July 6, 2024, 2:45 p.m.
Are you a fan of drama that captivates the heart and stimulates the mind? Whether it's through theater, film, or literature, drama has a unique power to evoke deep emotions and offer profound insights into the human experience. To celebrate this compelling genre, we've gathered a curated collection of the top 145 drama quotes that showcase the brilliance and intensity of dramatic storytelling. From timeless classics to modern masterpieces, these quotes encapsulate moments that stay with us long after the curtain falls or the last page is turned. Dive in and let these powerful words remind you why drama, in all its forms, holds a special place in our lives.
1. “I never travel without my diary. One should always have something sensational to read in the train.” - Oscar Wilde
2. “All the world's a stage and most of us are desperately unrehearsed.” - Seán O'Casey
3. “The plays should have the half-life of plutonium.” - Suzan-Lori Parks
4. “Belize: Hell or heaven? [Roy indicates "Heaven" through a glance]Belize: Like San Francisco.Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit.Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens.Roy Cohn: Isaiah.Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths.Roy Cohn: And a dragon atop a golden horde.Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there.Roy Cohn: And Heaven?Belize: That was Heaven, Roy.” - Tony Kushner
5. “Every reiteration of the idea that _nothing matters_ debases the human spirit.Every reiteration of the idea that there is no drama in modern life, there is only dramatization, that there is no tragedy, there is only unexplained misfortune, debases us. It denies what we know to be true. In denying what we know, we are as a nation which cannot remember its dreams--like an unhappy person who cannot remember his dreams and so denies that he does dream, and denies that there are such things as dreams.” - David Mamet
6. “The drama of the essay is the way the public life intersects with my personal and private life. It's in that intersection that I find the energy of the essay.” - Richard Rodriguez
7. “When you don't know where you're going, you drive on the highway.” - Roger Hedden
8. “We do on stage things that are supposed to happen off. Which is a kind of integrity, if you look on every exit as being an entrance somewhere else.” - Tom Stoppard
9. “I know when my life is over my writings will live on, perhaps in a story or maybe a sweet love song. You see, I do not write for glory or to get anything for free. I just sit down and I write, because it makes so much sense to me.” - Terri F. Williams
10. “She had no tolerance for scenes which were not of her own making.” - Edith Wharton
11. “Everyone thinks I named my cat Mango because of his orange eyes, but that's not the case. I named him Mango because the sounds of his purrs and his wheezes and his meows are all various shades of yellow-orange.” - Wendy Mass
12. “I am not interested in living in a city where there isn't a production by Samuel Beckett running.” - Edward Albee
13. “Your mother won a special reward," she told me, "because everyone had a head in her pictures. We all applauded.” - Sarah Dessen
14. “Rogerson," I asked him sweetly as we sat watching a video in the pool house, "where would I find the pelagic zone?""In the open sea," he said. "Now shut up and eat your Junior Mints.” - Sarah Dessen
15. “Symbols are nothing but the natural speech of drama.” - Tennessee Williams
16. “A darkness different from Ember's, but just as frightening...” - Jeanne DuPrau
17. “Every true genius is bound to be naive.” - Friedrich Schiller
18. “You can’t save others from themselves because those who make a perpetual muddle of their lives don’t appreciate your interfering with the drama they’ve created. They want your poor-sweet-baby sympathy, but they don’t want to change.” - Sue Grafton
19. “It is as it is. Betren son of Bromwell Defender of Delmarath” - Cynthia Willerth
20. “...then we went skinny dippin' and did things that frighten the fish...Character, Shelby Eatonton, from the movie, Steel Magnolias.” - Robert Harling
21. “A tragic situation exists precisely when virtue does NOT triumph but when it is still felt that man is nobler than the forces which destroy him.” - George Bernard Shaw
22. “Anger precedes hate, while love vicariously hangs in the balance.” - Lorraine Gokul
23. “Has anybody ever seen a drama critic in the daytime? Of course not. They come out after dark, up to no good.” - P.G. Wodehouse
24. “Prior to her reading of the poem, light tears washed over him. He seemed to be leaking out moments that were, as far as he could tell, stored in physical parts of his body – in his shoulders, his back, his stomach. His body remembered things that his brain ignored.” - U.L. Harper
