69 Inspiring Africa Quotes

July 28, 2024, 6:46 p.m.

69 Inspiring Africa Quotes

Africa, a continent teeming with diverse cultures, rich histories, and breathtaking landscapes, has long been an inspiration to many. Its vibrant tapestry of life offers countless lessons and perspectives, which often shine through in the words of those who've experienced its wonders. Whether you're seeking motivation, wisdom, or a deeper connection to this magnificent land, our curated collection of the top 69 inspiring Africa quotes promises to captivate your heart and spirit. Join us on this journey through eloquent phrases and profound reflections, celebrating the soul-stirring beauty and enduring strength of Africa.

1. “No other continent has endured such an unspeakably bizarre combination of foreign thievery and foreign goodwill.” - Barbara Kingsolver

2. “That would be Axelroot all over, to turn up with an extra wife or two claiming that's how they do it here. Maybe he's been in Africa so long he's forgotten that we Christians have our own system of marriage, and it's called Monotony.” - Barbara Kingsolver

3. “Except for the sound of the rain, on the road, on the roofs, on the umbrella, there was absolute silence: only the dying moan of the sirens continued for a moment or two to vibrate within the ear. It seemed to Scobie later that this was the ultimate border he had reached in happiness: being in darkness, alone, with the rain falling, without love or pity.” - Graham Greene

4. “There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.” - Beryl Markham

5. “If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me? Will the air over the plain quiver with a color that I have had on, or the children invent a game in which my name is, or the full moon throw a shadow over the gravel of the drive that was like me, or will the eagles of the Ngong Hills look out for me?” - Isak Dinesen

6. “The worst thing that colonialism did was to cloud our view of our past.” - Barack Obama

7. “It [is] that courage that Africa most desperately needs.” - Barack Obama

8. “I have loved no part of the world like this and I have loved no women as I love you. You're my human Africa. I love your smell as I love these smells. I love your dark bush as I love the bush here, you change with the light as this place does, so that one all the time is loving something different and yet the same. I want to spill myself out into you as I want to die here.” - Graham Greene

9. “Unoka went into an inner room and soon returned with a small wooden disc containing a kola nut, some alligator pepper and a lump of white chalk. "I have kola," he announced when he sat down, and passed the disc over to his guest. "Thank you. He who brings kola brings life. But I think you ought to break it," replied Okoye passing back the disc. "No, it is for you, I think," and they argued like this for a few moments before Unoka accepted the honor of breaking the kola. Okoye, meanwhile, took the lump of chalk, drew some lines on the floor, and then painted his big toe.” - Chinua Achebe

10. “One avoids Creolisms. Some families completely forbid Creole and mothers ridicule their children for speaking it.” - Frantz Fanon

11. “I have had my mother's wing of my genetic ancestry analyzed by the National Geographic tracing service and there it all is: the arrow moving northward from the African savannah, skirting the Mediterranean by way of the Levant, and passing through Eastern and Central Europe before crossing to the British Isles. And all of this knowable by an analysis of the cells on the inside of my mouth.I almost prefer the more rambling and indirect and journalistic investigation, which seems somehow less… deterministic.” - Christopher Hitchens

12. “What do you want with these special Jewish pains? I feel as close to the wretched victims of the rubber plantations in Putamayo and the blacks of Africa with whose bodies the Europeans play ball… I have no special corner in my heart for the ghetto: I am at home in the entire world, where there are clouds and birds and human tears.” - Rosa Luxemburg

13. “Even if Zuma was to develop the authoritarian impulses of a Mugabe, he would be checked—not least by his own party, which set a continental precedent by ousting Thabo Mbeki in 2007, after it felt he had outstayed his welcome by seeking a third term as party president. The ANC appears to have set itself against that deathtrap of African democracy: the ruler for life.” - Mark Gevisser

14. “It seemed that the printers of the African maps had a slightly malicious habit of including, in large letters, the names of towns, junctions, and villages which, while most of them did exist in fact, as a group of thatched huts may exist or a water hole, they were usually so inconsequential as completely to escape discovery from the cockpit.” - Beryl Markham

