85 Quotes About Paris

Paris, often referred to as "The City of Light," has long captured the imagination of artists, writers, and dreamers from around the globe. Its timeless allure, iconic landmarks, and romantic atmosphere have inspired countless expressions of admiration and wonder. In this collection, we've gathered 85 of the most evocative quotes about Paris, each reflecting the city's unique charm and magnetic pull. Whether you're a seasoned traveler, an aspiring visitor, or simply a lover of all things Parisian, these quotes are sure to transport you to the heart of this enchanting city. Join us as we explore the words of those who have fallen under Paris's spell, and perhaps, find your own inspiration in their insights.

1. “If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.” - Ernest Hemingway

2. “But Paris was a very old city and we were young and nothing was simple there, not even poverty, nor sudden money, nor the moonlight, nor right and wrong nor the breathing of someone who lay beside you in the moonlight.” - Ernest Hemingway

3. “When good Americans die, they go to Paris'.'Where do bad Americans go?''They stay in America'.” - Oscar Wilde

4. “For in Paris, whenever God puts a pretty woman there (the streets), the Devil, in reply, immediately puts a fool to keep her.” - Jules Barbey d'Aurevilly

5. “In Paris, where raillery is so quick to throw emotion out the window, silence, in a roomful of clever people after a story, is the most flattering of all marks of success” - Jules Barbey d'Aurevilly

6. “In Paris the cashiers sit rather than stand. They run your goods over a scanner, tally up the price, and then ask you for exact change. The story they give is that there aren't enough euros to go around. "The entire EU is short on coins."And I say, "Really?" because there are plenty of them in Germany. I'm never asked for exact change in Spain or Holland or Italy, so I think the real problem lies with the Parisian cashiers, who are, in a word, lazy. Here in Tokyo they're not just hard working but almost violently cheerful. Down at the Peacock, the change flows like tap water. The women behind the registers bow to you, and I don't mean that they lower their heads a little, the way you might if passing someone on the street. These cashiers press their hands together and bend from the waist. Then they say what sounds to me like "We, the people of this store, worship you as we might a god.” - David Sedaris

7. “A cidade, efectivamente, sorri apenas àqueles que se aproximam dela e que deambulam pelas suas ruas; a esses, ela fala numa linguagem tranquilizadora e familiar, mas a alma de Paris só se revela de longe e do alto, e é no silêncio do céu que se escuta o imenso grito patético de orgulho e de fé que ela eleva na direcção das nuvens.” - Julien Green

8. “...quando me passeio por Passy parece-me que deambulo por dentro de mim mesmo e que tropeço incessantemente na minha infância.” - Julien Green

9. “Bom ou mau, aquilo que sai da Paris é Paris, seja uma carta, um pedaço de pão, um par de sapatos ou um poema.” - Julien Green

10. “Goddammit! How does the world keep spinning with women on the planet?"Ian St. John in THE POMPEII SCROLL” - Jacqueline LaTourrette

11. “I knew how severe I had been and how bad things had been. The one who is doing his work and getting satisfaction from it is not the one who poverty bothers.” - Ernest Hemingway

12. “Let's just go in and enjoy ourselves,' Yvonne had said after a long moment when the Hitchens family had silently reviewed the menu—actually of the prices not the courses—outside a restaurant on our first and only visit to Paris. I knew at once that the odds against enjoyment had shortened (or is it lengthened? I never remember).” - Christopher Hitchens

13. “Il était tard; ainsi qu'une médaille neuveLa pleine lune s'étalait,Et la solennité de la nuit, comme un fleuveSur Paris dormant ruisselait.” - Charles Baudelaire

14. “They left me. My parents actually left me! IN FRANCE!” - Stephanie Perkins

15. “Paris is a heaven for all woman's obssesions: hot men, great chocolates, scrumptuous pastries, sexy lingerie, cool clothes but, as any shoe-o-phile knows, this city is a hotbed of fabulous shoes.” - Kirsten Lobe

16. “I like The Eiffel Tower because it looks like steel and lace.” - Natalie Lloyd

17. “Il me dit qu'il aime Paris, qu'il ne pourrait pas habiter ailleurs, qu'il a vécu à Londres, à New York, mais qu'il n'aime que Paris, à cause de ce passé sulfureux qui émane des murs et qui flotte dans les rues, à cause de la lumière des réverbères sur les trottoirs humides et des visages tristes derrière les vitres des cafés.” - Lolita Pille

