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William Boyd

Note: William^^Boyd

Of Scottish descent, Boyd was born in Accra, Ghana on 7th March, 1952 and spent much of his early life there and in Nigeria where his mother was a teacher and his father, a doctor. Boyd was in Nigeria during the Biafran War, the brutal secessionist conflict which ran from 1967 to 1970 and it had a profound effect on him.

At the age of nine years he attended Gordonstoun school, in Moray, Scotland and then Nice University (Diploma of French Studies) and Glasgow University (MA Hons in English and Philosophy), where he edited the Glasgow University Guardian. He then moved to Jesus College, Oxford in 1975 and completed a PhD thesis on Shelley. For a brief period he worked at the New Statesman magazine as a TV critic, then he returned to Oxford as an English lecturer teaching the contemporary novel at St Hilda's College (1980-83). It was while he was here that his first novel, A Good Man in Africa (1981), was published.

Boyd spent eight years in academia, during which time his first film, Good and Bad at Games, was made. When he was offered a college lecturership, which would mean spending more time teaching, he was forced to choose between teaching and writing.

Boyd was selected in 1983 as one of the 20 'Best of Young British Novelists' in a promotion run by Granta magazine and the Book Marketing Council. He also became a Fellow of the Royal Society of Literature in the same year, and is also an Officier de l'Ordre des Arts et des Lettres. He has been presented with honorary doctorates in literature from the universities of St. Andrews, Stirling and Glasgow. He was appointed Commander of the Order of the British Empire in 2005.

Boyd has been with his wife Susan since they met as students at Glasgow University and all his books are dedicated to her. His wife is editor-at-large of Harper's Bazaar magazine, and they currently spend about thirty to forty days a year in the US. He and his wife have a house in Chelsea, West London but spend most of the year at their chateau in Bergerac in south west France, where Boyd produces award-winning wines.


“A warm sunny evening, the plash and gurgle of the waves in the rock pools, the rush of the cold gin. I thought for the first time of my novel, abandoned, all these years, and I came up, unprompted, with the perfect title. Octet. Octet by Logan Mountstuart. Perhaps I will surprise them all, yet.”
William Boyd
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“When we parted, she held on to me tight and said, "I love you, Logan. Don't let's lose touch.' I couldn't stop the tears and neither could she, so she lit a cigarette and I said it looked like rain wasn't far off, and somehow we managed to part.As I write this I feel that draining, hollowing helplessness that genuine love for another produces in you. It's at these moments that we know that we are going to die. Only with Freya, Stella and Gail. Only three. Better than none.”
William Boyd
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“Loss adjusters are noble men who frustrate and negate the bland promises of insurance. We act out of the great unbending principles in life: nothing is sure, nothing is certain, nothing is free, nothing is forever. It is a noble calling.”
William Boyd
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“Maybe this is what life is like - we try to see clearly but what we see is never clear and is never going to be. The more we strive the murkier it becomes. All we are left with are approximations, nuances, multitudes of plausible explanations. Take your pick.”
William Boyd
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“Sitting in this small pub with its cool flagged floor, listening to the murmuring voices of the haymakers and the click of dominoes falling, drinking beer here in the midle of summer in England in 1914, he suddenly felt a stillness creep up on him as if he were suffering from a form of mental palsy -- as if time had stopped and the world's turning, also. It was a strange sensation -- that he would be for ever stuck in this late June day in 1914 like a fly in amber -- the past as irrelevant to him as the future. A perfect statis; the most alluring inertia.”
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“The pleasures of my life here are simple – simple, inexpensive and democratic. A warm hill of Marmande tomatoes on a roadside vendor’s stall. A cold beer on a pavement table of the Café de France – Marie Thérèse inside making me a sandwich au camembert. Munching the knob of a fresh baguette as I wander back from Sainte-Sabine. The farinaceous smell of the white dust raised by a breeze from the driveway. A cuckoo sounding the perfectly silent woods beyond the meadow. A huge grey, cerise, pink, orange and washed-out blue of a sunset seen from my rear terrace. The drilling of the cicadas at noon – the soft dialing-tone of the crickets at dusk slowly gathers. A good book, a hammock and a cold, beaded bottle of blanc sec. A rough red wine and steak frites. The cool, dark, shuttered silence of my bedroom – and, as I go to sleep, the prospect that all this will be available to me again, unchanged, tomorrow.”
William Boyd
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“She's half mad and three parts drunk.”
William Boyd
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“From time to time Eva would venture on deck to gaze at the grey sky,the grey turbulent water and the grey ships with their belching smoke stacks butting and smashing onward through the waves and jagged swells - disappearing in explosions of wintry spume from time to time - gamely making for the British Isles”
William Boyd
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“We talked filth for a pleasant half hour.”
William Boyd
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“Dignity was the first quality to be abandoned when the heart took over the running of human affairs.”
William Boyd
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“We all possess, like it or not, the people we know, and are possessed by them in turn.”
William Boyd
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“We never love anyone. Not really. We only love our idea of another person. It is some conception of our own that we love. We love ourselves, in fact.”
William Boyd
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“The last thing we learn about ourselves is our effect.”
William Boyd
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“It's true: lives do drift apart for no obvious reason. We're all busy people,we can't spend our time simply trying to stay in touch. The test of a friendship is if it can weather these inevitable gaps.”
William Boyd
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“I have teken refuge in the doctrine that advises one not to seek tranquility in certainty but in permanently suspended judgement.”
William Boyd
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“Maybe we should go by tube', he said.A taxi'll come', she said. 'I'm in no hurry'.She remembered something a woman in Paris had told her once. A woman in her forties, much married, elegant, a little world-weary. There is nothing easier in this world, this woman had claimed, than getting a man to kiss you. Oh really? Eva had said, so how do you do that? Just stand close to a man, the woman has said, very close, as close as you can without touching - he will kiss you in one minute or two. It's inevitable. For them it's like an instinct - they can't resist. Infaillible.So Eva stood close to Romer in the doorway of the shop on Frith Street as he shooted and waved at the passing cars moving down the dark street, hoping one of them might be a taxi.We're out of luck', he said, turning, to find Eva standing very close to him, her face lifted.I'm in no hurry', she said.He reached for her and kissed her.”
William Boyd
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“It was like picking a scab off a sore; he actually wanted scar tissue - it would be quite wrong to try and forget, to blank it all out. Every fraught memory that lurked here had played its role: everything he was today was an indirect result of the life he had led then. It confirmed the rightness of every step he had taken.”
William Boyd
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“I stood there in the kitchen, watching her staring across the meadow still searching for her nemesis and I thought, suddenly, that this is all our lives - this is the one fact that applies to us all, that makes us what we are, our common mortality, our common humanity. One day someone is going to come and take us away: you don't need to have been a spy, I thought, to feel like this.”
William Boyd
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