July 23, 2024, 2:47 a.m.
When it comes to crafting a memorable horror movie experience, a chilling quote can send shivers down your spine and linger in your mind long after the credits roll. Whether it's a sinister whisper from a ghostly figure or a terrifying declaration from a masked killer, these lines encapsulate the very essence of fear. In this blog post, we delve into some of the most harrowing and unsettling quotes from horror cinema that have left audiences trembling in their seats. Brace yourself as we explore a collection of 141 spine-tingling horror movie quotes that have defined and redefined the genre.
1. “Invitation to Dance-It’s a Dance. And sometimes they turn the lights off in this ballroom.But we’ll dance anyway, you and I. Even in the Dark. Especially in the Dark.May I have the pleasure?” - Stephen King
2. “[Horror fiction] shows us that the control we believe we have is purely illusory, and that every moment we teeter on chaos and oblivion.” - Clive Barker
3. “It is dark. You cannot see. Only the hint of stars out the broken window. And a voice as old as the Snake from the Garden whispers, 'I will hold your hand.” - John Wick
4. “Very well, but remember this... I'll be looking at you when you're laid on the cross and the twelve blows are crashing down on your limbs. When the crowd is finally tired of your screams and wandered home, I will climb up through your blood and sit beside you. I will look deep into your eyes... and drop by drop I will trickle my disgust into them like burning acid until... finally... you perish.” - Patrick Suskind
5. “Through the ages, countless spiritual disciplines have urged us to look within ourselves and seek the truth. Part of that truth resides in a small, dark room -- one we are afraid to enter ” - Matthew J. Pallamary
6. “Swear to me swear to me that if it isn't dead you'll all come back.” - Stephen King
7. “There will never be slaves in Britain,' Godalming continued, 'but those who stay warm will naturally serve us, as the excellent Bessie has just served me. Have a care, lest you wind up the equivalent of some damned regimental water-bearer.'In India, I knew a water-bearer who was a better man than most.” - Kim Newman
8. “The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there...” - Stephen King
9. “Everybody is a book of blood; wherever we're opened, we're red.” - Clive Barker
10. “We make up horrors to help us cope with the real ones.” - Stephen King
11. “Make (the reader) think the evil, make him think it for himself, and you are released from weak specifications. My values are positively all blanks, save so far as an excited horror, a promoted pity, a created expertness... proceed to read into them more or less fantastic figures.” - Henry James
12. “Once the frontiers of horror have been crossed, one will pass from form to form beyond the human and from metamorphosis to metamorphosis to accomplish, in the anguish of an impossible return, the most terrible journey to the depths of darkness.” - Georges Limbour
13. “Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn.In his house at R'lyeh dead Cthulhu waits dreaming.” - H.P. Lovecraft
14. “Why should not a writer be permitted to make use of the levers of fear, terror and horror because some feeble soul here and there finds it more than it can bear? Shall there be no strong meat at table because there happen to be some guests there whose stomachs are weak, or who have spoiled their own digestions?” - E.T.A. Hoffmann
15. “The charm of horror only tempts the strong” - Jean Lorrain
16. “Even the most impassioned devotee of the ghost story would admit that the taste for it is slightly abnormal, a survival, perhaps, from adolescence, a disease of deficiency suffered by those whose lives and imaginations do not react satisfactorily to normal experience and require an extra thrill” - L.P. Hartley
17. “Our fiction is not merely in flight from the physical data of the actual world…it is, bewilderingly and embarrassingly, a gothic fiction, nonrealistic and negative, sadist and melodramatic – a literature of darkness and the grotesque in a land of light and affirmation…our classic [American] literature is a literature of horror for boys” - Leslie Fielder
18. “The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him” - Thomas Ligotti
19. “They told of dripping stone walls in uninhabited castles and of ivy-clad monastery ruins by moonlight, of locked inner rooms and secret dungeons, dank charnel houses and overgrown graveyards, of footsteps creaking upon staircases and fingers tapping at casements, of howlings and shriekings, groanings and scuttlings and the clanking of chains, of hooded monks and headless horseman, swirling mists and sudden winds, insubstantial specters and sheeted creatures, vampires and bloodhounds, bats and rats and spiders, of men found at dawn and women turned white-haired and raving lunatic, and of vanished corpses and curses upon heirs.” - Susan Hill
20. “Horror fiction seems to spawn more dumbass 'rules' than any other kind of writing, and one of the dumbest is the assumed 'requirement' of a twist ending, going all the way back to H.H. Munro. This story is also the result of a long rumination on how stories are sometimes scuttled or diminished by succumbing to such 'rules'.” - David J. Schow
21. “Noc knew that his girlfriend was better as he got to the door of Kay’s living room. This he could tell by the sound of her screaming at Turney for some infraction on the Son of Time’s part. He opened it to see her soaking wet, cornering Turney by the stereo and holding a ball of Hellfire. Noc burst out laughing at the normalcy of the whole thing.” - Brian Fatah Steele
