118 Jane Austen Quotes

There's something timeless about the wit and wisdom of Jane Austen. Her novels, brimming with keen social observations and biting humor, have captivated readers for generations. Whether you're a die-hard Austenite or new to her literary charm, there's much to be gained from her nuanced insights into love, morality, society, and individuality. To celebrate the enduring legacy of this literary icon, we've compiled a curated collection of the top 118 Jane Austen quotes. Each one offers a window into her extraordinary ability to capture the complexities of human emotion and relationships. Dive in and let her words inspire, provoke thought, and bring a smile to your face.

1. “Do not give way to useless alarm; though it is right to be prepared for the worst, there is no occasion to look on it as certain.” - Jane Austen

2. “I had not seen "Pride and Prejudice," till I read that sentence of yours, and then I got the book. And what did I find? An accurate daguerreotyped portrait of a common-place face; a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses.” - Charlotte Brontë

3. “Stupid men are the only ones worth knowing after all.” - Jane Austen

4. “Just the omission of Jane Austen's books alone would make a fairly good library out of a library that hadn't a book in it.” - Mark Twain

5. “For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.” - Rebecca Solnit

6. “My idea of good company...is the company of clever, well-informed people, who have a great deal of conversation; that is what I call good company.' 'You are mistaken,' said he gently, 'that is not good company, that is the best.” - Jane Austen

7. “To me [Edgar Allan Poe's] prose is unreadable—like Jane Austin's [sic]. No there is a difference. I could read his prose on salary, but not Jane's. Jane is entirely impossible. It seems a great pity that they allowed her to die a natural death.” - Mark Twain

8. “Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.” - Virginia Woolf

9. “You either choose this method of passing the evening because you are in each other's confidence, and have secret affairs to discuss, or because you are conscious that your figures appear to the greatest advantage in walking;— if the first, I should be completely in your way, and if the second, I can admire you much better as I sit by the fire.” - Jane Austen

10. “Now be sincere; did you admire me for my impertinence?""For the liveliness of your mind, I did.” - Jane Austen

11. “No man is offended by another man's admiration of the woman he loves; it is the woman only who can make it a torment.” - Jane Austen

12. “In Jane Austen it was the critical faculty that would not be quieted; and that faculty in her, played on men and women.” - Mary Lascelles

13. “Jane Austen never repeats herself.” - Mary Lascelles

14. “Few novelists can be more scrupulous than Jane Austen as to the phrasing of the thoughts of their characters. ” - Mary Lascelles

15. “I suspect that Jane Austen's practice of denying herself the aid of figurative language which, as much as any of her other habits of expression, repelled Charlotte Brontë, and has alienated other readers, conscious with a dissatisfaction with her style that they have not cared to analyse. ” - Mary Lascelles

16. “The visible structure of Jane Austen's stories may be flimsy enough; but their foundations drive deep down into the basic principles of human conduct. On her bit of ivory she has engraved a criticism of life as serious and as considers as Hardy's.” - David Cecil

17. “The sole agents, indeed, in the action of her novels are individual human beings. And the comedy is the outcome of their making fools of themselves and of one another.” - Mary Lascelles

18. “It has the permanent quality of literature.” - Virginia Woolf

19. “Jane Austen, who is said to be Shakespearian, never reminds us of Shakespeare, I think, in her full-dress portraits, but she does so in characters such as Miss Bates and Mrs. Allen.” - A.C. Bradley

20. “Others beside Jane Austen have made their Eltons, though none quite so cooly as she.” - Mary Lascelles

21. “Charlotte Palmer is no sillier than Harriet Smith; and yet, how intolerable we should find it to see and hear as much of Charlotte as we do of Harriet! And would Miss Bates have been endurable if she had been presented in the mood and manners of Sense and Sensibility? ” - Mary Lascelles

22. “Sympathy compounded of liking and compassion in varying proportions evidently seemed to Jane Austen the most natural inventive to imaginative interest in a character.” - Mary Lascelles

