62 Creative Process Inspiration Quotes

Creativity can often feel elusive, yet it is a vital force behind innovation and artistic expression. Whether you're an artist, writer, entrepreneur, or simply someone looking for a spark of ingenuity, inspiration plays a critical role in fueling your creative journey. To help ignite your imagination and rejuvenate your creative process, we have curated a collection of the top 62 Creative Process Inspiration Quotes. These insightful and motivational quotes are designed to encourage you, challenge you, and ultimately push you toward creative breakthroughs. Dive in and let these words of wisdom inspire your next masterpiece.

1. “Put down everything that comes into your head and then you're a writer. But an author is one who can judge his own stuff's worth, without pity, and destroy most of it."(Casual Chance, 1964)” - Colette

2. “I don't know exactly where ideas come from, but when I'm working well ideas just appear. I've heard other people say similar things - so it's one of the ways I know there's help and guidance out there. It's just a matter of our figuring out how to receive the ideas or information that are waiting to be heard.” - Jim Henson

3. “When I face the desolate impossibility of writing five hundred pages, a sick sense of failure falls on me, and I know I can never do it. Then gradually, I write one page and then another. One day's work is all I can permit myself to contemplate.” - John Steinbeck

4. “There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don't want to, don't much like what you're writing, and aren't writing particularly well.” - Agatha Christie

5. “Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.” - Flannery O'Connor

6. “My most important piece of advice to all you would-be writers: When you write, try to leave out all the parts readers skip.” - Elmore Leonard

7. “I force myself to contradict myself in order to avoid conforming to my own taste.” - Marcel Duchamp

8. “The last thing one discovers in composing a work is what to put first.” - Blaise Pascal

9. “The mind I love most must have wild places, a tangled orchard where dark damsons drop in the heavy grass, an overgrown little wood, the chance of a snake or two, a pool that nobody fathomed the depth of, and paths threaded with flowers planted by the mind.” - Katherine Mansfield

10. “Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as writer."[1967 interview]” - Ray Bradbury

11. “Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to."[MovieMaker Magazine #53 - Winter, January 22, 2004 ]” - Jim Jarmusch

12. “Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had."[Commencement Speech; Mount Holyoke College, May 23, 1999]” - Anna Quindlen

13. “When the creative impulse sweeps over you, grab it. You grab it and honor it and use it, because momentum is a rare gift.” - Justina Chen Headley

14. “To express yourself in a creative way you don't need structure you need an empty mind.” - E'yen A. Gardner

15. “It's not wise to violate the rules until you know how to observe them.” - T.S. Eliot

16. “A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.” - Alice Munro

17. “Here is a lesson in creative writing.First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding.For instance, join the National Guard or the Marines and teach democracy. I'm kidding.We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding.If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.” - Kurt Vonnegut

18. “First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.” - Octavia Butler

19. “[A]lways get to the dialogue as soon as possible. I always feel the thing to go for is speed. Nothing puts the reader off more than a big slab of prose at the start."(Interview, The Paris Review, Issue 64, Winter 1975)” - P.G. Wodehouse

20. “Expansion. That is the idea the novelist must cling to. Not completion. Not rounding off, but opening out.” - E.M. Forster

21. “An artist without ideas is a mendicant; barren, he goes begging among the hours.” - Irving Stone

22. “You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway."[Becoming a Writer/ The List, O Magazine, November 2009]” - Junot Diaz

23. “This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me.” - Kafka, Franz

24. “We can’t turn our true selves off and on situationally and expect them to carry and sustain us. Rationing creativity results in bipolarism of the spirit. Our creativity is also our life force. When we turn it off and on like a spigot, we start to become less and less able to control the valve.” - S. Kelley Harrell

25. “I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this.[Cormac McCarthy's Venomous Fiction, New York Times, April 19, 1992]” - Cormac McCarthy

26. “I write to believe in goodness.” - Red Haircrow

27. “Y algo golpeaba en mi alma, fiebre o alas perdidas, y me fui haciendo solo, descifrando aquella quemadura y escribí la primera línea vaga, vaga, sin cuerpo, pura, tontería pura sabiduría del que no sabe nada, y vi de pronto el cielo desgranado y abierto.” - Pablo Neruda

