (1927), and Orlando (1928), and the book-length essay A Room of One's Own (1929) with its famous dictum, "a woman must have money and a room of her own if she is to write fiction."


“Once you fall, Septimus repeated to himself, human nature is on you. Holmes and Bradshaw are on you. They scour the desert. They fly screaming into the wilderness. The rack and the thumbscrew are applied. Human nature is remorseless.”
Virginia Woolf
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“So he was deserted. The whole world was clamouring: Kill yourself, kill yourself, for our sakes. But why should he kill himself for their sakes? Food was pleasant; the sun hot; and this killing oneself, how does one set about it, with a table knife, uglily, with floods of blood, - by sucking a gaspipe? He was too weak; he could scarcely raise his hand. Besides, now that he was quite alone, condemned, deserted, as those who are about to die are alone, there was a luxury in it, an isolation full of sublimity; a freedom which the attached can never know.”
Virginia Woolf
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“His wife was crying, and he felt nothing; only each time she sobbed in this profound, this silent, this hopeless way, he descended another step into the pit.”
Virginia Woolf
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“He was a thorough good sort; a bit limited; a bit thick in the head; yes; but a thorough good sort. Whatever he took up he did in the same matter-of-fact sensible way; without a touch of imagination, without a sparkle of brilliancy, but with the inexplicable niceness of his type.”
Virginia Woolf
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“Beauty, the world seemed to say. And as if to prove it (scientifically) wherever he looked at the houses, at the railings, at the antelopes stretching over the palings, beauty sprang instantly. To watch a leaf quivering in the rush of air was an exquisite joy. Up in the sky swallows swooping, swerving, flinging themselves in and out, round and round, yet always with perfect control as if elastics held them; and the flies rising and falling; and the sun spotting now this leaf, now that, in mockery, dazzling it with soft gold in pure good temper; and now again some chime (it might be a motor horn) tinkling divinely on the grass stalks—all of this, calm and reasonable as it was, made out of ordinary things as it was, was the truth now; beauty, that was the truth now. Beauty was everywhere.”
Virginia Woolf
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“But nothing is so strange when one is in love (and what was this except being in love?) as the complete indifference of other people.”
Virginia Woolf
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“I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that — everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been.”
Virginia Woolf
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“Was not writing poetry a secret transaction, a voice answering a voice?”
Virginia Woolf
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“All the time she writing the world had continued.”
Virginia Woolf
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“A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run through the body with his pen.”
Virginia Woolf
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“Thoughts are divine.”
Virginia Woolf
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“For once the disease of reading has laid upon the system it weakens so that it falls an easy prey to that other scourge which dwells in the ink pot and festers in the quill. The wretch takes to writing. ”
Virginia Woolf
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“The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away and he almost burnt the house down with a tinder.”
Virginia Woolf
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“And the poem, I think, is only your voice speaking.”
Virginia Woolf
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“Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet.”
Virginia Woolf
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“The real novelist, the perfectly simple human being, could go on, indefinitely imaging. ”
Virginia Woolf
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“There was a star riding through clouds one night, & I said to the star, 'Consume me'.”
Virginia Woolf
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“Up here my eyes are green leaves, unseeing.”
Virginia Woolf
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“It is strange how a scrap of poetry works in the mind and makes the legs move in time to it along the road.”
Virginia Woolf
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“Anything may happen when womanhood has ceased to be a protected occupation.”
Virginia Woolf
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“It has the permanent quality of literature.”
Virginia Woolf
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“The older one grows, the more one likes indecency.”
Virginia Woolf
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“Every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works.”
Virginia Woolf
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“A million candles burnt in him without his being at the trouble of lighting a single one”
Virginia Woolf
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“To put it in a nutshell, he was afflicted with a love of literature. It was the fatal nature of this disease to substitute a phantom for reality.”
Virginia Woolf
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“All this pitting of sex against sex, of quality against quality; all this claiming of superiority and imputing of inferiority, belong to the private-school stage of human existence where there are 'sides,' and it is necessary for one side to beat another side, and of the utmost importance to walk up to a platform and receive from the hands of the Headmaster himself a highly ornamental pot.”
Virginia Woolf
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“Intellectual freedom depends upon material things.”
Virginia Woolf
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“Heaven has mercifully decreed that the secrets of all hearts are hidden so that we are lured on for ever to suspect something, perhaps, that does not exist.”
Virginia Woolf
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“I prefer men to cauliflowers”
Virginia Woolf
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“For they might be parted for hundreds of years, she and Peter; she never wrote a letter and his were dry sticks; but suddenly it would come over her, If he were with me now what would he say? --some days, some sights bringing him back to her calmly, without the old bitterness; which perhaps was the reward of having cared for people; they came back in the middle of St. James's Park on a fine morning--indeed they did.”