18. “Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets--as vast and indestructible as nature itself. All was embraced by her, by her volatile and enchanted populace thronging the galleries, the theaters, the cafes, giving birth over and over to genius and sanctity, philosophy and war, frivolity and the finest art; so it seemed that if all the world outside her were to sink into darkness, what was fine, what was beautiful, what was essential might there still come to its finest flower. Even the majestic trees that graced and sheltered her streets were attuned to her--and the waters of the Seine, contained and beautiful as they wound through her heart; so that the earth on that spot, so shaped by blood and consciousness, had ceased to be the earth and had become Paris.” - Anne Rice

19. “Hope is a most beautiful drug.” - Jeremy Mercer

20. “Paris is the only city in the world where starving to death is still considered an art.” - Carlos Ruiz Zafon

21. “After joyfully working each morning, I would leave off around midday to challenge myself to a footrace. Speeding along the sunny paths of the Jardin du Luxembourg, ideas would breed like aphids in my head—for creative invention is easy and sublime when air cycles quickly through the lungs and the body is busy at noble tasks.” - Roman Payne

22. “Mine was the twilight and the morning. Mine was a world of rooftops and love songs.” - Roman Payne

23. “People wonder why so many writers come to live in Paris. I’ve been living ten years in Paris and the answer seems simple to me: because it’s the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.” - Roman Payne

24. “Had you but seen it, I promise you, your high-minded principles would have melted like candle wax. Never would you have wished such beauty away.” - Jennifer Donnelly

25. “Happiness was useless to me. It was heartache that filled my purse. What happy man has need of Shakespeare?” - Jennifer Donnelly

26. “I guess it goes to show that you just never know where life will take you. You search for answers. You wonder what it all means. You stumble, and you soar. And, if you’re lucky, you make it to Paris for a while.” - Amy Thomas

27. “The English language is like London: proudly barbaric yet deeply civilised, too, common yet royal, vulgar yet processional, sacred yet profane. Each sentence we produce, whether we know it or not, is a mongrel mouthful of Chaucerian, Shakespearean, Miltonic, Johnsonian, Dickensian and American. Military, naval, legal, corporate, criminal, jazz, rap and ghetto discourses are mingled at every turn. The French language, like Paris, has attempted, through its Academy, to retain its purity, to fight the advancing tides of Franglais and international prefabrication. English, by comparison, is a shameless whore.” - Stephen Fry

28. “Her little fists pummeled at him, and he accepted the abuse. Until he realized she’d made an improper fist and was actually hurting herself. He wound an arm around her waist, spun her and slammed her into the hard line of his body to still her.“Let me go!”“In a minute.” As she struggled, he pulled her thumb out from beneath her fingers and rearranged her fist. “Hit like this.” Done, he released her.” - Gena Showalter

29. “Dangerous as a lightning strike, as lethal as a pair of crisscrossing short swords, William whispered, “You’re about to find out how your liver tastes, my friend.”“I have tasted it already,” Zacharel said, his voice its usual monotone. The snowflakes began to fall in earnest, tiny at first, but growing in diameter. An arctic wind blustered around him. “It was a bit salty.”How the hell was a guy supposed to respond to that?Apparently William didn’t know, either, because he gaped at the angel. Then, “Maybe if you added a little pepper?”O-kay. It was official. William had an answer for everything.” - Gena Showalter

30. “You're going to have to settle on one eventually. Why not save us both the hassle, close your eyes and point. Whoever you're pointing at will be our winner." "I've played that game once before. Ended up--" Paris shuddered. "Never mind. It's not good to wander down that particular memory trail. So no. Just no.” - Gena Showalter

31. “Sienna, meet Zacharel. He's a warrior angel for the One, True Deity. Zacharel, meet Sienna. She's mine.” - Gena Showalter

32. “Paris is a place in which we can forget ourselves, reinvent, expunge the dead weight of our past.” - Michael Simkins

33. “Fairy tales only happen in movies." -George Meliesfrom The Invention of Hugo Cabret” - Brian Selznick

34. “I wish I could go to Paris right now.” - Emily J. Proctor

35. “For luck you carried a horse chestnut and a rabbit’s foot in your right pocket. The fur had been worn off the rabbit’s foot long ago and the bones and the sinews were polished by the wear. The claws scratched in the lining of your pocket and you knew your luck was still there.” - Ernest Hemingway

36. “The great correspondent of the seventeenth century Madame de Sevigne counseled, "Take chocolate in order that even the most tireome company seem acceptable to you," which is also sound advice today!” - Barrie Kerper

