“I loved those Latin words for their dignity, their foreignness, and the way my tongue had to wrap around them. I felt that in learning the special language of a scholarly order, I was amassing a kind of force. This was the pure and noble side of the world, uncorrupted by secrets and trickery. How extraordinary that a word could serve as a shorthand for an elaborate tale of disease.”

“The irony of acquiring a foreign tongue is that I have amassed just enough cheap, serviceable words to fuel my desires and never, never enough lavish, impudent ones to feed them.”

“I decided I would put off the novel until I had gone to Europe and had a lover, and that I would never learn a word of shorthand. If I never learned shorthand I would never have to use it.”

“It is my own language, limited as it is. I will have to learn to work with it. There was a kind of poetry I was seeking in my prose, word to be laid against word in just a certain way, a kind of word color, a march of words and sentences, the color to be squeezed out of simple words, simple sentence construction.”

“Tears are the noble language of eyes, and when true love of words is destitute. The eye by tears speak, while the tongue is mute.”

“When I started to learn how to read, I discovered the same kind of power. I could create an environment that I didn't have, and I could order this environment in the way that I couldn't in my actual life. Then, when I learned to write, I learned that I could do this not only for myself, but for other people. I could create whole things that were believable, at least to myself, at that point. And in this way, I began to wield an authority and a power that I had not had before. In other words, every child goes through this. Some pick football and some pick the library. I picked the library.”