22. “Darnell had received what is called a sound commercial education, and would therefore have found very great difficulty in putting into articulate speech any thought that was worth thinking;” - Arthur Machen
23. “Now the screams were awful to hear as men burned like candles all along the deck. Black smoke billowed over the sea. Argurios could not believe what he was watching. At least fifty helpless men were dying in agony. One man managed to free himself and leap into the sea. Amazingly, when he surfaced the flames were still consuming him.All along the beach there was silence as the stunned crowd watched the magical fires burning the galley and it's crew.” - David Gemmell
24. “Reality is shaped by the forces that destroy it.” - D. Harlan Wilson
25. “You are so... 11:59” - Scott Westerfeld
26. “It is the sheer ugliness and banality of everyday life which turns my blood to ice and makes me cringe in terror.” - Jean Lorrain
27. “Human beings across every culture I know about require such stories, stories with cool winds and wood smoke. They speak to something deep within us, the capacity to conceptualize, objectify and find patterns, thereby to create the flow of events and perceptions that find perfect expression in fiction. We are built this way, we create stories by reflex, unstoppably. But this elegant system really works best when the elements of the emerging story, whether is is being written or being read, are taken as literal fact. Almost always, to respond to the particulars of the fantastic as if they were metaphorical or allegorical is to drain them of vitality.” - Peter Straub
28. “To feel our character, our personality, and our personal, hard-won history fade from being is to be exposed to whatever lies beneath these comforting, operational conveniences. What remains when the conscious and functioning self has been erased is mankind's fundamental condition – irrational, violent, guilt-wracked, despairing, and mad.” - Peter Straub
29. “We both wondered whether these contradictions that one can't avoid if one begins to think of time and space may not really be proofs that the whole of life is a dream, and the moon and stars bits of nightmare.” - Arthur Machen
30. “Demons are like obedient dogs; they come when they are called.” - Remy De Gourmont
31. “Death's gruesome face taunts:soulless eyes, crimson grimace.I really hate clowns.” - Katherine Applegate
32. “You would hardly think, at first, that horrid monsters lie up there waiting to be discovered by any moderately penetrating mind--monsters to which those of the oceans bear no sort of comparison."What monsters may they be?"Impersonal monsters, namely, Immensities. Until a person has thought out the stars and their inter-spaces, he has hardly learnt that there are things much more terrible than monsters of shape, namely, monsters of magnitude without known shape. Such monsters are the voids and waste places of the sky... In these our sight plunges quite beyond any twinkler we have yet visited. Those deep wells for the human mind to let itself down into, leave alone the human body! and think of the side caverns and secondary abysses to right and left as you pass on!...There is a size at which dignity begins," he exclaimed; "further on there is a size at which grandeur begins; further on there is a size at which solemnity begins; further on, a size at which awfulness begins; further on, a size at which ghastliness begins. That size faintly approaches the size of the stellar universe. So am I not right in saying that those minds who exert their imaginative powers to bury themselves in the depths of that universe merely strain their faculties to gain a new horror?” - Thomas Hardy
33. “Rena: Come on. Who was that man?Keiichi: I-I don't know him!Rena: Liar. What were you talking about?Keiichi: S-S-Something that doesn't have anything to do with you!Rena: Oh...Ah-ha-ha. Oh. So it has nothing to do with us...Keiichi: Th-That's right...Rena: You're lying!!” - Ryukishi07
34. “Something like panic struck at Hurlow. Moffat's calm confession of fear withdrew the prop upon which he had leaned. Down there, among the motionless shadows, lurked invisible things, things that were nameless, shapeless and malignant; things which could see without being seen. One of the long lost terrors of childhood returned to him, and like a child he put his hand into Moffat's.” - A.M. Burrage
35. “From even the greatest of horrors irony is seldom absent.” - H.P. Lovecraft
36. “Automatically, like all healthy, normal beings, I deny the existence of horror...” - Leland Hall
37. “Believe nothing you hear, and only one half that you see.” - Edgar Allan Poe
38. “Yet, despite all, it is a difficult thing to admit the existence of ghosts in a coldly factual world. One's very instincts rebel at the admission of such maddening possibility. For, once the initial step is made into the supernatural, there is no turning back, no knowing where the strange road leads except that it is quite unknown and quite terrible. ("Slaughter House")” - Richard Matheson
39. “You want to know how to stop this killer? Forgive yourself, and he’lldisappear from your life forever.”“Thanks. I’ll be sure to do that.”And I know:1. This is almost the same conversation I’ve had with myself many timesbefore.2. Gordon’s only trying to help.But it doesn’t matter.I:1. Say, “See you later.”2. Step outside.3. Close the door.I don’t want to, really. I want to go back inside and believe Gordon’s words,like a child believing in a fairy tale, and I want to escape this nightmare forever.But I can’t.I realize now that it’s easy to tell the difference between a real problem andan imaginary one.It’s just the terror of facing the truth that’s hard.” - Jeremy C. Shipp
