W.B. Yeats

“I have spread my dreams beneath your feet. Tread softly because you tread on my dreams.”

“Sometimes my feet are tired and my hands are quiet, but there is no quiet in my heart.”

“Be you still, be you still, trembling heart;Remember the wisdom out of the old days:Him who trembles before the flame and the flood,And the winds that blow through the starry ways,Let the starry winds and the flame and the floodCover over and hide, for he has no partWith the lonely, majestical multitude.”

“. Sometimes, but only for a moment, I saw a faint solitaryfigure with a Rosa veiled face, and carrying a faint torch, flit among the dancers, but like a dream within adream, like a shadow of a shadow, and I knew by an understanding born from a deeper fountain than thought,that it was Eros himself, and that his face was veiled because no man or woman from the beginning of theworld has ever known what love is, or looked into his eyes, for Eros alone of divinities is altogether a spirit,and hides in passions not of his essence if he would commune with a mortal heart. So that if a man love noblyhe knows love through infinite pity, unspeakable trust, unending sympathy; and if ignobly through vehementjealousy, sudden hatred, and unappeasable desire; but unveiled love he never knows.”

“So like a bit of stone I lieUnder a broken tree.I could recover if I shriekedMy heart's agonyTo passing bird, but I am dumb.”

“We know their dream; enoughTo know they dreamed and are dead;And what if excess of loveBewildered them till they died?”

“We sat grown quiet at the name of love; We saw the last embers of daylight die,And in the trembling blue-green of the skyA moon, worn as if it had been a shellWashed by time's waters as they rose and fellAbout the stars and broke in days and years.I had a thought for no one's but your ears:That you were beautiful, and that I stroveTo love you in the old high way of love;That it had all seemed happy, and yet we'd grownAs weary-hearted as that hollow moon”

“Mock mockers after thatThat would not lift a hand maybeTo help good, wise or greatTo bar that foul storm out, for weTraffic in mockery.”

“O chestnut-tree, great-rooted blossomer,Are you the leaf, the blossom or the bole?O body swayed to music, O brightening glance,How can we know the dancer from the dance?”

“A man awaits his endDreading and hoping all;Many times he died,Many times rose again”

“An aged man is but a paltry thing,A tattered coat upon a stick, unlessSoul clap its hands and sing, and louder singFor every tatter in its mortal dress”

“...and pluck till time and times are done The silver apples of the moon, The golden apples of the sun.”

“Labour is blossoming or dancing whereThe body is not bruised to pleasure soul.”

“For the good are always the merry, Save by an evil chance, And the merry love the fiddle, And the merry love to dance.”

“And no more turn aside and broodUpon love's bitter mystery;For Fergus rules the brazen cars,And rules the shadows of the wood,And the white breast of the dim seaAnd all disheveled wandering stars.”

“I have spread my dreams under your feet.Tread softly because you tread on my dreams.”

“Never to have lived is best, ancient writers say;Never to have drawn the breath of life,never to have looked into the eye ofday;The second best’s a gay good night andquickly turn away.”

“Things fall apart; the centre cannot holdMere anarchy is loosed upon the world,The blood-dimmed tide is loosed, and everywhere the ceremony of innocence is lostThe best lack all conviction, while the worst are filled with passionate intensity.”

“I went out to the hazel woodbecause a fire was in my headcut and peeled a hazel wandand hooked a berry to a threadand when white moths were on the wingand moth-like stars were flickering outI dropped the berry in a stream,and caught a little silver trout....(Song of Wandering Aengus)”

“The woods of Arcady are dead,And over it their antique joy;Of old the world on dreaming fed;Gray Truth is now her painted toy.”

“IIIThose masterful images because completeGrew in pure mind, but out of what began?A mound of refuse or the sweepings of a street,Old kettles, old bottles, and a broken can,Old iron, old bones, old rags, that raving slutWho keeps the till. Now that my ladder's gone,I must lie down where all the ladders startIn the foul rag and bone shop of the heart.”

“O bid me mount and sail up thereAmid the cloudy wrack,For Peg and Meg and Paris' loveThat had so straight a back,Are gone away, and some that stayHave changed their silk for sack.”

“Hearts are not to be had as a gift, hearts are to be earned.”

