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Zoe Heller

Zoe Heller was born in London in 1965 and educated at Oxford University and Columbia University, New York. She is a journalist who, after writing book reviews for various newspapers, became a feature writer for The Independent. She wrote a weekly confessional column for the Sunday Times for four years, but now writes for the Daily Telegraph and earned the title 'Columnist of the Year' in 2002.

She is the author of three novels: Everything You Know (2000), a dark comedy about misanthropic writer Willy Miller, Notes on a Scandal (2003) which tells the story of an affair between a high school teacher and her student through the eyes of the teacher's supposed friend, Barbara Covett and her latest - The Believers (2008).

Zoe Heller lives in New York.


“Things that are truly innocent don’t need to be labelled as such.”
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“If this was cynical, then we must allow that all courtship is cynical.”
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“If everybody was so reverent of the institute of marriage, how did all the adultery get committed?”
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“There it was again - the perverse refusal to acknowledge my hostility. She seemed to me like some magical lake in a fairy tale: nothing could disturb the mirror-calm of her surface. My snide comments and bitter jokes disappeared soundlessly into her depths, leaving not so much as a ripple.”
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“I mean, what is romance, but a mutual pact of delusion? When the pact ends, there's nothing left.”
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“In the end, I suspect, being female will do nothing for Sheba, except deny her the grandeur of genuine villainy.”
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“But that I should have ended up in a place like this seems too custom-made a nightmare to be the work of mere ill fortune.”
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“It seems to me that my lack of faith is not, as I once thought, a triumph of the rational mind, but rather a failure of the imagination - an inability to tolerate mistery.”
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“I don't write books for people to be friends with the characters. If you want to find friends, go to a cocktail party.”
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“Music, together with certain sorts of majestic landscape, had a well-known tendency to induce such faux-sublime moments: artificial intimations of transcendent truths, grandiose hunches about the nature of the universe. It was all nonsense. Her tears had been no different from the ones people cried at sentimental television commercials. They represented nothing but a momentary and regrettable submission to kitsch.”
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“...what is romance, but a mutual pact of delusion? When the pact ends, there's nothing left.”
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“But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin.”
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“Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.”
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“Meir, let me ask you something,” I said after a while.“Sure.”“Do you think I’m a bad person?”“Only God knows that for sure, Willy.”“So you don’t have an opinion at all?”“Not one that really matters.”“Okay, let me ask you something else. If the Polish peasant who hid Jews from the Nazis is a hero, what is the Polish peasant who turned the Jews away? Is he a coward?”Meir smiled, “Of course.”“Really? A coward? A bad man?”“A coward isn’t a bad man, necessarily. You can’t know if you’re a bad man until you die.”“You’ve got to wait until you hear god’s decision?”“Well, yes, that’s true. But I meant something else. Only when you die do you run out of chances to be good. Until then, there is always the possibility of turning yourself around.”
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“I could feel Monika nudging me furiously at this point, but I refused to look at her. I wasn’t feeling particularly reverent about my mother’s deadness, or about the vicar, but I do despise that ghastly, ‘You’ve got to laugh, haven’t you?’ approach to religious occasions. As a young man, I often goaded my believing friends with crudely logical questions about God. But as the years have passed, I have found myself hankering more and more for a little cosy voodoo in my life. Increasingly, I regard my atheism as a regrettable limitation. It seems to me that my lack of faith is not, as I once thought, a triumph of the rational mind, but rather, a failure of the imagination - an inability to tolerate mystery: a species, in fact, of neurosis. There is no chance of my being converted, of course - it is far too late for that. But I wish it wasn’t.”
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“It's always a disappointing business confronting my own reflection. My body isn't bad. It's a perfectly nice, serviceable body. It's just that the external me- the study, lightly wrinkled, handbagged me- does so little credit to the stuff that's inside.”
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“I'm a child in that respect: able to live, physically speaking, on a crumb of anticipation for weeks at a time, but always in danger of crushing the waited-for event with the freight of my excessive hope.”
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“Talking to him is rather like talking to a school play.”
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“It's similar to the way you feel cuddling an infant or a kitten, when you want to squeeze it so hard you'd kill it...”
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“We are bound by the secrets we share.”
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“When you live alone, your furnishings, your possessions, are always confronting you with the thinness of your existence.”
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“There are certain people in whom you can detect the seeds of madness - seeds that have remained dormant only because the people in question have lived relatively comfortable, middle class lives. They function perfectly well in the world, but you can imagine, given a nasty parent, or a prolonged bout of unemployment, how their potential for craziness might have been realized.”
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“Always mind the distance between your dreams and your reality.”
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