Virginia Woolf

“I was fighting with Thoby on the lawn. We were pommelling each other with our fists. Just as I raised my fist to hit him, I felt: why hurt another person? I dropped my hand instantly, and stood there, and let him beat me. I remember the feeling. It was a feeling of hopeless sadness. It was as if I became aware of something terrible; and of my own powerlessness. I slunk off alone, feeling horribly depressed.”

“The grey nurse resumed her knitting as Peter Walsh, on the hot seat beside her, began snoring. In her grey dress, moving her hands indefatigably yet quietly, she seemed like the champion of the rights of sleepers, like one of those spectral presences which rise in twilight in woods made of sky and branches. The solitary traveler, haunter of lanes, disturber of ferns, and devastator of hemlock plants, looking up, suddenly sees the giant figure at the end of the ride.”

“The world is crammed with delightful things. I think young people make such a mistake about that — not letting themselves be happy. I sometimes think that happiness is the only thing that counts.”

“It is the fate of the innocent to suffer.”

“I do not want to be admired. I want to give, to be given, and solitude in which to unfold my possessions.”

“Love. Hate. Peace. Three emotion made the ply of human life.”

“The writer has us by the hand, forces us along her road, makes us see what she sees, never leaves us for a moment or allows us to forget her. At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Bronte. Remarkable faces, figures of strong outline and gnarled feature have flashed upon us in passing; but it is through her eyes that we have seen them.”

“She was writing for everybody, for nobody, for our age, for her own...”

“They neither work nor weep; in their shape is their reason.”

“When she looked in the glass and saw her hair grey her cheek sunk, at fifty, she thought, possibly she might have managed things better--her husband; money; his books. But for her own part she would never for a single second regret her decision, evade difficulties, or slur over duties”

“Kind old ladies assure us that cats are often the best judges of character. A cat will always go to a good man, they say[.]”

“Let us consider letters - how they come at breakfast, and at night, with their yellow stamps and their green stamps, immortalized by the postmark - for to see one's own envelope on another's table is to realize how soon deeds sever and become alien. Then at last the power of the mind to quit the body is manifest, and perhaps we fear or hate or wish annihilated this phantom of ourselves, lying on the table. Still, there are letters that merely say how dinner's at seven; others ordering coal; making appointments. The hand in them is scarcely perceptible, let alone the voice or the scowl. Ah, but when the post knocks and the letter comes always the miracle seems repeated - speech attempted. Venerable are letters, infinitely brave, forlorn, and lost.”

“I've cared for heaps of people, but not to marry them' she said. 'I suppose I'm too fastidious. all my life I've wanted somebody I could look up to, somebody great and big and splendid. Most men are so small.''What d;you mean by splendid?' Hewet asked. 'People are-nothing more.”

“Proust so titillates my own desire for expression that I can hardly set out the sentence. Oh if I could write like that! I cry. And at the moment such is the astonishing vibration and saturation and intensification that he procures—there’s something sexual in it—that I feel I can write like that, and seize my pen and then I can’t write like that. Scarcely anyone so stimulates the nerves of language in me: it becomes an obsession. But I must return to Swann.My great adventure is really Proust. Well—what remains to be written after that? I’m only in the first volume, and there are, I suppose, faults to be found, but I am in a state of amazement; as if a miracle were being done before my eyes. How, at last, has someone solidified what has always escaped—and made it too into this beautiful and perfectly enduring substance? One has to put the book down and gasp. The pleasure becomes physical—like sun and wine and grapes and perfect serenity and intense vitality combined.Jacques Raverat...sent me a letter about Mrs Dalloway which gave me one of the happiest moments days of my life. I wonder if this time I have achieved something? Well, nothing anyhow compared with Proust, in whom I am embedded now. The thing about Proust is his combination of the utmost sensibility with the utmost tenacity. He searches out these butterfly shades to the last grain. He is as tough as catgut & as evanescent as a butterfly's bloom. And he will I suppose both influence me & make out of temper with every sentence of my own.”

“We do not know our own souls, let alone the souls of others. Human beings do not go hand in hand the whole stretch of the way. There is a virgin forest in each; a snowfield where even the print of birds' feet is unknown. Here we go alone, and like it better so. Always to have sympathy, always to be accompanied, always to be understood would be intolerable.”

“And since a novel has this correspondence to real life, its values are to some extent those of real life. But it is obvious that the values of women differ very often from the values which have been made by the other sex; naturally this is so. Yet is it the masculine values that prevail. Speaking crudely, football and sport are "important"; the worship of fashion, the buying of clothes "trivial." And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.”

