July 18, 2024, 6:46 p.m.
In a world where words often fall short, paintings emerge as powerful vessels of expression and emotion. Whether you're an artist seeking inspiration or an admirer drawn to the vivid allure of brushstrokes and color, there's something undeniably magical about the way a painting can communicate. With that in mind, we've curated a collection of the top 80 inspiring painting quotes that capture the essence of this timeless art form. Through the insights of renowned artists and thinkers, these quotes offer a glimpse into the soul of creativity, providing motivation and reflection for anyone captivated by the world of painting. Join us as we delve into the wisdom and beauty that these quotes bring to the canvas of life.
1. “Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.” - Oscar Wilde
2. “If you hear a voice within you say you cannot paint, then by all means paint and that voice will be silenced.” - Vincent Willem van Gogh
3. “Painting something that defies the law of the land is good. Painting something that defies the law of the land and the law of gravity at the same time is ideal.” - Banksy
4. “Painting is the silence of thought and the music of sight.” - Orhan Pamuk
5. “You might as well ask an artist to explain his art, or ask a poet to explain his poem. It defeats the purpose. The meaning is only clear thorough the search.” - Rick Riordan
6. “The only time I feel alive is when I'm painting.” - Vincent Willem van Gogh
7. “Every now and then one paints a picture that seems to have opened a door and serves as a stepping stone to other things.” - Pablo Picasso
8. “Dr Sass…maintained that in paradise, until the time of the fall, the whole world was flat, the back-curtain of the Lord, and that it was the devil who invented a third dimension. Thus are the words ‘straight’, ‘square’, and ‘flat’ the words of noblemen, but the apple was an orb, and the sin of our first parents, the attempt at getting around God. I myself much prefer the art of painting to sculpture” - Isak Dinesen
9. “Little deer, I've stuffed all the world's diseases inside you. / Your veins are thorns // and the good cells are lost in the deep dark woods / of your organs.” - Pascale Petit
10. “It is not your paintings I like, it is your painting.” - Albert Camus
11. “Que hablen de uno, aunque sea bien” - Salvador Dali
12. “To draw something is to try to capture it FOREVER, if you really love something, you never try to keep it the way it is forever. You have to let it be free to change” - Cassandra Clare
13. “Painting reflects. It kills you in a colourful shower of emptiness. Flatness. Randomness. And beauty. Yes, it is the most pure beauty I have ever felt in my life.” - Nigel Tomm
14. “I visit him a few times downtownwhile he paints.We talk about how he's going to Spainfor the fall semesterand he shows me a painting he didand points to this one part,a bridge, and tells me he thought of mewhen he painted it.It is so sadhow knowing somethingso smallcan make me so happy.” - Samantha Schutz
15. “Drawing is the art of being able to leave an accurate record of the experience of what one isn't, of what one doesn't know. A great drawer is either confirming beautifully what is commonplaceor probing authoritatively the unknown.::: Brett Whiteley :::” - Brett Whiteley
16. “I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet.” - O. Henry
17. “Painting is just another way of keeping a diary.” - Pablo Picasso
18. “The painting has a life of its own” - Jackson Pollock
19. “I'm painting color squares. Onesquare - one color. That's what I paint.” - Nigel Tomm
20. “The figure in the icon is not meant to represent literally what Peter or John or any of the apostles looked like, or what Mary looked like, nor the child, Jesus. But, the orthodox painter feels, Jesus of Nazareth did not walk around Galilee faceless. The icon of Jesus may not look like the man Jesus two thousand years ago, but it represents some *quality* of Jesus, or his mother, or his followers, and so becomes an open window through which we can be given a new glimpse of the love of God. ” - Madeleine L'Engle
21. “Literature is painting, architecture, and music.” - Yevgeny Zamyatin
22. “Hans then asked him about painting from nature; Jackson...bluntly offered a phrase that entered Village lore, “I am nature.” - Ross Wetzsteon
23. “[I]t was [Barnett] Newman who made the famously wry remark, “Aesthetics is for the artist as ornithology is for the birds,” - Ross Wetzsteon
24. “Who are you, Martin Eden? he demanded of himself in the looking- glass, that night when he got back to his room. He gazed at himself long and curiously. Who are you? What are you? Where do you belong? You belong by rights to girls like Lizzie Connolly. You belong with the legions of toil, with all that is low, and vulgar, and unbeautiful. You belong with the oxen and the drudges, in dirty surroundings among smells and stenches. There are the stale vegetables now. Those potatoes are rotting. Smell them, damn you, smell them. And yet you dare to open the books, to listen to beautiful music, to learn to love beautiful paintings, to speak good English, to think thoughts that none of your own kind thinks, to tear yourself away from the oxen and the Lizzie Connollys and to love a pale spirit of a woman who is a million miles beyond you and who lives in the stars! Who are you? and what are you? damn you! And are you going to make good?” - Jack London
25. “Writing, music, sculpting, painting, and prayer! These are the three things that are most closely related! Writers, musicians, sculptors, painters, and the faithful are the ones who make things out of nothing. Everybody else, they make things out of something, they have materials! But a written work can be done with nothing, it can begin in the soul! A musical piece begins with a harmony in the soul, a sculpture begins with a formless, useless piece of rock chiseled and formed and molded into the thing that was first conceived in the sculptor's heart! A painting can be carried inside the mind for a lifetime, before ever being put onto paper or canvass! And a prayer! A prayer is a thought, a remembrance, a whisper, a communion, that is from the soul going to what cannot be seen, yet it can move mountains! And so I believe that these five things are interrelated, these five kinds of people are kin.” - C. JoyBell C.
