147 Writers' Inspirational Quotes

Aug. 4, 2024, 10:46 p.m.

147 Writers' Inspirational Quotes

In the world of literature, words have the power to illuminate minds and ignite imaginations. Writers, masters of this craft, often channel their deepest thoughts and emotions into pearls of wisdom that resonate across time and space. Whether you're a seasoned author seeking a burst of inspiration or an aspiring wordsmith looking for guidance, the profound insights of those who came before can serve as your guiding light. Today, we invite you to explore a curated collection of the top 147 writers' inspirational quotes, carefully selected to inspire creativity, perseverance, and passion in every writer's journey.

1. “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” - Madeleine L'Engle

2. “Before publishers' blurbs were invented, authors had to make their reputations by writing.” - Laurence J. Peter

3. “Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.” - Italo Calvino

4. “Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?” - Connie Willis

5. “All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.” - Ernest Hemingway

6. “Google “brooklyn writer” and you’ll get, Did you mean: the future of literature as we know it?” - COLSON WHITEHEAD

7. “Writers write while dreamers procastinate. ” - Besa Kosova

8. “Becoming a writer is about becoming conscious. When you're conscious and writing from a place of insight and simplicity and real caring about the truth, you have the ability to throw the lights on for your reader. He or she will recognize his or her life and truth in what you say, in the pictures you have painted, and this decreases the terrible sense of isolation that we have all had too much of.” - Anne Lamott

9. “As a writer, you should not judge, you should understand.” - Ernest Hemingway

10. “You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander. We build this place with the sand of memories; these castles are our memories and inventiveness made tangible. So part of us believes that when the tide starts coming in, we won't really have lost anything, because actually only a symbol of it was there in the sand. Another part of us thinks we'll figure out a way to divert the ocean. This is what separates artists from ordinary people: the belief, deep in our hearts, that if we build our castles well enough, somehow the ocean won't wash them away. I think this is a wonderful kind of person to be.” - Anne Lamott

11. “The society to which we belong seems to be dying or is already dead. I don't mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, 'Look at yourselves, you idiots!,' but to say, 'This is who we are.” - Anne Lamott

12. “As a young child I wanted to be a writer because writers were rich and famous. They lounged around Singapore and Rangoon smoking opium in a yellow pongee silk suit. They sniffed cocaine in Mayfair and they penetrated forbidden swamps with a faithful native boy and lived in the native quarter of Tangier smoking hashish and languidly caressing a pet gazelle.” - William S. Burroughs

13. “Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.” - Walter Benjamin

14. “Writers cannot choose their own mood: with them it is not always hide-tide, nor --thank Heaven!--always Storm.” - Charlotte Brontë

15. “A non-writing writer is a monster courting insanity."[Letter to Max Brod, July 5, 1922]” - Franz Kafka

16. “A writer should write what he has to say and not speak it.” - Ernest Hemingway

17. “Writers, like teeth, are divided into incisors and grinders.” - Walter Bagehot

18. “Writers turn dreams into print.” - James A. Michener

19. “There is something else which has the power to awaken us to the truth. It is the works of writers of genius. They give us, in the guise of fiction, something equivalent to the actual density of the real, that density which life offers us every day but which we are unable to grasp because we are amusing ourselves with lies.” - Simone Weil

20. “That's why I've just gone on … collecting this particular kind of stuff – what you might call riff-raff. There's not a book here, Lawford, that hasn't at least a glimmer of the real thing in it – just Life, seen through a living eye, and felt. As for literature, and style, and all that gallimaufry, don't fear for them if your author has the ghost of a hint of genius in his making.” - Walter de la Mare

21. “To present a whole world that doesn’t exist and make it seem real, we have to more or less pretend we’re polymaths. That’s just the act of all good writing.” - William Gibson

22. “So to the wretched writer I should like to say that there’s one body only whose request for your caresses is not vulgar, is not unchaste, untoward, or impolite: the body of your work itself; for you must remember that your attentions will not merely celebrate a beauty but create one; that yours is love that brings it own birth with it, just as Plato has declared, and that you should therefore give up the blue things of this world in favor of the words which say them” - William Gass

23. “Lolita is famous, not I. I am an obscure, doubly obscure, novelist with an unpronounceable name.” - Vladimir Nabokov