40. “Ever since I arrived to a state of manhood, I have felt a sincere passion for liberty. The history of nations doomed to perpetual slavery, in consequence of yielding up to tyrants their natural born liberties, I read with a sort of philosophical horror; so that the first systematical and bloody attempt at Lexington, to enslave America, thoroughly electrified my mind, and fully determined me to take part with my country.” - Ethan Allen
41. “...That insurgent horror was knit to him closer than a wife, closer than an eye lay caged in his flesh, where he heard it mutter and felt it struggle to be born; and at every hour of weakness, and in the confidence of slumber, prevailed against him, and deposed him out of life.” - Robert Louis Stevenson
42. “Last reason for reading horror: it’s a rehearsal for death. It’s a way to get ready. People say there’s nothing sure but death and taxes. But that’s not really true. There’s really only death, you know. Death is the biggie. Two hundred years from now, none of us are going to be here. We’re all going to be someplace else. Maybe a better place, maybe a worse place; it may be sort of like New Jersey, but someplace else. The same thing can be said of rabbits and mice and dogs, but we’re in a very uncomfortable position: we’re the only creatures—at least as far as we know, though it may be true of dolphins and whales and a few other mammals that have very big brains—who are able to contemplate our own end. We know it’s going to happen. The electric train goes around and around and it goes under and around the tunnels and over the scenic mountains, but in the end it always goes off the end of the table. Crash.” - Stephen King
43. “The one test of the really weird (story) is simply this--whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.” - H.P. Lovecraft
44. “He talked about terrible meetings in lonely places, of cyclopean ruins in the heart of the Maine woods beneath which vast staircases led down to abysses of nighted secrets, of complex angles that led through invisible walls to other regions of space and time, and of hideous exchanges of personality that permitted explorations in remote and forbidden places, on other worlds, and in different space-time continua.” - H.P. Lovecraft
45. “No one, none of us have rights. There is no destiny. We have responsibilities to ourselves and each other. We have responsibilities and the choice whether or not we live up to those responsibilities.” - Brian Fatah Steele
46. “UNDERTAKER!” the head boomed. “BOY, DO I HAVE A JOB FOR YOU!” - Tom Upton
47. “Most of the laugh tracks on television were recorded in the early 1950’s. These days, most of the people you hear laughing are dead.” - Chuck Palahniuk
48. “Terror is the desire to save your own ass, but horror is rooted in sympathy.” - Joe Hill
49. “It is only when a man feels himself face to face with such horrors that he can understand their true import.” - Bram Stoker
50. “The basis of all true cosmic horror is violation of the order of nature, and the profoundest violations are always the least concrete and describable.” - H.P. Lovecraft
51. “Fantastic literature has been especially prominent in times of unrest, when the older values have been overthrown to make way for the new; it has often accompanied or predicted change, and served to shake up rational Complacency, challenging reason and reminding man of his darker nature. Its popularity has had its ups and downs, and it has always been the preserve of a small literary minority. As a natural challenger of classical values, it is rarely part of a culture's literary mainstream, expressing the spirit of the age; but it is an important dissenting voice, a reminder of the vast mysteries of existence, sometimes truly metaphysical in scope, but more often merely riddling.” - Franz Rottensteiner
52. “The truth of the matter was something much more subtle and tremendous than any plain physical miracle could ever be. But never mind that. The important thing was that, when I did see the stars (riotously darting in all directions according to the caprice of their own wild natures, yet in every movement confirming the law), the whole tangled horror that had tormented me finally presented itself to me in its truth and beautiful shape. And I knew that the first, blind stage of my childhood had ended.” - Olaf Stapledon
53. “Until that afternoon in October four years ago, I hadn't known dogs could scream.” - Stephen King
54. “Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought.” - Stephen King
55. “Seven, Richie thought. That's the magic number. There has to be seven of us. That's the way it's supposed to be.” - Stephen King
56. “I have seen many cases like N. during the five years I've been in practice. I sometimes picture these unfortunates as men and women being pecked to death by predatory birds. The birds are invisible - at least until a psychiatrist who is good, or lucky, or both, sprays them with his version of Luminol and shines the right light on them - but they are nevertheless very real. The wonder is that so many OCDs manage to live productive lives, just the same. They work, they eat (often not enough or too much, it's true), they go to movies, they make love to their girlfriends and boyfriends, their wives and husbands . . . and all the time those birds are there, clinging to them and pecking away little bits of flesh.” - Stephen King
57. “I don't want to die!""Then you should never been born.” - Christopher Pike
58. “I discovered news of old horrors in old books; read intelligence of old atrocities in old periodicals; always in the back of my mind, every day a bit louder, I heard the seashell drone of some growing, coalescing force; I seemed to smell the bitter ozone aroma of lightings-to-come.” - Stephen King
59. “It touched me to be trusted with something terrible.” - Elizabeth Kostova