“It is so many years before one can believe enough in what one feels even to know what the feeling is”

“There was a man whom Sorrow named his Friend,And he, of his high comrade Sorrow dreaming,Went walking with slow steps along the gleamingAnd humming Sands, where windy surges wend:And he called loudly to the stars to bendFrom their pale thrones and comfort him, but theyAmong themselves laugh on and sing alway:And then the man whom Sorrow named his friendCried out, Dim sea, hear my most piteous story.!The sea Swept on and cried her old cry still,Rolling along in dreams from hill to hill.He fled the persecution of her gloryAnd, in a far-off, gentle valley stopping,Cried all his story to the dewdrops glistening.But naught they heard, for they are always listening,The dewdrops, for the sound of their own dropping.And then the man whom Sorrow named his friendSought once again the shore, and found a shell,And thought, I will my heavy story tellTill my own words, re-echoing, shall sendTheir sadness through a hollow, pearly heart;And my own talc again for me shall sing,And my own whispering words be comforting,And lo! my ancient burden may depart.Then he sang softly nigh the pearly rim;But the sad dweller by the sea-ways loneChanged all he sang to inarticulate moanAmong her wildering whirls, forgetting him.”

“تمضي الأعوام كالثيران الهائلة السوداء تدوس العالم...الرب راعيها ينخسها من الخلف...و أنا تحطمني الحوافر الماضية”

“The Song of Wandering AengusI went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout. When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair Who called me by my name and ran And faded through the brightening air. Though I am old with wandering Through hollow lands and hilly lands, I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done, The silver apples of the moon, The golden apples of the sun.”

“Before The World Was MadeIf I make the lashes darkand the eyes more brightand the lips more scarlet,or ask if all be rightfrom mirror after mirror,no vanity's displayed:I'm looking for the face I hadbefore the world was made.What if I look upon a manas though on my beloved,and my blood be cold the whileand my heart unmoved?Why should he think me cruelor that he is betrayed?I'd have him love the thing that wasbefore the world was made.”

“Jonathan Swift made a soul for the gentlemen of this city by hating his neighbor as himself.”

“Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: 'Lady, we have come to write down the names of the immortals,’ and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. ("The Adoration of the Magi")”

“(I) only write it now because I have grown to believe that there is no dangerous idea, which does not become less dangerous when written out in sincere and careful English. ("The Adoration of The Magi")”

“When they had finished they made me take notes of whatever conversation they had quoted, so that I might have the exact words, and got up to go, and when I asked them where they were going and what they were doing and by what names I should call them, they would tell me nothing, except that they had been commanded to travel over Ireland continually, and upon foot and at night, that they might live close to the stones and the trees and at the hours when the immortals are awake.”

“The Irishman sustains himself during brief periods of joy by the knowledge that tragedy is just around the corner.”

“Never shall a young man,Thrown into despairBy those great honey-colouredRamparts at your ear,Love you for yourself aloneAnd not your yellow hair.”

“I was dancing with an immortal august woman, who had black lilies in her hair, and her dreamy gesture seemed laden with a wisdom more profound than the darkness that is between star and star, and with a love like the love that breathed upon the waters; and as we danced on and on, the incense drifted over us and round us, covering us away as in the heart of the world, and ages seemed to pass, and tempests to awake and perish in the folds of our robes and in her heavy hair.Suddenly I remembered that her eyelids had never quivered, and that her lilies had not dropped a black petal, or shaken from their places, and understood with a great horror that I danced with one who was more or less than human, and who was drinking up my soul as an ox drinks up a wayside pool; and I fell, and darkness passed over me.”

“A couple of hours after Sunset Michael Robartes returned and told me that I would have to learn the steps of an exceedingly antique dance, because before my initiation could be perfected I had to join three times in a magical dance, for rhythm was the wheel of Eternity, on which alone the transient and accidental could be broken, and the spirit set free.”

“I had fallen into a profound dream-like reverie in which I heard him speaking as at a distance. 'And yet there is no one who communes with only one god,' he was saying, 'and the more a man lives in imagination and in a refined understanding, the more gods does he meet with and talk with, and the more does he come under the power of Roland, who sounded in the Valley of Roncesvalles the last trumpet of the body's will and pleasure; and of Hamlet, who saw them perishing away, and sighed; and of Faust, who looked for them up and down the world and could not find them; and under the power of all those countless divinities who have taken upon themselves spiritual bodies in the minds of the modern poets and romance writers, and under the power of the old divinities, who since the Renaissance have won everything of their ancient worship except the sacrifice of birds and fishes, the fragrance of garlands and the smoke of incense. The many think humanity made these divinities, and that it can unmake them again; but we who have seen them pass in rattling harness, and in soft robes, and heard them speak with articulate voices while we lay in deathlike trance, know that they are always making and unmaking humanity, which is indeed but the trembling of their lips.”