23. “Jane Austen easily used half a page describing someone else's eyes; she would not appreciate summarizing her reading tastes in ten titles.” - Tracy Chevalier

24. “How I wish I lived in a Jane Austen novel!” - Dodie Smith

25. “But some characters in books are really real--Jane Austen's are; and I know those five Bennets at the opening of Pride and Prejudice, simply waiting to raven the young men at Netherfield Park, are not giving one thought to the real facts of marriage.” - Dodie Smith

26. “There is one thing, Emma, which a man can always do if he chooses, and that is his duty; not by manoeuvring and finessing, but by vigour and resolution. - Mr. Knightley” - Jane Austen

27. “She was suddenly roused by the sound of the door-bell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:"In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” - Jane Austen

28. “There is a monsterous deal of stupid quizzing, & common-place nonsense talked, but scarcely any wit.” - Jane Austen

29. “Lady Catherine quoting Lizzie Bennet:She had the impudence to reply that, whilst these would be heavy misfortunes, your wife must have such extraordinary sources of happiness necessarily attached to her situation, that she could, upon the whole, have no cause to repine.” - Janet Aylmer

30. “Business, you know, may bring money, but friendship hardly ever does.” - Jane Austen

31. “It is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the moment, or are they the result of previous study?” - Jane Austen

32. “It has sunk him, I cannot say how much it has sunk him in my opinion. So unlike what a man should be!-None of that upright integrity, that strict adherence to truth and principle, that distain of trick and littleness, which a man should display in every transaction of his life.” - Jane Austen

33. “...the long blue shadows of afternoon advanced before me like cheerful ghosts of last summer's growth, dancing past the withered flower borders and the stiff hedges to fall at the feet of a stone nymph, her cascade of water frozen in her urn.” - Stephanie Barron

34. “I am at a loss to understand why people hold Miss Austen's novels at so high a rate, which seem to me vulgar in tone, sterile in artistic invention, imprisoned in their wretched conventions of English society, without genius, wit, or knowledge of the world. Never was life so pinched and narrow. ... All that interests in any character [is this]: has he (or she) the money to marry with? ... Suicide is more respectable.” - Ralph Waldo Emerson

35. “I will only add, God bless you.” - Jane Austen

36. “The conversation soon turned upon fishing, and she heard Mr. Darcy invite him, with the greatest civility, to fish there as often as he chose while he continued in the neighbourhood, offering at the same time to supply him with fishing tackle, and pointing out those parts of the stream where there was usually most sport. Mrs. Gardiner, who was walking arm in arm with Elizabeth, gave her a look expressive of her wonder. Elizabeth said nothing, but it gratified her exceedingly; the compliment must be all for herself. Her astonishment, however, was extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for me, it cannot be for my sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me.” - Jane Austen

37. “He is blinded and nothing will open his eyes,nothing can,after having had truths so long before him in vain.--He will marry her and poor and miserable.God grant that her influence do not make him cease to be respectable!"---She looked over the letter again."So very fond of me!tis"nonsense all.She loves nobody but herself and her brother.Her friends leading her astray for years!She is quite as likely to have led them astray. They have all,perhaps, been corrupting one another;but if they are so much fonder of her than she is of them,she is the less likely to have been hurt except by their flattery.The only woman in the world,whom he could ever think of as a wife.....I firmly believe it.It is an attachment to govern his whole life. Accepted or refused,his heart is wedded to her for ever.The loss of Mary,I must consider as comprehending the loss of Crawford and Fanny.Edmund you do not know me.The families would never be connected,if you did not connected them.Oh!write,write.Finish it at once.Let there be an end of this suspense.Fix, commit,condemn yourself."-Fanny Price” - Jane Austen

38. “I purposefully abstain from dates on this occasion,that very one may be liberty to fix their own,aware that the cure of unconquerable passions,and the transfer of unchanging attachments,must vary much as to time in different people.---I only entreat every body to believe that exactly at the time when it was quite natural that it should be so, and not a week earlier,Edmund did cease to care about Miss Crawford, and become anxious to marry Fanny,as Fanny herself could desire.” - Jane Austen