25. “The stage is a magic circle where only the most real things happen, a neutral territory outside the jurisdiction of Fate where stars may be crossed with impunity. A truer and more real place does not exist in all the universe.” - P.S. Baber
26. “Romance is everything to turn it into a cause for given is priceless” - Maxine Wilson-Perry
27. “Would you dare to walk with the beast on the dark side of the moon?” - Demetri Daskova
28. “Let's sing our way out of this” - Isabel
29. “Hal yang terpenting dalam cinta adalah persahabatan. Dan hal yang terpenting dalam persahabatan adalah cinta ...” - Winna Efendi
30. “I prefer brunettes.” - Stephanie Meyer
31. “What, my dear Lady Disdain! are you yet living?Beatrice: Is it possible disdain should die while she hathsuch meet food to feed it as Signior Benedick?” - William Shakespeare
32. “I am who I am and always shall be.” - Laura Elizabeth
33. “How I love - writing, acting, breathing the atmosphere- and one day I'll have it. If I cannot write, I shall die.” - Lily Koppel
34. “And, since they are theater people, they are all talking. All of them. Simultaneously. They do not need to be heard; they only need to be speaking.” - John Green
35. “I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.” - Humphrey Bogart
36. “Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces.” - Virginia Woolf
37. “The reader is the final arbiter.” - Sam Reaves
38. “There are things in this comedy of Pyramus and Thisby that will never please. First, Pyramus must draw a sword to kill himself; which the ladiescannot abide. How answer you that?SNOUTBy'r lakin, a parlous fear.STARVELINGI believe we must leave the killing out, when all is done.BOTTOMNot a whit: I have a device to make all well.Write me a prologue; and let the prologue seem tosay, we will do no harm with our swords, and thatPyramus is not killed indeed; and, for the morebetter assurance, tell them that I, Pyramus, am notPyramus, but Bottom the weaver: this will put themout of fear.QUINCEWell, we will have such a prologue; and it shall bewritten in eight and six.BOTTOMNo, make it two more; let it be written in eight and eight.” - William Shakespeare
39. “What sort of attractions do you think lured our coreligionists out of the ghetto and into the mainstream of European culture? Was it the wit of Molière, or the ingenious stage mechanisms of Pixérécourt? Or was it simply the opportunity to cast an eye, without shame, upon the living, unclad human form?” - Ben Katchor
40. “If she spoke, she would tell him the truth: she was not okay at all, but horribly empty, now that she knew what it was like to be filled.” - Jodi Picoult
41. “No amount of fire or freshness can challenge what a man will store up in his ghostly heart.” - F. Scott Fitzgerald
42. “Drama is based on the Mistake.” - W.H. Auden
43. “When he kisses me again, the last part of me that could stand myself dies.” - Karen Marie Moning
44. “A day wasted on others is not wasted on one's self.” - Charles Dickens
45. “If there really is such a thing as turning in one's grave, Shakespeare must get a lot of exercise.” - George Orwell
46. “Smartass Disciple: Master, I don’t need a fairytale.I need you to tell me the truth. Master of Stupidity: It is not funny if you just found it. No drama if no lost at first.” - Toba Beta
47. “Physicality is the basis of performance.” - David Petersen
48. “The theater is a communal event, like church. The playwright constructs a mass to be performed for a lot of people. She writes a prayer, which is really just the longings of one heart.” - Marsha Norman
49. “The crimson leaf that blew past looked the twin of the one she'd picked up in the palace courtyard: a bloodied hand.” - S.M. Jonas
50. “Never trust a pretty girl with an ugly secret.” - Sara Shepard
51. “Life is like the drama on a stage.What was once declared as a sin, perhaps much worse nowadays.” - Toba Beta
52. “It took me years to figure out that upset was upset, and tumultuousness was not the same thing as passion. Love isn't drama.” - Deb Caletti
53. “Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?” - David Mamet
54. “In the language of an actor, to know is synonymous with to feel” - Constantin Stanislavski
55. “always enjoying reading books” - Belal Fadl / بلال فضل
56. “What after all, is a halo? It's only one more thing to keep clean.” - Christopher Fry
57. “Theatres are curious places, magician's trick-boxes where the golden memories of dramtic triumphs linger like nostalgic ghosts, and where the unexplainable, the fantastic, the tragic, the comic and the absurd are routine occurences on and off the stage. Murders, mayhem, politcal intrigue, lucrative business, secret assignations, and of course, dinner.” - E.A. Bucchianeri