15. “What a child does not know and does not want to know of race and colour and class, he learns soon enough as he grows to see each man flipped inexorably into some predestined groove like a penny or a sovereign in a banker's rack. Kibii, the Nandi boy, was my good friend. Arab Ruta (the same boy grown to manhood), who sits before me, is my good friend, but the handclasp will be shorter, the smile will not be so eager on his lips, and though the path is for a while the same, he will walk behind me now, when once, in the simplicity of our nonage, we walked together.” - Beryl Markham

16. “- Com'è l'Africa? - gli chiedevano.- Stanca.” - Alessandro Baricco

17. “The continent is too large to describe. It is a veritable ocean, a separate planet, a varied, immensely rich cosmos. Only with the greatest simplification, for the sake of convenience, can we say 'Africa'. In reality, except as a geographical appellation, Africa does not exist.” - Ryszard Kapuściński

18. “My horizon lightened, I see an old woman. Who is she? Where is she from? Bent over, the ends of her boubou tied behind her, she empties into a plastic bag the left-overs of red rice. Her smiling face tells of the pleasant day she has just had. She wants to take back proof of this to her family, living perhaps in Ouakam, Thiaroye or Pikine.Standing upright, her eyes meeting my disapproving look, she mutters between teeth reddened by cola nuts: 'Lady, death is just as beautiful as life has been.” - Mariama Bâ

19. “The year the Europeans seized Jomo Kenyatta (1952), Chepusepa and I were sharing our homestead with Arimo, a Teso, who was a headman of the local road crew. One day, Arimo's son found an ostrich's nest between Amudat and Katabok, while he was watching cattle. There were six eggs, and both of our cowherds took one. The brought the two eggs to our home and put them in the ashes near the fire. After two weeks, they hatched.I remember the baby ostriches walking about, eating millet and stones. Arimo took care of them, and they grew quite large. One night a leopard got the female, but the male continued to thrive, and Arimo harvested its feathers twice. Then, one day, when it was fully grown, our ostrich wandered into the town of Amudat. A European saw it and asked the people, "Where did this come from?""Oh, it is the 'ox' of a man named Arimo, they told him.The European immediately summoned Arimo to Amudat. "Do you have license to keep an ostrich?" he demanded."Of course not!" Arimo replied. "This ostrich doesn't belong to anyone else--it's mine. So why do I need a license?"But the European decreed,"From this day on, you must not keep this ostrich without a license. If you do, you will go to jail for stealing from the government!"That was only the beginning. The Europeans have been seizing our pet ostriches ever since. When other people heard about Arimo's trouble, they killed their ostriches so they could at least have the feathers. Another man was so angry, he killed his female ostrich and destroyed all her eggs.” - Pat Robbins

20. “Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries.It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism.The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered. ” - Adam Hochschild

21. “A charging black rhinoceros is nothing to mess with. When it is headed straight toward you, it is the ultimate exercise in sphincter control. In my case, it was a strange bit of weather that caused one to charge me.” - Boyd Norton

22. “There is language going on out there- the language of the wild. Roars, snorts, trumpets, squeals, whoops, and chirps all have meaning derived over eons of expression... We have yet to become fluent in the language -and music- of the wild.” - Boyd Norton

23. “There is almost no country in Africa where it is not essential to know to which tribe, or which subgroup of which tribe, the president belongs. From this single piece of information you can trace the lines of patronage and allegiance that define the state.” - Christopher Hitchens

24. “In Africa, there is a birthrate trap: a higher standard of living will lead to smaller families but smaller families will not lead to a higher standard of living.” - Christopher Hitchens

25. “THE LILIESThis morning it was, on the pavement, When that smell hit me again And set the houses reeling. People passed like rain: (The way rain moves and advances over the hills) And it was hot, hot and dank, The smell like animals, strong, but sweet too. What was it? Something I had forgotten. I tried to remember, standing there, Sniffing the air on the pavement. Somehow I thought of flowers. Flowers! That bad smell! I looked: down lanes, past houses--There, behind a hoarding, A rubbish-heap, soft and wet and rotten. Then I remembered: After the rain, on the farm, The vlei that was dry and paler than a stone Suddenly turned wet and green and warm. The green was a clash of music. Dry Africa became a swamp And swamp-birds with long beaks Went humming and flashing over the reeds And cicadas shrilling like a train. I took off my clothes and waded into the water. Under my feet first grass, then mud, Then all squelch and water to my waist. A faint iridescence of decay, The heat swimming over the creeks Where the lilies grew that I wanted: Great lilies, white, with pink streaks That stood to their necks in the water. Armfuls I gathered, working there all day. With the green scum closing round my waist, The little frogs about my legs, And jelly-trails of frog-spawn round the stems. Once I saw a snake, drowsing on a stone, Letting his coils trail into the water. I expect he was glad of rain too After nine moinths of being dry as bark. I don't know why I picked those lilies, Piling them on the grass in heaps, For after an hour they blackened, stank. When I left at dark, Red and sore and stupid from the heat, Happy as if I'd built a town, All over the grass were rank Soft, decaying heaps of lilies And the flies over them like black flies on meat...” - Doris Lessing