24. “Be passionate about what you write, believe in your ability to convey timeless ideas, and let no one tell you what what you're capable of.” - Christina Westover

25. “There's only one person who needs a glass of water oftener than a small child tucked in for the night, and that's a writer sitting down to write.” - Mignon McLaughlin

26. “World War I was the most colossal, murderous, mismanaged butchery that has ever taken place on earth. Any writer who said otherwise lied, So the writers either wrote propaganda, shut up, or fought.” - Ernest Hemingway

27. “Well, you know when people are no good at anything else they become writers.” - W. Somerset Maugham

28. “Books can truly change our lives: the lives of those who read them, the lives of those who write them. Readers and writers alike discover things they never knew about the world and about themselves.” - Lloyd Alexander

29. “Though the immediate impression of rebellion may obscure the fact, the task of authentic literature is nevertheless only conceivable in terms of a desire for fundamental communication with the reader.” - Georges Bataille

30. “Come, let’s be calm: no one incapable of restraint was ever a writer.” - Gustave Flaubert

31. “An admirable line of Pablo Neruda’s, “My creatures are born of a long denial,” seems to me the best definition of writing as a kind of exorcism, casting off invading creatures by projecting them into universal existence, keeping them on the other side of the bridge… It may be exaggerating to say that all completely successful short stories, especially fantastic stories, are products of neurosis, nightmares or hallucination neutralized through objectification and translated to a medium outside the neurotic terrain. This polarization can be found in any memorable short story, as if the author, wanting to rid himself of his creature as soon and as absolutely as possible, exorcises it the only way he can: by writing it.” - Julio Cortazar

32. “In my view, the novelist has no right to express his opinions on the things of this world. In creating, he must imitate God: do his job and then shut up.” - Gustave Flaubert

33. “The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).” - Roland Barthes

34. “No one says a novel has to be one thing. It can be anything it wants to be, a vaudeville show, the six o’clock news, the mumblings of wild men saddled by demons.” - Ishmael Reed

35. “Well, they each seem to do one thing well enough, but fail to realize that literature depends on doing several things well at the same time.” - Julian Barnes

36. “The best life for a writer is the life which helps him write the best books he can.” - Julian Barnes

37. “The writer must wade into life as into the sea, but only up to the navel.” - Gustave Flaubert

38. “Everything in art depends on execution: the story of a louse can be as beautiful as the story of Alexander. You must write according to your feelings, be sure those feelings are true, and let everything else go hang. When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry.” - Julian Barnes

39. “Everything you invent is true: you can be sure of that. Poetry is a subject as precise as geometry.” - Julian Barnes

40. “The lot of the brideto be wed before beddesired until rotten.The lot of the authorto be read before bedadmired then forgotten.” - Roman Payne

41. “No one has the right to enter literature without fresh new ideas. We’ve got too many dexterous drudges as it is.” - Jan Neruda

42. “...at some point you need to stop looking out at others and start looking inward, at yourself, at your own accomplishments, at your own foibles, at your own successes and your own failures. It's only when you begin to look inward that you can begin to have an effect on those out there, the ones with the greedy eyes and outstretched hands.” - Scott F. Falkner

43. “It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment? For the moment passes, it is forgotten; the mood is gone; life itself is gone. That is where the writer scores over his fellows: he catches the changes of his mind on the hop.” - Vita Sackville-West

44. “If you are alone, tell some stories to yourself. This is a different kind of pleasure and it has, indeed, its reward. I have tasted a little of everything, and I have truly never enjoyed anything more.” - Charles Nodier

45. “In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.” - Walter Moers

46. “he best thing to do is to loosen my grip on my pen and let it go wandering about until it finds an entrance. There must be one – everything depends on the circumstances, a rule applicable as much to literary style as to life. Each word tugs another one along, one idea another, and that is how books, governments and revolutions are made – some even say that is how Nature created her species.” - Machado de Assis

47. “I spoke fire, laughed smoke, and madness spilled forth from my inspiration.” - Arthur Holitscher

48. “After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement.” - Jules De Goncourt

49. “Some writers enjoy writing, I am told. Not me. I enjoy having written.” - George R.R. Martin