58. “The leap of faith is this: You have to believe, or at least pretend you believe until you really believe it, that you are strong enough to take life face on. Eating disorders, on any level, are a crutch. They are also an addiction and illness, but there is no question at all that they are quite simply a way of avoiding the banal, daily, itchy pain of life. Eating disorders provide a little drama, they feed into the desire for constant excitement, everything becomes life-or-death, everything is terribly grand and crashing, very Sturm and Drang. And they are distracting. You don't have to think about any of the nasty minutiae of the real world, you don't get caught up in that awful boring thing called regular life, with its bills and its breakups and its dishes and laundry and groceries and arguments over whose turn it is to change the litter box and bedtimes and bad sex and all that, because you are having a real drama, not a sitcom but a GRAND EPIC, all by yourself, and why would you bother with those foolish mortals when you could spend hours and hours with the mirror, when you are having the most interesting sado-machistic affair with your own image?” - Marya Hornbacher
59. “All drama is about lies. All drama is about something that’s hidden. A drama starts because a situation becomes imbalanced by a lie. The lie may be something we tell each other or something we think about ourselves, but the lie imbalances a situation. If you’re cheating on your wife the repression of that puts things out of balance; or if you’re someone you think you’re not, and you think you should be further ahead in your job, that neurotic vision takes over your life and you’re plagued by it until you’re cleansed. At the end of a play the lie is revealed. The better the play the more surprising and inevitable the lie is. Aristotle told us this” - David Mamet
60. “Get busy with the issue! In this regard, time is not friendly…nor should it be.” - T.F. Hodge
61. “If he's the person i think he is, he'll handle it just right" Tarah had said. "If not, your better off without him.” - Paul Langan
62. “Goodness is nothing in the furnace of art.” - Peter Shaffer
63. “If by any chance a playwright wishes to express a political opinion or a moral opinion or a philosophy, he must be a good enough craftsman to do it with so much spice of entertainment in it that the public get the message without being aware of it.” - Noel Coward
64. “"One cannot be a mother without first being a person; family, husband, and children should not be allowed, as is so often the case, to steal a woman’s selfhood and her dreams." Mother to Sherlock, Mycroft, and Enola Holmes by author Nancy Springer” - Vannessagrace
65. “The basis of drama is ... is the struggle of the hero towards a specific goal at the end of which he realizes that what kept him from it was, in the lesser drama, civilization and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable. The example Aristotle uses, of course, is Oedipus.” - David Mamet
66. “We are only victims if we allow ourselves to be.” - McCartney Green
67. “Taking on too much of other people's drama is just a poor excuse for not taking ownership and control over your own life.” - José N. Harris
68. “It's going to be okay. That's what everyone says when they really have no idea how it's going to be.” - Avery Sawyer
69. “Wes sat in a cracked vinyl booth picking at his fries and listening to Amanda go on and on about the dress she'd found. '...and it has these little lavender bows. Oh, Wes, I can't wait 'til you see it.' She gesticulated wildly, and her only saving grace right now was her amazing rack that swayed and bounced with each movement. Sometimes he swore that was the only reason he ever looked crosswise at Amanda Price. That, and her daddy's checkbook. 'And I found these shoes--" 'Uh huh, that's nice,' he cut her off and slid free from the booth. He held out his hand. 'Got the card?' He waved the bill in the air at her questioning gaze. Was she a little cross-eyed, maybe? He thought so.” - Brandi Salazar
70. “Come on up, boys-I'm dead.” - Dylan Thomas
71. “Drama is real life – with the dull parts left out.” Alfred Hitchcock” - Marja McGraw
72. “...Love can give you the most exhilarating wonderful highs at times... ...Then there will be dives that will take all you have just to hold on... Quote on the Title Page of "Love TORN Asunder” - Elizabeth Funderbirk
73. “I said the first thing that came into my head unfortunately. "Save the drama for your mama " I told her just like an eleven-year-old.” - Charlaine Harris
74. “Hey Kate, you coming to our show Friday night?" He leaned in close and touched my shoulder. "The guys would love to see you there.""Yes. Yes, the guys would indeed." Carter rolled his eyes and smirked. I held back my grin, well aware that he was laughing inwardly at the same thing I was. When Dean spoke of 'the guys,' he mostly meant himself. With a body like a Ken doll and hair like Meredith's McDreamy, I couldn't figure out for the life of me what he wanted with me.” - Rachael Wade