26. “The atmosphere beneath is languorous, and is so tinged with azure that what artists call the middle distance partakes also of that hue, while the horizon beyond is of the deepest ultramarine.” - Thomas Hardy
27. “All real works of art look as though they were done in joy.” - Robert Henri
28. “The painter will produce pictures of little merit if he takes the works of others as his standard.” - Leonardo da Vinci
29. “Once, Turner had himself lashed to the mast of a ship for several hours, during a furious storm, so that he could later paint the storm. Obviously, it was not the storm itself that Turner intended to paint. What he intended to paint was a representation of the storm. One's language is frequently imprecise in that manner, I have discovered.” - David Markson
30. “She felt about a love set as a painter does about his masterpiece; each ace serve was a form of brushwork to her, and her fantastically accurate shot-placing was certainly a study in composition.” - Janet Flanner
31. “I paint the way some people write their autobiography. The paintings, finished or not, are the pages of my journal, and as such they are valid. The future will choose the pages it prefers. It's not up to me to make the choice. I have the impression that the time is speading on past me more and more rapidly. I'm like a river that rolls on, dragging with it the trees that grow too close to its banks or dead calves one might have thrown into it or any kind of microbes that develop in it. I carry all that along with me and go on. It's the movement of painting that interests me, the dramatic movement from one effort to the next, even if those efforts are perhaps not pushed to their ultimate end. In some of my paintings I can say with certainty that the effort has been brought to its full weight and its conclusion, because there I have been able to stop the flow of time around me. I have less and less time, and yet I have more and more to say, and what I have to say is,increasingly, something about what goes on in the movement of my thought. I've reached the moment, you see, when the movement of my thought interests me more than the thought itself.” - Francoise Gilot
32. “You see, for me a painting is a dramatic action in the course of which the reality finds itself split apart. For me, that dramatic action takes precedence over all other considerations. The pure plastic act is only secondary as far as I'm concerned. What counts is the drama of that plastic art, the moment at which the universe comes out of itself and meets its own destruction.” - Francoise Gilot
33. “A force de peindre la vie des autres, il avait oublié de peindre la sienne."On ne se tue pas pour une femme (2000)” - Olivier Weber
34. “To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.” - Gerhard Richter
35. “Being a painter, I ought to say why in pictures people's faces are painted green and red.” - Kazimir Severinovich Malevich
36. “A painted surface is a real, living form.” - Kazimir Severinovich Malevich
37. “I haven't the slightest idea what art is, but to be a painter is something of which you have to prove.” - Wayne Thiebaud
38. “Boomer had asked her once, in a telephone call from Virginia, “Why does this stuff, these hand-painted hallucinations that don’t do nothin’ but confuse the puddin’ out of a perfectly reasonable wall, why does it mean so much to you?” It was a poor connection, but he could have sworn he heard her say, “In the haunted house of life, art is the only stair that doesn’t creak.” - Tom Robbins
39. “I don't paint dreams or nightmares, I paint my own reality.” - Frida Kahlo
40. “Like the sundial, my paint box counts no hours but sunny ones.” - Arthur Rackham
41. “In the medieval tradition, Beksinski seems to believe art to be a forewarning about the fragility of the flesh– whatever pleasures we know are doomed to perish– thus, his paintings manage to evoke at once the process of decay and the ongoing struggle for life. They hold within them a secret poetry, stained with blood and rust.” - Guillermo Del Toro
42. “The Dutch customs once thought my pictures were photos. Where on earth did they think I could have photographed my subjects? In Hell, perhaps?” - H.R. Giger
43. “Such is my relationship with God: on my gigantic canvass of life, I am the one throwing all of the brightly-colored paints, creating genuine splatters, authentic whirlpools of color, beautiful patterns, wonderful streaks and stains and wild accents; God is the one with the paintbrush who stands beside my canvass filling all the intricate and amazing details in between the whirlpools and the streaks! We're happy together!” - C. JoyBell C.