39. “As he talked, I watched Emma and wondered what is to become of her. She is of an age to be married but she spends her time with people who are so much older than she, that she is never likely to meet a husband. And if she does, I do not know if she will wish to marry. She is too comfortable where she is. Her father is easy to please and she can do as she likes with the household. A husband will have his own views, and Emma is not likely to take to that way of living.” - Amanda Grange

40. “Of all the evenings it is possible to spend, a companionable evening with friends is the best.” - Amanda Grange

41. “Whom are you going to dance with?' asked Mr. Knightley.She hesitated a moment and then replied, 'With you, if you will ask me.'Will you?' said he, offering his hand.Indeed I will. You have shown that you can dance, and you know we are not really so much brother and sister as to make it at all improper.'Brother and sister! no, indeed.” - Jane Austen

42. “It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again.This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.” - Christopher Hitchens

43. “I resolutely refuse to believe that the state of Edward's health had anything to do with this, and I don't say this only because I was once later accused of attacking him 'on his deathbed.' He was entirely lucid to the end, and the positions he took were easily recognizable by me as extensions or outgrowths of views he had expressed (and also declined to express) in the past. Alas, it is true that he was closer to the end than anybody knew when the thirtieth anniversary reissue of his Orientalism was published, but his long-precarious condition would hardly argue for giving him a lenient review, let alone denying him one altogether, which would have been the only alternatives. In the introduction he wrote for the new edition, he generally declined the opportunity to answer his scholarly critics, and instead gave the recent American arrival in Baghdad as a grand example of 'Orientalism' in action. The looting and destruction of the exhibits in the Iraq National Museum had, he wrote, been a deliberate piece of United States vandalism, perpetrated in order to shear the Iraqi people of their cultural patrimony and demonstrate to them their new servitude. Even at a time when anything at all could be said and believed so long as it was sufficiently and hysterically anti-Bush, this could be described as exceptionally mendacious. So when the Atlantic invited me to review Edward's revised edition, I decided I'd suspect myself more if I declined than if I agreed, and I wrote what I felt I had to.Not long afterward, an Iraqi comrade sent me without comment an article Edward had contributed to a magazine in London that was published by a princeling of the Saudi royal family. In it, Edward quoted some sentences about the Iraq war that he off-handedly described as 'racist.' The sentences in question had been written by me. I felt myself assailed by a reaction that was at once hot-eyed and frigidly cold. He had cited the words without naming their author, and this I briefly thought could be construed as a friendly hesitance. Or as cowardice... I can never quite act the stern role of Mr. Darcy with any conviction, but privately I sometimes resolve that that's 'it' as it were. I didn't say anything to Edward but then, I never said anything to him again, either. I believe that one or two charges simply must retain their face value and not become debauched or devalued. 'Racist' is one such. It is an accusation that must either be made good upon, or fully retracted. I would not have as a friend somebody whom I suspected of that prejudice, and I decided to presume that Edward was honest and serious enough to feel the same way. I feel misery stealing over me again as I set this down: I wrote the best tribute I could manage when he died not long afterward (and there was no strain in that, as I was relieved to find), but I didn't go to, and wasn't invited to, his funeral.” - Christopher Hitchens

44. “Her heart did whisper that he had done it for her.” - Jane Austen

45. “As for admiration, it was always very welcome when it came, but she did not depend on it.” - Jane Austen

46. “The house seemed to have all the comforts of little Children, dirt and litter.” - Jane Austen

47. “What an excellent father you have, girls!' said she, when the door was shut. 'Such joys are scarce since the good Lord saw fit to close the gates of Hell and doom the dead to walk amongst us.” - Seth Grahame-Smith

48. “Everytime I read 'Pride and Prejudice' I want to dig her up and beat her over the skull with her own shin-bone.” - Mark Twain