26. “America is a young dumb country and it needs all kinds of help. America is a dumb puppy with big teeth that bite and hurt. And we take care of America. We hold America to our bosom; we feed America, we make love to America. There wouldn't be an America if it wasn't for black people. So you have some dedicated black Americans who will die a million deaths to save America. And this is home for us. We don't know really about Africa. We talk it in a romantic sense, but America is it. And so, America is always going to be okay as long as black people don't totally lose their mind, cause we'll pick up the pieces and turn it into a new dance.” - Abiodun Oyewole

27. “My African roots made me what I am today. They’re the reason I’m from the Dominican Republic. They’re the reason I exist at all. To these roots I owe everything.” - Junot Diaz

28. “…it was even more disconcerting to examine your charts before a proposed flight only to find that in many cases the bulk of the terrain over which you had to fly was bluntly marked: ‘UNSURVEYED.’ It was as if the mapmakers had said, ‘We are aware that between this spot and that one, there are several hundred thousands of acres, but until you make a forced landing there, we won’t know whether it is mud, desert, or jungle – and the chances are we won’t know then!” - Beryl Markham

29. “the sense of a small courageous community barely existing above the desert of trees, hemmed in by a sun too fierce to work under and a darkness filled with evil spirits - love was an arm round the neck, a cramped embrace in the smoke, wealth a little pile of palm-nuts, old age sores and leprosy, religion a few stones in the centre of the village where the dead chiefs lay, a grove of trees where the rice birds, like yellow and green canaries, built their nests, a man in a mask with raffia skirts dancing at burials. This never varied, only their kindness to strangers, the extent of their poverty and the immediacy of their terrors. Their laughter and their happiness seemed the most courageous things in nature” - Graham Greene

30. “(On the beginning of the mid-1990s' genocidal war in Rwanda:)Within six weeks, an estimated 800,000 Tutsi, representing about three-quarters of the Tutsi then remaining in Rwanda, or 11% of Rwanda's total population, had been killed.” - Jared Diamond

31. “When traveling in rural Africa, it's important to not actually *go* to a hospital until the patient is on the brink of expiration, otherwise things are apt to get worse.” - Josh Gates

32. “As anyone who's ever taken an Ethiopian bus knows, there is an unwritten rule that the windows must remain firmly closed.” - Tahir Shah

33. “Gradually the mist had lifted, and the sun burst forth, a ball of fire radiating the sky with unnaturally incandescent hues. Coral was reminded of the strident brushwork and wild colours of the Fauvist paintings that filled her mother's gallery, which Coral had always loved. The scene was now set for the show to begin: the drama in which the broad, breath-taking landscapes of Africa were the stage and the animals the actors.” - Hannah Fielding

34. “He emerged out of the lake, the declining sun drenching him with aureate light, the droplets on his body iridescent in their beams. He walked confidently toward her, almost every inch of his sculptured body exposed in his black swimsuit. Each sharp contour of muscle glistened, each limb unfolded with lithe grace as he approached, his eyes riveted on her. Coral watched spellbound, a yearning surging up within her, eager and expectant. The air around them trembled with infinite anticipation.” - Hannah Fielding

35. “Les personnages de nos autres vies sont des fantômes que la littérature fait revivre.” - Olivier Weber

36. “The measure of civilized behavior is compassion.” - Paul Theroux

37. “Take your place, then. Look at what happened from every side and consider all the other ways it could have gone. Consider, even, an Africa unconquered altogether. Imagine those first Portuguese adventurers approaching the shore, spying on the jungle’s edge through their fitted brass lenses. Imagine that by some miracle of dread or reverence they lowered their spyglasses, turned, set their riggings, sailed on. Imagine all who came after doing the same. What would that Africa be now? All I can think of is the other okapi, the one they used to believe in. A unicorn that could look you in the eye.” - Barbara Kingsolver