75. “I winked and locked my arm in Carter's, and we stood there, watching Dean stroll away."You know the guy's never gonna give up," Carter nudged me, letting out a sigh."We'd have really pretty babies, huh?""Yup. They'd be rad little Brangelinas, running around tearing the place up.""Yeah, you're right. My rejection is such a disservice to the world...” - Rachael Wade
76. “Is there a problem, Ms. Parker? Something you want to say to me?" Reaching for his tie, he began to loosen it, unraveling it with his fingers, angry eyes still locked on mine."I'm not sure I like being your pet. Or science project, I don't know which.""You have a smart mouth.""You make smart observances.""You're going to make this invitation difficult, aren't you?""If you're dishonest with me, yes.""You'll regret it if you don't accept.""Is that a threat?""That's a promise.” - Rachael Wade
77. “The second he slipped inside of me, all I'd doubted, questioned, or feared evaporated, leaving me with one single, definite truth--I'd fallen in love with him in an all-consuming blaze that would blind me if I wasn't careful. We fit together like poorly cut puzzle pieces, but when the edges joined and were positioned just right, our scattered images came together to create a solid, deliberate piece of art, completely crystal clear and in focus. I was a goner.” - Rachael Wade
78. “Stumbling closer, I held up the manuscript, the pages flapping frantically in the wind. “I take it this is a murder mystery? You killed the ex-fiancée and thanked her in the dedication? Mighty dignified of you, I must say.”“Nah. It’s a horror novel. But yeah, the bimbo dies in the end. Bob Hall says it’s going to be a bestseller, so I figured I owed her some thanks for the inspiration.” He edged a few feet closer, his smile spread from ear to ear. The glimmer in his eyes flickered toward the ocean, breaking our connection. He hung his head, licked his lips, then returned his eyes to mine, restoring the connection with an intense smolder. “Are you gonna get over here, or what?”Letting out a soft chuckle, the tears began to blind me. “Make me.” - Rachael Wade
79. “No I'm not a dream, I'm your worst nightmare” - C.T. Todd
80. “Crazy got nothin on us" Neesa” - C.T. Todd
81. “I feel a blood moon rising" Neesa” - C.T. Todd
82. “Tragedy's language stresses that whatever is within us is obscure, many faceted, impossible to see. Performance gave this question of what is within a physical force. The spectators were far away from the performers, on that hill above the theatre. At the centre of their vision was a small hut, into which they could not see. The physical action presented to their attention was violent but mostly unseen. They inferred it, as they inferred inner movement, from words spoken by figures whose entrances and exits into and out of the visible space patterned the play. They saw its results when that facade opened to reveal a dead body. This genre, with its dialectics of seen and unseen, inside and outside, exit and entrance, was a simultaneously internal and external, intellectual and somatic expression of contemporary questions about the inward sources of harm, knowledge, power, and darkness.” - Ruth Padel
83. “We dream — it is good we are dreaming —It would hurt us — were we awake —But since it is playing — kill us,And we are playing — shriek —What harm? Men die — externally —It is a truth — of Blood —But we — are dying in Drama —And Drama — is never dead —Cautious — We jar each other —And either — open the eyes —Lest the Phantasm — prove the Mistake —And the livid SurpriseCool us to Shafts of Granite —With just an Age — and Name —And perhaps a phrase in Egyptian —It's prudenter — to dream —” - Emily Dickinson
84. “No I am not okay. I've just been pulled out of play tryouts where I had to be the first to audition and everyone's trying out for the same parts, I just had a very bizarre conversation with the school secretary, Megan may be throwing up her cucumber sandwiches, I've broken five of the seven deadly sins in as many hours, a demon may be inside a girl in my world religions class, Grant Brawner called me by name, my license photo looks like a dead fish, I have to drive my friends all over town in two hours when I've never even driven without Dad before, none of my birthday wishes have come true yet, and now you're here with muffins like I'm in second grade? So, no, I am not ok.” - Wendy Mass
85. “The whole world can become the enemy when you lose what you love.” - Kristina McMorris
86. “……, but as I am a scholar I feel obliged to document what it is like here, most of the time, between the dramatic climaxes. In truth it is like this: You cannot imagine how time can be so still. It hangs. It weighs, and yet there is so little of it. It goes so slowly and it is so scarce. If I was writing this scene it would last a full 15 minutes. I would lie here and you would sit there.” - Margaret Edson
87. “If you're going to give me something, give me something I'll miss.excerpt from: freefalling” - Darlenne Susan Girard