37. “By nature independent, gay, even exuberant, seductively responsive and given to those spontaneous sallies that sparkle in the conversation of certain daughters of Paris who seem to have inhaled since childhood the pungent breath of the boulevards laden with the nightly laughter of audiences leaving theaters, Madame de Burne's five years of bondage had nonetheless endowed her with a singular timidity which mingled oddly with her youthful mettle, a great fear of saying too much, of going to far, along with a fierce yearning for emancipation and a firm resolve never again to compromise her freedom.” - Guy de Maupassant

38. “Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.” - Victor Hugo

39. “A breath of laughter will blow a Government out of existence in Paris much more effectually than a whiff of cannon-smoke” - Robert Barr

40. “When Hitler marched across the RhineTo take the land of France,La dame de fer decided,‘Let’s make the tyrant dance.’Let him take the land and city,The hills and every flower,One thing he will never have,The elegant Eiffel Tower.The French cut the cables,The elevators stood still,‘If he wants to reach the top,Let him walk it, if he will.’The invaders hung a swastikaThe largest ever seen.But a fresh breeze blewAnd away it flew,Never more to be seen.They hung up a second mark,Smaller than the first,But a patriot climbedWith a thought in mind:‘Never your duty shirk.’Up the iron ladyHe stealthily made his way,Hanging the bright tricolour,He heroically saved the day.Then, for some strange reason,A mystery to this day,Hitler never climbed the tower,On the ground he had to stay.At last he ordered she be razedDown to a twisted pile.A futile attack, for still she standsBeaming her metallic smile.” - E.A. Bucchianeri

41. “Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.” - E.A. Bucchianeri

42. “Mais Paris est un véritable océan. Jetez-y la sonde, vous n'en connaîtrez jamais la profondeur. Parcourez-le, décrivez-le : quelque soin que vous mettiez à le parcourir, à le décrire ; quelques nombreux et intéressés que soient les explorateurs de cette mer, il s'y rencontrera toujours un lieu vierge, un antre inconnu, des fleurs, des perles, des monstres, quelque chose d'inouï, oublié par les plongeurs littéraires.” - Honoré de Balzac

43. “Retrouver Paris! savez-vous ce que c'est, ô Parisiens?” - Honoré de Balzac

44. “... you’ll have to fall in love at least once in your life, or Paris has failed to rub off on you.” - E.A. Bucchianeri

45. “Kilmartin wrote a highly amusing and illuminating account of his experience as a Proust revisionist, which appeared in the first issue of Ben Sonnenberg's quarterly Grand Street in the autumn of 1981. The essay opened with a kind of encouragement: 'There used to be a story that discerning Frenchmen preferred to read Marcel Proust in English on the grounds that the prose of A la recherche du temps perdu was deeply un-French and heavily influenced by English writers such as Ruskin.' I cling to this even though Kilmartin thought it to be ridiculous Parisian snobbery; I shall never be able to read Proust in French, and one's opportunities for outfacing Gallic self-regard are relatively scarce.” - Christopher Hitchens

46. “London is a riddle. Paris is an explanation.” - G. K. Chesterson

47. “The directness of her question throws me. "I don't know. Sometimes I think there are only so many opportunities...to get together with someone. And we've both screwed up so many times"- my voice grows quiet - "that we've missed our chance.""Anna." Mer pauses. "That is the dumbest thing I've ever heard.""But—""But what? You love him, and he loves you, and you live in the most romantic city in the world.” - Stephanie Perkins

48. “Just imagine! In the early nineteenth century, this cathedral was in such a state of disrepair that the city considered tearing it down. Luckily for us, Victor Hugo heard about the plans to destroy it and wrote The Hunchback of Notre-Dame to raise awareness of its glorious history. And, by golly, did it work! Parisians campaigned to save it, and the building was repaired and polished to the pristine state you find today.” - Stephanie Perkins

49. “I don't think that anyone outside Paris can understand love and murder as we do.But Emile loves Paris, and loving Paris is a murderous education. ("Anthropology: What Is Lost In Rotation")” - William S. Wilson

50. “When he craved contact, he stopped in to visit the Cézannes and Monets at the Musée du Luxembourg, believing they had already done what he was striving for—distilling places and people and objects to their essential qualities.” - Paula Mclain

51. “In Paris, you couldn’t really turn around without seeing the result of lovers’ bad decisions. An artist given to sexual excess was almost a cliché, but no one seemed to mind. As long as you were making something good or interesting or sensational, you could have as many lovers as you wanted and ruin them all.” - Paula Mclain

52. “...was an elegant woman in a city of so many thousands of elegant women...” - Ann Patchett

53. “FAITES L'AMOUR ET RECOMMENCEZ (make love and make it again)” - Anouk Markovits

54. “Some of us are crèmes brûlées, unfortunately in the presence of those who would rather have corn dogs. We can try to degenerate into corn dogs to make them happy, or we can just accept the fact that we were made for Paris!” - C. JoyBell C.