28. “Please don't entertain for a moment the utterly mistaken idea that there is no drudgery in writing. There is a great deal of drudgery in even the most inspired, the most noble, the most distinguished writing. Read what the great ones have said about their jobs; how they never sit down to their work without a sigh of distress and never get up from it witout a sigh of relief. Do you imagine that your Muse is forever flamelike -- breathing the inspired word, the wonderful situation, the superb solution into your attentive ear? ... Believe me, my poor boy, if you wait for inspiration in our set-up, you'll wait for ever.” - Ngaio Marsh

29. “Why do you want to become an author? I will accept only one answer. If it is because you feel you can write better than you can do anything else then go ahead and do it without frills and flourishes. Stick to your present job and write in your spare time: but do it as if it is a whole time job.” - Ngaio Marsh

30. “I can still remember the miraculous feeling of writing a sentence, then more sentences, telling a story. The first thing I wrote was a one-page summary of Robinson Crusoe and I am so sorry I do not have it any more; it was at that moment I became an author."[As quoted in the author biography on Mankell's official website.]” - Henning Mankell

31. “Learn to write by doing it. Read widely and wisely. Increase your word power. Find your own individual voice though practicing constantly. Go through the world with your eyes and ears open and learn to express that experience in words.” - P.D. James

32. “10 Steps to Becoming a Better WriterWrite.Write more.Write even more.Write even more than that.Write when you don’t want to.Write when you do.Write when you have something to say.Write when you don’t.Write every day.Keep writing.” - Brian Clark

33. “The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written.(Letter to Muriel St. Clare Byrne, 8 September 1935)” - Dorothy L. Sayers

34. “Dance above the surface of the world. Let your thoughts lift you into creativity that is not hampered by opinion.” - Red Haircrow

35. “There is seven-eights of it under water for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn't show. If a writer omits something because he does not know it then there is a hole in the story.(Interview with Paris Review, 1958)” - Ernest Hemingway

36. “[T]he success of every novel -- if it's a novel of action -- depends on the high spots. The thing to do is to say to yourself, "What are my big scenes?" and then get every drop of juice out of them."(Interview, The Paris Review, Issue 64, Winter 1975)” - P.G. Wodehouse

37. “The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right as a story. I mean, once you go saying to yourself, "This is a pretty weak plot as it stands, but if I'm such a hell of a writer that my magic touch will make it okay," you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them."(Interview, The Paris Review, Issue 64, Winter 1975)” - P.G. Wodehouse

38. “In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations!"(Letter to Alexander Chekhov, May 10, 1886)” - Anton Chekhov

39. “Be sure not to discuss your hero's state of mind. Make it clear from his actions."(Letter to Alexander Chekhov, May 10, 1886)” - Anton Chekhov

40. “In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me."[Letter to Joan Lancaster, 26 June 1956]” - C.S. Lewis

41. “The irritating question they ask us -- us being writers -- is: "Where do you get your ideas?"And the answer is: Confluence. Things come together. The right ingredients and suddenly: Abracadabra!” - Neil Gaiman

42. “I do feel that literature should be demystified. What I object to is what is happening in our era: literature is only something you get at school as an assignment. No one reads for fun, or to be subversive or to get turned on to something. It's just like doing math at school. I mean, how often do we sit down and do trigonometry for fun, to relax. I've thought about this, the domination of the literary arts by theory over the past 25 years -- which I detest -- and it's as if you have to be a critic to mediate between the author and the reader and that's utter crap. Literature can be great in all ways, but it's just entertainment like rock'n'roll or a film. It is entertainment. If it doesn't capture you on that level, as entertainment, movement of plot, then it doesn't work. Nothing else will come out of it. The beauty of the language, the characterisation, the structure, all that's irrelevant if you're not getting the reader on that level -- moving a story. If that's friendly to readers, I cop to it.” - T.C. Boyle

43. “In order to create you have to believe in your ability to do so and that often means excluding whole chunks of normal life, and, of course, pumping yourself up as much as possible as a way of keeping on. Sort of cheering for yourself in the great football stadium of life."(Barnes & Noble Review, email dialogue with Cameron Martin, Feb. 09, 2009)” - T.C. Boyle

44. “The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.” - Wallace Stegner

45. “We all have 10,000 bad drawings in us. The sooner we get them out the better.” - Walt Stanchfield

46. “... an artist should paint from the heart, and not always what people expect. Predictability often leads to the dullest work, in my opinion, and we have been bored stiff long enough I think.” - E.A. Bucchianeri

