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zadie smith

Zadie Smith is the author of the novels White Teeth, The Autograph Man, On Beauty, NW, and Swing Time, as well as two collections of essays, Changing My Mind and Feel Free. Zadie was elected a fellow of the Royal Society of Literature in 2002, and was listed as one of Granta's 20 Best Young British Novelists in 2003 and again in 2013. White Teeth won multiple literary awards including the James Tait Black Memorial Prize, the Whitbread First Novel Award and the Guardian First Book Award. On Beauty was shortlisted for the Man Booker Prize and won the Orange Prize for Fiction, and NW was shortlisted for the Baileys Women's Prize for Fiction. Zadie Smith is currently a tenured professor of fiction at New York University and a Member of the American Academy of Arts and Letters.

Visit www.zadiesmith.com for more information.


“Writers do not write what they want, they write what they can. When I was 21 I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for The Simpsons who’d briefly joined a religious cult and then discovered Foucault. Such is life. And now, when I finish a long day of CNN-related fear and loathing mixed with eyeballing my own resolutely white screen, I do not crawl into bed with 500-page comic novels about “multicultural” London. I read Carver. Julio Cortázar. Amis’s essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn’t sound like me.”
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“A neutral place. The chances of finding one these days are slim, maybe even slimmer than Archie’s pinball trick. The sheer quantity of shit that must be wiped off the slate if we are to start again as new. Race. Land. Ownership. Faith. Theft. Blood. And more blood. And more. And not only must the place be neutral, but the messenger who takes you to the place, and the messenger who sends the messenger. There are no people or places like that left…”
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“He smiles shyly at Leah. Aged ten he had a smile! Nathan Bogle: the very definition of desire for girls who had previously only felt that way about certain fragrant erasers. A smile to destroy the resolve of even the strictest teachers, other people's parents. Now she sees ten-year-olds and cannot believe they have inside them what she had inside her at the same age.”
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“Life was an enormous rucksack so impossibly heavy that, even though it meant losing everything, it was infinitely easier to leave all baggage here on the roadside and walk into the blackness.”
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“Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into the language. And the particular magic of homeland, its particular spell over irie, was that it sounded like a beginning. The beginningest of beginnings. Like the first morning of Eden and the day after apocalypse. A blank page. (p.332)”
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“For he is in a past-tense, future-perfect kind of mood.”
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“He had her in his heart, but not always in his mind.”
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“Archie says -Science- the same way he says -Modern-, as if someone has lent him the words and made him swear not to break them.”
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“في بنات الجيل الجديد، هل ما زلن يردن أن يكن مرغوبات بهذه الشدة؟هل ما زلن يجوعن أنفسهن، وما زلن يقرأن المجلات النسائية التي تكره النساء بمنتهي الوضوح، وما زلن يقطعن أنفسهن بسكاكين صغيرة في أماكن بعيدة عن العيون المُتَرَقِبة، وما زلن يُزَيفن شعورهن بالوصول إلي الأورجازم مع رجال يكرهن، وما زلن يكذبن علي الجميع عن كل شئ؟”
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“I am the sole author of the dictionary that defines me.”
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“Under every friendship there is a difficult sentence that must be said, in order that the friendship can be survived.”
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“You never know, until it happens, what you will owe the dead.”
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“Don't live in a way that makes you feel dead.”
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“Keisha Blake, whose celebrated will and focus did not leave her much room for angst, watched her friend ascend to the top deck in her new panda-eyed makeup and had a mauvais quart d'heure, wondering whether she herself had any personality at all or was in truth only the accumulation and reflection of all the things she had read in books and seen on television.”
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“It became clear that Keisha Blake could not start something without finishing it. If she climbed onto the boundary wall of Caldwell, she was compelled to walk the entire wall, no matter the obstructions in her path (beer cans, branches). This compulsion, applied to other fields, manifested itself as "intelligence." Every unknown word sent her to a dictionary--in search of something like "completion"--and every book led to another book, a process that, of course, could never be completed. This route through early life gave her no small portion of joy, and, indeed, it seemed at first that her desires and her capacities were basically aligned. She wanted to read things--could not resist wanting to read things--and reading was easily done, and relatively inexpensive. On the other hand, that she should receive any praise for such reflexive habits baffled the girl, for she knew herself to be fantastically stupid about many things. Wasn't it possible that what others mistook for intelligence was in fact only a sort of mutation of the will?”