“Orlando was unaccountably disappointed. She had thought ofliterature all these years (her seclusion, her rank, her sex must beher excuse) as something wild as the wind, hot as fire, swift aslightning; something errant, incalculable, abrupt, and behold,literature was an elderly gentleman in a grey suit talking aboutduchesses.”

“Clarissa had a theory in those days—they had heaps of theories, always theories, as young people have. It was to explain the feeling of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not “here, here, here“; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoken to, some woman in the street, some man behind a counter—even trees, or barns.”

“But how are you going to get out, into the world of other people? That is your problem now, if I may hazard a guess — to find the right relationship, now that you know yourself, between the self that you know and the world outside. It is a difficult problem. No living poet has, I think, altogether solved it.”

“I see the mountains in the sky; the great clouds; and the moon; I have a great and astonishing sense of something there, which is “it”—it is not exactly beauty that I mean. It is that the thing is in itself enough: satisfactory, achieved. A sense of my own strangeness, walking on the earth is there too: of the infinite oddity of the human position; with the moon up there and those mountain clouds.”

“Viața este ceea ce vezi în ochii oamenilor; viața este ceea ce aceștia învață și, învățând, nu încetează niciodată să fie conștienți de asta, deși încearcă s-o ascundă - ce anume?”

“But language is wine upon his lips”

“He was a failure, he repeated. Well, look then, feel then. Flashing her needles, glancing round about her, out of the window, into the room, at James himself, she assured him, beyond a shadow of a doubt, by her laugh, her poise, her competence (as a nurse carrying a light across a dark room assures a fractious child), that it was real; the house was full; the garden blowing. If he put implicit faith in her, nothing should hurt him; however deep he buried himself or climed high, not for a second should he find himself without her. So boasting of her capacity to surround and protect, there was scarcely a shell of herself left for her to know herself by; all was so lavished and spent; and James, as he stood stiff between her knees, felt her rise in a rosy-flowered fruit tree laid with leaves and dancing boughs into which the beak of brass, the arid scimitar of his father, the egotistical man, plunged and smote, demanding sympathy.”

“I fear I shall be a clinger to the outsides of words all my life.”

“There must be another life, she thought, sinking back into her chair, exasperated. Not in dreams; but here and now, in this room, with living people. She felt as if she were standing on the edge of a precipice with her hair blown back; she was about to grasp something that just evaded her. There must be another life, here and now, she repeated. This is too short, too broken. We know nothing, even about ourselves.”

“That she held herself well was true; and had nice hands and feet; and dressed well, considering that she spent little. But often now this body she wore (she stopped to look at a Dutch picture), this body, with all its capacities, seemed nothing - nothing at all. She had the oddest sense of being herself invisible; unseen; unknown; there being no more marrying, no more having of children now, but only this astonishing and rather solemn progress with the rest of them, up Bond Street, this being Mrs. Dalloway, not even Clarissa any more; this being Mrs. Richard Dalloway.”

“aslant”

“And is there any reason, we ask as we shut the book, why the perspective that a plain earthenware pot exacts should not satisfy us as completely, once we grasp it, as man himself in all his sublimity standing against a background of broken mountains and tumbling oceans with stars flaming in the sky?”

“All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others.”

“Literature is open to everybody. I refuse to allow you, Beadle though you are, to turn me off the grass. Lock up your libraries if you like; but there is no gate, no lock, no bolt, that you can set upon the freedom of my mind.”

“Everything is strange. Things are huge and very small. The stalks of flowers are thick as oak trees. Leaves are high as the domes of vast cathedrals. We are giants, lying here, who can make forests quiver.”

“Sometimes, one trembling star comes in the clear sky and makes me think the world beautiful and we maggots deforming even the trees with our lusts.”

“With a brain working and a body working one could keep step with the crowd and never be found out for the hollow machine, lacking the essential thing, that one was conscious of being.”

“One does not love a place the less because one has suffered in it.”

“The journey is everything. Most necessary of all, but rarest good fortune, we should try to find some man of our own sort who will go with us and to whom we can say the first thing that comes into our heads. For pleasure has no relish unless we share it.”

“I rejoice to concur with the common reader; for by the common sense of readers, uncorrupted by literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours.”

“One must own that there are certain books which can be read without the mind and without the heart, but still with considerable enjoyment.”

“To sit and contemplate - to remember the faces of women without desire, to be pleased by the great deeds of men without envy, to be everything and everywhere in sympathy and yet content to remain where and what you are.”

“Hail! natural desire! Hail! happiness! divine happiness! and pleasure of all sorts, flowers and wine, though one fades and the other intoxicates; and half-crown tickets out of London on Sundays, and singing in a dark chapel hymns about death, and anything, anything that interrupts and confounds the tapping of typewriters and filing of letters and forging of links and chains, binding the Empire together.”