49. “In other words, all I want to be is the Jane Austen of south Alabama” - Harper Lee

50. “I cannot say much for this Monarch's Sense--Nor would I if I could, for he was a Lancastrian. I suppose you know all about the Wars between him and the Duke of York who was on the right side; if you do not, you had better read some other History, for I shall not be very difuse in this, meaning by it only to vent my spleen against, and show my Hatred to all those people whose parties or principles do not suit with mine, and not to give information.” - Jane Austen

51. “Lady Jane Gray, who tho' inferior to her lovely Cousin the Queen of Scots, was yet an amiable young woman & famous for reading Greek while other people were hunting....Whether she really understood that language or whether such a study proceeded only from an excess of vanity for which I beleive she was always rather remarkable, is uncertain.” - Jane Austen

52. “Captain Harvile: Poor Phoebe, she would not have forgotten him so soon. It was not in her nature. Anne Elliot: It would not be in the nature of any woman who truly loved. Captain Harvile: Do you claim that for your sex? Anne Elliot: We do not forget you as soon as you forget us. We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us. You always have business of some sort or other to take you back into the world. Captain Harvile: I won't allow it to be any more man's nature than women's to be inconstant or to forget those they love or have loved. I believe the reverse. I believe... Let me just observe that all histories are against you, all stories, prose, and verse. I do not think I ever opened a book in my life which did not have something to say on women's fickleness. Anne Elliot: But they were all written by men. ” - Jane Austen

53. “I would self-medicate with fat, carbohydrates, and Jane Austen, my number one drug of choice, my constant companion through every breakup, every disappointment, every crisis. Men might come and go, but Jane Austen was always there in sickness and in health, for richer, for poorer, till death do us part.” - Laurie Viera Rigler

54. “Did you think of anything when Miss Marcy said Scoatney Hall was being re-opened? I thought of the beginning of Pride and Prejudice – where Mrs. Bennet says 'Netherfield Park is let a last.' And then Mr. Bennet goes over to call on the rich new owner.” - Dodie Smith

55. “I don't approve of surprises. The pleasure is never enhanced and the inconvenience is considerable.” - george knightley

56. “Einer der Altmeister des englischen Romans, William Makepeace Thackeray, nannte das Wort Finis am Ende eines Erzählwerkes einmal ein "trübsinniges Wort". Das mag zutreffen, wenn man lediglich meint, von einer liebgewordenen, vertrauten Umgebung Abschied nehmen zu müssen. Meist ist jedoch das weiterwirkende Erlebnis - die Auseinandersetzung mit der vermittelten Weltsicht -, das uns ein Kunstwerk lieb und wert macht, gewissermaßen das subjektive "Weiterschreiben", wenn sich der Vorhang über das fiktive Geschehen gesenkt hat.” - Klaus Udo Szudra (Hrsg.)

57. “The celestial brightness of Pride and Prejudice is unequalled even in Jane Austen's other work; after a life of much disappointment and grief, in which some people would have seen nothing but tedium and emptiness, she stepped forth as an author, breathing gaiety and youth, robed in dazzling light.” - Elizabeth Jenkins

58. “The milk of human kindness was kept often in the larder, and the tea served with lemon.” - John Halperin

59. “I couldn't exactly blame Jane Austen for being a romantic. What the hell else was there to do back then for fun?” - Kristin Walker

60. “[Jane] Austen was not a novelist for nothing: she knew that our stories are what make us human, and that listening to someone else's stories -- entering into their feelings, validating their experiences -- is the highest way of acknowledging their humanity, the sweetest form of usefulness.” - William Deresiewicz

61. “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife,' I said, sighing.'Is it?' said Veronica, looking surprised. 'Universally acknowledged? Surely that presupposes life similar to human societies beyond this planet, and besides--''No, no, it's a quote from ... Never mind,' I said.” - Michelle Cooper

62. “The loss of virtue in a female is irretrievable - that one false step involves in her endless ruin - that her reputation is no less brittle than it is beautiful - and that she cannot be too much guarded in her behavior towards the undeserving of the opposite sex.” - Jane Austen