55. “To study in Paris is to be born in Paris!” - Victor Hugo

56. “A beautiful white silk scarf was around her neck, tucked below the fur collar. Her lips were well painted into a bright red cupid’s bow. Cute as hell I always told myself, with a tinge of regret. She had a steady girlfriend.” - Paul A. Myers

57. “Out of the corner of his eye, he saw another woman sitting over in a wing chair, a pleasantly attractive lady wearing the tasteful clothes of a senior redactrice, or senior civil servant, the stylish black skirt, the dark stockings, the black pumps, and the starched white linen blouse of her caste. The dark hair was swept up in a chignon, elegant and functional, dark eyes glistened as she smiled at him in a professional manner. He could see that she was a woman who met men in a highly assured way—serene, and expert at creating a proper distance.” - Paul A. Myers

58. “Sandrine opened her eyes to the soft gray light of early dawn. Recollections of sensual pleasure seemed to caress her body, bringing a smile to her lips. She lay back in the pillow and listened to the breathing of Philippe beside her. She lingered in the memory of the previous night, a memory that was like a warm and tender embrace, an evening of small intimate harmonies. As it should be.” - Paul A. Myers

59. “Then she stood on tiptoe and kissed him sweetly on the lips, “I promise you a love affair with a sun-bathed Austrian princess beyond anything you imagine—in love, in beauty, in intensity. A love that will power you to the end of our time together. You are going to be a fortunate man, Geoffrey Ashbrook.” - Paul A. Myers

60. “The Empire was on the point of turning Paris into the bawdy house of Europe. The gang of fortune-seekers who had succeeded in stealing a throne required a reign of adventures, shady transactions, sold consciences, bought women, and rampant drunkenness.” - Émile Zola

61. “Night came on, the lamps were lighted, the tables near him found occupants, and Paris began to wear that peculiar evening look of hers which seems to say, in the flare of windows and theatre-doors, and the muffled rumble of swift-rolling carriages, that this is no world for you unless you have your pockets lined and your scruples drugged.” - Henry James

62. “You'd think the sight of beautiful Place Vendôme would lift my spirits but oddly the arc of jewellery - so obviously beyond the means of a jobless person like me - only depresses me more. I plod on feeling confused, guilty even, that I should feel unhappy in a place that looks like paradise.” - Sarah Turnbull

63. “She was ready to be a fugitive with him for the rest of her life - 'Whither thou goest, I will go; thy people shall be my people' - and when a Parisienne is ready to leave Paris behind forever, that's something. ("I'm Dangerous Tonight")” - Cornell Woolrich

64. “... far be it from a French man to interfere with love.” - E.A. Bucchianeri

65. “Now you are walking in Paris all alone in the crowd As herds of bellowing buses drive by Love's anguish tightens your throat As if you were never to be loved again If you lived in the old days you would enter a monasteryYou are ashamed when you discover yourself reciting a prayerYou make fun of yourself and like the fire of Hell your laughter crackles The sparks of your laugh gild the depths of your lifeIt's a painting hanging in a dark museumAnd sometimes you go and look at it close up” - Guillaume Apollinaire

66. “Oh Paris From red to green all the yellow dies away Paris Vancouver Hyeres Maintenon New York and the AntillesThe window opens like an orange The beautiful fruit of light("Windows")” - Guillaume Apollinaire

67. “That name was a sadistic play on the Underground Railroad that smuggled American slaves north. The old Nazis set up their own version and used it mainly to move their people. They called it Die Spinne.” - John Pearce

68. “No one said finding Paris would be easy; I only said it would be worth it.” - Con.Template

69. “...but you drank your black coffee by choice, believeng that Paris was sufficient alcohol.” - Malcolm Cowley

70. “We had bought a kilo of cherries and we were eating them as we walked along. We were both insufferably childish and high-spirited that afternoon and th spectacle we presented, two grown men, jostling each other on the wide sidewalk, and aiming the cherry-pips, as though they were spitballs, into each other's facesm must have been outrageous. And I realized that such childishness was fantastic at my age and the happiness out of which it sprang yet more so; for that moment I really loved Giovanni, who had never seemed more beautiful than he was that afternoon. And, watching his face, I realized that it meant much to me that I could make his face so bright. I saw that I might be willing to give a great deal not to lose that power. And I felt myself flow toward him, as a river rushes when the ice breaks up.” - James Baldwin