44. “When you want to make the main color pure and bright, don't just keep adding bright colors on it. Just make the colors around the spot darker and dull. It will give the scene dramatical effects.I think the life is the same.” - Hiroko Sakai
45. “In every motions to put colors on my canvas, I feel like I am screaming, "I AM HERE"... To whom?.. To where?... Where am I going to...?” - Hiroko Sakai
46. “The more I drive myself into the depth of my inside, the more things come up to my vision, visibly or invisibly... I even do not know if I am seeing them with my eye or with my mind. I just need to copy them on my canvases. But this mental process is always overwhelming. I often have hard time to deal with my emotion on this state. You could call this depression on surface? But actually, so many 're-birth' and 'reform' are going on on my thoughts, inspiration, philosophy...etc in the underwater. I believe this struggle make my art real. My art always comes from my emotion.” - Hiroko Sakai
47. “When you paint late at night, drinking beer or wine or both, you gotta be very careful to watch what you are doing...” - Hiroko Sakai
48. “'Paint only what you see,' his hero Millet had admonished.'Imagination is a burden to a painter,' Auguste Renoir had told him. 'Painters are craftsmen, not storytellers. Paint what you see.'Ah, but what they hadn't said, hadn't warned him about, was how much you could see.” - Christopher Moore
49. “I have been in love with painting ever since I became conscious of it at the age of six. I drew some pictures I thought fairly good when I was fifty, but really nothing I did before the age of seventy was of any value at all. At seventy-three I have at last caught every aspect of nature–birds, fish, animals, insects, trees, grasses, all. When I am eighty I shall have developed still further and I will really master the secrets of art at ninety. When I reach a hundred my work will be truly sublime and my final goal will be attained around the age of one hundred and ten, when every line and dot I draw will be imbued with life. - from Hokusai’s ‘The Art Crazy Old Man” - Hokusai Katsushika
50. “Painting is a great outlet for those inner emotions you cannot get out any other way.” - Carol Brearley
51. “Writing, painting, singing- it cannot stop everything. Cannot halt death in its tracks. But perhaps it can make the pause between death’s footsteps sound and look and feel beautiful, can make the space of waiting a place where you can linger without as much fear. For we are all walking each other to our deaths, and the journey there between footsteps makes up our lives.” - Ally Condie
52. “They will come, not to paint the bay and the sea and the boots and the moors, but the warmth of the sun and the colour of the wind. A whole new concept. Such stimulation. Such vitality.” - Rosamunde Pilcher
53. “This is a familiar syndrome. There is a stage with every drawing or painting when it looks banal and clumsy. It's worth pushing through that, working through the cliché to find out what made it a cliché in the first place.” - Antony Sher
54. “Painting is marvelous; it makes you happier and more patient. Afterwards you do not have black fingers as with writing, but blue and red ones.” - Hermann Hesse
55. “I hear the question upon your lips: What is it to be a colour?Colour is the touch of the eye, music to the deaf, a word out of the darkness. Because I’ve listened to souls whispering – like the susurrus of the wind – from book to book and object to object for tens or thousands of years, allow me to say that my touch resembles the touch of angels. Part of me, the serious half, calls out to your vision while the mirthful half sours through the air with your glances.I’m so fortunate to be red! I’m fiery. I’m strong. I know men take notice of me and that I cannot be resisted.I do not conceal myself: For me, delicacy manifests itself neither in weakness nor in subtlety, but through determination and will. So, I draw attention to myself. I’m not afraid of other colours, shadows, crowds or even of loneliness. How wonderful it is to cover a surface that awaits me with my own victorious being! Wherever I’m spread, I see eyes shine, passions increase, eyebrows rise and heartbeats quicken. Behold how wonderful it is to live! Behold how wonderful to see. I am everywhere. Life begins with and returns to me. Have faith in what I tell you.” - Orhan Pamuk
56. “You have to work with the paint and work with whatever the day brings you. If it's a wee bit dreary out, you paint it. But paint it so it makes you glad to be inside near a cozy fire.” - Kieran Kramer
57. “A painting requires a little mystery, some vagueness, and some fantasy. When you always make your meaning perfectly plain you end up boring people” - Edgar Degas
58. “It was strange walking through the empty apartment. My battered purple room was gone, Brittany’s bruised blue was gone. Two coats covered everything. It was like none of it had ever happened.” - Kimberly Novosel
59. “It's often about the simple things, isn't it? Painting and photography are first about seeing, they say. Writing is about observing. Technique is secondary. Sometimes the simple is the most difficult.” - Linda Olsson
60. “I must continue to follow the path I take now. If I do nothing, if I study nothing, if I cease searching, then, woe is me, I am lost. That is how I look at it — keep going, keep going come what may.But what is your final goal, you may ask. That goal will become clearer, will emerge slowly but surely, much as the rough draught turns into a sketch, and the sketch into a painting through the serious work done on it, through the elaboration of the original vague idea and through the consolidation of the first fleeting and passing thought.” - Vincent Van Gogh