50. “Hendaklah tukang-tukang cerita waspada terhadap hal-hal bohong dan hikayat-hikayat yang menyajikan perbuatan salah, atau yang tujuan baiknya tidak dapat difahamkan oleh umum. Atau, cerita itu merupakan satu pertarungan antara yang baik dengan buruk, lalu yang buruk mendapat pembelaan yang berlebihan sebelum dikalahkan oleh yang baik. Tanpa disedari, hal ini memberanikan orang berbuat dosa (Ihya' Ulumuddin).” - Imam Al- Ghazali

51. “Every reader finds himself. The writer's work is merely a kind of optical instrument that makes it possible for the reader to discern what, without this book, he would perhaps never have seen in himself.” - Marcel Proust

52. “Writing like this is a little like milking a cow: the milk is so rich and delicious, and the cow is so glad you did it.” - Anne Lamott

53. “No book can ever be finished. While working on it we learn just enough to find it immature the moment we turn away from it” - Karl Popper

54. “The characters within a book were, from a certain point of view, identical on some fundamental level ‒ there weren't any images of them, no physical tangibility whatsoever. They were pictures in the reader's head, constructs of imagination and ideas, given shape by the writer's work and skill and the reader's imagination. Parents, of a sort.” - Jim Butcher

55. “You can't really succeed with a novel anyway; they're too big. It's like city planning. You can't plan a perfect city because there's too much going on that you can't take into account. You can, however, write a perfect sentence now and then. I have.” - Gore Vidal

56. “Your only responsibility as a writer is to be true to the story that has chosen you as its writer.” - Jean Little

57. “Writers are in many ways like demi-gods. With one stroke of a pen they can give life to a character, or strike them from existence, with nary a twinge of grief at their passing.” - Steven Lake

58. “The finder of his theme will be at no loss for words.” - J.V. Cunningham

59. “Quotation is the highest compliment you can pay an author.” - Samuel Johnson

60. “Even if it were possible to cast my horoscope in this one life, and to make an accurate prediction about my future, it would not be possible to 'show' it to me because as soon as I saw it my future would change by definition. This is why Werner Heisenberg's adaptation of the Hays Office—the so-called principle of uncertainty whereby the act of measuring something has the effect of altering the measurement—is of such importance. In my case the difference is often made by publicity. For example, and to boast of one of my few virtues, I used to derive pleasure from giving my time to bright young people who showed promise as writers and who asked for my help. Then some profile of me quoted someone who disclosed that I liked to do this. Then it became something widely said of me, whereupon it became almost impossible for me to go on doing it, because I started to receive far more requests than I could respond to, let alone satisfy. Perception modifies reality: when I abandoned the smoking habit of more than three decades I was given a supposedly helpful pill called Wellbutrin. But as soon as I discovered that this was the brand name for an antidepressant, I tossed the bottle away. There may be successful methods for overcoming the blues but for me they cannot include a capsule that says: 'Fool yourself into happiness, while pretending not to do so.' I should actually want my mind to be strong enough to circumvent such a trick.” - Christopher Hitchens

61. “Writers are also sort of like vultures, but with fewer ethics.” - Libba Bray

62. “The hard necessity of bringing the judge on the bench down into the dock has been the peculiar responsibility of the writer in all ages of man.” - Nelson Algren

63. “Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.” - Ray Bradbury

64. “I do not know what makes a writer, but it probably isn't happiness.” - William Saroyan

65. “I mostly want to remind her of the recipes of healing, and give her my own made-on-the spot remedy for the easing of her pain. I tell her, “Get a pen. Stop crying so you can write this down and start working on it tonight.” My remedy is long. But the last item on the list says: “When you wake up and find yourself living someplace where there is nobody you love and trust, no community, it is time to leave town – to pack up and go (you can even go tonight). And where you need to go is any place where there are arms that can hold you, that will not let you go.” - bell hooks

66. “There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.” [narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.” - F. Scott Fitzgerald

67. “I believe the first draft of a book — even a long one — should take no more than three months…Any longer and — for me, at least — the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity.” - Stephen King

68. “A writer is congenitally unable to tell the truth and that is why we call what he writes fiction.” - William Faulkner

69. “We need writers who fear nothing. ("Our Goal")” - Yevgeny Zamyatin

70. “I will always know the glory of the beautiful and rare, as they will know security from labour and prayer. As they will hear the laughter of the children they gave life, I will know the torments of the song born under knife.” - Roman Payne