88. “It is suicide to be abroad. But what it is to be at home, ... what it is to be at home? A lingering dissolution.” - Samuel Beckett
89. “They met me in the day of success: and I havelearned by the perfectest report, they have more inthem than mortal knowledge. When I burned in desireto question them further, they made themselves air,into which they vanished. Whiles I stood rapt inthe wonder of it, came missives from the king, whoall-hailed me 'Thane of Cawdor;' by which title,before, these weird sisters saluted me, and referredme to the coming on of time, with 'Hail, king thatshalt be!' This have I thought good to deliverthee, my dearest partner of greatness, that thoumightst not lose the dues of rejoicing, by beingignorant of what greatness is promised thee. Lay itto thy heart, and farewell.” - William Shakespeare
90. “Upon the publication of Goethe’s epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy.” - E.A. Bucchianeri
91. “I really wasn't sure if I wanted this guy knowing where I lived. After all, he was wielding a baseball bat, and I had just seen him strike several people with that bat.” - Holly Hood
92. “Damn it! Are you so stupid you don't know what I'm going to do to you?"Her eyes bore into his without flinching. "Are you so stupid you haven't figured out yet that it doesn't matter?” - Susan Elizabeth Phillips
93. “She reached into the pocket of her dress and threw the small stack of bills at him. They fluttered to the ground like broken dreams. "I hope you choke onevery penny.""Pick that up."She drew back her arm and slapped him as hard as she could.” - Susan Elizabeth Phillips
94. “There ought to be a law that allows eavesdroppers to sue.” - Gill McKnight
95. “Stop worrying about being that perfect person because no one is perfect. Put your focus on being that right person that will love, understand, and care for that other.” - Jonathan Anthony Burkett
96. “The accent was warm and soft and undeniably Northern. When I turned around, I was staring into a pair of beautiful crystal-blue eyes. “Wow,” I whispered. I scanned the paint swatches, wondering if such a shade of blue would look good on the exterior of my house. “Mr. Johnson said you might need help selecting paint.” “It’s impossible,” I muttered. “I just wanted to buy some blue paint. Why is this so complicated?” The handsome man stepped closer to my side. “It isn’t, really. Just pick what you like.” I like crystal-blue. Luckily, I didn’t say those words aloud.” - Sydney Logan
97. “Fine. The next time that my life is destroyed, I'll try to express my distress in a quieter fashion, far away from your tender sensibilities.” - Colleen Houck
98. “Apunta a la Luna y, si fallas, al menos estarás entre las estrellas.” - PD Te amo Cecelia Ahern.
99. “LARRY--(with increasing bitter intensity, more as if he were fighting with himself than with Hickey) I'm afraid to live, am I?--and even more afraid to die! So I sit here, with my pride drowned on the bottom of a bottle, keeping drunk so I won't see myself shaking in my britches with fright, or hear myself whining and praying: Beloved Christ, let me live a little longer at any price! If it's only for a few days more, or a few hours even, have mercy, Almighty God, and let me still clutch greedily to my yellow heart this sweet treasure, this jewel beyond price, the dirty, stinking bit of withered old flesh which is my beautiful little life! (He laughs with a sneering, vindictive self-loathing, staring inward at himself with contempt and hatred. Then abruptly he makes Hickey again the antagonist.) You think you'll make me admit that to myself?” - Eugene O'Neill
100. “Had I ever truly been free? Though I wasn’t shipped off to different countries did that make me any less of a prisoner?” - Kaylynne Spauls
101. “So, what's the story?""No story. Just a nightmare.”“Meaning?”“Meaning, heavy compression lines in his cartilage, severe bruising on his kidneys, liver and lower intestines. Fracture marks on his collar bone, tibia, radius, humerus, scapular, femur and every single one of his ribs have been broken. Don't even get me started on the concussive damage to his skull and brain tissue. Twenty-three percent of this boys body is scared for life. And yet, every organ is functioning normally and his neurological activity is above average. He's eighteen years old and he weights about two bills but remove the scar tissue and he'd weigh about a buck-ten. All in all, I say he lived inside a hydraulic car press, went through the Napoleonic wars and was on board the Hindenburg when it went down in flame and yet he's okay...this boy just refuses to die.” - S.L.J. Shortt
