Wynton Marsalis
Wynton Marsalis has been described as the most outstanding jazz artist and composer of his generation. He has helped propel jazz to the forefront of American culture through his brilliant performances, recordings, broadcasts, and compositions as well as through his leadership as the artistic director of Jazz at Lincoln Center (JALC). Wynton Marsalis is the music director of the world-renowned Lincoln Center Jazz Orchestra, which spends more than half the year on tour. He also hosts the popular Jazz for Young People concerts and helped lead the effort to construct JALC's new home, Frederick P. Rose Hall, the first education, performance, and broadcast facility devoted to jazz, which opened in October 2004.
Wynton Marsalis was born in New Orleans in 1961. He began his classical training on the trumpet at age twelve and entered the Juilliard School at age seventeen. That same year, he joined Art Blakey and the Jazz Messengers, the acclaimed band in which generations of emerging jazz artists honed their craft, and subsequently made his recording debut as a leader in 1982. Since then, he has made more than forty jazz and classical recordings, earning nine Grammy Awards. In 1983, he became the first and only artist to win classical and jazz Grammys in the same year and repeated this feat in 1984. His rich body of compositions includes the oratorio BLOOD ON THE FIELDS, for which he was awarded the first-ever Pulitzer Prize in music for a jazz composition.
Wynton Marsalis is an internationally respected teacher and spokesperson for music education and has received honorary doctorates from dozens of universities and colleges throughout the United States. Britain's senior conservatoire, the Royal Academy of Music, granted Wynton Marsalis honorary membership, the Academy's highest decoration for a non-British citizen. In France, the Ministry of Culture awarded him the most prestigious decoration of the French Republic, the rank of Knight in the Order of Arts and Literature. He also was appointed as a U.N. Messenger of Peace by the Secretary-General of the United Nations in 1991.
JAZZ A B Z is Wynton Marsalis's first book for children. A resident of New York City, he is the father of three boys.
“The thing in jazz that will get Bix Beiderbecke out of his bed at two o’clock in the morning, pick that cornet up and practice into the pillow for another two or three hours, or that would make Louis Armstrong travel around the world for fifty plus years non stop, just get up out of his sick bed, crawl up on the bandstand and play, the thing that would make Duke Ellington, the thing that would make Thelonious Monk, Miles Davis, Charlie Parker, Mary Lou Williams, the thing that would make all of these people give their lives for this, and they did give their lives, is that it gives us a glimpse into what America is going to be when it becomes itself. And this music tells you that it will become itself. And when you get a taste of that, there’s just nothing else you’re going to taste that’s as sweet.”
“Today you go into make a modern recording with all this technology. The bass plays first, then the drums come in later, then they track the trumpet and the singer comes in and they ship the tape somewhere. Well, none of the musicians have played together. You can’t play jazz music that way. In order for you to play jazz, you’ve got to listen to them. The music forces you at all times to address what other people are thinking and for you to interact with them with empathy and to deal with the process of working things out. And that’s how our music really could teach what the meaning of American democracy is.”
“it ain't as hard as picking cotton”
“The best musicians know this music isn't about "schools" at all. Like my father says, "There's only one school, the school of 'Can you play?”
“And the thing about jazz, through all the business involved in practicing and improvement, it's always sweet: the improvement that you notice in the ability to express yourself, the feeling of playing, pushing yourself out into an open space through a sound, man. That's an unbelievable feeling, an uplifting feeling of joy to be able to express the range of what you feel and see, have felt and have seen. A lot of this has nothing to do with you. It comes from another time, another space. To be able to channel those things and then project them though an instrument, that's something that brings unbelievable joy.”
“And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it.”
“It’s hard to be prejudiced against someone you love.”