63. “(Golden Globe acceptance speech in the style of Jane Austen's letters):"Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport.P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature.""With gratitude and apologies to Miss Austen, thank you.” - Emma Thompson

64. “I seem finally to have stopped worrying about Elinor, and age. She seems now to be perfectly normal -- about twenty-five, a witty control freak. I like her but I can see how she would drive you mad. She's just the sort of person you'd want to get drunk, just to make her giggling and silly.” - Emma Thompson

65. “I am determined that only the deepest love will induce me into matrimony. So, I shall end an old maid, and teach your ten children to embroider cushions and play their instruments very ill.” - Jane Austen

66. “It raises my spleen more than anything.” - Jane Austen

67. “You will be interested to hear, Hilary, that it [the drug] had a most remarkable effect — even on Selena after a very modest quantity. She cast off all conventional restraints and devoted herself without shame to the pleasure of the moment." I asked for particulars of this uncharacteristic conduct. "She took from her handbag a paperback edition of Pride and Prejudice and sat on the sofa reading it, declining all offers of conversation.” - Sarah Caudwell

68. “Miss Austen’s novels … seem to me vulgar in tone, sterile in artistic invention, imprisoned in the wretched conventions of English society, without genius, wit, or knowledge of the world. Never was life so pinched and narrow. The one problem in the mind of the writer … is marriageableness.” - Ralph Waldo Emerson

69. “Pride," observed Mary, who piqued herself upon the solidity of her reflections, "is a very common failing, I believe. By all that I have ever read, I am convinced that it it very common indeed; that human nature is particularly prone to it, and that there are very few of us who do not cherish a feeling of self-complacency on the score of some quality or the other, real or imaginary. Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. pride relates more to our opinion of ourselves, vanity to what we would have other think of us.” - Jane Austen

70. “It is always easy to question the judgement of others in matters of which we may be imperfectly informed.” - P. D. James

71. “Tempo ou oportunidade não determinam a intimidade, apenas a disposição.” - Jane Austen

72. “What could she have done? She was a heroine, and with that came certain obligations.” - Emily C.A. Snyder

73. “Another strike of lightening – now accompanied by the deep-bellied rumble, and the horse reared, incidentally setting Henry very picturesquely against the inconstant moon. Alas, Catherine was deeply engaged in her argument with Old Edric and this missed entirely the melodramatic display. But we may assume that, possessing so strong an imagination, Catherine had often pictured Henry thus...” - Emily C.A. Snyder

74. “Such a narrative as this demands some sort of physical consolation for its spiritual tribulation. Our heroine received it in one last cup of tea. The reader may be advised to do so likewise.” - Emily C.A. Snyder

75. “What on earth did you say to Isola? She stopped in on her way to pick up Pride and Prejudice and to berate me for never telling her about Elizabeth Bennet and Mr. Darcy. Why hadn't she known there were better love stories around? Stories not riddled with ill-adjusted men, anguish, death and graveyards!” - Mary Ann Shaffer

76. “You know, there was a time when childbirth was possibly the most terrifying thing you could do in your life, and you were literally looking death in the face when you went ahead with it. And so this is a kind of flashback to a time when that's what every woman went through. Not that they got ripped apart, but they had no guarantees about whether they were going to live through it or not. You know, I recently read - and I don't read nonfiction, generally - Becoming Jane Austen. That's the one subject that would get me to go out and read nonfiction. And the author's conclusion was that one of the reason's Jane Austen might not have married when she did have the opportunity...well, she watched her very dear nieces and friends die in childbirth! And it was like a death sentence: You get married and you will have children. You have children and you will die. (Laughs) I mean, it was a terrifying world.” - Stephenie Meyer

77. “Anne did think on the question with perfect decision, and said as much in replay as her own feelings could accomplish, or as his seemed able to bear, for he was too much affected to renew the subject - and when he spoke again, it was something totally different.” - Jane Austen