71. “I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eye.” - Ray Bradbury

72. “All the time I'm not writing I feel like a criminal. It's horrible to feel felonious every second of the day. It's much more relaxing to actually write.” - Fran Lebowitz

73. “A writer is someone who has taught his mind to misbehave.” - Oscar Wilde

74. “Writers were a strange sort; I knew that much from the newspapers.” - Chris Priestley

75. “Open your mind to new experiences, particularly to the study of other ­people. Nothing that happens to a writer – however happy, however tragic – is ever wasted.” - P.D. James

76. “We do need to bring to our writing, over and over again, all the abundance we possess. To be able, to be ready, to enter into the minds and hearts of our own people, all of them, to comprehend them (us) and then to make characters and plots in stories that in honesty and with honesty reveal them (ourselves) to us, in whatever situation we live through in our own times: this is the continuing job, and it's no harder now than it ever was, I suppose. Every writer, like everybody else, thinks he's living through the crisis of the ages. To write honestly and with all our powers is the least we can do, and the most” - Eudora Welty

77. “I write to believe in goodness.” - Red Haircrow

78. “Novelty. Security. Novelty wouldn't be a bad title. It had the grandness of abstraction, alerting the reader that large and thoughtful things were to be bodied forth. As yet he had no inkling of any incidents or characters that might occupy his theme; perhaps he never would. He could see though the book itself, he could feel its closed heft and see it opened, white pages comfortably large and shadowed gray by print; dense, numbered, full of meat. He sensed a narrative voice, speaking calmly and precisely, with immense assurance building, building; a voice too far off for him to hear, but speaking. ("Novelty")” - John Crowley

79. “It must take a lot of self-discipline,' she said. 'Oh, I don't know. I don't have much.' He felt himself about to say again, and unable to resist saying, that 'Dumas, I think it was Dumas, some terrifically prolific Frenchman, said that writing novels is a simple matter - if you write one page a day, you'll write one novel a year, two pages a day, two novels a year, three pages, three novels, and so on. And how long does it take to cover a page with writing? Twenty minutes? An hour? So you see. Very easy really.''I don't know,' she said, laughing. 'I can't even bring myself to write a letter.' 'Oh, now that's hard.'("Novelty")” - John Crowley

80. “And people turn to internet with the hope that in this virtual world, where real identity need not be disclosed, they will find someone before whom they could be their true self,without any pretensions and get an opportunity to release the pent-up emotions and feel light.” - Chitralekha Paul

81. “Writing romantic fiction is the second chance that loved ones denied us.” - Shannon Alder

82. “You have seven writers in your basement?”Donald nods, signing, “They like it here. There’s a poet, a couple of novelists, an opera librettist, an essay writer . . . . They don’t usually make much trouble.” - Susan Wiggs

83. “I wanted to be a politician and a movie star. But I was born a writer. If you're born that, you can't change it. You're going to do it whether you want to or not.” - Gore Vidal

84. “Yeah, I know what your English Professor tried to tell you. But if your English Professor could make a living writing fiction, they would have been doing it.” - Dean Wesley Smith

85. “When a man becomes a writer, I think he takes on a sacred obligation to produce beauty and enlighenment and comfort at top speed” - Kurt Vonnegut

86. “Persistence can look a lot like stupid.” - Kristen Lamb

87. “He couldn’t believe that sleep had robbed him of this spectacle night after night. Such are the writer’s privileges, he thought, nostalgic already for the present.” - César Aira

88. “When an editor works with an author, she cannot help seeing into the medicine cabinet of his soul. All the terrible emotions, the desire for vindications, the paranoia, and the projection are bottled in there, along with all the excesses of envy, desire for revenge, all the hypochondriacal responses, rituals, defenses, and the twin obsessions with sex and money. It other words, the stuff of great books.” - Betsy Lerner

89. “After all everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, is is separate from themselves, it is not real but it is really there.” - Gertrude Stein

90. “Read a thousand books, and your words will flow like a river.” - Lisa See

91. “You see, I believe that you cannot be taught to 'write.' You can be taught grammar and punctuation, but you cannot be taught to be a writer. That has to come from within.” - Robert J. Randisi

92. “She thought a writer should work harder writing a book than she did reading it.” - Jeffrey Eugenides

93. “The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work.” - Robert Frost

