“We don't know that we've lost half a minute from our lives but we feel it somehow, we feel its absence. Something is missing, we think. And so we long for the thing we've missed and can't name, and out of that wanting - well, everything else rises, good and bad. What do you think leads us to the windows in the first place? The light in your eyes shines because of the longing in your soul. And the longing in your souls rises because you are looking for the lost half minute.”

“The hardest thing to convey is how lovely it all is and how that loveliness seems all you need. The ghosts that haunted you in New York or Pittsburgh will haunt you anywhere you go, because they’re your ghosts and the house they haunt is you. But they become disconcerted, shaken confused for half a minute, and in that moment on a December at four o’clock when you’re walking from the bus stop to the rue Saint-Dominique and the lights are twinkling across the river–only twinkling in the bateaux-mouches, luring the tourists, but still…–you feel as if you’ve escaped your ghosts if only because, being you, they’re transfixed looking at the lights in the trees on the other bank, too, which they haven’t seen before, either. It’s true that you can’t run away from yourself. But we were right: you can run away.”

“History is not an agreed-upon fiction but what gets made in a crowded room; what is said isn't what's heard, and what's heard isn't what gets repeated. Civilization is an agreement to keep people from shouting 'Fire!' in a crowded theater, but the moments we call historical occur when there is a fire in a crowded theater; and then we all try to remember afterward when we heard it, and if we ever really smelled smoke, and who went first and what they said. The indeterminancy is built into the emotion of the moment. The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present. If we had been there listening, we still might not have been able to determine exactly what Stanton said. All we know for sure is that everyone was weeping and the room was full.”

“we swim in our second language, we breathe in our first”

“Can't repeat the past? We do it every day. We build a life, or try to, of pleasures and duties that will become routine, so that every day will be the same day, or nearly so, "the day of our life," Randall Jarrell called it.”

“Why do we weep once we know that everything will be alright? We weep because the only way everything could ever be alright is in fiction. We weep because what we've seen can't be true, no matter how badly we wish it were. We weep at the truth.”

“[T]he relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios--the overwhelming and underlying desire for something truly terrible to happen so that you could have something really hot to talk about--was still startling. We call disasters unimaginable, but all we do is imagine such things. That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.”