Virginia Woolf
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“There is no doubt in my mind, that I have found out how to begin (at 40) to say something in my own voice.”
Virginia Woolf
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“A learned man is a sedentary, concentrated solitary enthusiast, who searches through books to discover some particular grain of truth upon which he has set his heart. If the passion for reading conquers him, his gains dwindle and vanish between his fingers. A reader, on the other hand, must check the desire for learning at the outset; if knowledge sticks to him well and good, but to go in pursuit of it, to read on a system, to become a specialist or an authority, is very apt to kill what suits us to consider the more humane passion for pure and disinterested reading.”
Virginia Woolf
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“But I beneath a rougher sea, And whelmed in deeper gulfs than he.”
Virginia Woolf
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“To look life in the face, always, to look life in the face, and to know it for what it is...at last, to love it for what it is, and then, to put it away...”
Virginia Woolf
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“Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.”
Virginia Woolf
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“Ruin, weariness, death, perpetually death, stand grimly to confront the other presence of Elizabethan drama which is life: life compact of frigates, fir trees and ivory, of dolphins and the juice of July flowers, of the milk of unicorns and panthers’ breath, of ropes of pearl, brains of peacocks and Cretan wine.”
Virginia Woolf
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“About here, she thought, dabbling her fingers in the water, a ship had sunk, and she muttered, dreamily half asleep, how we perished, each alone.”
Virginia Woolf
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“...who shall measure the heat and violence of a poet's heart when caught and tangled in a woman's body?”
Virginia Woolf
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“For masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.”
Virginia Woolf
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“Never let anybody guess that you have a mind of your own. Above all be pure”
Virginia Woolf
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“Nothing could be slow enough, nothing lasts too long. No pleasure could equal, she thought, straightening the chairs, pushing in one book on the shelf, this having done with the triumphs of youth, lost herself in the process of living, to find it with a shock of delight, as the sun rose, as the day sank. Many a time had she gone, at Barton when they were all talking, to look at the sky; seen it between peoples shoulders at dinner; seen it in London when she could not sleep. She walked to the window.”
Virginia Woolf
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“Big Ben struck the half hour.How extraordinary it was, strange, yes, touching, to see the old lady (they had been neighbors ever so many years) move away from the window, as if she were attached to that sound, that string. Gigantic as it was, it had something to do with her. Down, down, into the midst of ordinary things the finger fell making the moment solemn. She was forced, so Clarissa imagined, by that sound, to move, to go - but where? Clarissa tried to follow her as she turned and disappeared, and could still just see her white cap moving at the back of the bedroom. She was still there moving about at the other end of the room. Why creeds and prayers and mackintoshes? when, thought Clarissa, that's the miracle, that's the mystery; that old lady, she meant, whom she could see going from chest of drawers to dressing table. She could still see her. And the supreme mystery, which Kilman might say she had solved, or Peter might say he had solved, but Clarissa didn't believe either of them had the ghost of an idea of solving, was simply this: here was one room, there another. Did religion solve that, or love?”
Virginia Woolf
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“Somewhere, everywhere, now hidden, now apparent in what ever is written down, is the form of a human being. If we seek to know him, are we idly occupied”
Virginia Woolf
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“He smiled the most exquisite smile, veiled by memory, tinged by dreams.”
Virginia Woolf
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“Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely? All this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely?”
Virginia Woolf
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“He lay on his chair with his hands clasped above his paunch not reading, or sleeping, but basking like a creature gorged with existence.”
Virginia Woolf
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“Submit to me."So she said nothing, but looked doggedly and sadly at the shore, wrapped in its mantle of peace; as if the people there had fallen alseep, she thought; were free like smoke, were free to come and go like ghosts. They have no suffering there, she thought.”
Virginia Woolf
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“Why then did she do it? She looked at the canvas, lightly scored with running lines. It would be hung in the servants' bedrooms. It would be rolled up and stuffed under a sofa. What was the good of doing it then, and she heard some voice saying she couldn't paint, saying she couldn't create, as if she were caught up in one of those habitual currents in which after a certain time experience forms in the mind, so that one repeats words without being aware any longer who originally spoke them.”
Virginia Woolf
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“It flattered her, where she was most susceptible of flattery, to think how, wound about in their hearts, however long they lived she would be woven...”
Virginia Woolf
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“With her foot on the threshold she waited a moment longer in a scene which was vanishing even as she looked, and then, as she moved and took Minta's arm and left the room, it changed, it shaped itself differently; it had become, she knew, giving one last look at it over her shoulder, already the past.”
Virginia Woolf
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