78. “She ventured to hope he did not always read only poetry; and to say, that she thought it was the misfortune of poetry, to be seldom safely enjoyed by those who enjoyed it completely; and that the strong feelings which alone could estimate it truly, were the very feelings which ought to taste it but sparingly.” - Jane Austen

79. “Make haste” Jane added, just because she always wanted to say that.” - Shannon Hale

80. “After a moment, he added more seriously: 'I don't get as angry as m'father used to about things. Or maybe I', just better at hiding m'feelings.''I fear I'm not very good at hiding my feelings.'He covered my hand with his own. 'That's what I like about you. I liked it from the first. You're so different from the others.” - Jennifer Paynter

81. “Before I could reply, he had picked me up, literally swept me off my feet, and kissed me. And afterwards, when I tried to speak, he silenced me in much the same manner. It was a shock (but not at all distasteful) to be so caught up. Later - when he at last set me down - he handled me more gently. He took of my glasses and told me that he loved me.” - Jennifer Paynter

82. “Blessed with the love of a good man, I felt equal to anything - even the prospect of living out my days in the Antipodes.” - Jennifer Paynter

83. “And with regard to the resentment of his family, or the indignation of the world, if the former were excited by his marrying me, it would not give me one moment's concern-- and the world in general would have too much sense to join in the scorn.” - Jane Austen

84. “Even when there were good wars to write about, writers such as Jane Austen wrote novels concerning marriage. They usually went like this:'You're being a real jerk.''Sorry about that. I was secretly helping you.''Oh, you're wonderful! And you have so much money! You're my new favorite cousin!''Let's get married."The End.” - Dan Wilbur

85. “They danced again, and when the assembly closed, parted, on the lady’s side at least, with a strong inclination for continuing the acquaintance. Whether she thought of him so much while she drank her warm wine and water and prepared herself for bed as to dream of him when there, cannot be ascertained; but I hope it was no more than in a light slumber, or a morning doze at most, for if it be true, as a celebrated writer has maintained, that no young lady can be justified in falling in love before the gentleman’s love is declared, it must be very improper that a young lady should dream of a gentlemen before the gentleman is first known to have dreamed of her.” - Jane Austen

86. “Sophia shrieked and fainted on the ground – I screamed and instantly ran mad. We remained thus mutually deprived of our senses, some minutes, and on regaining them were deprived of them again. For an Hour and a Quarter did we continue in this unfortunate situation – Sophia fainting every moment and I running mad as often. At length a groan from the hapless Edward (who alone retained any share of life) restored us to ourselves.” - Jane Austen

87. “Dear Eloisa (said I) there’s no occasion for your crying so much about such a trifle. (for I was willing to make light of it in order to comfort her) I beg you would not mind it – You see it does not vex me in the least; though perhaps I may suffer most from it after all; for I shall not only be obliged to eat up all the Victuals I have dressed already, but must if Henry should recover (which however is not very likely) dress as much for you again; or should he die (as I suppose he will) I shall still have to prepare a Dinner for you whenever you marry any one else. So you see that tho perhaps for the present it may afflict you to think of Henry’s sufferings, yet I dare say he’ll die soon and then his pain will be over and you will be easy, whereas my Trouble will last much longer for work as hard as I may, I am certain that the pantry cannot be cleared in less than a fortnight” - Jane Austen

88. “She is probably by this time as tired of me, as I am of her; but as she is too Polite and I am too civil to say so, our letters are still as frequent and affectionate as ever, and our Attachment as firm and sincere as when it first commenced.” - Jane Austen

89. “...the more I know of the world, the more I am convinced that I shall never see a man whom I can really love.” - Jane Austen

90. “I want to turn 21 as soon as possible not so that I can drink (how horrific!) but so that I can say, "I am ONE and TWENTY.” - TheAustenAddict

91. “No one can withstand the charm of such a mystery.” - Jane Austen

92. “my idea of good company.. is the company of clever, well-informed people. who have a great deal of conversation.” - Jane Austen