38. “Schools kill time and creativity. Find ways to workaround these limitations” - Gossy Ukanwoke

39. “Among the Ibo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten.” - Chinua Achebe

40. “Never argue with a fool, people might not notice the difference” - Nicholas Mhlongo

41. “Read a different Africa. Love a vibrant Africa.” - Kiru Taye

42. “I feel as though the cardboard box of my own reality has been flattened and blown open. Now I can see the edge of the world.” - Tom Hiddleston

43. “Why did Africa let Europe cart away millions of Africa's souls from the continent to the four corners of the wind? How could Europe lord it over a continent ten times its size? Why does needy Africa continue to let its wealth meet the needs of those outside its borders and then follow behind with hands outstretched for a loan of the very wealth it let go? How did we arrive at this, that the best leader is the one that knows how to beg for a share of what he has already given away at the price of a broken tool? Where is the future of Africa?” - ngugi wa thiongo

44. “Some people talk of Africa being a continent cursed not blessed with minerals, but the real curse is the leaders and politicians of Africa” - Peter Mutanda

45. “Taking the continent as a whole, this religious tension may be responsible for the revival of the commonest racial feeling. Africa is divided into Black and White, and the names that are substituted- Africa south of the Sahara, Africa north of the Sahara- do not manage to hide this latent racism. Here, it is affirmed that White Africa has a thousand-year-old tradition of culture; that she is Mediterranean, that she is a continuation of Europe and that she shares in Graeco-Latin civilization. Black Africa is looked on as a region that is inert, brutal, uncivilized - in a word, savage.” - Frantz Fanon

46. “.... does a fair trial necessarily amount to a fair outcome?” - Taona Dumisani Chiveneko

47. “Never is a man more proud than when he shuffles paper in front of an illiterate person.” - Taona Dumisani Chiveneko

48. “Professor, when people say such things after impossibility smacks them in the face, we call it denial” - Taona Dumisani Chiveneko

49. “... the poor always live on debt. At this point, time is the only thing I still have the credibility to borrow.” - Taona Dumisani Chiveneko

50. “The primitive craving for survival is universal in all things capable of dying. Now imagine if you could isolate the basic element that drives all animals to fight for survival? What would you do with it? I already had my own ideas when I started my search for an entity I eventually dubbed “The Determination Gene”.” - Taona Dumisani Chiveneko

51. “Further north, I met a Siberian hermit who lived in the foothills of the Ural Mountains. His life’s passion was wrestling black bears ... in the nude (him not the bears). He did not know why he did it. All the hermit knew was that if he stopped wrestling bears, he would die.” - Taona Dumisani Chiveneko

52. “Blood is a reservoir of delights. It is a treasure trove for those who know what to look for, and how to isolate it from the rest of the junk. I know how to do both.” - Taona Dumisani Chiveneko

53. “The funnel of my family’s salvation must continue narrowing towards the gallows. That journey cannot begin at the parted tips of another woman’s toes” - Taona Dumisani Chiveneko

54. “An Abel Muranda without his wife and children would be a wandering bachelor without any dignity. He would sleep in caves and feed on wild berries. But no matter how lonely life became, he would never come to a place like this” - Taona Dumisani Chiveneko

55. “Vaida planted her shoulders into the back of her chair and slid her lower body towards the edge of the seat. The fabric of her retracting skirt increased the protrusion of her legs. When she was in position, Vaida made a fine adjustment to achieve the desired view.” - Taona Dumisani Chiveneko

56. “Being a hangman requires you to take someone else’s life based on someone else’s judgment, and carry it out on someone else’s schedule. The job does not provide the same satisfaction that an ordinary murderer gets from smashing a skull. It robs them of the fulfillment of plunging a knife into someone’s throat. In the world of capital punishment, the prisoner’s crimes have been sanitized by years of sitting on death row. By then, the execution is a cold and impersonal affair. There is prayer, a noose, and a few last words. The prisoner then experiences a sudden rush of blood to the head. At the end of it all, you have a broken neck and a dead body swinging from the end of a rope. That is it. You don’t get to manhandle them with your own hands. That’s why the brutes you mention will never be hired. So you see, Vaida, this is not a job for a murderer. It is a job for a humanitarian.” - Taona Dumisani Chiveneko