47. “Creativity is a magic wand that works two ways. When you set it in action and seek to create something, it does not just brings into existence that object or work, it also raises in your heart a dream, a hope, and a will to achieve that creation. And when all else seems lost and steeped in hopelessness, the magic of creativity can still keep you going. For when all else seem dark, an urge to create something would still give you an aim to look forward to. And if you just take hold of this urge, it will take hold of you and see you through even the darkest times. Like it did to me.” - Jyoti Arora

48. “We are, not metaphorically but in very truth, a Divine work of art, something that God is making, and therefore something with which He will not be satisfied until it has a certain character. Here again we come up against what I have called the “intolerable compliment.” Over a sketch made idly to amuse a child, an artist may not take much trouble: he may be content to let it go even though it is not exactly as he meant it to be. But over the great picture of his life—the work which he loves, though in a different fashion, as intensely as a man loves a woman or a mother a child—he will take endless trouble—and would doubtless, thereby give endless trouble to the picture if it were sentient. One can imagine a sentient picture, after being rubbed and scraped and re-commenced for the tenth time, wishing that it were only a thumb-nail sketch whose making was over in a minute. In the same way, it is natural for us to wish that God had designed for us a less glorious and less arduous destiny; but then we are wishing not for more love but for less.” - C.S. Lewis

49. “Because, as we all know, it’s easier to do trivial things that are urgent than it is to do important things that are not urgent, like thinking. And it’s also easier to do little things we know we can do than to start on big things that we’re not so sure about.” - John Cleese

50. “All trademarks, company names, registered names, products, characters, mottos, logos, jingles and catchphrases used or cited in this work are the property of their respective owners and have only been mentioned and or used as cultural references to enhance the narrative and in no way were used to disparage or harm the owners and their companies. It is the author's sincerest wish the owners of the cited trademarks, company names, etc. appreciate the success they have achieved in making their products household names and appreciate the free plug.” - E.A. Bucchianeri

51. “Art is the overflow of emotion into action.” - Brian Raif

52. “I made a record called Island in the Sun about the planet Earth and invited David over to hear it at the house I had rented in Hawaii. We was not impressed with it and asked me to do something else. That was the first time that had ever happened to me. It was a good record, and I liked it. To accommodate David, I thought I would do a record that was a combination of that one and one that I was already hearing in my head to follow up. The second one, Trans , was inspired by my son Ben and his communication challenges. Because of Ben's quadriplegia, he couldn't talk or communicate in a way that most people could understand, so I made a record where I sang through a machine and most people couldn't understand what I was saying, either.I felt like it was art, an expression of something deeply personal. I called it Trans, meaning trying to get across from one world to another, being locked in a body without an intelligible voice, trying to communicate through the use of machines, computers, switches and other devices. It was a very deep and inaccessible concept” - Neil Young

53. “You are one thing only. You are a Divine Being. An all-powerful Creator. You are a Deity in jeans and a t-shirt, and within you dwells the infinite wisdom of the ages and the sacred creative force of All that is, will be and ever was.” - Anthon St. Maarten

54. “The trick, of course, is to lose one day and come back to win the next. But that is possible only when we draw healthy pleasure and confidence from our creative processes.” - John H. Lienhard

55. “Swoopers write a story quickly, higgledy-piggledy, crinkum-crankum, any which way. Then they go over it again painstakingly, fixing everything that is just plain awful or doesn’t work. Bashers go one sentence at a time, getting it exactly right before they go on to the next one. When they’re done they’re done.” - Kurt Vonnegut

56. “My life will be the best illustration of all my work.” - Hans Christian Andersen

57. “She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!” - E.A. Bucchianeri

58. “You know how creative people are, we have to try everything until we find our niche.” - E.A. Bucchianeri

59. “Regarding the creative: never assume you're the master, only the student. Your audience will determine if you're masterful.” - Don Roff

60. “Sometimes life is hard. Things go wrong—in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do: make good art. . . . Someone on the internet thinks what you’re doing is stupid or evil or it’s all been done before: make good art. Probably things will work out somehow, eventually time will take the sting away, and it doesn’t even matter. Do what only you can do best: make good art.” - Neil Gaiman

61. “I could write about how I feel when I sing, write and create something from heartbreak, sorrow, sadness or just simply nothingness. How nothingness can become the most beautiful, unexplainable feeling that makes you forget about gravity for an hour.” - Charlotte Eriksson

62. “Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year.Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself.See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all.Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well.The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants."[Getting Into Print (The Editor magazine, March 1903)]” - Jack London