60. “At bottom, you see, we are not Homo sapiens as all. Our core is madness. The prime directive is murder. What Darwin was too polite to say, my friends, is that we came to rule the earth not because we were the smartest, or even the meanest, but because we have always been the craziest, most murderous motherfuckers in the jungle. And that is what the Pulse exposed five days ago.” - Stephen King
61. “If you focus on the humanity of your stories, your characters, then the horror will be stronger, scarier. Without the humanity, the horror becomes nothing more than a tawdry parlor trick. All flash and no magic, and worst of all, no heart.” - Don Roff
62. “In the end, though, it's all about giving back the teeth that the current 'sweetie-vamp' craze has, by and large, stolen from the bloodsuckers. It's about making them scary again.” - Stephen King
63. “I am like a small creature swallowed whole by a monster, she thought, and the monster feels my tiny little movements inside.” - Shirley Jackson
64. “Suddenly summoned to witness something great and horrendous, we keep fighting not to reduce it to our own smallness.” - John Updike
65. “Do you remember the sight we saw, my soul,that soft summer morninground a turning in the path,the disgusting carcass on a bed scattered with stones,its legs in the air like a woman in needburning its wedding poisonslike a fountain with its rhythmic sobs,I could hear it clearly flowing with a long murmuring sound,but I touch my body in vain to find the wound.I am the vampire of my own heart,one of the great outcasts condemned to eternal laughterwho can no longer smile.Am I dead?I must be dead.” - Charles Baudelaire
66. “It's a rotten world, Miss Millick,' said Mr. Wran, talking at the window. 'Fit for another morbid growth of superstition. It's time the ghosts, or whatever you call them, took over and began a rule of fear, They'd be no worse than men.' ("Smoke Ghost")” - Fritz Leiber
67. “My brothers’ faces haunt me. I hear their children, my nieces and nephews, asking me why I came home without their daddies. I think of their wives, imagine their questions. Our parents, forever seeing the faces of their lost sons when they look at me. They will want answers, demand to know how I survived. And what do I tell them? That I huddled like a baby inside my tent while their killer beckoned me forth for one last stand?” - Kevin Wallis
68. “The little girl’s face was from Will’s vilest nightmares. Cavernous mouth, distended chin, bastardized nose. The enormous, bulging eyes glared at Will, demanded he see the truth, commanded him to acknowledge his sin.” - Kevin Wallis
69. “Maloney looked around my room and nodded like he approved of the extravagance surrounding him: the inch-thick carpet with its diamond designs, the half moon flock of the wallpaper, and the antique furniture, polished to a museum quality shine. The two goons he brought with him flanked the door, equally impressed, I could tell by their dropped jaws and roving, wanton eyes. One of them set a briefcase on the floor beside him. Finally Maloney’s eyes found me, and his expression turned from amazement to shock.“I didn’t expect you to be--”“A Vampire?” I asked, feeling the touch of a smile form on my lips.” - Craig Jones
70. “There are people in the world, who are just wrong, and then there are the masses of population that are right, or at the very least they lie in the veil of between. I on the other hand, do not belong to any group. I don’t exist. It’s not that I don’t have substance; I have a body like everyone else. I can feel the fire when it burns against my skin, the rain when it caresses my face and the breeze as it fingers my hair. I have all the senses that other people do. I am just empty, inside.” - J.D. Stroube
71. “It wasn’t that she necessarily wanted to “socialize” at the bonfire, but she wanted to broadcast to the general population that her antisocial behavior was a personal choice not a sentence to social leprosy.” - J.D. Stroube
72. “I was caged within a four dimensional cube that eclipsed the world around me in an icy mist. I screamed; begging someone, anyone to hear my pleas, but my voice had been extinguished and left me with a slight wheeze from what little oxygen I had. I could glimpse the field of energy as it shrank through the safety of my circle to envelop me in a blazing grip. I was alone; unbearably separated from my haven.” - J.D. Stroube
73. “Ms. Fang is the nicest, sweetest teacher at Scary School. She only ate twelve kids last year.” - Derek The Ghost
74. “You have the right to remain silent,' the big cop said in his robot's voice. 'If you do not choose to remain silent, anything you say may be used against you in a court of law. You have the right to an attorney. I'm going to kill you. If you cannot afford an attorney, one will be provided for you. Do you understand your rights as I have explained them to you?” - Stephen King
75. “I could a tale unfold whose lightest wordWould harrow up thy soul, freeze thy young blood,Make thy two eyes like stars start from their spheres,Thy knotted and combined locks to part,And each particular hair to stand on endLike quills upon the fretful porpentine.But this eternal blazon must not beTo ears of flesh and blood.List, list, O list!” - William Shakespeare
76. “Jesus Christ-" "Is Not here right now," the man in black replied,"and even if he were, he could not save you.” - Brian Keene
77. “It's why I get miffed at all the dashing around in recent zombie films. It completely misses the point; transforms the threat to a straightforward physical danger from the zombies themselves, rather than our own inability to avoid them and these films are about us, not them. There's far more meat on the bones of the latter, far more juicy interpretation to get our teeth into. The first zombie is by comparison thin and one dimensional and ironically, it is down to all the exercise.” - Simon Pegg