102. “The television commercial has mounted the most serious assault on capitalist ideology since the publication of Das Kapital. To understand why, we must remind ourselves that capitalism, like science and liberal democracy, was an outgrowth of the Enlightenment. Its principal theorists, even its most prosperous practitioners, believed capitalism to be based on the idea that both buyer and seller are sufficiently mature, well informed and reasonable to engage in transactions of mutual self-interest. If greed was taken to be the fuel of the capitalist engine, the surely rationality was the driver. The theory states, in part, that competition in the marketplace requires that the buyer not only knows what is good for him but also what is good. If the seller produces nothing of value, as determined by a rational marketplace, then he loses out. It is the assumption of rationality among buyers that spurs competitors to become winners, and winners to keep on winning. Where it is assumed that a buyer is unable to make rational decisions, laws are passed to invalidate transactions, as, for example, those which prohibit children from making contracts...Of course, the practice of capitalism has its contradictions...But television commercials make hash of it...By substituting images for claims, the pictorial commercial made emotional appeal, not tests of truth, the basis of consumer decisions. The distance between rationality and advertising is now so wide that it is difficult to remember that there once existed a connection between them. Today, on television commercials, propositions are as scarce as unattractive people. The truth or falsity of an advertiser's claim is simply not an issue. A McDonald's commercial, for example, is not a series of testable, logically ordered assertions. It is a drama--a mythology, if you will--of handsome people selling, buying and eating hamburgers, and being driven to near ecstasy by their good fortune. No claim are made, except those the viewer projects onto or infers from the drama. One can like or dislike a television commercial, of course. But one cannot refute it.” - Neil Postman
103. “You’re not leaving. I told you that.” She worked to keep the calm in her tone to counter his fury. “I’m going to shoot.” “It’s time to put your gun down, Noah.” “His blood will be on you.” Rook made eye contact with her and mouthed, Shoot. Him. She had no shot and said so with the smallest head shake.” - Richard Castle
104. “Ember, he’s not going to—” I pushed off the car. “Please. Hayden, please don’t tell him. I’m all Olivia really has. Please.” My voice cracked, and I looked away, embarrassed. “She’s all I have.” Hayden made a soft noise deep in his throat. Then he clasped my elbows and pulled me right up against him. His arms carefully snaked around my waist, trapping me in a hug. It could have been the bunny. Hell, it could’ve been the last two years that suddenly made me want to stay in Hayden’s embrace. Surely— surely not the way his heat thawed the ice encasing my entire body. Or how hard his chest felt under the sweater… or how perfectly I fit against him. And he was a chivalrous type of guy. Right? He wanted to help me control my gift, as ridiculous as that sounded. Comfort— he offered comfort, and I needed to remember that. His arms around my waist made it hard, really hard to keep that in mind, though. “Okay.” Hayden’s breath stirred the hair around my ear. “Even though I think I should tell him, I won’t. But I will figure out who did this.” - Jennifer L. Armentrout
105. “Em, you have a soul.”“How can you be so sure of that, Hayden? How many people die and come back?”“No one dies and comes back. You did because of your sister, and you have a gift. Maybe that played a role in your coming back, but you have a soul. You aren’t evil. There’s nothing you can say that will make me think that.” I looked up and our gazes locked. “And there’s nothing you can say to make me feel differently.” He lowered his eyes. Thick lashes fanned his cheeks. “I know you do, because I wouldn’t want to… to kiss you if you didn’t have a soul.” I froze. “You… you want to kiss me?” - Jennifer L. Armentrout
106. “Listen to me, Ember. I couldn’t hurt you. I can’t.” Hayden settled his eyes on me. They were softer than I’d ever seen. “I love you— I’ve loved you since the first time I saw you.” - Jennifer L. Armentrout
107. “Your complaints, your drama, your victim mentality, your whining, your blaming, and all of your excuses have NEVER gotten you even a single step closer to your goals or dreams. Let go of your nonsense. Let go of the delusion that you DESERVE better and go EARN it! Today is a new day!” - Steve Maraboli
108. “Life's nycer when it's Naughtie!” - Naughtie Scribe
109. “Modesty seldom resides in a breast that is not enriched with nobler virtues.” - Oliver Goldsmith
110. “We all fight for money, some for power, but most of all for love. But me, I fight to become a champion.” - Jonathan Anthony Burkett
111. “Never annoy an inspirational author or you will become the poison in her pen and the villian in every one of her books.” - Shannon L. Alder
112. “You teach people how to treat you by what you accept.” - Diamond Drake