93. “A scheme of which every part promises delight, can never be successful; and general disappointment is only warded off by the defence of some little peculiar vexation.” - Jane Austen

94. “Mama, the more I know of the world, the more I am convinced that I shall never see a man whom I can really love.” - Jane Austen

95. “Good heaven! My dear Isabella, what do you mean? Can you -- can you really be in love with James?” - Jane Austen

96. “I am Emma Woodhouse. I feel for her, of her and in her. I have a different sort of snobbism, but I understand her snobbism. Her priggishness. I admire it. I know she does wrong things, she tries to organize other people's lives, she can't see Mr Knightley is a man in a million. She's temporarily silly, yet all the time one knows she's basically intelligent. Creative, determined to set the highest standards. A real human being.” - John Fowles

97. “STEVE CARELL IS NICE BUT IT IS SCARY It has been said many times, but it is true: Steve Carell is a very nice guy. His niceness manifests itself mostly in the fact that he never complains. You could screw up a handful of takes outside in 104-degree smog-choked Panorama City heat, and Steve Carell’s final words before collapsing of heat stroke would be a friendly and hopeful “Hey, you think you have that shot yet?” I’ve always found Steve gentlemanly and private, like a Jane Austen character. The one notable thing about Steve’s niceness is that he is also very smart, and that kind of niceness has always made me nervous. When smart people are nice, it’s always terrifying, because I know they’re taking in everything and thinking all kinds of smart and potentially judgmental things. Steve could never be as funny as he is, or as darkly observational an actor, without having an extremely acute sense of human flaws. As a result, I’m always trying to impress him, in the hope that he’ll go home and tell his wife, Nancy, “Mindy was so funny and cool on set today. She just gets it.” Getting Steve to talk shit was one of the most difficult seven-year challenges, but I was determined to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys. Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.” - Mindy Kaling

98. “It's a truth universally acknowledged...” - Jane Austen

99. “Every romantic woman dreams of Willoughby. However, every wise woman’s heart knows Colonel Brandon would take care of her when she was sick, love her when she was well and know her worth every day that she breathes.” - Shannon L. Alder

100. “Money can only give happiness where there is nothing else to give it.” - Jane Austen

101. “Let us never underestimate the power of a well-written letter.” - Jane Austen

102. “Banii pot aduce fericire numai acolo unde n-o poate aduce nimic altceva. In afara de anumite inlesniri, banii nu pot oferi bucurii adevarate” - Jane Austen

103. “I once wrote you a letter and you never replied, which makes me wonder if you ever received it. This time it's a more personal delivery - and I need a reply, even if it's not the one I want.I'm listening to you - I can hear every word, however softly you speak - and I'm half-agony, half-hope. You're saying that men are realists - that, when the woman they love is no longer available, they move on. Well, believe me, I tried - and I thought I had. But seeing you again, after so many years, just proved how little I knew...You told me to trust myself. So here I am back in Bath, putting everything on the line for a second chance with you. Is that what you want, too? Whatever your answer, remember this: I may not deserve you - when I think of how I've behaved, I know I've shown little self-control and even less forgiveness - but I've never stopped loving you.You're talking about heartless men... But I have a heart, and it's the same one you almost broke ten years ago, and it belongs to you, and only you, even more than it did then. And yes, I'm a realist: if you no longer love me, I will accept it. But don't say that only a woman can keep on loving someone who's no longer part of her life! Because I will keep on loving you until there are no stars in the sky.Tell me tonight how you feel. If there's any chance of you loving me back, then I'll wait for you as I should have waited before. If not, say the word and I'll leave you in peace. But I'll never forget you, or what we had, or what might have been. Rick” - Juliet Archer

104. “Ah yes.' Peter's tone was scornful. 'And they must always be paid before the poor tradesmen's bills, mustn't they?''They must indeed. They are debts of honour.''Oh, Mary.' He leant over and kissed me quickly. 'What a lot we'll have to argue about after we're married.” - Jennifer Paynter