78. “Even if she be not harmed, her heart may fail her in so much and so many horrors; and hereafter she may suffer--both in waking, from her nerves, and in sleep, from her dreams.” - Bram Stoker
79. “Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen.” - Kealan Patrick Burke
80. “I suppose the best way to tell the story is simply to narrate it, without an effort to carry belief. The thing did not require belief. It was not a feeling of horror in one's bones, or a misty outline, or anything that needed to be given actuality by an act of faith. It was as solid as a wardrobe. You don't have to believe in wardrobes. They are there, with corners. (The Troll)” - T.H. White
81. “With horror he perceived that, by uniting himself as he had with the dead, he had cut himself off from the living. Stripped of all earthly hope, bereft of every consolation, he was rendered as poor as mortal can possiblybe on this side of the grave.” - Ludwig Tieck
82. “Deep inside her (ih her harrowed soul) she felt a glowing ember of fury at the man responsible for this. Tha man who had put her in this position. She looked at the pistol lying beside the basin, and knew that if he were here, she would use it on him without a moment's hesitation. Knowing that made her feel confused about herself. It also made her feel a little stronger.” - Stephen King
83. “Either the gates of hell had opened, or Tom had lost his mind; for there could be nothing like this entity outside the precincts of the damned, except in the fevered fantasies of a raving paranoid psychopath” - Dean Koontz
84. “He wanted to roar like a lion on a cement floor. And bellow like a polar bear with yellow fur worn down to pink skin against the tiles of an enclosure in a zoo. The disgust must come. Let it drip down the walls. Scorch the ceiling black with hatred. Liberate rage.” - Adam Nevill
85. “She stooped for a stone and dropped it down.'Fancy being where that is now,' she said, peering into the blackness; 'fancy going round and round like a mouse in a pail, clutching at the slimy sides, with the water filling your mouth, and looking up to the little patch of sky above.''You had better come in,' said Benson, very quietly. 'You are developing a taste for the morbid and horrible.' ("The Well")” - W.W. Jacobs
86. “Dreading dusk, fearing night, praying for dawn.” - Gregory J. Saunders
87. “Do one thing for me, Sredni Vashtar.” - H. H. Munro (Saki)
88. “No I'm not a dream, I'm your worst nightmare” - C.T. Todd
89. “Sometimes the hardest journeys are the ones that begin with little hope. But we need to take them anyway.” - Richard Finney
90. “It was as if the city itself was preparing for some impending catastrophe. There had always been talks of ghost and darkness here, even in his boyhood, and now that darkness seems to be seeping from the stones and timbers as much as it was descending from heavens.” - K.J. Wignall
91. “...Don't be surprised, and I say it darkly, do not be surprised if you lose your Luke in this cause; perhaps Mrs. Dudley has not yet had her own mid morning snack, and she is perfectly capable of a filet de Luke á la meuniére, or perhaps dieppoise, depending upon her mood; if I do not return" -and he shook his finger warningly under the doctor's nose- "I entreat you to regard your lunch with the gravest suspicion." Bowing extravagantly, as befitted one off to slay a giant, he closed the door behind him.” - Shirley Jackson
92. “It is not what we know that scares us, it is what we do not” - A.G. Phillips
93. “There was something awesome in the thought of the solitary mortal standing by the open window and summoning in from the gloom outside the spirits of the nether world.” - Arthur Conan Doyle
94. “Hey, Tracy you army brat, I think it’s for you!” - Mark Mackey
95. “Either way, it happened, and everyone was going to pretend that it didn't.” - C.V. Hunt
96. “Hexen stehen immer zwischen Birken” - Walter Moers
97. “The sea had jeeringly kept his finite body up, but drowned the infinite of his soul. Not drowned entirely, though. Rather carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro before his passive eyes; and the miser-merman, Wisdom, revealed his hoarded heaps; and among the joyous, heartless, ever-juvenile eternities, Pip saw the multitudinous, God-omnipresent, coral insects, that out of the firmament of waters heaved the colossal orbs. He saw God’s foot upon the treadle of the loom, and spoke it; and therefore his shipmates called him mad. So man’s insanity is heaven’s sense; and wandering from all mortal reason, man comes at last to that celestial thought, which, to reason, is absurd and frantic; and weal or woe, feels then uncompromised, indifferent as his God.” - Herman Melville
98. “That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.” - H.P. Lovecraft
99. “Imagination, of course, can open any door - turn the key and let terror walk right in.” - Truman Capote
100. “It was an unusual sunset. Having sat behind opaque drapery all day, I had not realized that a storm was pushing in and that much of the sky was the precise shade of old suits of armor one finds in museums. At the same time, patches of brilliance engaged in a territorial dispute with the oncoming onyx of the storm. Light and darkness mingled in strange ways both above and below. Shadows and sunshine washed together, streaking the landscape with an unearthly study of glare and gloom. Bright clouds and black folded into each other in a no-man's land of the sky. The autumn trees took on the appearance of sculptures formed in a dream, their leaden-colored trunks and branches and iron-red leaves all locked in an infinite and unliving moment, unnaturally timeless. The gray lake slowly tossed and tumbled in a dead sleep, nudging unconsciously against its breakwall of numb stone. A scene of contradiction and ambivalence, a tragicomedic haze over all. A land of perfect twilight.” - Thomas Ligotti
