“Maybe you know something about young people, and maybe you don't. I, having been one myself once upon a time, know a few things about them. One thing I know is that if you don't want one to do something - for example, go into a room where there's a portrait of an unbearably beautiful princess- saying "It might cost you your life" is about the worst thing you can possibly say. Because then that's all that young person will want to do. I mean, why didn't Johannes say something else? Like, "It's a broom closet. Why? you want to see a broom closet?" Or, "It's a fake door, silly. For decoration." Or even, "It's the ladies' bathroom, Your Majesty. Best not go poking your head in there.”

“I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?”

“Sometimes you see someone doing something that does not fit at all with your idea of that person. You realise that, a lot of the time, you don't really know people, even one of your best friends.Instead, you get to know a little bit about that person - the little things they want to reveal, or inadvertently reveal - and then you make up a whole lot of rubbish that's your idea of the person.”

“How did you know what's been killing me? Slowly, for years, driving me to hate people when I don't want to hate... Have you felt it, too? Have you seen how your best friends love everything about you--except the things that count? And your most important is nothing to them, nothing, not even a sound they can recognize. You mean, you want to hear? You want to know what I do and why I do it, you want to know what I think? It's not boring to you? It's important?”

“You know me better than anyone, and you're my best friend. I don't think there's anything you could say to me that would lead me to believe that you're doing it just to hurt me. If there's one thing I've come to know about you, it's that you're not even capable of something like that. Why do you think I like spending time with you so much? Because you're a good guy. A nice guy.”

“The idea tells you everything. Lots of times I get ideas, I fall in love with them. Those ones you fall in love with are really special ideas. And, in some ways, I always say, when something's abstract, the abstractions are hard to put into words unless you're a poet. These ideas you somehow know. And cinema is a language that can say abstractions. I love stories, but I love stories that hold abstractions--that can hold abstractions. And cinema can say these difficult-to-say-in-words things. A lot of times, I don't know the meaning of the idea, and it drives me crazy. I think we should know the meaning of the idea. I think about them, and I tell this story about my first feature Eraserhead. I did not know what these things meant to me--really meant. And on that particular film, I started reading the Bible. And I'm reading the Bible, going along, and suddenly--there was a sentence. And I said, forget it! That's it. That's this thing. And so, I should know the meaning for me, but when things get abstract, it does me no good to say what it is. All viewers on the surface are all different. And we see something, and that's another place where intuition kicks in: an inner-knowingness. And so, you see a thing, you think about it, and you feel it, and you go and you sort of know something inside. And you can rely on that. Another thing I say is, if you go--after a film, withholding abstractions--to a coffee place--having coffee with your friends, someone will say something, and immediately you'll say “No, no, no, no, that's not what that was about.” You know? “This is what it was about.” And so many things come out, it's surprising. So you do know. For yourself. And what you know is valid.”