94. “I write whenever it suits me. During a creative period I write every day; a novel should not be interrupted.” - Francois Mauriac

95. “Practically everybody in New York has half a mind to write a book -and does” - Groucho Marx

96. “There is a problem with writers. If what a writer wrote was published and sold many, many copies, the writer thought he was great. If what a writer wrote was published and sold a medium number of copies, the writer thought he was great. If what a writer wrote was published and sold very few copies, the writer thought he was great. If what the writer wrote never was published and he didn't have enough the money to publish it himself, then he thought he was truly great. The truth, however, was there was very little greatness. It was almost nonexistent, invisible. But you could be sure that the worst writers had the most confidence, the least self-doubt. Anyway, writers were to be avoided, and I tried to avoid them, but it was almost impossible. They hoped for some sort of brotherhood, some kind of togetherness. None of it had anything to do with writing, none of it helped at the typewriter.” - Charles Bukowski

97. “If you wish to be a writer, write.” - Epictetus

98. “Writers and artists build by hand little worlds that they hope might effect change in real minds, in the real world where stories are read. A story can make us cry and laugh, break our hearts, or make us angry enough to change the world.” - Grant Morrison

99. “Authors, he thought. Even the sane ones are nuts.” - Dan Brown

100. “Sooner or later every writer evolves his own definition of a story.Mine is: A reflection of life plus beginning and end (life seems not to have either) and a meaning.” - Mary O'Hara

101. “Publication is a marathon, not a sprint. Writing the book is only the start.” - Jo Linsdell

102. “Should a writer have a social purpose? Any honest writer is bound to become a critic of the society he lives in, and sometimes, like Mark Twain or Kurt Vonnegut or Leo Tolstoy or Francois Rabelais, a very harsh critic indeed. The others are sycophants, courtiers, servitors, entertainers. Shakespeare was a sychophant; however, he was and is also a very good poet, and so we continue to read him.” - Edward Abbey

103. “Inside of all of us there is the need and the desire to be heard, to have our innermost thoughts, feelings and desires expressed for others to hear, to see and to understand. We all want to matter to someone, to leave a mark. Writers just take those thoughts, feelings and desires and express them in such a way that the reader not only reads them but feels them as well.” - V. Vee

104. “Writers Are Insane. For months we are lone wolves locked in our caves. Then overnight we become publicity hounds. It's a schizophrenic business.” - Robert Mykle

105. “I do not think one can assess a writer’s motives without knowing something of his early development. His subject matter will be determined by the age he lives in ... but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape.” - George Orwell

106. “You may be a serious writer if ….10. your hard drive is littered with random notes and story ideas … but not nearly as littered as your head.9. you keep pen and paper next to your bed. And in the glove compartment. And in your gym bag. Also on the rim of the bathtub.8. a day without Roget’s Thesaurus is a day without sunshine.7. your emotional landscape includes creativity, confidence, elation, frustration, and the occasional neurosis.6. you’ve ever had to clean peanut butter and bread crumbs off your keyboard, because the work was going well, and you didn’t want to stop for lunch.5. grammar and punctuation turn you on.4. your interest in a new acquaintance is directly proportionate to his/her potential as a secondary character.3. you’ve worn the white e, r, s, and t clean off your keyboard.2. the search history on your web browser would raise red flags with the FBI, CIA, DEA, and mental health professionals everywhere.1. you have stories to tell, and you just. Keep. Telling. Them.” - Kathy Disanto

107. “I craved a form of naive realism. I paid special attention, I craned my readerly neck whenever a London street I knew was mentioned, or a style of frock, a real public person, even a make of car. Then, I thought, I had a measure, I could guage the quality of the writing by its accuracy, by the extent to which it aligned with my own impressions, or improved upon them. I was fortunate that most English writing of the time was in the form of undemanding social documentary. I wasn't impressed by those writers (they were spread between South and North America) who infiltrated their own pages as part of the cast, determined to remind poor reader that all the characters and even they themselves were pure inventions and the there was a difference between fiction and life. Or, to the contrary, to insist that life was a fiction anyway. Only writers, I thought, were ever in danger of confusing the two.” - Ian McEwan

108. “Your page stands against you and says to you that you are a thief.” - Martial