101. “Bunch together a group of people deliberately chosen for strong religious feelings, and you have a practical guarantee of dark morbidities expressed in crime, perversion, and insanity.” - H. P. Lovecraft
102. “It had been a bad trip ... fast and wild in some moments, slow and dirty in others, but on balance it looked like a bummer. On my way back to San Francisco, I tried to compose a fitting epitaph. I wanted something original, but there was no escaping the echo of Mistah Kurtz' final words from the heart of darkness: "The horror! The horror! ... Exterminate all the brutes!” - Hunter S. Thompson
103. “The zombie looks like a man, walks like a man, eats and otherwise functions fully, yet is devoid of the spark. It represents the nagging doubt that lays deep in the heart of even the most zealous believer: behind all of your pretty songs and stained glass, this is what you really are. Shambling meat. Our true fear of the zombie was never that its bite would turn us into one of them. Our fear is that we are already zombies.” - David Wong
104. “You’d have been scared too if that big troglodyte had put his hands on you. He smelled like dirty socks and store brand cola.” Chet Andrews” - Aaron Crabill
105. “You’re just spooked. It’s Halloween; we’re all kind of spooked. That’s just the way it is. - Tory” - Matthew Leeth
106. “The thing, whatever it was - and no one was ever sure afterwards whether it was a dream or a fit or what - happened at that peculiar hour before dawn when human vitality is at its lowest ebb. The Blue Hour they sometimes call it, l'heure bleue - the ribbon of darkness between the false dawn and the true, always blacker than all the rest of the night has been before it. Criminals break down and confess at that hour; suicides nerve themselves for their attempts; mists swirl in the sky; and - according to the old books of the monks and the hermits - strange, unholy shapes brood over the sleeping rooftops.At any rate, it was at this hour that her screams shattered the stillness of that top-floor apartment overlooking the Pare Monceau. Curdling, razor-edged screams that slashed through the thick bedroom door. ("I'm Dangerous Tonight")” - Cornell Woolrich
107. “Would to Heaven we had never approached them at all, but had run back at top speed out of that blasphemous tunnel with the greasily smooth floors and the degenerate murals aping and mocking the things they had superseded-run back, before we had seen what we did see, and before our minds were burned with something which will never let us breathe easily again!” - H.P. Lovecraft
108. “Julian tried to keep a pleasant smile on his face, though already it felt strained. He was uncomfortable with people who used the word blessed as a part of their everyday speech. The implication was that God was intervening in the minutiae of their lives, hanging around and helping them with their jobs or children or household chores as though He had nothing better to do. Maybe it was true, Julian thought wryly. Maybe that was why there were wars and murders and earthquakes and hurricanes. God was too busy helping real estate agents find new listings to deal with those other issues.” - Bentley Little
109. “But it bothers you. It pisse you off that I'm not crippled with debt or saddled with some moody bitch. Instead, you PR your lives and act like I'm supposed to ency you.....” - Adam Neville
110. “The glove comes off, flops loosely over, and there's suddenly horror beating into his brain, smashing, pounding, battering. He reels a little in his chair, has to hold onto the edge of the table with both hands, at the impact of it. A clawlike thing - two of the finger extremities already bare of flesh as far as the second joint; two more with only shriveled, bloodless, rotting remnants of it adhering, only the thumb intact, and that already unhealthy-looking, flabby. A dead hand - the hand of a skeleton - on a still-living body. A body he was dancing with only a few minutes ago. A rank odor, a smell of decay, of the grave and of the tomb, hovers about the two of them now.A woman points from the next table, screams. She's seen it, too. She hides her face, cowers against her companion's shoulder, shudders. Then he sees it too. His collar's suddenly too tight for him. Others see it, one by one. A wave of impalpable horror spreads centrifugally from that thing lying there in the blazing electric light on O'Shaughnessy's table. The skeleton at the feast! ("Jane Brown's Body")” - Cornell Woolrich
111. “Girls are caterpillars while they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don't you see - each with their peculiar propensities, necessities and structure.” - Joseph Sheridan Le Fanu
112. “It was the kind of scream that would be in a horror movie right before someone got chopped up into little bitty pieces.” - Missy Lyons
113. “The stink of rot and ruin, of old dreams, broken screams, and wicked, dirty little things.” - Damien Walters Grintalis
114. “Our little tribal circles, bound by social contracts and selfish mutual need. Everyone working in their own greedy self-interests and huddling together with their tribe, at war with all those outside who they regard as barely human. What breaks a human mind out of that iron cage of mistrust, is a sacrifice. The martyr who gives up everything, who abandons all personal gain, who lays down his life for the good of those outside his group. He becomes a symbol all can rally around. So instead of trying to make a selfish, violent primate somehow empathize with the whole world, which is impossible, you only need to get him to remember and love the martyr. As one is forgotten, another must replace it.” - David Wong