57. “I will not mince words. There’s been enough mincing for one day. Therefore, I shall ask my question bluntly: How does a man know that his body has been turned inside out? … His eyes can see the back of his skull with an alarming clarity. I am told it hurts like hell. Especially when he refuses to explain why he has been investigating the hangman’s replacement” - Taona Dumisani Chiveneko

58. “One candidate who considered applying for the position explained his change of heart: “That job is like unprotected sex. It feels amazing at the time, but there is a good chance you will pay for it later. None of the benefits are worth the pleasure.” - Taona Dumisani Chiveneko

59. “... the only difference between carnivores and plants is that the latter eat meat through ‘translator’ organisms. Maggots and bacteria ‘pre-chew’ dead animal matter, which plants then absorb as nutrients. So if eating pre-chewed food does not change the fact that a baby is human, why should a plant be any less of a carnivore because it out-sources the digestion of animal protein to organisms of decay?” - Taona Dumisani Chiveneko

60. “Mr. Gweta and his daughter were the cosmetics camouflaging an infected blackhead. The rest of the ugliness ran deep into a world where plants ate people and botanists lay at the bottom of the food chain.” - Taona Dumisani Chiveneko

61. “... eloquence is merely the product of intelligence. History is not shaped by men of genius. It is shaped by men of unwavering will. Men who focus whatever brains they have on the savvy application of power. In the end, brawn will always do the heavy lifting. Brawn will always win the war.” - Taona Dumisani Chiveneko

62. “As he was about to press the button to shut the doors, a young woman stepped in. She had that sort of beauty that deserved to be prosecuted for appearing without notice. Professor Khupe was confident that an appropriate law existed for such a purpose. However, no prosecutor could remain undistracted for long enough to find the said law in the criminal code. The young lady would enjoy a life of impunity.” - Taona Dumisani Chiveneko

63. “Professor Khupe felt his chest swell with pride. It was doing so without his encouragement. If an electrical fault had stopped the elevator from rising, his inflating ego would have powered the remainder of their journey to the twenty-second floor.” - Taona Dumisani Chiveneko

64. “I tell you, Professor, growing up is a full contact sport. Somewhere in our brains, foolishness and naïveté join forces with a false sense of invincibility. Together, they score own-goals against their host’s interests. All this happens while that referee known as ‘reason’ is collapsed in a drunken stupor, unable to stop the madness. When he finally wakes up, all he can do is grant the useless penalty known as ‘hindsight’. But the outcome remains unchanged. The game is lost …” - Taona Dumisani Chiveneko

65. “He couldn't drive the horror of cannibalism from his brain, just as he couldn't wholly suppress a simple observation that seemed to rebut their savagery: these were the nicest man-eating barbarians a lonely wanderer could ever hope to encounter.” - Monte Reel

66. “One of them confessed to Paul that his tribe had heard stories about the fiercely cannibalistic ways of white men. Paul's first instinct was to laugh him off as a simpleminded fool. But the legend hadn't been conjured from thin air. When Paul tried to assure him that white men didn't eat black men, the man confronted him with a direct challenge: explain why they bought and sold Africans as if they were cattle, not human beings."Why do you come from nobody knows where, and carry off our men, and women, and children?" the man asked Paul. "Do you not fatten them in your far country and eat them?” - Monte Reel

67. “The ancient paused for a moment, as if his strength were failing. Yet I sensed that there was more to tell. Looking deep into my eyes, he whispered: 'The Gond kingdoms have fallen, their people live dispersed in poverty: the teak trees and the jungles have been cleared... but the importance of the Gonds must not be forgotten!” - Tahir Shah

68. “All roads lead to Johannesburg. If you are white or if you are black they lead to Johannesburg. If the crops fail, there is work in Johannesburg. If there are taxes to be paid, there is work in Johannesburg. If the farm is too small to be divided further, some must go to Johannesburg. If there is a child to be born that must be delivered in secret, it can be delivered in Johannesburg.” - Alan Paton

69. “Indeed, there is something in this valley, some spirit and some life, and much to talk about in the huts. Although nothing has come yet, something is here already.” - Alan Paton