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“Don’t romanticise your ‘vocation’. You can either write good sentences or you can’t. There is no ‘writer’s lifestyle’. All that matters is what you leave on the page.”
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“Much of the excitement of a new novel lies in the repudiation of the one written before.”
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“…maybe the whole Internet will simply become like Facebook: falsely jolly, fake-friendly, self-promoting, slickly disingenuous….” - Zadie Smith”
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“She was a woman still controlled by the traumas of her girlhood. It made more sense to put her three-year-old self in the dock. As Dr Byford explained, she was really the victim of a vicious, peculiarly female psycological disorder: she felt one thing and did another. She was a stranger to herself.And were they still like that, she wondered - these new girls, this new generation? Did they still feel one thing and do another? Did they still only want to be wanted? Were they still objects of desire instead of - as Howard might put it - desiring subjects? No, she could see no serious change. Still starving themselves, still reading women's magazines that explicitly hate women, still cutting themselves with little knives in places they think can't be seen, still faking their orgasms with men they dislike, still lying to everybody about everything.”
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“He promised them a class that would challenge their own beliefs about the redemptive humanity of what is commonly called 'Art'. 'Art is the Western myth,' announced Howard, for the sixth year in a row, 'with which we both console ourselves and make ourselves.”
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“You are never stronger, thought Samad as approached the doctor, than when you land on the other side of despair.”
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“In the end, your past is not my past and your truth is not my truth and your solution - is not my solution.”
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“When my little group get together, if we disagree about something, we can sort it out. Example: Mohona Hossain hates Divargiit Singh. Hates all his movies. Hates him with a passion. She likes that other fool with the eyelashes like a lady! But we compromise. Never once have I burned a single video of hers.”
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“It's still easier to find the correct Hoover bag than to find one pure person, one pure faith, on the globe.”
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“That girl,' tutted Alsana as her front door slammed, 'swallowed an encyclopedia and a gutter at the same time.”
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“Archie's marriage felt like buying a pair of shoes, taking them home, and finding they don't fit.”
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“Faith is hard to achieve, easy to lose.”
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“I think Seneca is right: life feels longer the more you engage with it.... I should be loving sculpture! But I have not gone deeply into sculpture. Instead, having been utterly insensitive to sculpture, I fill the time that might have been usefully devoted to sculpture with things like drinking and staring into space.”
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“Early on, for better or worse, I chose whose child I wanted to be: the child of the novel. Almost everything else was subjugated to this ruling passion, reading stories. As a consequence, I can barely add a column of double digits, I have not the slightest idea of how a plane flies, I can't draw any better than a five-year-old.”
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“I have known many true connoisseurs, with excellent tastes that range across the humanities and the culinary arts--and they never fail to have a fatal effect on my self-esteem. When I find myself sitting at dinner next to someone who knows just as much about novels as I do but has somehow also found the mental space to adore and be knowledgeable about the opera, have strong opinions about the relative rankings of Renaissance painters, an encyclopedic knowledge of the English civil war, of French wines--I feel an anxiety that nudges beyond the envious into the existential. How did she find the time?”
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“Desire is never final, desire is imprecise and impractical [...]”
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“The term 'role model' is so odious, but the truth is it's a very strong writer indeed who gets by without a model kept somewhere in mind. I think of Keats. Keats slogging away, devouring books, plagiarizing, impersonating, adapting, struggling, growing, writing many poems that made him blush and then a few that made him proud, learning everything he could from whomever he could find, dead or alive, who might have something useful to teach him.”
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“(Feedback) People become addicted to it. That’s why journalism is so popular, because you want to hear, every day, what people think of what you just wrote. I think a little patience on that front can be good, too.”