113. “ Sen daha bunları bilmeyecek kadar toysun ama bir adamın aşkı mizacının davamıdır, evlat. Yani erkek kavgacı ise sevdası da kavgalarla dolu olur. Kendine hep düşmanlar bulur. Sakin ve nazik ise sevdası merhem gibi, bal gibidir. Eğer kendisine acırsa ve zayıfsa, aşkı da un ufak olup dağılır. Yok, eğer neşerli bir herifse sevdası da şenlikli olur. ” - Elif Şafak İskender
114. “It's said that there's three sides to a story: yours, mine, and the truth. Check out God in Wingtip Shoes and The Prison Plumb Line to explore all three.” - Yvonne J. Medley
115. “I mean, he was something that happened to me, you know? But before he was this minor figure in the drama of my life he was - you know, the central figure in the drama of his own life.” - John Green
116. “The power of music, narrative and drama is of the greatest practical and theoretical importance. One may see this even in the case of idiots, with IQs below 20 and the extremest motor incompetence and bewilderment. Their uncouth movements may disappear in a moment with music and dancing—suddenly, with music, they know how to move. We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music—the sequence of movements they cannot hold as schemes being perfectly holdable as music, i.e. embedded in music. The same may be seen, very dramatically, in patients with severe frontal lobe damage and apraxia—an inability to do things, to retain the simplest motor sequences and programmes, even to walk, despite perfectly preserved intelligence in all other ways. This procedural defect, or motor idiocy, as one might call it, which completely defeats any ordinary system of rehabilitative instruction, vanishes at once if music is the instructor. All this, no doubt, is the rationale, or one of the rationales, of work songs.” - Oliver Sacks
117. “Setiap ada hujan, aku akan mengingatmu. Karena kamu benci hujan. Dan kamu, di tengah kebencianmu, kamu akan mengingatku - Shin Ji Woo & KIm Sun.” - Lia Indra Andriana
118. “God knows of love” - Leo Tolstoy
119. “Jack gave her a fierce look. “Your mother gave up the best thing she had in her life. I know you miss her, I know you’re confused and have all sorts of questions for her. But you’re better than her, Lola, you’re better than all of this. “She wronged you, not the other way around. You didn’t do anything wrong. You didn’t deserve what happened to you. She’s the one that needs to feel bad, not you. “Sometimes there are no answers. You have to accept that. Maybe you’ll never know what you think you need to know, but do you really need to know all the details, really? You know she wasn’t there when you needed her, she still isn’t here when you need her, but look around, Lola.” Jack opened his arms wide. “You got me. You got your aunt. Jared. Sebastian. Rachel. Even Isabelle. “You need to realize that and move on, as best you can. I had to realize that myself. When you let go of the pain and hurt and unanswered questions, Lola, then you’ll be okay. You’re safe now.” Jack pressed a kiss to her forehead. “You’re safe now. Remember that. Believe that.” - Lindy Zart
120. “My inner goddess confirms that staring at a beautiful/rich/powerful face is the basis of True Love.” - Jess C. Scott
121. “Because I want to have sex with him--and because that's sinful--I'm blushing and flushing furiously under his scrutinizing scrutiny.” - Jess C. Scott
122. “THE MARK OF ATHENA BABY!!!!!!” - Rick Riordan
123. “Because you know that's all I needs, all I wants, is for you to try to run, to turn your back on me and run. I know you aint going to. Because all you got to beat is me. I got to beat old Carothers. Get your pistol.""No," the other said. "Go home. Get out of here. Tonight I will come to your house-----""After this?" Lucas said. "Me and you, in the same country, breathing the same air even? No matter what you could say, what you could even prove so I would have to believe it, after this? Get your pistol.” - William Faulkner
124. “If you stand at the window where I stood, if you read the books that I read, if we can be with each other even just like that...then lets, count that as us being together. I'll miss you alot. I love you. I love you...” - T.O.P
125. “Magistrate: May I die a thousand deaths ere I obey one who wears a veil!Lysistrata: If that's all that troubles you, here take my veil, wrap it round your head, and hold your tounge. Then take this basket; put on a girdle, card wool, munch beans. The War shall be women's business.” - Aristophanes
126. “Chorus of women: […] Oh! my good, gallant Lysistrata, and all my friends, be ever like a bundle of nettles; never let you anger slacken; the wind of fortune blown our way.” - Aristophanes
127. “Chorus of old men: How true the saying: 'Tis impossible to live with the baggages, impossible to live without 'em.” - Aristophanes
128. “A young girl needs to spread her wings, but a young woman needs roots.” - Sydney Logan