109. “I didn't want to tell Mother I worked as a journalist. She thought I was a prostitute. Locking yourself in a room and inventing characters and conversations which do not exit is no way for a grown man to behave.” - Sebastian Horsley

110. “Maybe Laura’s real problem came in admitting this: there was nothing new under the sun. To write a story would be, somehow deep down, to embrace her limits, to admit that, indeed, she would someday die—if not of a worm or a ceiling, then of something else. The very nature of a story admitted this reality. To be a writer was to say, yes, I am just another Murasaki, and it is quite possible that no one will remember my name.” - L.L. Barkat

111. “I believe that half the trouble in the world comes from people asking 'What have I achieved?' rather than 'What have I enjoyed?' I've been writing about a subject I love as long as I can remember--horses and the people associated with them, anyplace, anywhere, anytime. I couldn't be happier knowing that young people are reading my books. But even more important to me is that I've enjoyed so much the writing of them.” - Walter Farley

112. “If we loved Steve Aylett, really loved him in the way that he deserves, a selfless love that genuinely wanted nothing save his happiness and comfort, we'd lobotomise him.” - Alan Moore

113. “What about his style?" asked Dalgliesh who was beginning to think that his reading had been unnecessarily restricted."Turgid but grammatical. And, in these days, when every illiterate debutante thinks she is a novelist, who am I to quarrel with that? Written with Fowler on his left hand and Roget on his right. Stale, flat and, alas, rapidly becoming unprofitable...""What was he like as a person?" asked Dalgliesh."Oh, difficult. Very difficult, poor fellow! I thought you knew him? A precise, self-opinionated, nervous little man perpetually fretting about his sales, his publicity or his book jackets. He overvalued his own talent and undervalued everyone else's, which didn't exactly make for popularity.""A typical writer, in fact?" suggested Dalgliesh mischievously.” - P.D. James

114. “They were learning that New York had another life, too — subterranean, like almost everything that was human in the city — a life of writers meeting in restaurants at lunchtime or in coffee houses after business hours to talk of work just started or magazines unpublished, and even to lay modest plans for the future. Modestly they were beginning to write poems worth the trouble of reading to their friends over coffee cups. Modestly they were rebelling once more.” - Malcolm Cowley

115. “I learned to write by reading the kind of books I wished I'd written.” - Barbara Kingsolver

116. “I love the writers of my thousand books. It pleases me to think how astonished old Homer, whoever he was, would be to find his epics on the shelf of such an unimaginable being as myself, in the middle of an unrumored continent. I love the large minority of the writers on my shelves who have struggled with words and thoughts and, by my lights, have lost the struggle. All together they are my community, the creators of the very idea of books, poetry, and extended narratives, and of the amazing human conversation that has taken place across the millennia, through weal and woe, over the heads of interest and utility.” - Marilynne Robinson

117. “I am the penny whistle of American literature.” - Nelson Algren

118. “Yes, I was good at reading people. I studied them so I could put them in my novels.” - Jennifer Echols

119. “Writing isn’t necessarily a gift it is a passion. You can write a one page masterpiece to 99 pages of crap. What keeps you coming back is that Zen moment when you enlightened your own self with a few cleverly arranged words and saved yourself a $200 trip to the shrink, by simply buying a #2 pencil.” - Shannon L. Alder

120. “In such troubled times, we must remember the value writers have—the value of inventing new language to keep pace with the rapidly transforming world around us.” - Jonathan Stalling

121. “I wonder if that's the perennial story of writers: you find the true light, you lose the true light, you find it again. And maybe again.” - Sue Monk Kidd

122. “Writer's block is caused by forcing your will on the Divine.” - Chriscinthia Blount

123. “Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.” - W.H. Auden

124. “A writer needs to ingest love to be passionate. Passion is a metabolite of love, and good writing is an active metabolite of passion.” - Roman Payne

125. “Because the chief commodity a writer has to sell is his courage. And if he has none, he is more than a coward. He is a sellout and a fink and a heretic, because writing is a holy chore.” - Harlan Ellison

126. “In my experience, writers tend to be really good at the inside of their own heads and imaginary people, and a lot less good at the stuff going on outside, which means that quite often if you flirt with us we will completely fail to notice, leaving everybody involved slightly uncomfortable and more than slightly unlaid.So I would suggest that any attempted seduction of a writer would probably go a great deal easier for all parties if you sent them a cheerful note saying "YOU ARE INVITED TO A SEDUCTION: Please come to dinner on Friday Night, Wear the kind of clothes you would like to be seduced in."And alcohol may help, too. Or kissing. Many writers figure out that they're being seduced or flirted with if someone is actually kissing them.” - Neil Gaiman