61. “Love is an art, Berk. Just like painting or music. Some painters draw mere lines, scratches on the canvas and call them art; some paint stars studded skies like van Gogh; or Chopin’s music conquers the hearts of millions while the execrable disco music blaring out of the open windows of a car have also their audience. Some describe love in high-flown flowery language and you identify yourself with the hero and the heroine and feel yourself in the seventh heaven while some give such a lamentable picture of it that you almost curse it!” - T. Afsin Ilgar
62. “She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!” - E.A. Bucchianeri
63. “In painting, three things must be considered - the position of the viewer, the position of the object viewed, and the position of the light that illuminates the object.” - Lynn Cullen
64. “I wish to paint in such a manner as if I were photographing dreams.” - Zdzisław Beksiński
65. “I sat back and looked at it. It was ugly, dark, uncontrolled. Like a monster's face. Or maybe what I saw there was my own face. I couldn't quite tell. Was the face the image of something evil or the image of myself?"Both," Bea muttered, as if I'd spoken my question out loud. "Of course, it's both. But it shouldn't be. Goodness, no.” - Jennifer Brown
66. “Fortunately for me, I know well enough what I want, and am basically utterly indifferent to the criticism that I work to hurriedly. In answer to that, I have done some things even more hurriedly theses last few days.” - Vincent Van Gogh
67. “I don't like to make a distinction between the writer and the painter , finally , because I do both things anyway . Everybody's dreaming and trying to put down their dreams in the way that their hand knows best . I feel as much a unity , as much comradeship , with painters as I do writers .” - Clive Barker
68. “I am the wood frame, the bundle of ox hair, and the creative spark... my value unhangable.” - Marina Leigh Duff
69. “What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.” - Roman Payne
70. “Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.” - Walter Benjamin
71. “... the house is on fire, but go ahead - finish painting the verandah...” - John Geddes
72. “Whether I'm painting or not, I have this overweening interest in humanity. Even if I'm not working, I'm still analyzing people.” - Alice Neel
73. “The biggest spur to my interest in art came when I played van Gogh in the biographical film Lust For Life. The role affected me deeply. I was haunted by this talented genius who took his own life, thinking he was a failure. How terrible to paint pictures and feel that no one wants them. How awful it would be to write music that no one wants to hear. Books that no one wants to read. And how would you like to be an actor with no part to play, and no audience to watch you. Poor Vincent—he wrestled with his soul in the wheat field of Auvers-sur-Oise, stacks of his unsold paintings collecting dust in his brother's house. It was all too much for him, and he pulled the trigger and ended it all. My heart ached for van Gogh the afternoon that I played that scene. As I write this, I look up at a poster of his "Irises"—a poster from the Getty Museum. It's a beautiful piece of art with one white iris sticking up among a field of blue ones. They paid a fortune for it, reportedly $53 million. And poor Vincent, in his lifetime, sold only one painting for 400 francs or $80 dollars today. This is what stimulated my interest in buying works of art from living artists. I want them to know while they are alive that I enjoy their paintings hanging on my walls, or their sculptures decorating my garden” - Kirk Douglas
74. “He had been a boy who liked to draw, according to my friend, so he became an architect. Children who drew,I learned, became architects; I had thought they became painters. My friend explained that it was not proper to become a painter; it couldn’t be done. I resigned myself to architecture school and a long life of drawing buildings. It was a pity, for I disliked buildings, considering them only a stiffer and more ample form of clothing, and no more important.” - Annie Dillard
75. “Regarding the creative: never assume you're the master, only the student. Your audience will determine if you're masterful.” - Don Roff
76. “Will you teach me how to paint?”“Just paint.”“I’m not any good.”“Do it for therapy. You can go to art school later.” - Benjamin Alire Saenz
77. “I have tried to express the idea that the café is a place where one can ruin oneself, go mad, or commit a crime.” - Van Gogh on "The Night Cafe" painting
78. “Paintings. Or the collapse of time in images.” - Paul Auster
79. “I see it, Jack. Your muse is back. The thing that gave you passion, tormented you, and haunted you is back. You're reeling in ecstasy and dread. It's something you want, but can't ever have. And the one that brings the pain is pure, white as snow... and standing in front of you.” - H.M. Ward
80. “The fact that for a long time Cubism has not been understood and that even today there are people who cannot see anything in it means nothing. I do not read English, an English book is a blank book to me. This does not mean that the English language does not exist. Why should I blame anyone but myself if I cannot understand what I know nothing about?" -Pablo Picasso.” - Pablo Picasso