105. “In suiting the action to the words, however, I perceived that the stars were all wrong.That was my undoing. I had looked up unthinkingly, anticipating the familiar, and, finding it gone, began to cry like a baby. Whereupon Peter stopped the gig and took me in his arms, kissing me so that my face was soon sore both from kissing and crying.” - Jennifer Paynter

106. “If I understand you rightly, you had formed a surmise of such horror as I have hardly words to-- Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English, that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known, in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?"They had reached the end of the gallery, and with tears of shame she ran off to her own room.” - Jane Austen Northanger Abbey

107. “But look behind you, Mary.' She nodded towards the dais. 'One of the musicians seems to be trying to attract your attention.'It was Peter. He was standing on the dais smiling across at me. My delight at seeing him was such that I could not disguise it - did not try to disguise it.” - Jennifer Paynter

108. “I felt my mouth go dry, my throat constrict. What possible interpretation could Peter place on those words, other than that they were about him? - that the entire song was about him?” - Jennifer Paynter

109. “Peter.' It was the first time I had used his name. 'You heard me sing tonight, did you not?''Yes, love.'The endearment took my breath away - made me forget what I meant to say. I stood there with but one thought: He must care about me.” - Jennifer Paynter

110. “I knew it was Peter playing. I fancied he was trying to tell me something - an absurd idea, but it persisted - 'I may not be able to spell, but just you listen to this.” - Jennifer Paynter

111. “-Stupid men are the only ones worth knowing, after all.-Take care, Lizzy; that speech savours strongly of disappointment.” - Jane Austen Pride and Prejudice

112. “Peter was now standing very close - as if he wanted to comfort me - as if he knew how hurt I felt that Mrs Knowles had not asked me to play or to sing. And I did feel comforted. It was as if a tide of warmth was carrying me out of myself, inclining me to trust him and to conduct myself well.” - Jennifer Paynter

113. “I did not have an opportunity to speak privately with Peter until just as he was leaving, when he handed me one of the Burns song-sheets and (with a most earnest look) told me to read it before I went to bed.The song was 'My Love is Like a Red, Red Rose,' but it was not until was up in my bedchamber that I saw he had written on the inside page: 'My mother would be honoured if you visited her after church tomorrow.” - Jennifer Paynter

114. “I saw that he was looking anxious.'I thought you weren't coming.' As he spoke, he grasped my hand. And if the sight of him had not quite restored the magic, the touch of him most certainly did. 'You're not wishing yourself some place else, Mary?” - Jennifer Paynter

115. “It is a truth universally acknowledged, he’d mused, that most people will never find their ‘call me Ishmael’.” - Django Wylie

116. “I don't need to see the trail to know you're at the end of it. My grandfather's compass may not work, but mine is still true.” - Diana Peterfreund

117. “... [In 'Pride and Prejudice'] Mr Collins's repulsiveness in his letter [about Lydia's elopement] does not exist only at the level of the sentence: it permeates all aspects of his rhetoric. Austen's point is that the well-formed sentence belongs to a self-enclosed mind, incapable of sympathetic connections with others and eager to inflict as much pain as is compatible with a thin veneer of politeness. Whereas Blair judged the Addisonian sentence as a completely autonomous unit, Austen judges the sentence as the product of a pre-existing moral agent. What counts is the sentence's ability to reveal that agent, not to enshrine a free-standing morsel of truth.Mr Darcy's letter to Elizabeth, in contrast, features a quite different practice of the sentence, including an odd form of punctation ... The dashes in Mr Darcy's letter transform the typographical sentence by physically making each sentence continuous with the next one. ... The dashes insist that each sentence is not self-sufficient but belongs to a larger macrostructure. Most of Mr Darcy's justification consists not of organised arguments like those of Mr Collins but of narrative. ... The letter's totality exists not in the typographical sentence but in the described event.” - Andrew Elfenbein

118. “I have the highest respect for your nerves, they are my old friends.” - Jane Austen