127. “You connect yourself to the viewer by by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you.” - Steven Brust

128. “...people quote proverbs without realizing they're really in awe of the authority of their truth and the power of their expression...” - John Geddes

129. “If writers stopped writing about what happened to them, then there would be a lot of empty pages.” - Elaine Liner

130. “If you cannot judge a book by its cover, surely we should not judge an author by one book alone?” - E.A. Bucchianeri

131. “This much is true: When you are about to effect the lives of hundreds of people, Satan will do everything he can to prevent it from happening. Often pride and anger are his best assassins.” - Shannon L. Alder

132. “As writers we live life twice, like a cow that eats its food once and then regurgitates it to chew and digest it again. We have a second chance at biting into our experience and examining it. ...This is our life and it's not going to last forever. There isn't time to talk about someday writing that short story or poem or novel. Slow down now, touch what is around you, and out of care and compassion for each moment and detail, put pen to paper and begin to write.” - Natalie Goldberg

133. “The world does not need more Christian literature. What it needs is more Christians writing good literature.” - C.S. Lewis

134. “If you're silent for a long time, people just arrive in your mind.” - Alice Walker

135. “The problem of knowledge is that there are many more books on birds written by ornithologists than books on birds written by birds and books on ornithologists written by birds” - Nassim Nicholas Taleb

136. “Some writers may never create a work. Their purpose is to help others create their first word.” - Darnell Lamont Walker

137. “She had words in her heart which she released thru her fingertips.” - Eveli Acosta

138. “Words raced thru his mind and his fingers ached to capture them all on paper.” - Eveli Acosta

139. “...if he can write a book at all, a writer cannot do it by peeping over his shoulder at somebody else, any more than a woman can have a baby by watching some other woman have one. It is a genital process, and all of its stages are intra-abdominal;” - James M. Cain

140. “When the last autumn of Dickens's life was over, he continued to work through his final winter and into spring. This is how all of us writers give away the days and years and decades of our lives in exchange for stacks of paper with scratches and squiggles on them. And when Death calls, how many of us would trade all those pages, all that squandered lifetime-worth of painfully achieved scratches and squiggles, for just one more day, one more fully lived and experienced day? And what price would we writers pay for that one extra day spent with those we ignored while we were locked away scratching and squiggling in our arrogant years of solipsistic isolation?Would we trade all those pages for a single hour? Or all of our books for one real minute?” - Dan Simmons

141. “New York was packed with writers, real writers, because there were magazines, real magazines, loads of them. This was back when the Internet was still some exotic pet kept in the corner of the publishing world--throw some kibble at it, watch it dance on its little leash, oh quite cute, it definitely won't kill us in the night.” - Gillian Flynn

142. “Nothing expresses Kafka’s innermost sense of self more profoundly than his lapidary definition of “writing as a form of prayer”: he was a writer. Not a man who wrote, but one to whom writing was the only form of being, the only means of defying death in life.” - Ernst Pawel

143. “We make a home for ourselves, every time we work on something: actors, writers, singers, building these little nests in our gypsy souls, in place of the ones we so seldom seem to make in our own lives. And then suddenly it's over, and we have to start again.” - Alan Brennert

144. “The stories are not made, they are discovered.” - Chandan Sharma

145. “We create words, words create wonders.” - Chandan Sharma

146. “I have this rage that I can't explain. It's sad.” - Peter Davis

147. “The Sweat and the Furrow was Silas Weekley being earthly and spade-conscious all over seven hundred pages. The situation, to judge from the first paragraph, had not materially changed since Silas's last book: mother lying-in with her eleventh upstairs, father laid-out after his ninth downstairs, eldest son lying to the Government in the cow-shed, eldest daughter lying with her lover in the the hayloft, everyone else lying low in the barn. The rain dripped from the thatch, and the manure steamed in the midden. Silas never omitted the manure. It was not Silas's fault that its steam provided the only uprising element in the picture. If Silas could have discovered a brand of steam that steamed downwards, Silas would have introduced it.” - Josephine Tey