115. “To conceive the horror of my sensations is, I presume, utterly impossible; yet a curiosity to penetrate the mysteries of these awful regions predominates even over my despair, and will reconcile me to the most hideous aspect of death.” - Edgar Allan Poe
116. “Who knew death could lead to an eating disorder?” - Corey Redekop
117. “The book the snowman was the best book I have ever read it had suspence durring the whole book it was AWSOME!!!” - R.L. Stine
118. “Sparks are warm while they last.” - Susan Price
119. “Eu só sonho horrores hilários.” - Filipe Russo
120. “If I did not believe in life, if I were to lose faith in the woman I love, if I were to lose faith in the order of things, even if I were to become convinced, on the contrary, that everything is a disorderly, damned, and perhaps devilish chaos, if I were struck even by all the horrors of human disillusionment-still I would want to live, and as long as I have bent to this cup, I will not tear myself from it until I've drunk it all!” - Fyodor Dostoyevsky The Brothers Karamazov
121. “Il paese di Verulengo si estende come un serpente in provincia di Verona, lungo la strada provinciale 9a."Incipit.” - Fabrizio Valenza
122. “Our house was an old Tudor mansion. My father was very particular in keeping the smallest peculiarities of his home unaltered. Thus the many peaks and gables, the numerous turrets, and the mullioned windows with their quaint lozenge panes set in lead, remained very nearly as they had been three centuries back. Over and above the quaint melancholy of our dwelling, with the deep woods of its park and the sullen waters of the mere, our neighborhood was thinly peopled and primitive, and the people round us were ignorant, and tenacious of ancient ideas and traditions. Thus it was a superstitious atmosphere that we children were reared in, and we heard, from our infancy, countless tales of horror, some mere fables doubtless, others legends of dark deeds of the olden time, exaggerated by credulity and the love of the marvelous. ("Horror: A True Tale")” - John Berwick Harwood
123. “I shook with cold and fear, without being able to answer. After a lapse of some moments, I was again called. I made an effort to speak, and then felt the bandage which wrapped me from head to foot. It was my shroud. At last, I managed feebly to articulate, 'Who calls?' 'Tis I' said a voice.'Who art thou?' 'I! I! I!' was the answer; and the voice grew weaker, as if it was lost in the distance; or as if it was but the icy rustle of the trees. A third time my name sounded on my ears; but now it seemed to run from tree to tree, as if it whistled in each dead branch; so that the entire cemetery repeated it with a dull sound. Then I heard a noise of wings, as if my name, pronounced in the silence, had suddenly awakened a troop of nightbirds. My hands, as if by some mysterious power, sought my face. In silence I undid the shroud which bound me, and tried to see. It seemed as if I had awakened from a long sleep. I was cold.I then recalled the dread fear which oppressed me, and the mournful images by which I was surrounded. The trees had no longer any leaves upon them, and seemed to stretch forth their bare branches like huge spectres! A single ray of moonlight which shone forth, showed me a long row of tombs, forming an horizon around me, and seeming like the steps which might lead to Heaven. All the vague voices of the night, which seemed to preside at my awakening, were full of terror. ("The Dead Man's Story")” - Hain Friswell
124. “And the bubbles of light again rose and fell, and in their disordered, irregular, turbulent maze, mingled with the wan moonlight. And now from these globules themselves as from the shell of an egg, monstrous things burst out; the air grew filled with them; larvae so bloodless and so hideous that I can in no way describe them except to remind the reader of the swarming life which the solar microscope brings before his eyes in a drop of water - things transparent, supple, agile, chasing each other, devouring each other - forms like nought ever beheld by the naked eye. As the shapes were without symmetry, so their movements were without order. In their very vagrancies there was no sport; they came round me and round, thicker and faster and swifter, swarming over my head, crawling over my right arm, which was outstretched in involuntary command against all evil beings. ("The House And The Brain")” - Edward George Bulwer-Lytton
125. “Evan had heard it all before. A paradise underground, made for things like the worm in front of him. A place where Evan would forget he had ever been human, forget he had a mother, maybe even forget his own name. This thing did not remember its own, Evan was sure of it.” - Mary G. Thompson
126. “You’re forgetting… we never get in trouble in that class. Remember I gave Mr. Hendry that lap dance last year. I’m thinking he’s expecting one this year as well. - Carol” - Matthew Leeth
127. “If we were to gain God's perspective, even for a moment, and were to look at the way we go through life accumulating and hoarding and displaying our things, we would have the same feelings of horror and pity that any sane person has when he views people in an asylum endlessly beating their heads against the wall.” - Randy Alcorn