71. “I used to ask myself, ‘Sergei, would you rather spend your money on drink or women?’ and thanks to the club, I spend it on both and am called a patron of the arts.” - Melika Dannese Lux

72. “Time wastes too fast… the days and hours of it… are flying over our heads like little clouds on a windy day, never to return more – everything presses on – whilst thou art twisting the lock, - see! it grows grey… and every time I kiss thy hand to bid adieu, and every absence which follows it, are preludes to that eternal separation which we are shortly to make!” - The Life And Opinions of Tristram Shandy

73. “Eğer Paris’te hiç yürüdüysen, göreceksin ki Paris daima senin anılarında yürüyecektir!” - Mehmet Murat ildan

74. “They stamped their own pattern of lovers onto the fabric of Paris.” - Emma Calin

75. “For example, in Paris, if one desires to buy something, you enter the store and say "Good morning, sir" or "madam," depending on what is appropriate, you wait until you are greeted, you make polite chitchat about the weather or some such, and when the salesperson asks what they can do for you, then and only then do you bring up the vulgar business of the transaction you require.” - Craig Ferguson

76. “Paris and Fashion. Books and Art. What would one be ... without the other?” - Peggy Kopman-Owens

77. “Morning"SUNThat awakens ParisThe highest poplar on the bank On The Eiffel TowerA tricolored cockSings to the flapping of his wingsand several feathers fallAs it resumes its course The Seine looks between the bridgesFor her old routeAnd the Obelisk That has forgotten the Egyptian words Has not blossomed this yearSUN” - Vicente Huidobro

78. “Eiffel Tower" To Robert DelaunayEiffel Tower Guitar of the skyYour wireless telegraphy Attracts words As a rosebush the beesDuring the night The Seine no longer flowsTelescope or bugleEIFFEL TOWERAnd it's a hive of words Or an inkwell of honeyAt the bottom of dawn A spider with barbed-wire legs Was making its web of cloudsMy little boy To climb the Eiffel Tower You climb on a songDo re mi fa sol la ti do We are up on top A bird sings in the telegraph antennae It's the wind Of Europe The electric windOver there The hats fly away They have wings but they don't sing Jacqueline Daughter of France What do you see up there The Seine is asleep Under the shadow of its bridges I see the Earth turning And I blow my bugleToward all the seasOn the path Of your perfume All the bees and the words go their wayOn the four horizons Who has not heard this song I AM THE QUEEN OF THE DAWN OF THE POLES I AM THE COMPASS THE ROSE OF THE WINDS THAT FADESEVERY FALLAND ALL FULL OF SNOW I DIE FROM THE DEATH OF THAT ROSE IN MY HEAD A BIRD SINGS ALL YEAR LONGThat's the way the Tower spoke to me one dayEiffel Tower Aviary of the world Sing SingChimes of ParisThe giant hanging in the midst of the void Is the poster of FranceThe day of Victory You will tell it to the stars” - Vicente Huidobro

79. “I know the consequences, Manon,” Ilyse conceded. “I know the fate you endured might one day be my own. But I refuse to be a prisoner for the rest of my life.” - Melika Dannese Lux

80. “In Paris, women were not considered interesting until they were middle-aged. The Mist of Montmartre” - Peggy Kopman-Owens

81. “Hélène, her eyes once more raised and remote, was deep in a dream. She was Lady Rowena, she was in love, with the deep peaceful passion of a noble soul. This spring morning, the loveliness of the great city, the first wallflowers scenting her lap, had little by little melted her heart.” - Émile Zola

82. “The whole of Paris was lit up. The tiny dancing flames had bespangled the sea of darkness from end to end of the horizon, and now, like millions of stars, they burned with a steady light in the serene summer night. There was no breath of wind to make them flicker as they hung there in space. They made the unseen city seem as vast as a firmament, reaching out into infinity.” - Émile Zola

83. “It is impossible for a Parisian to resist the desire to flick through the old volumes laid out by a bookseller.[Il est impossible, pour un Parisien, de résister au désir de feuilleter de vieux ouvrages étalés par un bouquiniste.]” - Gerard de Nerval

84. “The veneer of civilization fell away to reveal desperate animals, humanity at their worst.” - Travis Luedke

85. “The mind, stretched to new dimensions by images, thoughts and ideas, can never return to its former shape.” - Travis Luedke