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“The idea of forming people out of grammatical clauses seems so fantastical at the start that you hide your terror in a smokescreen of elaborate sentence making, as if character can be drawn forcibly out of the curlicues of certain adjectives piled ruthlessly on top of one another. In fact, character occurs with the lightest of brushstrokes. Naturally, it can be destroyed lightly too.”
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“To a novelist, fluidity is the ultimate good omen; suddenly difficult problems are simply solved, intractable structural knots loosen themselves, and you come upon the key without even recognizing that this is what you hold.”
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“Cos if it's encyclopedias we've got enough, like, information... and if it's God, you've got the wrong house.”
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“That kind of inability to improve is really very rare. That kind of consistency is miraculous, in a way.”
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“The shit is *not* the shit (this was Mo's mantra,) the *pigeon* is the shit.”
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“She had that thing most people don't have - curiosity. She might not have always got the right answers, but she wanted to ask the questions. It's very hard if you are interested in ideas and all that, ideas and the philosophies of the past, it's very hard to find someone around here to really talk to. That's the tragedy of the thing really I mean, when you think about it. Certainly I can't find anyone around here to talk to anymore. And for a woman it's even harder you see. They can feel very trapped - because of the patriarchy. I do feel everyone needs to have these little chats now and then.”
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“They were married before they were friends, which is another way of saying:Their marriage was the occasion of their friendship.They were married before they noticed many small differences in background, aspiration, education, ambition. (...)Noting such differences, Leah was in some sense disappointed in herself that they did not cause real conflict between them. It was hard to get used to the fact that the pleasure her body found in his, and vice versa, should so easily overrule the many objections she had, or should have had, or thought she should have had.”
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“Perhaps sex isn't of the body at all. Perhaps it is a function of language.”
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“you’re lucky that you find life so easy, Felix. You’re lucky that you’re happy, that you know how to be happy, that you’re a good person- and you want everyone to be happy and good because you are, and to find things easy because you do. Do it ever occur to you some people might not find life as easy to live as you do?”
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“Sometimes, one wants to have the illusion that one is making ones own life, out of one's own resources.”
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“A library is a different kind of social reality (of the three dimensional kind), which by its very existence teaches a system of values beyond the fiscal.”
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“Some people owe everything they have to the bank accounts of their parents. I owe the state. Put simply, the state educated me, fixed my leg when it was broken, and gave me a grant that enabled me to go to university. It fixed my teeth (a bit) and found housing for my veteran father in his dotage. When my youngest brother was run over by a truck it saved his life and in particular his crushed right hand, a procedure that took half a year, and which would, on the open market—so a doctor told me at the time—have cost a million pounds. Those were the big things, but there were also plenty of little ones: my subsidized sports centre and my doctor’s office, my school music lessons paid for with pennies, my university fees. My NHS glasses aged 9. My NHS baby aged 33. And my local library. To steal another writer’s title: England made me. It has never been hard for me to pay my taxes because I understand it to be the repaying of a large, in fact, an almost incalculable, debt.....The charming tale of benign state intervention described above is now relegated to the land of fairy tales: not just naïve but actually fantastic. Having one’s own history so suddenly and abruptly made unreal is an experience of a whole generation of British people, who must now wander around like so many ancient mariners boring foreigners about how they went to university for free and could once find a National Health dentist on their high street.”
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“Other people’s words are so important. And then without warning they stop being important, along with all those words of yours that their words prompted you to write. Much of the excitement of a new novel lies in the repudiation of the one written before. Other people’s words are the bridge you use to cross from where you were to wherever you’re going.”
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“...all the dutiful grandchildren and great-grandchildren lingering over deathbeds with digital recorders, or else mechanically pursuing their ancestors through the online genealogy sites at three in the morning, so very eager to reconstitute the lives and thoughts of dead and soon-to-dead men, though they may regularly screen the phone calls of their own mothers. I am of that generation. I will do anything for my family except see them.”
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“Maybe it doesn't matter that life never blossomed into something larger than itself.”
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“Life’s not a video game, Felix- there aren’t a certain number of points that send you to the next level. There isn’t actually any next level. The bad news is that everybody dies at the end. Game Over.”
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“The shit is not the shit, the pigeon is the shit.”
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