“As I thought of these things, I drew aside the curtains and looked out into the darkness, and it seemed to my troubled fancy that all those little points of light filling the sky were the furnaces of innumerable divine alchemists, who labour continually, turning lead into gold, weariness into ecstasy, bodies into souls, the darkness into God; and at their perfect labour my mortality grew heavy, and I cried out, as so many dreamers and men of letters in our age have cried, for the birth of that elaborate spiritual beauty which could alone uplift souls weighted with so many dreams.”

“The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow.”

“By the Hospital Lane goes the 'Faeries Path.' Every evening they travel from the hill to the sea, from the sea to the hill. At the sea end of their path stands a cottage. One night Mrs. Arbunathy, who lived there, left her door open, as she was expecting her son. Her husband was asleep by the fire; a tall man came in and sat beside him. After he had been sitting there for a while, the woman said, 'In the name of God, who are you?' He got up and went out, saying, 'Never leave the door open at this hour, or evil may come to you.' She woke her husband and told him. 'One of the good people has been with us,' said he. ("Village Ghosts")”

“In the great cities we see so little of the world, we drift into our minority. In the little towns and villages there are no minorities; people are not numerous enough. You must see the world there, perforce. Every man is himself a class; every hour carries its new challenge. When you pass the inn at the end of the village you leave your favourite whimsy behind you; for you will meet no one who can share it. We listen to eloquent speaking, read books and write them, settle all the affairs of the universe. The dumb village multitudes pass on unchanging; the feel of the spade in the hand is no different for all our talk: good seasons and bad follow each other as of old. The dumb multitudes are no more concerned with us than is the old horse peering through the rusty gate of the village pound. The ancient map-makers wrote across unexplored regions, 'Here are lions.' Across the villages of fishermen and turners of the earth, so different are these from us, we can write but one line that is certain, 'Here are ghosts.' ("Village Ghosts")”

“There are some doubters even in the western villages. One woman told me last Christmas that she did not believe either in hell or in ghosts. Hell she thought was merely an invention got up by the priest to keep people good; and ghosts would not be permitted, she held, to go 'trapsin about the earth' at their own free will; 'but there are faeries,' she added, 'and little leprechauns, and water-horses, and fallen angels.' I have met also a man with a mohawk Indian tattooed upon his arm, who held exactly similar beliefs and unbeliefs. No matter what one doubts one never doubts the faeries, for, as the man with the mohawk Indian on his arm said to me, 'they stand to reason.' Even the official mind does not escape this faith. ("Reason and Unreason")”

“What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which shall find no expression unless there be men who dare to mix heaven, hell, purgatory, and faeryland together, or even to set the heads of beasts to the bodies of men, or to thrust the souls of men into the heart of rocks? Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet." (A Teller of Tales)”

“He had many strange sights to keep him cheerful or to make him sad. I asked him had he ever seen the faeries, and got the reply, 'Am I not annoyed with them?' I asked too if he had ever seen the banshee. 'I have seen it,' he said, 'down there by the water, batting the river with its hands.' ("A Teller of Tales")”

“One loses, as one grows older, something of the lightness of one's dreams; one begins to take life up in both hands, and to care more for the fruit than the flower, and that is no great loss perhaps.”

“Before me floats an image, man or shade,Shade more than man, more image than a shade;For Hades' bobbin bound in mummy-clothMay unwind the winding path;A mouth that has no moisture and no breathBreathless mouths may summon;("Byzantium")”

“In tombs of gold and lapis lazuliBodies of holy men and women exudeMiraculous oil, odour of violet.But under heavy loads of trampled clayLie bodies of the vampires full of blood;Their shrouds are bloody and their lips are wet("Oil and Blood")”

“Heart-mysteries there, and yet when all is saidIt was the dream itself enchanted me("The Circus Animal's Desertion")”

“Time drops in decayLike a candle burnt out.And the mountains and woodsHave their day, have their day;But, kindly old routOf the fire-born moods,You pass not away.”

“I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have thereforewritten down accurately and candidly much that I have heard and seen,and, except by way of commentary, nothing that I have merely imagined.”