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V.S. Naipaul

Naipaul was born and raised in Trinidad, to which his grandfathers had emigrated from India as indentured servants. He is known for the wistfully comic early novels of Trinidad, the bleaker novels of a wider world remade by the passage of peoples, and the vigilant chronicles of his life and travels, all written in characteristic, widely admired, prose.

At 17, he won a Trinidad Government scholarship to study abroad. In the introduction to the 20th-anniversary edition of A House for Mr. Biswas, he reflected that the scholarship would have allowed him to study any subject at any institution of higher learning in the British Commonwealth, but that he chose to go to Oxford to do a simple degree in English. He went, he wrote, "in order at last to write...." In August 1950, Naipaul boarded a Pan Am flight to New York, continuing the next day by boat to London.

50 years later, Sir Vidiadhar Surajprasad "V. S." Naipaul was awarded the 2001 Nobel Prize in Literature "for having united perceptive narrative and incorruptible scrutiny in works that compel us to see the presence of suppressed histories."


“Out of all its squalor and human decay, its eruptions of butchery, India produced so many people of grace and beauty, ruled by elaborate courtesy. Producing too much life, it denied the value of life; yet it permitted a unique human development to so many. Nowhere were people so heightened, rounded and individualistic; nowhere did they offer themselves so fully and with such assurance. To know Indians was to take a delight in people as people; every encounter was an adventure. I did not want India to sink; the mere thought was painful.”
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“Most people are not really free. They are confined by the niche in the world that they carve out for themselves. They limit themselves to fewer possibilities by the narrowness of their vision.”
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“... and it was extraordinary to me that some of the newspapers could have found good words for the butchery on the coast. But people are like that bout places in which they aren't really interested and where thy don't have to live.”
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“Like many isolated people, they were wrapped up in themselves and not too interested in the world outside.”
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“I knew there was something that separated me from Ferdinand and the life of the bush about me. And it was because I had no means in my day-to-day life of asserting this difference, of exhibiting my true self, that I fell into the stupidity of exhibiting my things.”
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“They say that men should look at the mother of the girl they intend to marry," Yvette said. "Girls who did what I did should consider the wife a man has discarded or worn out, and know thye are not going to do much better.”
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“It isn't that there's no right and wrong here. There's no right.”
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“In my late thirties the dream of disappointment and exhaustion had been the dream of the exploding head: the dream of a noise in my head so loud and long that I felt with the brain that survived that the brain could not survive; that this was death. Now, in my early fifties, after my illness, after I had left the manor cottage and put an end to that section of my life, I began to be awakened by thoughts of death, the end of things; and sometimes not even by thoughts so specific, not even by fear rational or fantastic, but by a great melancholy. This melancholy penetrated my mind while I slept; and then, when I awakened in response to its prompting, I was so poisoned by it, made so much not a doer (as men must be, every day of their lives), that it took the best part of the day to shake it off. And that wasted or dark day added to the gloom preparing for the night.”
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“Non-fiction can distort; facts can be realigned. But fiction never lies.”
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“In his original design the solicitor's clerk seemed to have forgotten the need for a staircase to link both the floors, and what he had provided had the appearance of an afterthought. Doorways had been punched in the eastern wall and a rough wooden staircase - heavy planks on an uneven frame with one warped unpainted banister, the whole covered with a sloping roof of corrugated iron - hung precariously at the back of the house, in striking contrast with the white-pointed brickwork of the front, the white woodwork and the frosted glass of doors and windows. For this house Mr.Biswas had paid five thousand five hundred dollars.”
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“We have no means of understanding a fraction of the thought and science and philosophy and law that have gone to make that outside world. We simply accept it. We have grown up paying tribute to it, and that is all the most of us can do. We feel of the great world that it is simply there, something for the lucky ones to explore, and then only at the edges. It never occurs to us that we might make some contribution to it ourselves. And that is why we miss everything.”
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“It was in that garage that Alec worked, no longer wearing red bodices or peeing blue, but doing mysterious greasy things.”
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“A stranger could drive through Miguel Street and just say “Sum!” because he could see no more. But we who lived there saw our street as a world, where everybody was quite different from everybody else. Mam-man was mad; George was stupid; Big Foot was a bully; hat was an adventurer; Popo was a philosopher; and Morgan was our comedian.”
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“Life is a helluva thing. You can see trouble coming and you can't do a damn thing to prevent it coming. You just got to sit and watch and wait.”
