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William Faulkner

William Cuthbert Faulkner was a Nobel Prize-winning American novelist and short story writer. One of the most influential writers of the twentieth century, his reputation is based mostly on his novels, novellas, and short stories. He was also a published poet and an occasional screenwriter.

The majority of his works are set in his native state of Mississippi. Though his work was published as early as 1919, and largely during the 1920s and 1930s, Faulkner was relatively unknown until receiving the 1949 Nobel Prize in Literature, "for his powerful and artistically unique contribution to the modern American novel." Faulkner has often been cited as one of the most important writers in the history of American literature. Faulkner was influenced by European modernism, and employed stream of consciousness in several of his novels.


“You don’t love because: you love despite; not for the virtues, but despite the faults.”
William Faulkner
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“He has never been known to use a word that might send a reader to the dictionary."(on Ernest Hemingway”
William Faulkner
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“Perhaps they were right putting love into books. Perhaps it could not live anywhere else.”
William Faulkner
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“It's Cash and Jewel and Varadaman and Dewey Del', pa says kind of hangdog and proud too, with this teeth and all, even if he wouldn't look at us. 'Meet Mrs Bundren', he says.”
William Faulkner
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“I be dog if hit don't look like sometimes that when a fellow sets out to play a joke, hit ain't another fellow he's playing that joke on; hit's a kind of big power laying still somewhere in the dark that he sets out to prank with without knowing hit, and hit all depends on whether that ere power is in the notion to take a joke or not, whether or not hit blows up right in his face, like this one did in mine. ("A Bear Hunt")”
William Faulkner
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“When I was fifteen, a companion and I, on a dare, went into the mound one day just at sunset. We saw some of those Indians for the first time; we got directions from them and reached the top of the mound just as the sun set. We had camping equiptment with us, but we made no fire. We didn't even make down our beds. We just sat side by side on that mound until it became light enough to find our way back to the road. We didn't talk. When we looked at each other in the gray dawn, our faces were gray, too, quiet, very grave. When we reached town again, we didn't talk either. We just parted and went home and went to bed. That's what we thought, felt, about the mound. We were children, it is true, yet we were descendants of people who read books and who were, or should have been, beyond superstition and impervious to mindless fear.”
William Faulkner
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“... in an even wilder part of the river's jungle of cane and gum and pin oak, there is an Indian mound. Aboriginal, it rises profoundly and darkly enigmatic, the only elevation of any kind in the wild, flat jungle of river bottom. Even to some of us - children though we were, yet we were descended to literate, town-bred people - it possessed inferences of secret and violent blood, of savage and sudden destruction, as though the yells and hatchets we associated with Indians through the hidden and seceret dime novels which we passed among ourselves were but trivial and momentary manifestations of what dark power still dwelled or lurked there, sinister, a little sardonic, like a dark and nameless beast lightly and lazily slumbering with bloody jaws...”
William Faulkner
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“The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.”
William Faulkner
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“As long as I live under the capitalistic system I expect to have my life influenced by the demands of moneyed people. But I will be damned if I propose to be at the beck and call of every itinerant scoundrel who has two cents to invest in a postage stamp. This, sir, is my resignation.”
William Faulkner
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“She wouldn't say what we both knew. 'The reason you will not say it is, when you say it, even to yourself, you will know it is true: is that it? But you know it is true now. I can almost tell you the day when you knew it is true. Why won't you say it, even to yourself?' She will not say it.”
William Faulkner
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“Because there is something in the touch of flesh with flesh which abrogates, cuts sharp and straight across the devious intricate channels of decorous ordering, which enemies as well as lovers know because it makes them both:---touch and touch of that which is the citadel of the central I-Am's private own: not spirit, soul; the liquorish and ungirdled mind is anyone's to take in any any darkened hallway of this earthly tenement. But let flesh touch with flesh, and watch the fall of all the eggshell shibboleth of caste and color too.
”
William Faulkner
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“It's because I'm alone.. If I could just feel it, it would be different, because I would not be alone. But if I were not alone, everybody would know it. And he could do so much for me, and then I would not be alone. Then I could be all right alone.”
William Faulkner
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“And we'd sit in the dry leaves that whispered a little with the slow respiration of our waiting and with the slow breathing of the earth and the windless october, the rank smell of the lantern fouling the brittle air, listening to the dog and the echo of louis' voice dying away”
William Faulkner
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“About women? When I say soldiers I don't mean me. I wasn't no soldier anymore than a man that fixes watches is a watchmaker. And when I say women I don't mean you.”
William Faulkner
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“The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.”
William Faulkner
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“...and you don t have to sleep alone you don t even have to sleep at all and so all you have to do is show the stick to the dog now and then and say Thank God for nothing.”
William Faulkner
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“A mule will labor ten years willingly and patiently for you, for the privilege of kicking you once. ”
William Faulkner
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“Younger citizens of the town do not know him at all save as a tall, apparently strong and healthy man who loafs in a brooding, saturnine fashion wherever he will be allowed, never exactly accepted by any group.”
William Faulkner
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“Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.”
William Faulkner
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“For the Lord aimed for him to do and not to spend too much time thinking, because his brain it's like a piece of machinery: it won't stand a whole lot of racking. It's best when it all runs along the same, doing the day's work and not no one part used no more than needful.”