“Bir hayalete karşı mücadeleye başlamak zorunda olduğumu keşfettim. Bu hayalet bir kadındı, onu daha iyi tanıdıkça "evin meleği" şiirindeki kahramanın adını verdim ona. Evin hayaleti korkunç tatlıydı. Olağanüstü alımlıydı. Genellikle hiç bencil değildi. Aile yaşamının zorlu sanatında mükemmeldi. Tavuk varsa kanadı o alırdı. Esiyorsa cereyanda o otururdu. Kısacası, öyle yaratılmıştı ki, hiçbir zaman kendi düşünceleri ya da istekleri olamazdı, tersine başkalarının düşünce ve isteklerine uymayı yeğlerdi o. Ve hepsinden öte -buna değinmeme gerek bile yok belki- arıydı. Yazmaya başladığımda daha ilk sözcüklerde onunla karşılaşıyordum. Kanatlarının gölgesi kağıdımın üzerine düşüyor, odamda eteklerinin hışırtısını duyuyordum... Arkamdan usulca yaklaşıyor ve fısıldıyordu... Sevimli ol, daha alımlı ol, kandır, cinsinin hilelerini kullan. Senin de kendine ait bir beynin olduğunu kimsenin anlamasına izin verme. Ve hepsinden önce: saf ol. Ve kalemimi yönlendirmeye çalışıyordu. Şimdi, haneme kazanç olarak geçirdiğim bir eylemi anımsıyorum... Arkama döndüm ve gırtlağına sarıldım. Onu öldürmek için elimden geleni yaptım. Eğer bu yüzden bir gün hesap vermem gerekirse, bunu kendimi korumak için yaptım, nefsi müdaafaydı. Eğer ben onu öldürmemiş olsaydım o beni öldürecekti.”

“She felt more deeply, more passionately, every year. It increased, he said. Alas, perhaps, but one should be glad of it- it went on increasing in his experience.”

“This is my right; it is the right of every human being. I choose not the suffocating anesthetic of the suburbs, but the violent jolt of the Capital, that is my choice. The meanest patient, yes, even the very lowest is allowed some say in the matter of her own prescription. Thereby she defines her humanity. I wish, for your sake, Leonard, I could be happy in this quietness. [pause]But if it is a choice between Richmond and death, I choose death..”

“They say the sky is the same everywhere. Travellers, the shipwrecked, exiles, and the dying draw comfort from the thought[.]”

“Unpraised, I find it hard to start writing in the morning; but the dejection lasts only 30 minutes, and once I start I forget all about it. One should aim, seriously, at disregarding ups and downs; a compliment here, a silence there;[...] the central fact remains stable, which is the fact of my own pleasure in the art.”

“That illusion of a world so shaped that it echoes every groan, of human beings so tied together by common needs and fears that a twitch at one wrist jerks another, where however strange your experience other people have had it too, where however far you travel in your own mind someone has been there before you - - is all an illusion. We do not know our own souls, let alone the souls of others. Human beings do not go hand in hand the whole stretch of the way. There is a virgin forest in each; a snowfield where even the print of birds' feet is unknown. Here we go alone, and like it better so. Always to have sympathy, always to be accompanied, always to be understood would be intolerable.”

“The people we are most fond of are not good for us when we are ill.”

“I am one who will force himself to desert these windy and moonlit territories, these midnight wanderings, and confront grained oak doors. I will achieve in my life - heaven grant that it be not long - some gigantic amalgamation between the two discrepancies so hideously apparent to me. Out of my suffering I will do it. I will knock. I will enter.”

“He felt the need for something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced amorous gales every evening about this time.”

“The morning was hot, and the exercise of reading left her mind contracting and expanding like the main-spring of a clock, and the small noises of midday, which one can ascribe to no definite cause, in a regular rhythm. It was all very real, very big, very impersonal, and after a moment or two she began to raise her first finger and to let it fall on the arm of her chair so as to bring back to herself some consciousness of her own existence. She was next overcome by the unspeakable queerness of the fact that she should be sitting in an arm-chair, in the morning, in the middle of the world. Who were the people moving in the house--moving things from one place to another? And life, what was that? It was only a light passing over the surface and vanishing, as in time she would vanish, though the furniture in the room would remain. Her dissolution became so complete that she could not raise her finger any more, and sat perfectly still, listening and looking always at the same spot. It became stranger and stranger. She was overcome with awe that things should exist at all. . . She forgot that she had any fingers to raise. . . The things that existed were so immense and so desolate. . . She continued to be conscious of these vast masses of substance for a long stretch of time, the clock still ticking in the midst of the universal silence.”

“I always had the deepest affection for people who carried sublime tears in their silences.”