Yoko Ogawa photo

Yoko Ogawa

Yōko Ogawa (小川 洋子) was born in Okayama, Okayama Prefecture, graduated from Waseda University, and lives in Ashiya. Since 1988, she has published more than twenty works of fiction and nonfiction. Her novel The Professor and his Beloved Equation has been made into a movie. In 2006 she co-authored „An Introduction to the World's Most Elegant Mathematics“ with Masahiko Fujiwara, a mathematician, as a dialogue on the extraordinary beauty of numbers.

A film in French, "L'Annulaire“ (The Ringfinger), directed by Diane Bertrand, starring Olga Kurylenko and Marc Barbé, was released in France in June 2005 and subsequently made the rounds of the international film festivals; the film, some of which is filmed in the Hamburg docks, is based in part on Ogawa's "Kusuriyubi no hyōhon“ (薬指の標本), translated into French as "L'Annulaire“ (by Rose-Marie Makino-Fayolle who has translated numerous works by Ogawa, as well as works by Akira Yoshimura and by Ranpo Edogawa, into French).

Kenzaburō Ōe has said, 'Yōko Ogawa is able to give expression to the most subtle workings of human psychology in prose that is gentle yet penetrating.' The subtlety in part lies in the fact that Ogawa's characters often seem not to know why they are doing what they are doing. She works by accumulation of detail, a technique that is perhaps more successful in her shorter works; the slow pace of development in the longer works requires something of a deus ex machina to end them. The reader is presented with an acute description of what the protagonists, mostly but not always female, observe and feel and their somewhat alienated self-observations, some of which is a reflection of Japanese society and especially women's roles within in it. The tone of her works varies, across the works and sometimes within the longer works, from the surreal, through the grotesque and the--sometimes grotesquely--humorous, to the psychologically ambiguous and even disturbing.


“He preferred smart questions to smart answers.”
Yoko Ogawa
Read more
“He discounted the value of his own efforts, and seemed to feel that anyone would have done the same.”
Yoko Ogawa
Read more
“The truly correct proof is one that strikes a harmonious balance between strength and flexibility. There are plenty of proofs that are technically correct but are messy and inelegant or counterintuitive. But it's not something you can put into words — explaining why a formula is beautiful is like trying to explain why the stars are beautiful.”
Yoko Ogawa
Read more
“I prefer pi.”
Yoko Ogawa
Read more
“A problem isn't finished just because you've found the right answer.”
Yoko Ogawa
Read more
“For a torture to be effective, the pain has to be spread out; it has to come at regular intervals, with no end in sight. The water falls , drop after drop after drop, like the second hand of a watch, carving up time. The shock of each individual drop is insignificant, but the sensation is impossible to ignore. At first, one might manage to think about other things, but after five hours, after ten hours, it becomes unendurable. The repeated stimulation excites the nerves to a point where they literally explode, and every sensation in the body is absorbed into that one spot on the forehead---indeed, you come to feel that you are nothing but a forehead, into which a fine needle is being forced millimeter by millimeter. You can’t sleep or even speak, hypnotized by a suffering that is greater than any mere pain. In general, the victim goes mad before a day has passed.”
Yoko Ogawa
Read more
“The room was filled with a kind of stillness. Not simply an absence of noise, but an accumulation of layers of silence...”
Yoko Ogawa
Read more
“It was clear that he didn't remember me from one day to the next. The note clipped to his sleeve simply informed him that it was not our first meeting, but it could not bring back the memory of the time we had spent together.”
Yoko Ogawa
Read more
“Because he had been- and in many ways still was- such a brilliant man, he no doubt understood the nature of his memory problem. It wasn't pride that prevented him from asking for help but a deep aversion to causing more trouble than necessary for those of us who lived in the normal world.”
Yoko Ogawa
Read more
“When we grow up, we find ways to hide our anxieties, our loneliness, our fear and sorrow. But children hide nothing, putting everything into their tears, which they spread liberally about for the whole world to see.”
Yoko Ogawa
Read more
“He seemed convinced that children's questions were much more important than those of an adult. He preferred smart questions to smart answers.”
Yoko Ogawa
Read more
“The Professor never really seemed to care whether we figured out the right answer to a problem. He preferred our wild, desperate guesses to silence, and he was even more delighted when those guesses led to new problems that took us beyond the original one. He had a special feeling for what he called the "correct miscalculation," for he believed that mistakes were often as revealing as the right answers.”
Yoko Ogawa
Read more
“Solving a problem for which you know there’s an answer is like climbing a mountain with a guide, along a trail someone else has laid. In mathematics, the truth is somewhere out there in a place no one knows, beyond all the beaten paths. And it’s not always at the top of the mountain. It might be in a crack on the smoothest cliff or somewhere deep in the valley.”
Yoko Ogawa
Read more
“...The pages and pages of complex, impenetrable calculations might have contained the secrets of the universe, copied out of God's notebook. In my imagination, I saw the creator of the universe sitting in some distant corner of the sky, weaving a pattern of delicate lace so fine that that even the faintest light would shine through it. The lace stretches out infinitely in every direction, billowing gently in the cosmic breeze. You want desperately to touch it, hold it up to the light, rub it against your cheek. And all we ask is to be able to re-create the pattern, weave it again with numbers, somehow, in our own language; to make the tiniest fragment our own, to bring it back to eart.”
Yoko Ogawa
Read more
“He treated Root exactly as he treated prime numbers. For him, primes were the base on which all other natural numbers relied; and children were the foundation of everything worthwhile in the adult world”
Yoko Ogawa
Read more
“Still, being alone doesn't mean you have to be miserable. In that sense it's different from losing something. You've still got yourself, even if you lose everything else. You've got to have faith in yourself and not get down just because you're on your own.”
Yoko Ogawa
Read more
“Quant à l'endroit où se trouvait mon père, le jour de ses funérailles, ma mère me l'avait indiqué. C'est un peu loin, mais un jour ou l'autre nous irons le rejoindre, il n'y a pas à craindre de s'égarer. Ton papa est gentil, il est seulement parti devant pour voir comment c'était, m'avait-elle dit.”
Yoko Ogawa
Read more
“—Mais, quelle que soit l'importance de l'événement, dès qu'il est écrit sur le papier, il ne fait plus qu'une ou deux lignes. "Mes yeux ne voyaient plus" ou "je n'avais plus un sou", il suffit d'une dizaine ou d'une vingtaine de lettres de l'alphabet. C'est pourquoi, quand on calligraphie des autobiographies, il arrive qu'on soit soulagé. On se dit que ce n'est pas la peine de trop réfléchir à tout ce qui se passe dans le monde.”
Yoko Ogawa
Read more
“Eternal truths are ultimately invisible, and you won't find them in material things or natural phenomena, or even in human emotions.”
Yoko Ogawa
Read more
“Soon after I began working for the Professor, I realized that he talked about numbers whenever he was unsure of what to say or do. Numbers were also his way of reaching out to the world. They were safe, a source of comfort.”
Yoko Ogawa
Read more