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“Look, boys, it ever strike you that the world not real at all? It ever strike you that we have the only mind in the world and you just thinking up everything else? Like me here, having the only mind in the world, and thinking up you people here, thinking up the war and all the houses and the ships and them in the harbour. That ever cross your mind?”
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“How could people like these, without words to put to their emotions and passions, manage? They could, at best, only suffer dumbly. Their pains and humiliations would work themselves out in their characters alone: like evil spirits possessing a body, so that the body itself might appear innocent of what it did.”
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“As for the young man carrying the groceries, he was a thin, fair-skinned young man, and I would have said that he had been born in the house. He had the vacant, dog-like expressions that house-born slaves, as I remembered, liked to put on when they were in public with their masters and performing some simple task. This fellow was pretending that the Waitrose groceries were a great burden, but this was just an act, to draw attention to himself and the lady he served. He, too, had mistaken me for an Arab, and when we crossed he had dropped the burdened-down expression and given me a look of wistful inquisitiveness, like a puppy that wanted to play but had just been made to understand that it wasn't playtime.”
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“Out of its squalor and human decay, its eruptions of butchery, India produced so many people of grace and beauty, ruled by elaborate courtesy. Producing too much life, it denied the value of life; yet it permitted a unique human development to so many. Nowhere were people so heightened, rounded and individualistic; nowhere did they offer themselves so fully and with such assurance. To know Indians was to take a delight in people as people; every encounter was an adventure. I did not want India to sink [out of my memory]; the mere thought was painful.”
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“Some lesser husbands built a latrine on the hillside.”
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“On the front cover of Newsweek reviews "A House for Mr. Biswas" as "a marvelous prose epic that matches the best 19th century novels for richness of comic insight and final, tragic power.”
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“Going home at night! It wasn't often that I was on the river at night. I never liked it. I never felt in control. In the darkness of river and forest you could be sure only of what you could see — and even on a moonlight night you couldn't see much. When you made a noise — dipped a paddle in the water — you heard yourself as though you were another person. The river and the forest were like presences, and much more powerful than you. You felt unprotected, an intruder ... You felt the land taking you back to something that was familiar, something you had known at some time but had forgotten or ignored, but which was always there. You felt the land taking you back to what was there a hundred years ago, to what had been there always.”
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“It was as Nazruddin had said, when I asked him about visas and he had said that bank notes were better. 'You can always get into those places. What is hard is to get out. That is a private fight. Everybody has to find his own way.”
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“What matters in the end in literature, what is always there, is the truly good. And -- though played out forms can throw up miraculous sports like The Importance of Being Earnest or Decline and Fall-- what is good is always what is new, in both form and content. What is good forgets whatever models it might have had, and is unexpected; we have to catch it on the wing. ((p. 62, Reading & Writing)”
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“The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it....It wasn't only the sand drifts and the mud and the narrow, winding, broken roads up in the mountains. There was all that business at the frontier posts, all that haggling in the forest outside wooden huts that flew strange flags. I had to talk myself and my Peugeot past the men with guns -- just to drive through bush and more bush. And then I had to talk even harder, and shed a few more bank notes and give away more of my tinned food, to get myself -- and the Peugeot -- out of the places I had talked us into.Some of these palavers could take half a day....”
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“I often wonder what would have happened to me if I hadn't made that decision. I suppose I would have sunk. I suppose I would have found some kind of hole and tried to hide or pass. After all, we make ourselves according to the ideas we have of our possibilities. I would have hidden in my hole and been crippled by my sentimentality, doing what I was doing, and doing it well, but always looking for the wailing wall. And I would never have seen the world as the rich place that it is. You wouldn't have seen me here in Africa, doing what I do.”
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“After all, we make ourselves according to the ideas we have of our possibilities.”
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“He read political books. They gave him phrases which he could only speak to himself and use on Shama. They also revealed one region after another of misery and injustice and left him feeling more helpless and more isolated than ever. Then it was that he discovered the solace of Dickens. Without difficulty he transferred characters and settings to people and places he knew. In the grotesques of Dickens everything he feared and suffered from was ridiculed and diminished, so that his own anger, his own contempt became unnecessary, and he was given strength to bear the most difficult part of his day: dressing in the morning, that daily affirmation of faith in oneself, which at times for him was almost like an act of sacrifice.”
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“It is wrong to have an ideal view of the world. That's where the mischief starts. That's where everything starts unravelling...”
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