129. “And we all know how ladies get minks . . .”Popsy and Sandra chorused the answer together. “The same way minks get minks!” - Suzy Duffy
130. “He plunged into the foliage, and was swept into a humid, wet world of towering trees, animal chirps and thick ferns. After a few steps, he turned, and could barely make out the village. He walked a few more steps. He could see nothing now except for the thick trees and long ferns and grasses that surrounded him. He was enveloped into the confined space between trees, surrounded by the jungle heat and staccato chirps. He turned in the direction of the village, but could only see thick, dense trees. Hoping his sense of direction had not been muddled, he turned back around to the direction of the alleged ocean, and kept walking.Now the calls he heard sounded more and more strange. How far had he walked by now? The jungle, or rain forest, whatever it was, did not relent, and he kept on weaving into narrow gaps between the sturdy ferns and towering trees, pressing onwards. This continued for a seemingly oppressive amount of time, and he began to doubt his decision. To come to this place. To take a chance with his life, which was going in the right direction. Why couldn’t he be happy with the normal and mundane, he cursed, scolding his own stubbornness” - T.P. Grish
131. “His cell-phone rang. Dominic fumbled for it on the nightstand next to the couch, the dim lights not helping his endeavour. He had piercing, generic, banal fluorescent lights on his face all the time at work and at University, it was so bad it made him loathe even natural sunlight. Lucky this apartment’s living room light had a dimmer. He flipped open his phone and said hello. ‘Hey Dom, how you doin’?’ a voice boomed. It was Ben. They proceeded to talk about the upcoming exams, which were deceptively close as it was week 10 at the moment. Yes, they would be alright. Yes, they would meet up afterwards. No, he hadn’t studied more than Ben had. As he clapped the phone closed after the genial conversation reached its natural nadir, he had forgotten most of what had been said” - T.P. Grish
132. “False assurances were certainly more harmful than none at all.” - Chris Womersley
133. “Tis given out that, sleeping in my orchard,A serpent stung me; so the whole ear of DenmarkIs by a forged process of my deathRankly abused: but know, thou noble youth,The serpent that did sting thy father's lifeNow wears his crown.” - William Shakespeare
134. “A man who respects his wife, does not sleep with other women. And a woman who respects herself does not allow her husband to get away with it” - Courtney Giardina
135. “. I felt the sun graze my face as I sped further and further from it all. The only negative part about running was that at some point I knew I’d have to stop. I’d have to turn around and go back. And whatever troubles had haunted me when I left, would be waiting upon my return.” - Courtney Giardina
136. “I want to keep living in this beautiful dream-world of ours.” - David Dennis
137. “The Professor is coming...” - M Hopkins
138. “But truly it was not the money that mattered. It was the distant glitter of everything that was possible in the world, the things she had always wanted for herself and could not name and called happiness because there was no other word.” - Tim O'Brien
139. “There are often great lessons to be learned at the roots of stress, drama, and heartache. Don’t let the magnitude of the circumstance blind you to the value of the lesson.” - Steve Maraboli
140. “Stop validating your victim mentality. Shake off your self-defeating drama and embrace your innate ability to recover and achieve.” - Steve Maraboli
141. “I say haven’t we had enough of just tossing our children in jail? Make them do community service, I say!” - Jacquel Chrissy May
142. “[There's a] point where you have to leave the dough alone. It's silly to anthropomorphize bread, but I love the fact that it needs to sit quietly, to retreat from touch and noise and drama, in order to evolve. I have to admit, I often feel that way myself.” - Jodi Picoult
143. “From Chloe's Secret--coming soon“What are you saying?”“I’m saying I want to have a relationship with you. I want to love you.”“Is there a ‘but’ coming next?”“But the funny thing is, when I didn’t want to love you—it happened anyway.”He slipped his arms into my back pockets and hugged the breath out of me. I choked, my eyes stung. “I don’t know what to say.”He smiled. “Say whatever you want to. Just because I said it, you don’t have to.”He was right; I didn’t have to. He wasn’t asking anything of me.” - Shelley K. Wall
144. “Let go of the people who dull your shine, poison your spirit, and bring you drama. Cancel your subscription to their issues.” - Steve Maraboli
145. “They said her duck recipe and the Chinese music were so dramatic everything else sounded anemic.” - Frank McCourt