William Faulkner
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“And when I think about that, I think that if nothing but being married will help a man, he's durn nigh hopeless.”
William Faulkner
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“To live anywhere in the world today and be against equality because of race or color is like living in Alaska and being against snow.”
William Faulkner
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“the two girls emanated an incorrigible idle inertia.”
William Faulkner
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“I took out my watch and listened to it clicking away, not knowing it couldn't even lie”
William Faulkner
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“You cannot swim for new horizons until you have courage to lose sight of the shore.”
William Faulkner
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“A man or a race either if he's any good can survive his past without even needing to escape from it and not because of the high quite often only too rhetorical rhetoric of humanity but for the simple indubitable practical reason of his future: that capacity to survive and absorb and endure and still be steadfast.”
William Faulkner
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“We shall not kill and maybe next time we even won't.”
William Faulkner
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“What sets a man writhing sleepless in bed at night is not having injured his fellow so much as having been wrong; the mere injury he can efface by destroying the victim and the witness but the mistake is his and that is one of his cats which he always prefers to choke to death with butter.”
William Faulkner
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“You don't dare think whole even to yourself the entirety of a dear hope or wish let alone a desperate one else you yourself have doomed it.”
William Faulkner
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“It was like something you have dreaded and feared and dodged for years until it seemed like all your life, then despite everything it happened to you and all it was was just pain, all it did was hurt and so it was all over, all finished, all right.”
William Faulkner
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“Caddy got the box and set it on the floor and opened it. It was full of stars. When I was still, they were still. When I moved, they glinted and sparkled. I hushed.”
William Faulkner
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“Given the choice between the experience of pain and nothing, I would choose pain.”
William Faulkner
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“Talk, talk, talk: the utter and heartbreaking stupidity of words.”
William Faulkner
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“Sin and love and fear are just sounds that people who never sinned nor loved nor feared have for what they never had and cannot have until they forget the words”
William Faulkner
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“It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.”
William Faulkner
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“Between grief and nothing, I will take grief.”
William Faulkner
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“...thinking as he had thought before and would think again and as every other man has thought: how false the most profound book turns out to be when applied to life.”
William Faulkner
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“The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.”
William Faulkner
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“If a story is in you, it has to come out.”
William Faulkner
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“When something is new and hard and bright, there ought to be something a little better for it than just being safe, since the safe things are just the things that folks have been doing so long they have worn the edges off and there's nothing to the doing of them that leaves a man to say, That was not done before and it cannot be done again.”
William Faulkner
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“As regards any specific book, I'm trying primarily to tell a story, in the most effective way I can think of, the most moving, the most exhaustive. But I think even that is incidental to what I am trying to do, taking my output ( the course of it) as a whole. I am telling the same story over and over, which is myself and the world...........I'm trying to say it all in one sentence, between one Cap and one period. I'm still trying to put it all, if possible on one pinhead. I don't know how to do it. All I know to do is to keep on trying in a new way................. life is a phenomenon but not a novelty, the same frantic steeplechase toward nothing everywhere and man stinks the same stink no matter where in time.”
William Faulkner
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“I could smell the curves of the river beyond the dusk and I saw the last light supine and tranquil upon tideflats like pieces of broken mirror, then beyond them lights began in the pale clear air, trembling a little like butterflies hovering a long way off.”
William Faulkner
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“I'm bad and I'm going to hell, and I don't care. I'd rather be in hell than anywhere where you are. ”
William Faulkner
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“All of us failed to match our dreams of perfection. So I rate us on the base of our splendid failure to do the impossible.”
William Faulkner
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“The saddest thing about love, Joe, is that not only the love cannot last forever, but even the heartbreak is soon forgotten.”
William Faulkner
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“The next time you try to seduce anyone, don't do it with talk, with words. Women know more about words than men ever will. And they know how little they can ever possibly mean.”
William Faulkner
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“An old man is never at home save in his own garments: his own old thinking and beliefs; old hands and feet, elbow, knee, shoulder which he knows will fit.”
William Faulkner
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“You intend to kiss me and yet you are going to all this damn trouble about it.”
William Faulkner
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“I would say that music is the easiest means in which to express, but since words are my talent, I must try to express clumsily in words what the pure music would have done better.”
William Faulkner
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“She wasn’t too big, heroic, what they call Junoesque. It was that there was just too much of what she was for any one human female package to contain, and hold: too much of white, too much of female, too much of maybe just glory, I don’t know: so that at first sight of her you felt a kind of shock of gratitude just for being alive and being male at the same instance with her in space and time, and then in the next second and forever after a kind of despair because you knew there would never be enough of any one male to match and hold and deserve her; grief forever after because forever after nothing less would ever do. ”
William Faulkner
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