128. “Wieder hob sie den Blick und richtete die Lampe auf ihr Gesicht. Sie schaute zum Fenster hinüber. Ihre Züge waren jetzt fast noch deutlicher. Sie konnte die Details um ihre Nase studieren, den Mund. Die Haare. Sie sah nicht gut aus. Resigniert schaltete sie die Lampe aus und ließ sie sinken.Und da sah sie es.Ihr Spiegelbild verschwand nicht.Es blieb im Fenster hängen, noch deutlicher als zuvor.Eine Sekunge lang ließ sie sich davon einfach faszinieren.Sie schnitt eine Grimasse.Aber das Spiegelbild veränderte sich nicht.” - Johan Harstad
129. “It feels as though Tony's a ghost, a wisp of someone I once loved, or never loved at all and thought was someone else. I don't feel anything, not even when he fucks me. I wonder if he knows. I wonder if he believes I still want him. I always tell myself it's the last time, but I don't leave. i exist instead inside this shell of a life we've created.” - Sandy DeLuca
130. “Be safe on this wicked night.” - Sandy DeLuca
131. “She had gone through the veil and returned to Earth. But the veil only opens one way.” - S.K.N. Hammerstone
132. “Goodreads.com is actually about fiction not dreading goo. But I have a profile there, anyway...” - Michael A. Arnzen
133. “From the short story (and anthology containing it) DONNY DOESN'T LIVE HERE ANYMORE :Donny acted like he didn’t hear me. “You can’t send your mom off into eternity looking like that, Artie. She wouldn’t like it.” He reached into my mother’s casket, shoved his fingers into her mouth like it was the most logical thing in the world. “Donny, you can’t --!” “I’m just making her look right, Artie. It’s what she would want.” He tugged hard at my mom’s lips. I knew they were cold because I had kissed them a few moments earlier, and for a moment I felt convinced my friend had completely lost his mind. But when I looked inside Mom’s casket I knew Donny had done something only a best friend would think to do. My mother was smiling again. And she looked just the way I remembered her, the way I would always want to remember her. I got so choked up I couldn’t talk for a few minutes. Finally I managed, “My mother always told me you could make her smile.” - Ken Goldman
134. “Do not wander in the deeps,Where the Shriker's shadow creeps.When he rises from beneath,Beware the Sharpness of his teeth.” - Janet Lee Carey
135. “It was like some mad scientist threw a bunch of DNA into a blender and this is what came out. What the heck could it be? Was it some kind of alien? A scientific experiment gone horribly wrong? Did we have a Dr. Frankenstein living in Billings? Seriously, the creature looked like a resurrected Wookiee made from spare parts.” - Kendra C. Highley
136. “As vozes confluíram num só mesmo cângrito de vida e horror.” - Filipe Russo
137. “The scratching came from the attic. At night, when Rory turned out the light I would lie awake and wait for it to skit, skit, skit lightly across the floorboards above our heads and down behind the water pipes.” - Kate Chisman
138. “I turned to him and he reached for my hand. It would have been easier to walk away. But the wind still blew around us and the house still stood.” - Kate Chisman
139. “I have no idea how long Quisser was gone from the table. My attention became fully absorbed by the other faces in the club and the deep anxiety they betrayed to me, an anxiety that was not of the natural, existential sort but one that was caused by peculiar concerns of an uncanny nature. What a season is upon us, these faces seemed to say. And no doubt their voices would have spoken directly of certain peculiar concerns had they not been intimidated into weird equivocations and double entendres by the fear of falling victim to the same kind of unnatural affliction that had made so much trouble in the mind of the art critic Stuart Quisser. Who would be next? What could a person say these days, or even think, without feeling the dread of repercussion from powerfully connected groups and individuals? I could almost hear their voices asking, "Why here, why now?" But of course they could have just as easily been asking, "Why not here, why not now?" It would not occur to this crowd that there were no special rules involved; it would not occur to them, even though they were a crowd of imaginative artists, that the whole thing was simply a matter of random, purposeless terror that converged upon a particular place at a particular time for no particular reason. On the other hand, it would also not have occurred to them that they might have wished it all upon themselves, that they might have had a hand in bringing certain powerful forces and connections into our district simply by wishing them to come. They might have wished and wished for an unnatural evil to fall upon them but, for a while at least, nothing happened. Then the wishing stopped, the old wishes were forgotten yet at the same time gathered in strength, distilling themselves into a potent formula (who can say!), until one day the terrible season began. Because had they really told the truth, this artistic crowd might also have expressed what a sense of meaning (although of a negative sort), not to mention the vigorous thrill (although of an excruciating type), this season of unnatural evil had brought to their lives.("Gas Station Carnivals")” - Thomas Ligotti
140. “All of us had problems, it seemed, whose sources were untraceable, crossing over one another like the trajectories of countless raindrops in a storm, blending to create a fog of delusion and counter-delusion. Powerful forces and connections were undoubtedly at play, yet they seemed to have no faces and no names, and it was anybody's guess what we - a crowd of deluded no-talents - could have possibly done to offend them. We had been caught up in a season of hideous magic from which nothing could offer us deliverance.("Gas Station Carnivals")” - Thomas Ligotti
141. “My name is Patricia Lauren Bordeaux, and I, like my creator before me, am a very lonely vampire.” - S.C. Parris